Music played an enormous role in the works of William Shakespeare, while his own sonnets, poems and soliloquies have provided continuing inspiration for many composers through the years. The Novello Shakespeare Choral Collection, inspired by the 400th anniversary of the Bard's death in 2016, is an exciting anthology of choral works that are settings of Shakespeare's words. For choirs of all types and abilities, this collection has been edited by David Wordsworth so that all the pieces are fantastic both to sing and hear.The collection features some beautiful settings that have well and truly stood the test of time, such as Thomas Arne's Blow, Blow, Thou Winter Wind and Henry Leslie's How Sweet The Moonlight Sleeps. More recent settings from 20th century and contemporary composers include Ernest Moeran's Sigh No More, Ladies, Gary Carpenter's Lo, Here, The Gentle Lark and John Tavener's Fear No More and Look In Thy Glass.Not only this, the Shakespeare Choral Collection boasts several works that were specially commissioned, including John Joubert's Be Not Afeard, Richard Sisson's Light Thickens and Pawel Lukaszewki's Weary With Toil, I Haste Me To My Bed. Some pieces have never appeared before in print, such as those by Kevin Olsen, Bernard Hughes and John Gardner. These songs truly are a joy to perform, with some relatively simple arrangements that are purely fun to sing, while some more complex settings that will be thoroughly rewarding for choirs and audiences alike.A total of 26 fantastic works comprise The Novello Shakespeare Choral Collection, which would work as a wonderful concert programme on its own, or could provide a wealth of options for choirs looking to expand their repertoire with a range of unique settings. Also included is a fascinating introduction by editor David Wordsworth, and notes describing each piece.Words written by indisputably the greatest writer in the English language can only be matched with music by composers of talent and renown such as these. The Novello Shakespeare Choral Collection is an essential anthology of stunning settings of beautiful words which will be performed and enjoyed for many years to come. / Choeur Mixte (SATB)

La partition 32 ETUDES COURS SUPERIEUR de Loyon Ernest a été composée pour Clarinette et plus particulièrement pour Clarinette En Sib Etudes. Cette partition musicale est éditée par une des nombreuses maisons d'édition française à savoir Billaudot. Cette oeuvre musicale fait partie intégrante des oeuvres de style Classique. / Clarinette En Sib Etudes / Partition

Par CELLIER / ERNEST FORD. Shedding light on a little-known aspect of late-Victorian theatre, MB99 offers full scores and librettos of two one-act operettas, produced at the Savoy Theatre and written to precede as curtain-raisers the main, full-length work of the evening. Richard D’Oyly Carte did much to cultivate the genre, initiated by Trial by Jury in 1875, and featured regularly at the Savoy Theatre between 1878 and 1908. Though all but forgotten today, the composers François Cellier (1849–1914) and ErnestFord (1858–1919) had strong connections with Sullivan, and wrote a number of one-act works, of which only Captain Billy (1891) and Mr Jericho (1893) respectively are known to have survived. / Opéra-opérette / Date parution : 1905-07-07/ Répertoire / Livret

Arrangement: Cordero Ernesto. Par CORDERO ERNESTO. Los Cuatro Muleros (The Four Mulers) and En el CafE de Chinitas (The Chinitas CafE) are two popular Andalusian songs of exquisite taste that probably date from the beginning of the 19th century. These popular songs were compiled by the great Spanish poet, Federico Garcöa Lorca (1898-1936), who loved to play them on the piano. Here they are arranged for solo classic guitar in standard notation only. / Niveau : Intermédiaire / Classic - Solos / Recueil / Guitare Classique

