Arranged by Greg Gilpin. Choir Secular. SATB choir. Choral Octavo. Choral Designs. Folk; Secular. 16 pages. Published by Alfred Music

Solo Soprano voice, SATB Choir, 3 Oboes, basson, 2 trumpets, 2 Violin, Viola, Basso continuo

SKU: CA.3105224

Cantata for the 23rd Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Ulrich Leisinger. Stuttgart Urtext Edition: Bach vocal. Bassoon. Cantatas, End of the church year, Trinity. Single Part, Bassoon. Composed 1726. BWV 52. 12 pages. Duration 18 minutes. Carus Verlag #CV 31.052/24. Published by Carus Verlag (CA.3105224).

Language: German/English. Text: Birkmann, Christoph.

It only became apparent a few years ago that the text of the soprano cantata Falsche Welt, dir trau ich nicht came from the collection Gott-geheiligten Sabbaths-Zehnden by the Leipzig theology student and Bach pupil Christoph Birkmann, printed in 1728 in Nuremberg. Birkmann was probably therefore the author of the text. The cantata was written for the 23rd Sunday after Trinity, which fell on 24 November 1726 in the year of its first performance. As in other cantatas in the first annual cycle, Bach chose an instrumental sinfonia as the opening movement - here the first movement of the 1st Brandenburg Concerto. The soprano soloist has two recitatives and two arias, in which the falsehood of the world is juxtaposed with trust in God. The cantata text is rounded off with the first verse of the chorale In dich hab ich gehoffet, scored for four-part chorus, as is usual with Bach. With the use of two horns and three oboes added to the string ensemble, the cantata has colorful and varied orchestration. Score and part available separately - see item CA.3105200.

Book/CD Pack Vocal

SKU: HL.154003

Composed by Various. Music Minus One. Broadway. Softcover with CD. 32 pages. Music Minus One #MMO2145. Published by Music Minus One (HL.154003).

ISBN 9781941566459. UPC: 888680098087. 9.0x12.0x0.216 inches.

Men with a falsetto will shine with this collection of ten Broadway songs. In addition to the book, the CD provides example vocals and separate background tracks in an actual professional setting. Songs include: Younger Than Springtime * Miracle of Miracles * Oh What a Beautiful Morning * It Ain't Necessarily So * Till Good Luck Comes My Way * You've Got to Be Carefully Taught * The Highest Judge of All * There's a Boat Dat's Leavin' Soon for N.Y. * Shipoopi * Bring Him Home.

Guitar

SKU: SP.TS71612

Composed by Tony Santorella. Instructional; Method. Book and CD. Santorella Publications #TS71612. Published by Santorella Publications (SP.TS71612).

ISBN 9781585606924. UPC: 728941716124.

Teach Yourself Guitar published by Santorella Publications is the first in a series including CD that was initially created as an impulse product for a typical independent Guitar & Amp shop. In a market flooded with similar products, we swiftly learned that our edition was more than just a quick fix for the beginner. Although titled, Teach Yourself Guitar, it contains much more than basic instruction. Accordingly, Teach Yourself Guitar has become the standard for countless educators as a private lesson study guide.

There are numerous products on the market that falsely proclaim incomprehensible results in just minutes. Unfortunately, none of these products cultivate permanent advancement. Becoming a better musician is only possible through hard work, discipline and dedication.

Our challenge was to create an approach to guitar that was easy to understand and followed a logical step by step progression. To truly master the guitar, one must have their eyes set on short-term goals in order to achieve long-term results. We are proud to say that we have met this challenge by providing a proven curriculum to learning the many facets of playing the guitar in this one of a kind guide.

Topics covered include:

• Types of Guitars
• Tuning the Guitar
• Holding the Guitar
• Musical Notation
• Timing and Note Values
• The First String-E
• The Second String-B
• The Third String-C
• Playing Chords
• It's Time To Rest
• Notes on the Fourth String-D
• Notes on the Fifth String-A
• High A
• Notes on the Sixth String-E
• Bass Chord Accompaniments
• The F Chord Using Three Strings
• Accidentals
• Ascending Scales
• Descending Scales
• Enharmonic Notation
• Arpeggios
• Transposition
• Major Scale and Key Signatures
• Important Tablature Symbols

(Baritone/Bass Voice). Edited by Lisa DeSpain. For Voice (Bass voice). Vocal Collection. Singer's Library of Musical Theatre. Broadway. Book and CD. 188 pages

By Arlington Jones Ii. For piano solo. Jazz. Level: Advanced. Collection. 20 pages. Published by Neil A. Kjos Music Company.

SKU: GI.G-CD-952

Composed by M. Roger Holland, II. Sacred. CD. GIA Publications #952. Published by GIA Publications (GI.G-CD-952).

UPC: 785147095224.

