Humoresque - Sextet for Flute Oboe English Horn Clarinet Bassson and Military Drum BVN 176 - was composed by Rued Langgaard in 1922-23. Set of parts.

Author of numerous folk music collections for Schott Music, Vicki Swan presents this collection of 54 traditional English folk tunes arranged for 1 or 2 flutes. A CD recording of the tunes is also included as well as downloadable German and French translations of all texts. Suitable for players of grades 3-8. / 1 Ou 2 Flûte(s) Traversière(s)

This publication contains arrangements of Vom Himmel hoch o Englein kommt one of the oldest German carols and Lobt Gott ihr Christen alle gleich written in 1554. These are great works for your Christmas concert as the variable instrumentation allows for great flexibility inperformance.Available parts:Part 1 Câ?? FlutePart 1 Câ? OboePart 1 Eb Clarinet CornetPart 1 Bb Clarinet Trumpet Soprano Saxophone Flugel Horn CornetPart 2 C FlutePart 2 Bb Clarinet Trumpet Flugel Horn CornetPart 2 F English Horn HornPart 2 Eb Alto Saxophone HornPart 3 C Bassoon Trombone EuphoniumPart 3 F HornPart 3 Eb Alto Clarinet HornPart 3 Bb TC Tenor Saxophone Trombone Baritone EuphoniumPart 3 Bb BC Trombone EuphoniumPart 4 C Bassoon Trombone Bass Double Bass EuphoniumPart 4 Bb TC Bass Clarinet Trombone Euphonium BassPart 4 Bb BC Trombone Euphonium BassPart 4 Eb TC Baritone Saxophone BassPart 4 Eb BC Bass

Rossini's William Tell is arranged here by Lorenzo Bocci for wind quintet with variable instrumentation. The various parts are written in the keys of C Bb Eb and F and for the lower brass in treble and bass clef enabling any combination of Oboe Flute Clarinet Trumpet Soprano Sax Fugelhorn Cornet Alto Sax Alto Clarinet English Horn French Horn Tenor Sax Trombone Baritone Euphonium Bassoon Eb Bass Bb Bass and Bass Clarinet to play this exciting piece.

Premiered by The New York Philharmonic conducted by Lorin Maazel at Avery Fisher Hall Lincoln Center New York City 10th June 2004. Orchestration 3 Flutes 3rd dbl. Piccolo2 Oboes1 English Horn in F3 Clarinets in Bb 3rd dbl. Bas Clarinet in Bb2 Bassoons1 Contra Bassoon4 Horns in F3 Trumpets in Bb3 Trombones1 Tuba1 (set of) Timpani2 Percussion (two players)1: Bass Drum (large) Chinese Cymbal Mark Tree2: TamTam (large) Vibraphone Antique Cymbal1 Harp1 Piano dbl. CelestaStringsAll non-octave transposing instruments are notated in their relevanttranspositions.Horns notated in bass clef sound a fourth above the notated pitch.All accidentals apply to each single note only except tied notes. Naturals for 'safety'. Programme Note This piece marks the conclusion of what could now be called 'The Nightshade Trilogy' three pieces which explore the contrasting worlds of Light and Darkness. As opposed to the earlier chamber work Nightshade which dealt with extremes of high and low pitches and the chamber orchestra composition Second Nightshade a two-fold piece contrasting darkness/anxiety and light/calm Final Nightshade for full symphony orchestra takes us on a journey in which the forces of dark and light struggle - and co-exist - in a predominantly polyphonic web with brooding undertones. The melodic point-of-departure is not surprisingly to be found in either of the two preceding pieces of the Trilogy but in an older piece Corpus Cum Figuris from 1985. Over the ensuing years I've dreamt on and off of 'doing something' with the opening measures of this older work perhaps even building a new composition on that very simple inward-looking time was ripe and there's a nice nostalgia angle to the idea: Corpus Cum Figuris was the first piece of mine to be

Stabat Mater Hob.XX bisOratorio (funeral music) versions from 1767 and 1803The new scholarly critical edition of Joseph Haydn's Stabat Mater (1767) is published in Henle's complete edition of Haydn's works. This edition is the first to come as close as possible to the lost original and has been compiled using all currently available sources. The score has been fully amended in its original orchestration for two oboes or English horn strings and organ.At a later performance of this work probably in 1803 Haydn attempted to accommodate the intervening changes in musical taste. According to the composer's request and under his supervision SigismundNeukomm enlarged the wind orchestration by adding a flute two clarinets two bassoons two French horns trumpets and timpani.Urtext from the Haydn Complete EditionHaydn’s Stabat Mater in both its original scoring as well as Neukomm's scoring.Full score performance material (BA4642) vocal score (BA4642-90) available for sale

Stabat Mater Hob.XX bisOratorio (funeral music) versions from 1767 and 1803The new scholarly critical edition of Joseph Haydn's Stabat Mater (1767) is published in Henle's complete edition of Haydn's works. This edition is the first to come as close as possible to the lost original and has been compiled using all currently available sources. The score has been fully amended in its original orchestration for two oboes or English horn strings and organ.At a later performance of this work probably in 1803 Haydn attempted to accommodate the intervening changes in musical taste. According to the composer's request and under his supervision SigismundNeukomm enlarged the wind orchestration by adding a flute two clarinets two bassoons two French horns trumpets and timpani.Urtext from the Haydn Complete EditionHaydn’s Stabat Mater in both its original scoring as well as Neukomm's scoring.Full score performance material (BA4642) vocal score (BA4642-90) available for sale

