Contemporary Salsa RAY BARRETTO Amor Artificial, Indiferencia, Aguaradiente de Caña, Guararé, Indestructible, Arallué, Pura Novela, Vive Y Vacila. EDDIE PALMIERI Palo Pa? Rumba, La Malanga, Bomba De Corazon, 1983, Páginas De Mujer RUBEN BLADES Pablo Pueblo, Camaleón, Siembra FANIA ALL-STARS Nací Moreno, Juan Pachanga, Sin Tu Cariño, Encántigo MANNY OQUENDO AND LIBRE Elena, Elena, Estoy Como Nunca and more! PUERTO RICO ALL-STARS El Cantar Del Coquí, Changüirí TITO PUENTE Dejame Soñar, Te Desafío, Ran Kan Kan, Picadillo NG LA BANDA Un Tipo Como Yo, Lo Que Siento Es Le Lo Lay IRAKERE Bailando Así, Lo Que Va a Pasar LOS VAN VAN Sandunguera, Que Sorpresa, Muévete ISSAC DELGADO Son De Cuba A Puerto Rico, Dime Tú Que Lo Sabes LOUIS RAMIREZ Amentes, Déjala Que Baile Sola CONJUNTO CESPEDES Virgen De La Caridad ...AND MORE! Brazilian Music IVAN LINS Lua Soberana, Sambadouro, Sonhos, Leva E Traz, Amor, Aparecida TOM JOBIM Outra Vez, Retrato Em Branco E Prato, Look To The Sky, So Danço Samba TONINHO HORTA Mountain Flight, Aqui Oh, Meu Canario Vizinho Azul JOAO BOSCO A Nivel De, Coisa Feita, O Bebado E A Equilibrista MILTON NASCIMENTO Vera Cruz, Don Quixote,Novena AIRTO Mixing, Tombo in 7/4, Anatelio (The Happy People) LENY ANDRADE Rio, Vai Amigo, A Fonte Secou EGBERTO GISMONTI Lôro, Frevo DJAVAN Flor De Lis, Jogral LEILA PINHEIRO Um Samba, Bésame GAL COSTA Luz Do Sol, Tapete Mágico TANIA MARIA Come With Me, Yatra-Ta ...AND MORE! Latin Jazz TITO PUENTE Second Wind, Eastern Joy Dance, Linda Chicana, Cha-Cha-Cha, María Cervantes, Flight To Jordan MARIO BAUZA Lourdes? Lullaby, Mambo Inn ANDY NARELL Kalinda, Natty Stick, Hannibal?s Revenge CAL TJADER Sabor, Alonzo, Mamblues DIZZY GILLESPIE Manteca, Tin Tin Deo DANIEL PONCE Latin Perspective, Oferere, Midnight Mambo SEIS DEL SOLAR Entrégate, Decisión AZYMUTH Club Morocco, Cascade Of The Seven Waterfalls DAVE VALENTIN Danzón For My Father FT. APACHE BAND To Wisdom The Prize CHICK COREA Armando?s Rumba ...AND MORE! Salsa Classics ARSENIO RODRIGUEZ Dile a Catalina, Dame Un Cachito Pa' Huele, La Vida es un Sueño BENY MORÉ Y Hoy Como Ayer CELIA CRUZ Soy Antillana, Bemba Colorá, YerberoModerno CONJUNTO CHAPPOTTIN Camina Y Prende El Fogón, Que Se Fuñan JOHNNY PACHECO La Esencia Del Guaguancó, El Agua Del Clavelito, etc. PEREZ PRADO Mambo #5, Mambo #8 ORQUESTA SENSACION Suavecito, Bruca Manguá Standards: Capullito De Alelí, Compadre Pedro Juan, Contingo En La Distancia, Déjala Que Siga Andando, Lamento Boricano, Mayeya No Juegues Con Los Santos, Me Voy Pa'l Pueblo, Frenesi, Solamente Una Vez, Son De La Loma, El Manisero, Cachita, Y Tu, ¿Que Has Hecko?, Echale Salsita, Obsesión, Rico Vacilón, La Comparsa, La Engañadora, A Mí Qué, Bésame Mucho, Lágrimas Negras, Pare Cochera

This Ultimate Guitar edition of the Guitar Chord Songbook series features complete lyrics chord symbols and guitar chord diagrams for 100 must-know pop rock and country favorites. Songs include: American Girl • Born This Way • Crazy • Don't Look Back in Anger • Even Flow • Every Rose Has Its Thorn • Forget You • Hallelujah • Hey Jude • Hurts So Good • I Feel the Earth Move • Jackson • Kokomo • Last Friday Night (T.G.I.F.) • The Lazy Song • Let It Be • Love Shack • Lucky • Mony Mony • Pour Some Sugar on Me • Rehab • Shout• Someone like You • Thriller • Who'll Stop the Rain • You're Beautiful • and more.

