Parts for Hans Abrahamsen's Flowersongs (2012 version) for Flute Oboe and Clarinet. 'I wrote Flowersongs for three Flutes in the spring of 1973 when I was 20 years old. Looking back now 40 years begins to feel like a really long time and sometimes I think that it is as if someone in 1973 is talking about a piece from 1933! But in spite of this long time this is still a very important piece for me. In Flowersongs along with works like '10 Preludes' for String Quartet and 'Stratifications' for Orchestra I feel that I was on my way to finding my own voice in the middle of the music of the great CentralEuropean modernist tradition from the 50s and the reaction from the 60s of the new simplicity minimalism and the possibility of poly-stilisme. The English title Flowersongs links to the flower power movement and the hippie culture of the 60s and the early 70s and the work is trying to find the power inherent in this imaginary world. Many of my later works have titles in German for example 'Winternacht' (1976/78) 'Nacht und Trumpeten' (1981) and much later 'Schnee' (2006-08). If we think of Flowersongs in German it must be Blumenlieder and to me it now sounds suddenly very different more romantic and into the world of Schumann. Perhaps it is also a way in which to hear the piece? Another thing is that the correct English title is Flower Songs (as two words) and not as one word like in German or Danish. This is perhaps the German connection as I incorrectly wrote the title as one word; but perhaps it is also a kind of naivety which is also part of the work. I cannot help but carry with me to this day the ideas from my early works. For example there are clear links in this work from the 8th Prelude from '10 Preludes' and to Canon 2a from 'Schnee' from 2008. This work is written for the wonderful ensemble recherche and it was meeting them that made me consider making a version of

Alan Smith's Three Short Pieces For Woodwind were composed in 2004 as an entry for the 60x60 competition organised by Vox Novus who were looking to promote 60 pieces each lasting no more than 60 seconds. As part of the competition selection process the Three Pieces were broadcast on WBAR Radio New York in August 2004. Subsequently Nocturne (the second of the pieces) was chosen for performance in various European concerts organised by Vox Novus.The obvious challenge in composing these pieces was finding a way of stating an idea and developing it within the span of one minute. For the first piece Iadopted a neo-Baroque style writing a fairly strict fugue complete with stretto pedal point etc. The second piece is a complete contrast to the first exploiting long sustained melodic lines. The final piece is different again making use of almost percussive rhythms and asymmetric time signatures. - Alan Smith Score and parts are included for Flute Oboe Clarinet in B flat and Bassoon.