Stabat Mater Hob.XX bisOratorio (funeral music) versions from 1767 and 1803The new scholarly critical edition of Joseph Haydn's Stabat Mater (1767) is published in Henle's complete edition of Haydn's works. This edition is the first to come as close as possible to the lost original and has been compiled using all currently available sources. The score has been fully amended in its original orchestration for two oboes or English horn strings and organ.At a later performance of this work probably in 1803 Haydn attempted to accommodate the intervening changes in musical taste. According to the composer's request and under his supervision SigismundNeukomm enlarged the wind orchestration by adding a flute two clarinets two bassoons two French horns trumpets and timpani.Urtext from the Haydn Complete EditionHaydn’s Stabat Mater in both its original scoring as well as Neukomm's scoring.Full score performance material (BA4642) vocal score (BA4642-90) available for sale

Riduzione Per Canto E Pianoforte Di G. Luporini. Par VERDI GIUSEPPE. Te Deum, together with Ave Maria, Stabat Mater and Laudi alla Vergine Maria, is one of the Quattro pezzi sacri composed by Giuseppe Verdi between 1890 and 1898 and first released by Ricordi in 1898. According to the composer, Te Deum is the best piece and undoubtedly one of the most significant. For double SATB choir, with a short soprano solo, and big orchestra composed by 3 flutes, 2 oboes, English horn, 2 clarinets, bass clarinet, 4 bassoons, 4 horns, 3 trumpets, 4 trombones, percussions (kettledrums and bass drum) and strings. The present edition offers the choral and piano reduction by Gaetano Luporini. / Classique / Répertoire / SATB Double Choeur et Piano Réduction

From the composer of Festival of Carols and The Winter Rose comes a cantata that celebrates the legacy of early American carols and hymnody. Composed in the spirit of folk music the cantata combines traditionalsounds with more rustic elements creating a blend that is fresh and pleasing. Popular American carols like Away In a Manger and O Little Town of Bethlehem dance with traditional spirituals such as Children GoWhere I Send Thee and Go Tell It on the Mountain. Sacred Harp tunes are re-tooled for Advent and stand alongside new versions of Shaker hymns and Appalachian melodies. Thoughtful narration weaves the movements togetherin a meaningful tapestry of song and Scripture. Two orchestral options are available allowing maximum flexibility in performance. A full line of support products is also available. Available separately: SATB CD-ROM FullOrchestration (Score

Christmas Cantata-It was into the shadows and winter of this world that Christ came to bring us the light and warmth of his salvation. The new cantata Winter's Grace from renowned composer Joseph M. Martin celebrates this great light andwashes the sanctuary with the message of hope peace joy and love using a program of candles scriptures prayers and music. The incorporation of familiar carols will engage the listener and ease the learning process. There is a full line of support products available to facilitate your presentation of this dramatic new work including a digital resource kit featuring art work PowerPoint visuals a Bible study practice hints interpretivemovement options plus a unique composer's commentary explaining some of the writer's perspective on the composition of the work. Includes: A Winter's Song Celebration for Advent Hop Peace Joy and Love Carols ofAdoration Let the Earth Resound With Praise! A Silent Holy Night and more. Score and Parts for Flute 1

From the composer of Song of the Shadows Harvest of Sorrows and The Weeping Tree comes a brilliant new innovative cantata for Holy Week The Lenten Sketches. The work is a series of tableaus illustrating thepivotal final days of Christ's earthly ministry the triumphal entry the last supper the garden of Gethsemane and the crucifixion. With a performance time of approximately 30 minutes the cantata is easily integrated into aworship event. There is a full line of support products available to help facilitate your presentation of this dramatic new work including a digital resource kit featuring art work PowerPoint visuals a Bible study practicehints interpretive movement options plus a unique composer's commentary explaining some of the writer's perspective on the composition of the cantata. Expertly orchestrated by Brant Adams this important work is destined tobecome a Lenten classic. Outstanding!Includes: Portrait of Grace; Behold the King of Zion Comes; From an Upper Room; Scenes from Gethsemane; Tableau of Sorrow; Pieta; Epilogue. Instrumentation is Flute 1&2 Oboe/English Horn Clarinet 1&2 Bassoon Horn Timpani Percussion 1&2 Piano Violin 1 Violin 2 Viola Cello Double Bass. Available separately: SATB book iPrint Orch CD-ROM Printed Orchestration StudioTrax CD ListeningCD 10-Pack listening CDs Preview Pack (Book/Listening CD) RehearsalTrax CDs Digital Resource Kit. Duration: ca. 35:00.

Musica Para Un Codice Salmantino one of the most important works in Joquin Rodrigo's search for more objectivity and less nationalism was composed in 1952. Duration approx. 14 minutes. The Orchestration includes: Piccolo Flute English Horn Trumpet Horn Harp Solo Bass Chorus (Soprano Alto Tenor Bass) Strings

For flute english horn clarinet bassoon horn trumpet 2 percussionists (brake drum 3 crotales snare drum 3 tom-toms vibraphone) piano violin viola cello and doublebass. Precession was composed for the 1987 NewMusic Los Angeles Festival. The term 'precession' is used here both in its sense of a processional but more especially in its astronomical sense of a cyclical process that recurs according to a slowly changing pattern. Forexample the opening of the work involves the juxtaposition of a melodic phrase that is gradually shortened with an accompanimental gesture that increases in length. Other musical devices used are intended to reinforce this senseof independent yet related cycles among them the application of the principles of change-ringing to aspects of the orchestration.

Pour les années Kevin Mayhew publie des collections utiles pour les organistes de paroisse emballés avec des morceaux accessibles et mélodieuses - et cette nouvelle collection ne fait pas exception. Jetez un regard sur les compositeurs inclus et vous savez quelle qualité de s'attendre. / Orgue