Uses: Holy Week Good FridayScripture: Matthew 26:62-63; Acts 8:32; Isaiah 53:7A heartrending moment in the life of Jesus is presented in this Holy Week offering. The One who spoke the universe intoexistence is silent before Pilate and His accusers and we see in vivid detail His tender mercy. The plaintive cello line counterpoints with the flowing piano while gentle vocal writing creates a spirit of reverence andcontemplation. The B section incorporates the moving spiritual He Never Said a Mumblin' Word. The dramatic ending with its creative use of silence will leave the audience breathless.

Voix et tous instruments (flute, violon, violoncelle, clavier…) Table des matières : MacCrimmon’s Lament, Cha Til MacCriman - Jane Fraser Morison Johnnie Cope - James Gillespie Laughlan’s Lilt - James Oswald Lochaber - William Thomson Etrik Banks - William Thomson Loch - Erroch Side - Thomas Oliver & George Boyd The Flower of Edinburgh - James Oswald Lady Mary Hay’s Scotch Measure - Nathaniel Gow The Fyket - Niel Gow Miss Bisset Logierait’s Reel - Malcolm McDonald Was ye at the Bridal - James Oswald The Cadgers of the Cannongate - Niel Gow Kennet ’s Dream - James Oswald The Princess Royal - Niel Gow Logan Water (For ever Fortune) - William Thomson Mrs Judge - Turlough O’Carolan John Anderson my jo (instrumental) - James Oswald John Anderson my jo (chant) - Thomas Oliver & George Boyd For our lang biding here - William Thomson Joy gae wi ’my love - Niel Gow The Flaughter Spade - David Young Patrick McDonald ’s Jig - Patrick McDonald Benney Side - James Oswald Pearlin Peggie ’s Bonny, or, The laird of Foveran - William Christie The Gum - ga ’d Aber - Gairdyn Manuscript Adew Dundee - Skene Manuscript Bonny Dundee - Variation François Lazarevitch Moc Donogh ’s Lamentation - Daniel Wright Saw na ye my Peggie (chant) - William Thomson Saw na ye my Peggie (instrumental) - William McGibbon Muirland Willie - William Thomson The Wawking of the Faulds - William Thomson I wish I wou’d marry me - Robert Bremner An caora crom - David Young Ratha Fair - Niel Gow Haud the lass till I come at her - Thomas Wilson Clean Peas Strae - Niel Gow Auteurs : Robert Bremner, William Christie, Jane Fraser Morison, James Gillespie, Nathaniel Gow, Niel Gow, Malcolm McDonald, Patrick McDonald, William McGibbon, Turlough O’Carolan, Thomas Oliver & George Boyd, James Oswald, William Thomson, Thomas Wilson, Daniel Wright, David Young Gairdyn Manuscript, Skene Manuscript Arrangements et variations : François Lazarevitch

This collection covers ragtime guitar styles and techniques from the ?stumblin? bass? of Blind Blake to the evergreen piano sounds of Scott Joplin. Playing the Guitar like a Piano: Shake That Thing , 99 Year Blues, The Bald-Headed End of a Broom, Buck Dancer?s Choice, A Salty Dog Rag, See That Girl Sitting on a Fence. Raggin? The Blues: Blake?s Breakdown, Ton of Blues, That Won?t Do, Cincinnati Flow Rag/Slow Drag. Ragtime Songs, Marches

