28 classiques John McLaughlin sélectionnés parmis les 4 albums suivants : Inner Mounting Flame - Birds Of Fire - Visions Of The Emerald Beyond - Between Nothingness and Eternity / Guitare

Between Eternity And Time by Paul Mealor was commissioned by Irene Drummond with funds provided by the Scottish Arts Council and first performed by her with Alasdair Beatson (piano) at King’s College Chapel Aberdeen on 6 November 2008.

For TTBB divisi chorus wind chimes andoptional Soprano saxophone (part available separately).I Saw Eternity was commissioned by and is dedicated to Hans-Joachim Lustig and Mannerstimmen der Chorknaben Uetersen.

Eternity for Chorus SATB and Piano was composed by Michael Bojesen in 2004. Lyrics by Ellen Heiberg.

Skempton's simple and reflective setting of John Clare's poem was commissioned by the Aldeburgh Festival and composed for The Abbey Chapel Choir Woodbridge. With its fluid changes of time signature and unusual harmonic inflections Song's Eternity evokes a sound-world unique to Skempton. The modest scoring and simple movement within the parts make the work accessible to all upper-voice or treble choirs looking to try something new.

Invite to Eternity Op.31.Settings of poems by John Clare for tenor voice and string quartet.

Invite To Eternity. Settings of poems by John Clare for tenor voice and string quartet.

Par DE HAAN JACOB. The Book of Urizen is a work for concert band, solo soprano, and a male narrator in which sound collages of religious expressions are used. The piece is inspired by the compelling visionary poem of the same name (which the poet illustratedhimself) by the Englishman William Blake (1757-1827), who occupies a unique position in western literature and the visual arts. He was not just a poet and a writer, but he was also a graphic artist, a painter, an illustrator, a spiritualist, areligious visionary, and a mystic philosopher. For the performance of this work, a professional sound system, including two microphones and a CD player, is needed. The three sound collages are three separate tracks on the enclosed CD and can beplayed easily at the right moment. The Book of Urizen bears resemblance to Genesis and Exodus, of which the contents form the basis of the Christian, Jewish, and Islamic faith. Blake adhered to the principle that all religions are in fact one, and that deities reside in human beings. In The Book of Urizen this is represented in “The Net of Religion, ” which is spanned over the earth by Urizen. The sound collages, compiled by Jacob de Haan in the studio, find their origin inJerusalem, the Holy City, where the afore-mentioned faiths “come together. ” In the first movement of this composition, The Vision, Urizen prepares his vision of the world, and he presents this to the “Eternals. ” His vision is rejected, and Urizen locks himself up in his own abstract world. When he does emerge again, he is confronted with rage by the gathered Eternals. Urizen flees the wrath of the Eternals, “the flames of eternal fury, ” and enwombs himself in his own world. Whenthe Eternals see Urizen in his “stony sleep, ” they wonder if this is death. The blacksmith Los is torn by grief because of the isolation of Urizen. It brings him to rouse his fires, prepare his forge, and to give Urizen’s world concrete form. In the second movement, The Creation, Urizen’s world, but also man, woman, and child are created. Los is horrified with the appearance of Urizen’s body. He mourns and pities Urizen, and from his blood a female form comes into being, with thename Enitharmon. The Eternals, fearful of the female form, decide to erect a tent to obstruct their view to eternity. Enitharmon and Los beget a son, called Orc. Los baptizes him as a child of the “fallen world. ” Orc is fed at Enitharmon’s breast, which makes a girdle of jealousy restrict Los’ chest. He takes the child to the top of the mountain and chains him down. The cries of Orc awaken Urizen, who explores his world creating instruments of scientific measurement to do so. Los encircles theface of Enitharmon from the sight of Urizen and Orc. She then populates the earth by giving birth to an enormous race. The Web, third movement of The Book of Urizen is now available: DHP 1125252 / Niveau : 5 / Pièce de concert / Répertoire / Concert Band ou Harmonie

Text By Chief Yellow Lark Lakota Soux-Simple repeated note patterns form the melodic and accompanimental textures of this piece evoking a sense of humility.Each verse builds toward a cascade of running 8th notes that subside in quietness. A mood of reverence permeates the piece as Chief Yellow Lark's words uttered with eternity in mind reveal all of life to be sacred.

Instrumentalsätze Aus Den Trauermusiken Für Die Hamburger Bürgermeister Gerhard Schröder (1723) Und Daniel Stockfleth (1739). Par TELEMANN GEORG PHILIPP. Mourning music consisting of free and chorale-based instrumental movements [”Nun lasset uns den Leib begrab’n” – “Christus, der ist mein Leben”] from Telemann’s funeral music for the Hamburg mayors Schröder [1723] and Stockfleth [1739]. – Music for Eternity Sunday or for funeral and memorial services./ Répertoire / 2 Hautbois, 3 Trompettes, Timbales, 2 Violons, Alt

Organ score with solo parts In C B-Flat E-Flat F.The series ?Organ Plus One? contains pieces which are freely-composed or based on hymn tunes both original works as well as arrangements.The editions include solo parts in C Bb Eb and F which can be played by Violin Flute Oboe Clarinet Trumpet and Horn in F. The range of the solo instrument parts is in the middle register making this series particularly appealing to non-professional church musicians and instrumentalists.The hallmark of this edition flexible instrumentation with easy playability ensures that the pieces can easily be tackled and are fun to play for church services musical evenings and small concerts. Idiomatic instrumental arrangements and the stylistic variety of the pieces guarantee success for both organists and instrumentalists.The contents of the volumes correspond to the seasons of the church year:- Advent/Christmas- Passion/Easter- Epiphany/Whitsun/Pentecost- Death and Eternity/Funerals- Praise and Thanks- Divine Service- Communion- Special Services (baptisms/weddings)

Instrumentalsätze Aus Den Trauermusiken Für Die Hamburger Bürgermeister Gerhard Schröder (1723) Und Daniel Stockfleth (1739). Par TELEMANN GEORG PHILIPP. Mourning music consisting of free and chorale-based instrumental movements [”Nun lasset uns den Leib begrab’n” – “Christus, der ist mein Leben”] from Telemann’s funeral music for the Hamburg mayors Schröder [1723] and Stockfleth [1739]. – Music for Eternity Sunday or for funeral and memorial services./ Répertoire / 2 Hautbois, 3 Trompettes, Timbales, 2 Violons, Alt