Welcome to the revival! Come on in and leave your troubles at the door. “Worthy God” is a moving declaration of faith and devotion by a true emerging voice on the contemporary gospel scene. Part of the full-length CD Building Up the Kingdom, “Worthy God” is sure to ignite the fire of the Holy Spirit in the hearts of all the assembled, and our raised voices will set the rafters ablaze. About M. Roger Holland II: What do you get when you mix a musician who is a pianist, organist, singer, composer, arranger and symphony maestro together? M. Roger Holland, II!! A man who knows Jesus and thanks him with every note he sings, plays, or writes. When you listen to Roger, you will know that God has touched His servant and in that touch, there will be a blessing for you! Roger has always had a passion for music. It started with him tinkering on his toy piano as a child and grew to him being accepted to the High School of Performing Arts in New York City. Roger's falsetto has opened many doors for him. He was a member of the All City High School Choir. Hearing his vocal abilities, he was recruited by the internationally known Boys Choir of Harlem. His musical talents garnered him a position playing keys on two Broadway plays in New York, The Color Purple and Memphis. When you witness the musicianship of M. Roger Holland II you will recognize the influences of some of the people he has worked with like Walter J. Turnbull, James Williams, Joseph Joubert, and Bettye Forbes. When you hear his writing, you may notice the stylings of Stevie Wonder. There is no denying the influences of Marvin Gaye, Peabo Bryson, and Luther Vandross when it comes to his vocals. The gospel inflections are representative of Richard Smallwood, Thomas Whitfield, and Kirk Franklin. The compositional techniques of classical composers such as Wolfgang Amadeus Mozart and the arranging styles of Negro Spirituals by Roland Carter, Jester Hairston, and Moses Hogan are prominent as well. Leading the Gospel Choir of Union Theological Seminary fueled Roger's fire and drew him into seminary. His passion for music led him on a spiritual journey from Westminster Choir College to Manhattan School of Music where he received his graduate degree and ultimately the very same Union Theological Seminary where he received a Master of Divinity degree. Roger is the Minister of Worship & Christian Arts at Calvary Baptist Church in Jamaica, NY, where weekly he ushers in the Holy Spirit through praise and worship. He also serves as Liturgical Consultant for the Office of Black Ministry in the Archdiocese of New York. God is truly using Roger as an instrument to share His message!   For Bookings Contact: Cortney Wright Thomas 646-269-4055 cwthomas406@gmail.com.

Guitar

SKU: BO.B.1936

Composed by Graciano Tarrago. Arranged by Graciano Tarrago. Plucked Instruments. Published by Editorial de Musica Boileau (BO.B.1936).

For Voice. (Tenor Voice). Vocal Collection. Broadway. Book. 224 pages. Published by Alfred Publishing.

Guitar

SKU: BO.B.2225

Composed by Angel Iglesias. Plucked Instruments. Published by Editorial de Musica Boileau (BO.B.2225).

Solo Soprano voice, SATB Choir, 3 Oboes, basson, 2 trumpets, 2 Violin, Viola, Basso continuo

SKU: CA.3105209

Cantata for the 23rd Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Ulrich Leisinger. 1x 31.052/21 oboe 1, 1x 31.052/22 oboe 2, 1x 31.052/23 oboe 3, 1x 31.052/24 bassoon, 1x 31.052/31 horns 1 and 2, 1x 31.052/32 horn 2. Stuttgart Urtext Edition: Bach vocal. Harmony parts. Cantatas, End of the church year, Trinity. Set of Orchestra Parts. Composed 1726. BWV 52. Duration 18 minutes. Carus Verlag #CV 31.052/09. Published by Carus Verlag (CA.3105209).

ISBN 9790007206307. Language: German/English. Text: Birkmann, Christoph.

It only became apparent a few years ago that the text of the soprano cantata Falsche Welt, dir trau ich nicht came from the collection Gott-geheiligten Sabbaths-Zehnden by the Leipzig theology student and Bach pupil Christoph Birkmann, printed in 1728 in Nuremberg. Birkmann was probably therefore the author of the text. The cantata was written for the 23rd Sunday after Trinity, which fell on 24 November 1726 in the year of its first performance. As in other cantatas in the first annual cycle, Bach chose an instrumental sinfonia as the opening movement - here the first movement of the 1st Brandenburg Concerto. The soprano soloist has two recitatives and two arias, in which the falsehood of the world is juxtaposed with trust in God. The cantata text is rounded off with the first verse of the chorale In dich hab ich gehoffet, scored for four-part chorus, as is usual with Bach. With the use of two horns and three oboes added to the string ensemble, the cantata has colorful and varied orchestration. Score and parts available separately - see item CA.3105200.

Solo Soprano voice, SATB Choir, 3 Oboes, basson, 2 trumpets, 2 Violin, Viola, Basso continuo

SKU: CA.3105219

Cantata for the 23rd Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Ulrich Leisinger. Stuttgart Urtext Edition: Bach vocal. Complete orchestral parts. Cantatas, End of the church year, Trinity. Set of Orchestra Parts. Composed 1726. BWV 52. Duration 18 minutes. Carus Verlag #CV 31.052/19. Published by Carus Verlag (CA.3105219).

ISBN 9790007206352. Language: German/English. Text: Birkmann, Christoph.

It only became apparent a few years ago that the text of the soprano cantata Falsche Welt, dir trau ich nicht came from the collection Gott-geheiligten Sabbaths-Zehnden by the Leipzig theology student and Bach pupil Christoph Birkmann, printed in 1728 in Nuremberg. Birkmann was probably therefore the author of the text. The cantata was written for the 23rd Sunday after Trinity, which fell on 24 November 1726 in the year of its first performance. As in other cantatas in the first annual cycle, Bach chose an instrumental sinfonia as the opening movement - here the first movement of the 1st Brandenburg Concerto. The soprano soloist has two recitatives and two arias, in which the falsehood of the world is juxtaposed with trust in God. The cantata text is rounded off with the first verse of the chorale In dich hab ich gehoffet, scored for four-part chorus, as is usual with Bach. With the use of two horns and three oboes added to the string ensemble, the cantata has colorful and varied orchestration. Score and parts available separately - see item CA.3105200.

By Elpidio Ramirez. Arranged by Giancarlo Gazzani. Concert band. Latin, Evergreen. Grade 3. Score and set of parts. Duration 3:20. Published by Scomegna Edizioni Musical srl