The widespread popularity of Winners Galore for Tuba can be attributed to many factors. Most importantly young players and teachers alike appreciate that each title has been carefully arranged to suit the particular range technique and characteristics of the instrument. They find the bumper collection of over seventy ever-popular tunes drawn from a wide variety of musical styles guaranteed to whet the appetites of players and audiences alike. There is something for players of all ages to dip into and enjoy. With or without accompaniment this is a collection that players will enjoy practising and performing.Winners Galore forTuba makes an ideal companion to a tutor book providing enjoyment as well as essential repertoire. It is the perfect addition to the wide range of titles found in Easy Winners for Tuba.'... An excellent book full of good yet not too difficult tunes.' - Reviewed Teaching Brass 'Music Teacher' A Life on the Ocean Wave • The Archers • L'Arlesienne Prelude • The Ash Grove • Beethoven 9th Symphony • Birdie Song • Black Beauty • Blackadder • Bolero Ravel • Bridal March • Calon Lan • Camptown Races • Can Can • Carnival of the Animals The Elephant • Cornish Floral Dance • Danny Boy • Day Trip to Bangor • Drunken Sailor • Emmerdale Farm • The Entertainer • Fawlty Towers • Flintstones • Give Me Joy in My Heart • Grand March Aida • Hallelujah Chorus • Happy Birthday • Hava Nagila • Hornpipe • Humeresque • I Do Like To Be Beside The Seaside • In Dulci Jubilo • In the Mood • Irish Washerwoman • Kalinka • Land of Hope and Glory • Last of the Summer Wine • Laural and Hardy • Lily the Pink • Linden Lea • Little Donkey • Mairi's Wedding • March Slav • The Marriage of Figaro Aria • Mary Had a Baby • Minder • Miss Marple • Mistletoe and Wine • Monty Python • Morning Peer Gynt • Mozart Horn Concerto • The Loco-Motion • Pirates of

Commissioned by the Church Music Department Florida Baptist Convention Jacksonville Florida for the January 14 1997 Senior Adult Celebration of Praise First Baptist Church Daytona Beach. Includes narration byinspirational speaker Esther Burroughs. Usable for various ensembles this will be enjoyed as a congregational worship experience allowing the congregation to sing the hymn melodies while the choir sings the vocal arrangements.Available: SATB.

The composer says: Several musical threads led to my writing this piece of music to celebrate my friend Matanya Ophee?s (AKA MO) 80th birthday - a life lived with the guitar. Jelly Roll Morton once asserted: ?In fact, if you can't manage to put tinges of Spanish in your tunes, you will never be able to get the right seasoning; I call it, for jazz.? Over the last couple of years I moved back to Jelly Roll Morton?s city: New Orleans, home of my adolescence and reacquainted myself with the tinges of Spanish in its rich musical heritage. One of these pieces was the Mardi Gras Mambo, an iconic song frequently played during Mardi Gras and, in David Newman?s reworking of the lyrics, at the New Orleans Saints football games as the Super Bowl Mambo. Uncited sources on both Wikipedia and Essortment say the word Mambo means ?conversation with the gods? in Kikongo, the language spoken by Central African slaves taken to Cuba where it became the name for a musical form and a dance style that developed originally in Cuba in the able hands of Cachao?s (Bassist Orestes Lopez) tune: Danzon Mambo. This rhythmic style became famous in the 1950?s following its use in dance bands in Mexico and through New Orleans to the