(2013 Revival). By Frank Wildhorn and Leslie Bricusse. For Piano/Keyboard, Vocal, Piano/Vocal/Guitar. Vocal Selections. Softcover. 104 pages. Published by Hal Leonard

Composed by William Walton (1902-1983). Edited by David Lloyd-Jones. For full orchestra and narrator (flute (+piccolo), clarinet (+bass clarinet), alto saxophone, trumpet in C, percussion[snare drum, cymbal, triangle, Chinese block, casaba, tambourine, jingles], cello [1-2 players]). William Walton Edition. Level D (difficult). Study score. 144 pages. Duration 16 minutes. Published by Oxford University Press

Woodwinds (solo: vl - 2.2.2.2 - 4.2.0.0 - timp - str)

SKU: BR.OB-15132-30

Urtext. Composed by Max Bruch. Edited by Michael Kube. Orchestra; Folder. Orchester-Bibliothek (Orchestral Library). In Cooperation with G. Henle Verlag. Solo concerto; Romantic; Late-romantic. Set of parts. 68 pages. Duration 25'. Breitkopf and Haertel #OB 15132-30. Published by Breitkopf and Haertel (BR.OB-15132-30).

ISBN 9790004341995. 10 x 12.5 inches.

Bruch's evergreen for the first time in UrtextThanks to the premiere performance by Joseph Joachim and to the release of the printed edition in 1868, Max Bruch's Violin Concerto no. 1 zipped onto the road to success and has never left it since. Yet from the preface of the BreitkopfUrtext edition,one can infer how things looked like behind the dazzling facade. After the world premiere, the composer struggled for the definitive form. He wrote 3, 4 development sections in the finale, and sought the advice of celebrated virtuosi such as Joseph Joachim and Ferdinand David to revise the solo part. And after all this was done (see above), Bruch suffered under the work's popularity: Have I written nothing but this one concerto?The new Urtext edition is based primarily on the first edition. Next to the main source and the autograph, what is supremely interesting is a solo part with entries by Joachim and Bruch. It confirms how intensively the two men collaborated on honing the final form of the work.

Composed by William Walton (1902-1983). Arranged by Constant Lambert. For piano duet. Piano duet. 40 pages. Published by Oxford University Press

Violin 2 (solo: vl - 2.2.2.2 - 4.2.0.0 - timp - str)

SKU: BR.OB-15132-16

Urtext. Composed by Max Bruch. Edited by Michael Kube. Orchestra; stapled. Orchester-Bibliothek (Orchestral Library). In Cooperation with G. Henle Verlag. Solo concerto; Romantic; Late-romantic. Part. 8 pages. Duration 25'. Breitkopf and Haertel #OB 15132-16. Published by Breitkopf and Haertel (BR.OB-15132-16).

ISBN 9790004341957. 10 x 12.5 inches.

Bruch's evergreen for the first time in UrtextThanks to the premiere performance by Joseph Joachim and to the release of the printed edition in 1868, Max Bruch's Violin Concerto no. 1 zipped onto the road to success and has never left it since. Yet from the preface of the BreitkopfUrtext edition,one can infer how things looked like behind the dazzling facade. After the world premiere, the composer struggled for the definitive form. He wrote 3, 4 development sections in the finale, and sought the advice of celebrated virtuosi such as Joseph Joachim and Ferdinand David to revise the solo part. And after all this was done (see above), Bruch suffered under the work's popularity: Have I written nothing but this one concerto?The new Urtext edition is based primarily on the first edition. Next to the main source and the autograph, what is supremely interesting is a solo part with entries by Joachim and Bruch. It confirms how intensively the two men collaborated on honing the final form of the work.

By Philip Glass (1937-). For Orchestra (Score). Music Sales America. Post-1900. 62 pages. Music Sales #DU10021. Published by Music Sales

Violin and piano - difficult

SKU: HL.49017923

For Violin and Piano. Composed by Sir Peter Maxwell Davies. This edition: Saddle stitching. Sheet music. String. Composed 2008. 36 pages. Duration 15'. Schott Music #ED13223. Published by Schott Music (HL.49017923).

ISBN 9790220131141. UPC: 884088567217. 9.0x12.0x0.125 inches.

Sir Peter Maxwell Davies is universally acknowledged as one of the foremost composers of our time and as he reaches his 75th birthday in 2009 he remains prolific.The sonata for violin and piano was written for the virtuoso violinist, Ilya Gringolts and first performed at the St Magnus Festival in Orkney in 2008. The work is principally concerned with Italian architecture and the music takes both performers and audience across an imaginary walkway over Rome as proposed by the architect Giuseppe Rebecchini. Starting at the 17th Century Chiesa Nuova the exceptional journey passes Renaissance churches, exhibition spaces, the river Tiber, glass facades, sculptures and even a prison where a Lazio folk tune can be heard echoing from behind the walls. The journey ends 15 minutes later at Gianicolo, an area where one can take in breathtaking views over the whole city.