| Georg Friedrich Händel:
Let God Arise HWV 256b
Chapel Royal Anthem:
SATB: Score Choral SATB SATB, Strings Barenreiter
Anthems for the Chapel RoyalO sing unto the Lord a new song HWV 249a for Soloist...(+)
Anthems for the Chapel RoyalO sing unto the Lord a new song HWV 249a for Soloists (AB) Chorus (SATB) Flute 2 Oboes 2 Trumpets Strings Continuo BA 4263I will magnify thee HWV 250b for Soloists (SATB) Chorus (SATB) Oboe Strings Continuo BA 4264As pants the hart HWV 251e for Soloists (SAATBB) Chorus (SAATB) 2 Oboes Strings Continuo BA 4265Let God Arise HWV 256b for Soloists (AB) Chorus (SATB) Oboe Strings Continuo BA 4266Handel?s four anthems were all composed during his London period in the Chapel Royal. ?As pants the hart? his fifth setting of this Psalm text waswritten in March 1738 for performance at a benefit concert for the King?s Theatre in the Haymarket.Until just before Handel?s first visit to England the only instrument permitted to accompany the service in the Chapel Royal was the organ. These four works with their orchestral accompaniments thus represent something akin to a new genre in English church music.The four anthems are presented in clearly laid out vocal scores with straightforward piano reductions based on the Urtext from the Halle Handel Edition. Their enticingly varied and self-sufficient orchestral writing provides a suitable framework for the festive chorus and equally festive solo numbers. Today they sound as splendid as ever!The full scores and vocal scores also contain a German translation along with the original English text.
26.00 GBP - Sold by Musicroom UK |
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| Dan Forrest: Requiem for
the Living: SATB: Vocal
Score Choral SATB [Vocal Score] Hinshaw Music Inc.
Commissioned by the Hickory NC Choral Society for their 35th anniversary season ...(+)
Commissioned by the Hickory NC Choral Society for their 35th anniversary season Dan Forrest's Requiem For The Living is scored for mixed choir with solos for boy soprano and/or mezzo-soprano soprano & tenor. The instrumentation is available for large orchestra or chamber ensemble. Combining both liturgical and non-liturgical texts in some cases the traditional texts are slightly re-arranged for contextual emphasis. This powerful five movement work projects a wide range of meaningful expression from a biting essay on the vanity and pain of existence to a plea for mercy and a celebration of eternal light. The work standsalone - but would be especially moving for all saints Good Friday or even Palm Sunday. Movements: Introit - Kyrie Vanitas Vanitatum Agnus Dei Sanctus Lux Aeterna 3. Instrumentations available on rental only: 1. Full orch. (HMB265a): 2 flutes 2 oboes 2 bb clarinets 2 bassoons 2 horns (or 1-4: if performing with a large choir horn lines may be doubled by a second player on each part) 2 bb trumpets 2 trombones bass trombone or trombone 3 tuba percussion (1 player: suspended cymbal crash cymbal bass drum triangle glockenspiel crotales (bowed) snare drum low tom-tom (opt.)(or other low drum) timpani (3) (one player) harp strings (min. Suggested count 4.4.2.2.1) full score. 2. Chamber version (HMB265b) - flute oboe horn in f (optional) combined percussion (one player: timpani suspended cymbal crash cymbal triangle glockenspiel crotales (bowed) snare drum low tom-tom (optional) (or other low drum) harp violin cello organ full score. 3. Expanded chamber version (HMB265c) - flute oboe horn in f(opt.) percussion from full orchestra version (1 player: suspended cymbal crash cymbal bass drum triangle glockenspiel crotales (bowed) snare drum low tom-tom (opt. or other low drum) timpani (3) from full orchestra version (1 player) harp strings from full orchestra version
15.99 GBP - Sold by Musicroom UK Pre-shipment lead time: In Stock |
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| Georg Friedrich Händel:
O Sing Unto The Lord HWV
249a Chapel Royal Anthem:
Mixed Soli (AB), gemischter Chor (SATB) und
Orchester Barenreiter
Anthems for the Chapel RoyalO Sing Unto The Lord A New Song HWV 249a for Soloist...(+)
Anthems for the Chapel RoyalO Sing Unto The Lord A New Song HWV 249a for Soloists (AB) Chorus (SATB) Flute 2 Oboes 2 Trumpets Strings Continuo BA 4263I will magnify thee HWV 250b for Soloists (SATB) Chorus (SATB) Oboe Strings Continuo BA 4264As pants the hart HWV 251e for Soloists (SAATBB) Chorus (SAATB) 2 Oboes Strings Continuo BA 4265Let God arise HWV 256b for Soloists (AB) Chorus (SATB) Oboe Strings Continuo BA 4266Handel?s four anthems were all composed during his London period in the Chapel Royal. ?As pants the hart? his fifth setting of this Psalm text was written inMarch 1738 for performance at a benefit concert for the King?s Theatre in the Haymarket.Until just before Handel?s first visit to England the only instrument permitted to accompany the service in the Chapel Royal was the Organ. These four works with their orchestral accompaniments thus represent something akin to a new genre in English church music.The four anthems are presented in clearly laid out vocal scores with straightforward piano reductions based on the Urtext from the Halle Handel Edition. Their enticingly varied and self-sufficient orchestral writing provides a suitable framework for the festive chorus and equally festive solo numbers. Today they sound as splendid as ever!The full scores and vocal scores also contain a German translation along with the original English text.
