Kids Play Solo? propose quinze pièces colorées et de tous styles (de la musique classique à la musique pop). / Cor En Fa Ou Mib / 36 pages / niveau : Très Facile / Partition Cd

Funeral Cantata. Par TELEMANN GEORG PHILIPP. Telemann's Funeral Cantata “Du aber, Daniel, gehe hin” appears here for the first time in print. A score of the work, until Second World War, was held in the Berliner Sing-Akademie. It was written by J. Dirmar, the former cantor at St Nikolai in Berlin and consisted of a four-page printed text. Full score, parts (BA3583) and choral score (BA3583-91) available for sale Scored for Soprano solo, Bass solo, Mixed choir (SATB), Flute, Oboe, Strings, Organ/ Répertoire / SB, 4 Parties Mixtes et Orchestre

for Violin, Viola and Orchestra. Par MOZART WOLFGANG AMADEUS. There is no reference to the origin, occasion or a performance of the Sinfonia concertante in E-flat for Violin, Viola and Orchestra, K. 364 (320d) because in all probability it was composed in Salzburg (presumably in summer or early autumn, 1779): Mozart seems to have had no reason to write about it. It was apparently in Paris that he first had the occasion of giving the genre of the ; Symphonie concertante his special attention. On April 5, 1778, he wrote to his father: ; Now I shall write a sinfonie concertante for flute wendling, oboe Ramm, Punto horn, and Ritter bassoon. Even more discouraging must have been the fact that he had similardifficulties in Paris in having the works performed as he had in Mannheim. After the organizier of the Concerts spirituels, Le Gros, contrary to his promise, did not include the mentioned ; sinfonie concertante in his program. Mozart had no reason to compose any more for this genre in Paris. After Mozart's return to Salzburg, he might have been eager to introduce the new genre there, especially since adequate instrumentalists were available. Also the choice of the solo instruments (violin and viola) in the work presented here was probably influenced by the popularity of this instrumental combination in Salzburg at that time. - Urtext of the New Mozart Edition - Full score & parts (BA4900), study score format 22. 5 x 16. 5cm (TP176), violin, viola and piano reduction (BA4900-90) available for sale/ Répertoire / Orchestre

Nelson Mass. Par HAYDN FRANZ JOSEF. The so-called “Nelson Mass” is the third of the six great High Masses that Haydn wrote between 1796 and 1802 for the name-days of Princess Maria Josepha Hermenegild Esterházy. According to the dates given in the autograph he composed the work in the period between 10 July and 31 August 1798. It was thus written in the year of the first performance of the Creation. Urtext of the Joseph Haydn Complete Edition Soprano solo, Alto solo, Tenor solo, Bass solo, Mixed choir (SATB), Flute, Oboe (2), Clarinet (in B-flat) (2), Bassoon, Horn (2), Trumpet (3), Kettledrum, Strings, Basso continuo Full score, together withMissa in B major (Theresa Mass) Hob. XXII:12 (BA4660-01), Performance material (BA4660), vocal score (BA4660-90) and study score format 22. 5 x 16. 5cm (TP98) available for sale/ Répertoire / SATB, Choeur Mixte à 4 Voix et Orchestre

Sounds Classical for Bassoon est une collection de solos de difficulté croissante, sélectionnés spécifiquement pour les bassonistes débutants.Choisies pour correspondre aux quatre premiers niveaux du programme de l'ABRSM (Associated Board of the Royal Schools of Music), ces pièces couvrent quatre siècles du répertoire classique, de Susato à Sullivan, et se prêtent parfaitement à l'étude comme à une interprétation en concert. / Hautbois Et Piano

Par ARMSTRONG LOUIS. If you can play just a few notes on the Recorder, then you're ready for this book. Here is a great selection of 12 pieces, perfect for your very first solos, all of them with simple, but attractive piano accompaniments. The pieces are arranged progressively, so you can hear the step-by-step improvement in your playing as well as simply enjoying the music. Includes pieces set for the ABRSM Descant Recorder examinations grade 1 and 2. / Répertoire d'Examen / Recueil / Ensemble Variable