United States. The infectiousness of the New Orleans re-interpretation of the Mambo?s ostinato bass line and the reaction of people who are readily moved to dance when they hear it spoke to me of dance and celebration. This led me to choose some of this piece?s characteristics and title for this piece: Mambo for MO. As we have progressed on the instrument, some of us may have encountered the four-chord descending minor chord progression known as the Andalusian cadence: i - VII - VI - V in many different genres and guises. After all, it appears in Ray Charles? Hit the Road, Jack, the verse on Good Vibrations by The Beach Boys, Walk, Don?t Run by The Ventures, Runaway by Del Shannon and in that great work arranged and embraced by the Guitar: J.S. Bach?s Chaconne from the Partita in D minor for solo violin, BWV 1004. This bass line derived from a Latin American musical style as reinterpreted in New Orleans, a chord progression that evokes the Flamenco Music of Spain, and my impressions of the sinuous lines of people dancing the Second Line in the streets of New Orleans at Mardi Gras led me to this synthesis as a tribute to a man who has contributed so much in his lifelong efforts for the guitar, its history and lore on the occasion of his birthday! Happy Birthday, Matanya! Carlos Barrientos was born on June 25, 1954 in Tela, Honduras. He began his formal music studies at the National Music Conservatory in Guatemala City, Guatemala C.A. His training with Maestro Elias Barreiro, Director of Guitar Studies at Tulane University, was supplemented with Master Classes with Manuel Barrueco, Leo Brouwer, Juan Mercadal, Michael Newman, Tommy Tedesco and Carlos Barbosa-Lima. He studied composition under the tutelage of Dr. Jerry Sieg, University of New Orleans, and Dr. Roy Johnson, Florida State University. He consulted with Michael D. Martin, Ph.D., Associate Professor of Music, Albany State University, Albany, GA in the creation of a recordings library that reflects Western Art Music and American Jazz for the students at Albany State University. The New York Premiere of the First Movement of his Second Guitar Sonata was dedicated to and performed by Classical Guitarist Maestro Carlos Barbosa-Lima in 2003 at Carnegie Hall. At the request of U.S. Senator Bob Graham one of his compositions, Si Tu Te Vas (If You Go Away), was included on a recording to promote The Everglades Trail. In 2004, at the American Church in Paris, France the World Premiere of his Romance for Flute and Guitar was performed by the award-winning Serenade Duo, flutist Michelle LaPorte and guitarist Gerry Saulter. He has performed with such legendary musicians as Herbie Mann, Donald Byrd and Debbie Reynolds, led an on stage Renaissance Trio in a University of New Orleans production of Shakespeare?s Twelfth Night, and played incidental music for their production of Bertold Brecht?s The Good Woman of Sichuan. He has performed Carulli?s Guitar Concerto in A, Leonard Bernstein?s West Side Story and Marvin Hamlish?s A Chorus Line with the Northwest Florida Symphony Orchestra and Okaloosa-Walton Community College, Niceville, FL, and with the Southern Art Music Ensemble, a Jazz/Latin Fusion Sextet, including an Honors Convocation in Atlanta for Mr. Ted Turner. He has been a guest performer with the Albany State University Jazz Ensemble at The Fletcher Henderson Jr., Macon and Atlanta Jazz Festivals, and played the banjo in the Albany State University /Albany Symphony?s co-production of George Gershwin?s Opera Porgy and Bess.