16.50 GBP - Sold by Musicroom UK |
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| Georg Friedrich Händel:
As Pants The Hart HWV
251e Chapel Royal Anthem:
SATB: Soli, gemischter Chor, Orchester und
Basso continuo Barenreiter
Anthems for the Chapel RoyalO sing unto the Lord a new song HWV 249a for Soloist...(+)
Anthems for the Chapel RoyalO sing unto the Lord a new song HWV 249a for Soloists (AB) Chorus (SATB) Flute 2 Oboes 2 Trumpets Strings Continuo BA 4263 I will magnify thee HWV 250b for Soloists (SATB) Chorus (SATB) Oboe Strings Continuo BA 4264As Pants The Hart HWV 251e for Soloists (SAATBB) Chorus (SAATB) 2 Oboes Strings Continuo BA 4265Let God arise HWV 256b for Soloists (AB) Chorus (SATB) Oboe Strings Continuo BA 4266Handel?s four anthems were all composed during his London period in the Chapel Royal. ?As Pants The Hart? his fifth setting of this Psalm text was writtenin March 1738 for performance at a benefit concert for the King?s Theatre in the Haymarket.Until just before Handel?s first visit to England the only instrument permitted to accompany the service in the Chapel Royal was the Organ. These four works with their orchestral accompaniments thus represent something akin to a new genre in English church music.The four anthems are presented in clearly laid out vocal scores with straightforward Piano reductions based on the Urtext from the Halle Handel Edition. Their enticingly varied and self-sufficient orchestral writing provides a suitable framework for the festive chorus and equally festive solo numbers. Today they sound as splendid as ever!The full scores and vocal scores also contain a German translation along with the original English text.
8.50 GBP - Sold by Musicroom UK |
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| Georg Friedrich Händel:
Ode For Saint Cecilia's
Day (Full Score): SATB:
Score Choral SATB [Sheet music] Novello & Co Ltd.
Full score for ST or SAT soloists SATB chorus and Orchestra. Ouverture Recitat...(+)
Full score for ST or SAT soloists SATB chorus and Orchestra. Ouverture Recitative - From harmony from heav'nly harmony Chorus - From harmony from heav'nly harmony Air (Soprano) - What passion cannot music raise and quell? Air (Tenor) and Chorus - The trumpet's loud clangour La Marche Air (Soprano) - The soft complaining flute Air (Alto) - The soft complaining flute Air (Tenor or Soprano 2) - Sharp violins proclaim Air (Soprano) - But oh! what art can teach? Air (Soprano) - Orpheus could lead the savage race Recitative (Soprano) - But bright Cecilia rais'd thewonder high'r Soprano and Chorus - As from the pow'r of sacred lays Instrumentation Flute 2 Oboes 2 Bassoon 2 Trumpets Timpani Strings Continuo (Harpsichord Organ and optional Lute) Includes performance instruction and extensive preface by the editor Donald Burrows.
