SKU: BT.ALHE32122

English.

André Jolivet (1905-1974) composed this Concerto for Flute and Strings in 1949. Initially written for Flute and String Orchestra, this version contains the scores for the Flute and the Piano and lasts 12 minutes. Thisstrong>Concerto for Flute and Strings is quite unusual as it was only created in two movements, each divided into a slow introduction and a fast main part. Used as one of the main pieces of the Geneva music contest _x001A_Concours deGenève_x001A_ in 2014, this concerto requires advanced skills. André Jolivet is a French composer who was really inspired by the Antiquity and had a strong interest for atonality. He also wrote many chamber music pieces, elevenconcertos, some orchestral and some vocal music.

SKU: CF.SC63

ISBN 9780825868238. UPC: 798408068233. 9 X 12 inches.

A notable work from renowned Ukrainian composer Stankovych, whose Chamber Symphony No. 3 was lauded in 1985 by the judges of the UNESCO International Rostrum of Composers. Full score edition with instrumentation for: seven violins, two violas, two violoncellos, and one contrabass. Performance material available from the Rental Library.

SKU: LP.765762178502

UPC: 765762178502.

This lovely and captivating worship ballad is simply gorgeous. Meaningful lyrics, together with accessible vocal harmonies, lay the foundation for a truly memorable worship experience, and arranger/orchestrator Cliff Duren combines contemporary worship band parts with soaring strings to create a stunningly beautiful and unique orchestral accompaniment. Overcome is sure to resonate deep in your soul.

SKU: CA.2729303

ISBN 9790007171797. Text language: Latin.

Antonin Dvorak's impressive Stabat Mater for soloists, chorus and orchestra is probably the best-known of the composer's sacred works. Some painful experiences - in 1875 his first daughter died, and in 1877 he lost two other children in quick succession - may have led to Dvorak's preoccupation with the suffering of the Mother of God, who stands weeping beneath the cross of her son. The music enters into the different moods of the liturgical texts with great sensitivity. Nine movements in slow to moderate tempi serve as a kind of Passion meditation, before the ecstasy of a vision of the resurrection wins the upper hand at the end of the tenth movement. With our newly-published arrangement for chamber orchestra (flute, oboe, clarinet, horn, bassoon, timpani, and strings), smaller choirs now have the opportunity of performing this work without the choir being drowned out by a large-scale symphony orchestra. The symphonic character of the work is nevertheless preserved. This scoring offers an optimal balance between transparency and orchestral sound. All vocal parts (soloists and chorus) are identical with the original version. Vocal score and choral score can be used also together with the original version, which is in preparation.