These resonant compositions focus the student on expression and artistic interpretation. Contents include: The Colorado: River of Canyons; Connecticut River-Late Autumn; Mississippi River Blues; Peace River Florida; Yukon Rapids.

The Real Latin Piano authored by Kiki Sanchez teaches how to play the most important Latin rhythms on the Piano such as: Salsa Cumbia Gaujira Timba Cumbia Bolero and other styles. In addition the book explains clearly how to perform Latin Piano grooves on clave 2-3 and 3-2 as well as showing the traditional Salsa arranging structure and how to perform Piano montuno's using American Jazz Harmonies.Sanchez's vision is to expand your musical abilities and have a better understanding about how to play several Latin rhythms on the Piano. These will not only help you with your Piano abilities but will enrich your musical knowledge as a producer arranger and educator. In this book Kiki introduces a montuno from his native Peru called the Peruvian Festejo. As an educator Kiki has been working with Pati Vargas on the Latin America Musical Journey teaching music and the different cultures of Latin America in several public schools and colleges in the South Florida area.The CD that accompanies the book includes 50 audio tracks 114 mp3 files and 114 MIDI files

Noted jazz pianist, composer, recording artist and educator Andy LaVerne has drawn from his decades of experience playing with master musicians from Getz to Lovano to create this comprehensive compendium of contemporary moving voicings. Quartal, quintal, drop 2, dominant 7b9/diminished, triadic, whole tone and chromatic performance proven voicings pioneered by McCoy Tyner, Chick Corea, Herbie Hancock, and Andy himself are presented and fleshed out in all twelve keys. This book picks up where others leave off, enabling you to replace static chords with voicings that move melodically, dramatically, and gracefully over the entire range of the keyboard. Firmly rooted in contemporary jazz theory, the emphasis is on practical performance applications. Andy ties it all together with illustrations of comping choruses for five standard jazz tunes. Chords in Motion satisfies a long awaited need in actual comping situations, and shows you how to move chords through varying harmonic rhythms. FINALLY ? a book that gives you moving voicings, and sets them in motion in all twelve keys. Chords in Motion is a valuable resource for all keyboardists, arrangers, and instrumentalists. Activate, animate, and energize your comping with this encyclopedic volume. 156 pages, spiral bound for easy opening. Andy carries the flame of jazz piano tradition and just great music. He always inspires me. Chick Corea This is a great book! I am going to sit down and play through this!! I am always telling my non-piano playing students how important it is to work with (and internalize) the sounds that we live with all our lives as Jazz musicians. Coltrane spent years sitting at the piano and so should all of us!!! John Patitucci Berklee College of Music One thing about Andy?he is complete as can be and has been consistently so for years in both his teaching materials and playing. He is completely knowledgeable in such a way that when I play with him, I know he KNOWS!! Plus he is one of the smoothest and polished of players around. Great book?encyclopedic in content. Dave Liebman Founder, Artistic Director, International Association of Schools of Jazz (IASJ) I've played and recorded with Andy LaVerne many times over the years and in many different settings and he's always come up with the hippest, most interesting chords in the most musical way! His way of playing and looking at chords inspires me as a drummer and his rhythm section partner to play things that are in turn inspiring to the rest of the band. This book, helps musicians, understand, in a clear thoughtful presentation, how to go about getting this together. Billy Drummond Jazz Drummer, Educator, Juilliard, NYU Chords in Motion is an outstanding and comprehensive guide by Andy LaVerne, whose encyclopedic knowledge, decades of experience and brilliance as a performer and educator make this an invaluable handbook of modern jazz piano harmony. Its user-friendly, intelligent design enables musicians to expand their harmonic palette and potentially transform their playing, writing and arranging. Chords in Motion is an invaluable contribution to jazz musicians! Lynne Arriale Jazz Pianist, Composer, Educator, Associate Professor of Jazz Piano, Director of Small Ensembles, University of North Florida Chords in Motion is exactly the book I'd expect from Andy LaVerne. It's clear, openhearted and inspiring, as has been every conversation I've had with Andy over the years. Long a fan of his playing, I have enjoyed this look behind the curtain at how Andy LaVerne formulated his signature style. One other thing -- any pianist, no matter his/her approach, will gain insight into what will surely be new and exciting musical directions. Pete Malinverni Jazz Pianist, Educator, Director of Jazz Studies, SUNY Purchase College Conservatory of Music What a great resource for expanding the harmonic palette! Chords in Motion is a must have for the aspiring young jazz pianist as well as the seasoned veteran. Another winner from Andy! Paul Schmeling Jazz Pianist, Educator, Chair Emeritus, Piano Department, Berklee College of Music In Chords in Motion, I recognize chords and sounds that have inspired me to compose and play: harmony from the music of Chick Corea, Herbie Hancock and McCoy Tyner. This book is well organized, and from the beginning gets you playing. Each chord structure is explained and developed. There is plenty to practice. I especially like the exercises using contrary motion, arpeggiation

A Dozen Classic Flatpicking Solos-Steve Kaufman brings his masterful skills to an engaging and user-friendly collection of twelve bluesy bluegrass standards that will serve any intermediate-level picker well in a jam practice session or performance. Songs include: Little Maggie - Shady Grove - Milk Cow Blues - East Tennessee Blues - Florida Blues - Wayfaring Stranger - Lonesome Road Blues - Blue Ridge Mountain Blues Salty Dog Blues - St. Louis Blues - and more. Includes music and tab booklet. Early intermediate level.

Morel Jorge (Performed). Par MOREL JORGE. Argentine guitar virtuoso Jorge Morel discusses and performs nine brilliant Latin American solo guitar compositions. Included are: Choro by Jorge Morel, Pampero by Jorge Morel, Chopi by Pablo Escovar, Misionera arranged by Jorge Morel, Danza Brasilera by Jorge Morel, Bossa en Re by Jorge Morel, and Otro Tango Buenos Aires from Rhapsodia del Sur by Jorge Morel, Julie Florida by Agustin Barrio and Danza Paraguaya by Agustin Barrios. / Latin American - Concert/Documentary / Accessoire / Guitare Classique

The title of this piece is inspired by a prime swimming and snorkeling location within the Baja Mexican corridor of Los Cabos. (There is actually no authentic steel band tradition in that region, but the location seems ideal for pan!) It was written for Ken Broadway and the University of Florida's Sunshine Steelers pan group. / Batterie