49.99 GBP - Sold by Musicroom UK |
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| STABAT MATER (DVORAK
ANTONIN) (DVORAK ANTONIN) Choral SATB SATB, Piano Carus Verlag
Par DVORAK ANTONIN. Antonin Dvorák?s impressive Stabat Mater for soloists, chor...(+)
Par DVORAK ANTONIN. Antonin Dvorák?s impressive Stabat Mater for soloists, chorus and orchestra is probably the best-known of the composer?s sacred works. Some painful experiences in 1875 his first daughter died, and in 1877 he lost two other children in quick succession may have led to Dvorák?s preoccupation with the suffering of the Mother of God, who stands weeping beneath the cross of her son. The music enters into the different moods of the liturgical texts with great sensitivity. Nine movements in slow to moderate tempi serve as a kind of Passion meditation, before the ecstasy of a vision of the resurrection wins the upper hand at the end of the tenth movement. With our newly-publishedarrangement for chamber orchestra (flute, oboe, clarinet, horn, bassoon, timpani, and strings), smaller choirs now have the opportunity of performing this work without the choir being drowned out by a large-scale symphony orchestra. The symphonic character of the work is nevertheless preserved. This scoring offers an optimal balance between transparency and orchestral sound. All vocal parts (soloists and chorus) are identical with the original version. Vocal score and choral score can be used also together with the original version, which is in preparation. / Date parution : 2023-06-02/ Répertoire / Choeur Mixte SATB et Piano
21.70 EUR - Sold by LMI-partitions (Seller in french langage) Pre-shipment lead time: In Stock |
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| Georg Friedrich Händel:
Let God Arise HWV 256b
Chapel Royal Anthem:
Mixed Choir: Soli, Mixted choir and accompaniment Soli, mixted choir, orchestra Barenreiter
Anthems for the Chapel RoyalO sing unto the Lord a new song HWV 249a for Soloist...(+)
Anthems for the Chapel RoyalO sing unto the Lord a new song HWV 249a for Soloists (AB) Chorus (SATB) Flute 2 Oboes 2 Trumpets Strings Continuo BA 4263I will magnify thee HWV 250b for Soloists (SATB) Chorus (SATB) Oboe Strings Continuo BA 4264As pants the hart HWV 251e for Soloists (SAATBB) Chorus (SAATB) 2 Oboes Strings Continuo BA 4265Let God Arise HWV 256b for Soloists (AB) Chorus (SATB) Oboe Strings Continuo BA 4266Handel?s four anthems were all composed during his London period in the Chapel Royal. ?As pants the hart? his fifth setting of this Psalm text waswritten in March 1738 for performance at a benefit concert for the King?s Theatre in the Haymarket.Until just before Handel?s first visit to England the only instrument permitted to accompany the service in the Chapel Royal was the organ. These four works with their orchestral accompaniments thus represent something akin to a new genre in English church music.The four anthems are presented in clearly laid out vocal scores with straightforward piano reductions based on the Urtext from the Halle Handel Edition. Their enticingly varied and self-sufficient orchestral writing provides a suitable framework for the festive chorus and equally festive solo numbers. Today they sound as splendid as ever!The full scores and vocal scores also contain a German translation along with the original English text.
10.50 GBP - Sold by Musicroom UK |
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| Georg Friedrich Händel:
Let God Arise HWV 256b
Chapel Royal Anthem:
Mixed Choir: Soli, Mixted choir and accompaniment Soli, mixted choir, orchestra Barenreiter
Anthems for the Chapel RoyalO sing unto the Lord a new song HWV 249a for Soloist...(+)
Anthems for the Chapel RoyalO sing unto the Lord a new song HWV 249a for Soloists (AB) Chorus (SATB) Flute 2 Oboes 2 Trumpets Strings Continuo BA 4263I will magnify thee HWV 250b for Soloists (SATB) Chorus (SATB) Oboe Strings Continuo BA 4264As pants the hart HWV 251e for Soloists (SAATBB) Chorus (SAATB) 2 Oboes Strings Continuo BA 4265Let God Arise HWV 256b for Soloists (AB) Chorus (SATB) Oboe Strings Continuo BA 4266Handel?s four anthems were all composed during his London period in the Chapel Royal. ?As pants the hart? his fifth setting of this Psalm text waswritten in March 1738 for performance at a benefit concert for the King?s Theatre in the Haymarket.Until just before Handel?s first visit to England the only instrument permitted to accompany the service in the Chapel Royal was the organ. These four works with their orchestral accompaniments thus represent something akin to a new genre in English church music.The four anthems are presented in clearly laid out vocal scores with straightforward piano reductions based on the Urtext from the Halle Handel Edition. Their enticingly varied and self-sufficient orchestral writing provides a suitable framework for the festive chorus and equally festive solo numbers. Today they sound as splendid as ever!The full scores and vocal scores also contain a German translation along with the original English text.