Kantate Zum 3. Weihnachtsfesttag (Urfassung). Par BACH JOHANN SEBASTIAN. Bach’s cantata BWV 151, whose wonderfully heartfelt opening aria has been rightly numbered among Bach’s “most inspired ideas” [Alfred Dürr], was composed for the 3rd day of Christmas 1725. Flute and oboe d’amore lend pastoral coloring to the chamber music sound picture. The oboe d’amore was not originally included in Bach’s score; after completing the score he added the part to the orchestra for the first performance. In a later performance about 1728–1731 Bach replaced the flute by a solo violin, adding various performing instructions and ornaments, of which a flautist can make use in his originally rather modest part. This new edition by Klaus Hofmann replaces the 1962publication by Diethard Hellmann./ Répertoire / Solistes SATB, Choeur SATB, Flûte Traversière, Ins

Par TELEMANN GEORG PHILIPP. 72 Solo Cantatas for Voice, Melodic Instrument and Basso continuo. Advent & Christmas - High Voice. When Telemann issued his first annual cycle of printed cantatas, Der Harmonische Gottesdienst (Hamburg, 1725-6), he was already one of the leading cantata composers of his time. Thanks to their brevity and their simple scoring, the 72 solo cantatas have remained very popular to the present day. These editions (BA 5891 through to BA 5896) divide the annual cycle into cantatas for High Voice and cantatas for Medium Voice. Each series spreads the works over three volumes accompanied by separate parts forsolo instrument and continuo. The cantatas follow the order of the liturgical year, beginning with the Christmas season and continuing with Easter and Trinity. Being practically minded, Telemann arranged the ambitus of the Vocal parts so that the cantatas for medium voice are ‘also suitable for an ordinary alto or bass’. Similarly, the solo instruments are suitable for Violin, Oboe, Recorder or Flute. - Interesting solo cantatas for use in church services. - Urtext from the Telemann Edition. - Separate parts for instrument and continuo./ Répertoire / Voix Hautes

The contents of the Solo Sounds folios features works on State Contest lists for each instrument (and pieces that are likely list candidates). Two folios are available for each instrument (flute, clarinet, oboe, alto saxophone, trumpet, trombone, French horn, and tuba), both with supplementary piano accompaniment volumes.

Par TELEMANN GEORG PHILIPP. 72 Solo Cantatas for Voice, Melodic Instrument and Basso continuo. Lent & Easter - High Voice. When Telemann issued his first annual cycle of printed cantatas, Der Harmonische Gottesdienst (Hamburg, 1725-6), he was already one of the leading cantata composers of his time. Thanks to their brevity and their simple scoring, the 72 solo cantatas have remained very popular to the present day. These editions (BA 5891 through to BA 5896) divide the annual cycle into cantatas for high voice and cantatas for medium voice. Each series spreads the works over three volumes accompanied by separate parts for soloinstrument and continuo. The cantatas follow the order of the liturgical year, beginning with the Christmas season and continuing with Easter and Trinity. Being practically minded, Telemann arranged the ambitus of the vocal parts so that the cantatas for medium voice are ‘ also suitable for an ordinary alto or bass'. Similarly, the solo instruments are suitable for Violin, Oboe, Recorder or Flute. - Interesting solo cantatas for use in church services. - Urtext from the Telemann Edition. - Separate parts for instrument and continuo./ Répertoire / Voix Hautes

Par TCHAIKOVSKI PIOTR ILITCH / JONES NATHAN (Arr.). Tchaikovsky composed his twelve character pieces for piano, The Seasons, while he was writing his popular ballet, Swan Lake. Each piece in The Seasons depicts a different month of the year in Russia. The original publication of September: The Hunt included an epigraph at the start of the piece-a small poem by Alexander Pushkin. This energetic arrangement for symphonic band by Nathan Jones opens with an octave fanfare between the winds and brass. Tchaikovsky\'s colorful harmony speaks here, with passing chromaticism adding color to the music. The fanfare theme is transformed in the quiet central section, still shifting to the minor mode with short solo passages for flute, bassoon, trumpet, xylophone and oboe (cued in flutes). The segue back into the opening fanfare is clever, with the notes leading through several keys before concluding in the major with a short reprise of the initial theme. / Date parution : 2022-09-20/ Répertoire / Concert Band

Ce livre contient un mélange de quinze pièces en musique classique et populairedifférents styles de chansons appropriées pour les parties à des morceaux adaptés pour lesrencontres officielles. Un play-along CD est inclus ainsi vous avez toujours unebacking band à portée de main. / Hautbois / 20 pages / niveau : Très Facile / Partition + Cd