A Treasury of European Service Music for Manuals is a generous collection of music by many of the fine organist-composers who flourished in the 18th 19th and early 20th centuries.The style is romantic and ideallysuited for Service use: the pieces are just the right length sight-readable and delightful to the ear.Richard Lloyd has edited them expertly for playing on modern instruments.Contents:Andante by Arthurde HovreAntiphon by Georges Debat-PonsanChorale by Louis BottazzoCommunion by Louis BottazzoCommunion by Adolphe d'HulstCommunion by Alfred MarichelleCommunion by Edouard TorresCoro Religioso by OrlandoA. MansfieldDeux Canons by Ludvig Mathias LindemanDeux Interludes by Eugène GigoutElévation by Domenico BellandoElévation by Adolphe d'HulstElévation by Jean HuréElévation by Edouard TorresFughetta byOscar DepuydtFugue in E minor by Guillaume LasceuxFugue in E minor by Jean-Nicolas MarriguesFugue in G minor by Jean-Jacques Beauvarlet-CharpentierImprovisation by Gustaf HäggInterlude by SantiagoTafallInvocation by Alexandre WinkelLarghetto by J. SurzynskiLe Carillon de Balleroy by A. ManciniMeditation by A. ManciniNoël by Alphonse Mailly Noël Lorrain by Guillaume LasceuxNorwegian Song by PeterLindemanOffertoire by Louis BottazzoOffertoire by Gaetano FoschiniOffertoire by Ernest GrosjeanOffertoire by Adolphe d'HulstOffertoire by Charles LefebvrePastorale by Paul FauchettPastorale by P. L.HillemacherPax by Giovanni BolzoniPiece in C by Emile PessardPrelude by Oscar DepuydtPrelude by Adolphe d'HulstPrelude by Augusto MachadoPrelude by Orlando A. MansfieldPrelude in E minor by ErnestGrosjeanPrelude on 'Iste Confessor' by Lucien BourgeoisPrelude on 'Pange Lingua' by Lucien BourgeoisPrière by Bruce SteanePrière by Johann Gustav Eduard StehleSong of Joy by Bruce SteaneVerset on 'Sacris

Michael Jarrell se revendique artisan. Conscient de ce que la maîtrise de son art s'acquiert dans la durée, il a souvent éprouvé le besoin de revenir sur le même objet, envisagé sous un angle différent, lorsqu'il estimait disposer d'outils plus efficaces et pouvoir exprimer avec davantage de précision ses idées musicales. C'est ainsi qu'il se dit fasciné par les artistes qui travaillent sans cesse la même idée, comme par exemple Varèse ou Giacometti. Sa formation de plasticien a probablement rendu plus aiguë encore sa sensibilité aux formes. L'impact qu'a pu avoir sur lui la pensée de Paul Klee concernant notamment les relations entre formes et mouvements n'est sans doute pas étranger à sa façon d'animer les matériaux avec lesquels il compose.Ensemble Klangforum Wienn, Neue Vocalsolisten Stuttgart, Ernesto Molinari (clarinette basse), Emilio Pomarico (direction) / Divers

Description Ernest Chausson: Selected Songs For Voice And Piano Selected Songs For Voice And Piano is a superb collection of 25 exquisite melodies spotlighting the work of Ernest Chausson .

In this unique and unusual piece Ernest Bloch reflects the style of French dramatist novelist essayist art historian and mystic Romaine Rolland to whom Psaume 22 is dedicated. Originally written in 1914 for Baritone solo and Grand Orchestra this edition presents the composer’s reduction for Voice and Piano. The virtuoso Piano accompaniment is demanding for pianist and soloist alike but when mastered the piece yields a sound that is out of this world. The text of the psalm is provided in French (in d’Edmond Fleg’s translation) and English (as translated by Waldo Frank). Duration is approximately 8 minutes.Ernest Bloch was a20th-century Swiss-born American composer who during his lifetime taught at institutions such as the Cleveland Institute of Music the San Francisco Conservatory of Music and the University of California Berkeley.

Study Score No. 146-This composition was inspired and originally titled according to a romantic vision of the Far East (which Ernest Bloch had never visited). At one time the suite had a set of descriptive titles which begun with In the Jungle (Life in the Primitive World)- at attempt to portray Nature in its wildest and most primitive state. The second movement was known as 'Grotesque (Simian Stage)' - it is sardonic and fantastic. The third movement was was inspired by the tales of a close friend about a night-time journey through Javanese villages from which could be heard the distant sound of wooden musical instruments. The finale originally Land of the Sun (China) was Bloch said the most cheerful thing I ever wrote. It is based on pentatonic motives (like a common Chinese scale) and also recalls music from the other movements.This is the full score of this work.

Etude, Méthode, Exercice, tout est bon pour apprendre et perfectionner son apprentissage musical. A travers, cette partition, vous pourrez découvrir une des oeuvres de Loyon Ernest en l'occurence 32 Etudes qui a été éditée par la maison d'édition Billaudot. / Etudes / Partition