6.00 GBP - Sold by Musicroom UK |
|
| Georg Friedrich Händel:
Let God Arise HWV 256b
Chapel Royal Anthem:
Mixed Choir: Soli, Mixted choir and accompaniment Soli, mixted choir, orchestra Barenreiter
Anthems for the Chapel RoyalO sing unto the Lord a new song HWV 249a for Soloist...(+)
Anthems for the Chapel RoyalO sing unto the Lord a new song HWV 249a for Soloists (AB) Chorus (SATB) Flute 2 Oboes 2 Trumpets Strings Continuo BA 4263I will magnify thee HWV 250b for Soloists (SATB) Chorus (SATB) Oboe Strings Continuo BA 4264As pants the hart HWV 251e for Soloists (SAATBB) Chorus (SAATB) 2 Oboes Strings Continuo BA 4265Let God Arise HWV 256b for Soloists (AB) Chorus (SATB) Oboe Strings Continuo BA 4266Handel?s four anthems were all composed during his London period in the Chapel Royal. ?As pants the hart? his fifth setting of this Psalm text waswritten in March 1738 for performance at a benefit concert for the King?s Theatre in the Haymarket.Until just before Handel?s first visit to England the only instrument permitted to accompany the service in the Chapel Royal was the organ. These four works with their orchestral accompaniments thus represent something akin to a new genre in English church music.The four anthems are presented in clearly laid out vocal scores with straightforward piano reductions based on the Urtext from the Halle Handel Edition. Their enticingly varied and self-sufficient orchestral writing provides a suitable framework for the festive chorus and equally festive solo numbers. Today they sound as splendid as ever!The full scores and vocal scores also contain a German translation along with the original English text.
6.00 GBP - Sold by Musicroom UK |
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| Du Aber, Daniel, Gehe
Hin. Trauerkantate
(TELEMANN GEORG PHILIPP) SB, 4 Parties Mixtes et Orchestre [Sheet music] Barenreiter
Funeral Cantata. Par TELEMANN GEORG PHILIPP. Telemann's Funeral Cantata “Du ab...(+)
Funeral Cantata. Par TELEMANN GEORG PHILIPP. Telemann's Funeral Cantata “Du aber, Daniel, gehe hin” appears here for the first time in print. A score of the work, until Second World War, was held in the Berliner Sing-Akademie. It was written by J. Dirmar, the former cantor at St Nikolai in Berlin and consisted of a four-page printed text. Full score, parts (BA3583) and choral score (BA3583-91) available for sale Scored for Soprano solo, Bass solo, Mixed choir (SATB), Flute, Oboe, Strings, Organ/ Répertoire / SB, 4 Parties Mixtes et Orchestre
7.30 EUR - Sold by LMI-partitions (Seller in french langage) Pre-shipment lead time: On order |
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| Wolfgang Amadeus Mozart:
Concerto in G major for
Flute K.313: Flute: Score Flute, Orchestra [Sheet music] Barenreiter
Mozart's Concerto in G major For Flute K.313 composed in 1778 in an authoritat...(+)
Mozart's Concerto in G major For Flute K.313 composed in 1778 in an authoritative Urtext edition based on the New Mozart Edition. Scored for Flute Solo Flute (2) Oboe (2) Horn (2) Strings. Mozart exhibited a special affinity with the woodwind family writing prolifically for the instruments throughout his lifetime. This Urtext edition is based upon original manuscripts and features a short editorial and scholarly history of the piece making it the ideal choice for both academic study and informed concert performance. The New Mozart Edition offers researchers a musicologically unimpeachable text based on all theavailable sources (first and foremost Mozart's autograph manuscripts). At the same time it also serves as an aid to authentic performances. Full score Flute & Piano reduction (BA4854-90) and performance material (BA4854) available for sale.
22.50 GBP - Sold by Musicroom UK |
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| Georg Friedrich Händel:
I Will Magnify Thee:
Mixed Choir: Vocal Score Soli, Mixted choir and accompaniment Soli, mixted choir and piano [Sheet music] Barenreiter
Handel?s four anthems were all composed during his London period in the Chapel R...(+)
Handel?s four anthems were all composed during his London period in the Chapel Royal. ?As pants the hart? his fifth setting of this Psalm text was written in March 1738 for performance at a benefit concert for the King?s Theatre in the Haymarket. Until just before Handel?s first visit to England the only instrument permitted to accompany the service in the Chapel Royal was the Organ.These four works (O sing unto the Lord HWV 249a I will magnify thee HWV 250b As pants the hart HWV 251e Let God arise HWV 256b) with their orchestral accompaniments thus represent something akin to a new genre in English church music.The four anthems arepresented in clearly laid out Vocal scores with easy-to-play Piano reductions based on the Urtext from the ?Halle Handel Edition?. Their winningly varied and self-sufficient orchestral writing provides a suitable framework for the festive chorus and the equally festive solo numbers. Today they sound as splendid as ever before. The full scores and Vocal scores also contain a German translation along with the original English.Scoring:- HWV 249a: soloists (AB) chorus (SATB) Flute 2 Oboes 2 Trumpets Strings Continuo.- HWV 250b: soloists (SATB) chorus (SATB) Oboe Strings Continuo.- HWV 251e: soloists (SAATBB) chorus (SAATBB) 2 Oboes Strings Continuo.- HWV 256b: soloists (AB) chorus (SATB) Oboe Strings Continuo.- Urtext from the ?Halle Handel Edition? at the forefront of musical scholarship.- First separate editions for performance purposes.- Clear and easy-to-play Piano reductions.- Original English text with underlaid German translation.- Full scores vocal scores and performance material available for sale.
14.50 GBP - Sold by Musicroom UK |
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| Flûte En Suite Flute, Orchestra Schott
This ?Suite' is not one of my 'epic' instrumental concertos such as the concerto...(+)
This ?Suite' is not one of my 'epic' instrumental concertos such as the concertos for cello, violin or oboe, but a substantially smaller-structured series of dance forms arranged into a suite. Sunken worlds suddenly emerge here, only to reach the surface, hover in dangerously distorted fashion and then sink back to the bottom.Almost every individual movement allots the solo flute a specific tonal colouring and an instrumental group from the orchestra: in the opening Allemande, the flutes of the orchestra (including alto and bass flute and later also piccolo to include the entire flute family) - the string section in the Sarabande - in both chorales (extremely muted in the first and brutalist in the second), the brass etc. - and it is only in the concluding Badinerie that all orchestral groups are combined, although they are terraced in the Baroque style, one following another, seldom all playing simultaneously.This permits the flute to remain the provider of all impulses - it attaches itself to the wide variety of instrumental colours, becomes suffused with these colours and thereby shines in different lights - acerbic, pale and radiant. This first performance marks the conclusion of my two-year residence with the Cleveland Orchestra. The immense versatility of this fine body of sound (which is indeed treated as such with the sum of its parts) and the exciting dark timbre of its principal flautist Joshua Smith have to a great extent determined the form and tonal character of my Flûte en suite. Jörg Widmann / Flûte Et Orchestre
75.09 EUR - Sold by LMI-partitions (Seller in french langage) Pre-shipment lead time: On order |
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| Master Solos:
Intermediate Level -
Oboe: Oboe Solo:
Instrumental Album Oboe [Sheet music + Audio access] Hal Leonard
Master Solos book/CD packs are a fresh source of solo literature in a comprehens...(+)
Master Solos book/CD packs are a fresh source of solo literature in a comprehensive package for developing instrumentalists. The collections for the various instruments were personally selected and performed by world-famousperforming artists and educators (see below) and each features a specially prepared lesson. Every Master Solos pack includes 8 selections by renowned composers ? different for each instrument ? and a pianoaccompaniment book. The accompanying CDs are uniquely designed to serve in practice and performance situations and offer immeasurable benefits for the intermediate soloist and for the instrumental instructor. The first trackfeatures the solo performance with piano accompaniment providing tempo and musical style and the second track is the piano accompaniment only designed for rehearsal. The recorded accompaniment can also be used inperformances. Flute by Gary Sigurdson Oboe by Don Jaeger Bassoon by Leonard Sharrow Bb Clarinet by Ramon Kireilis Eb Alto Saxophone by Larry Teal Bb Trumpet/Cornet by Robert Getchell Horn by Louis Stout Trombone byBuddy Baker Baritone Horn by Larry Campbell Tuba by Daniel Perantoni Percussion by Peter Magadini. All books edited by Linda Rutherford.
15.99 GBP - Sold by Musicroom UK |
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| Wolfgang Amadeus Mozart:
Sinfonia concertante in
E-flat major K.364:
Violin & Violon, Viole Et Orchestre Barenreiter
There is no reference to the origin occasion or a performance of the Sinfonia c...(+)
There is no reference to the origin occasion or a performance of the Sinfonia concertante in E-flat for Violin Viola and Orchestra K. 364 (320d) because in all probability it was composed in Salzburg (presumably in summer or early autumn 1779): Mozart seems to have had no reason to write about it. It was apparently in Paris that he first had the occasion of giving the genre of the “Symphonie concertante” his special attention. On April 5 1778 he wrote to his father: “Now I shall write a sinfonie concertante for flute wendling oboe Ramm Punto horn and Ritter bassoon”.Even more discouraging must have been the fact that he had similardifficulties in Paris in having the works performed as he had in Mannheim. After the organizier of the Concerts spirituels Le Gros contrary to his promise did not include the mentioned “sinfonie concertante” in his program.Mozart had no reason to compose any more for this genre in Paris. After Mozart’s return to Salzburg he might have been eager to introduce the new genre there especially since adequate instrumentalists were available. Also the choice of the solo instruments (violin and viola) in the work presented here was probably influenced by the popularity of this instrumental combination in Salzburg at that time.- Urtext of the New Mozart Edition- Full score & parts (BA4900) study score format 22.5 x 16.5cm (TP176) violin viola and piano reduction (BA4900-90) available for sale
6.50 GBP - Sold by Musicroom UK |
|
| Wolfgang Amadeus Mozart:
Sinfonia concertante in
E-flat major K.364:
Violin & Violon, Viole Et Orchestre Barenreiter
There is no reference to the origin occasion or a performance of the Sinfonia c...(+)
There is no reference to the origin occasion or a performance of the Sinfonia concertante in E-flat for Violin Viola and Orchestra K. 364 (320d) because in all probability it was composed in Salzburg (presumably in summer or early autumn 1779): Mozart seems to have had no reason to write about it. It was apparently in Paris that he first had the occasion of giving the genre of the “Symphonie concertante” his special attention. On April 5 1778 he wrote to his father: “Now I shall write a sinfonie concertante for flute wendling oboe Ramm Punto horn and Ritter bassoon”.Even more discouraging must have been the fact that he had similardifficulties in Paris in having the works performed as he had in Mannheim. After the organizier of the Concerts spirituels Le Gros contrary to his promise did not include the mentioned “sinfonie concertante” in his program.Mozart had no reason to compose any more for this genre in Paris. After Mozart’s return to Salzburg he might have been eager to introduce the new genre there especially since adequate instrumentalists were available. Also the choice of the solo instruments (violin and viola) in the work presented here was probably influenced by the popularity of this instrumental combination in Salzburg at that time.- Urtext of the New Mozart Edition- Full score & parts (BA4900) study score format 22.5 x 16.5cm (TP176) violin viola and piano reduction (BA4900-90) available for sale
6.50 GBP - Sold by Musicroom UK |
|
| Wolfgang Amadeus Mozart:
Sinfonia concertante in
E-flat major K.364:
Violin & Violon, Viole Et Orchestre Barenreiter
There is no reference to the origin occasion or a performance of the Sinfonia c...(+)
There is no reference to the origin occasion or a performance of the Sinfonia concertante in E-flat for Violin Viola and Orchestra K. 364 (320d) because in all probability it was composed in Salzburg (presumably in summer or early autumn 1779): Mozart seems to have had no reason to write about it. It was apparently in Paris that he first had the occasion of giving the genre of the “Symphonie concertante” his special attention. On April 5 1778 he wrote to his father: “Now I shall write a sinfonie concertante for flute wendling oboe Ramm Punto horn and Ritter bassoon”.Even more discouraging must have been the fact that he had similardifficulties in Paris in having the works performed as he had in Mannheim. After the organizier of the Concerts spirituels Le Gros contrary to his promise did not include the mentioned “sinfonie concertante” in his program.Mozart had no reason to compose any more for this genre in Paris. After Mozart’s return to Salzburg he might have been eager to introduce the new genre there especially since adequate instrumentalists were available. Also the choice of the solo instruments (violin and viola) in the work presented here was probably influenced by the popularity of this instrumental combination in Salzburg at that time.- Urtext of the New Mozart Edition- Full score & parts (BA4900) study score format 22.5 x 16.5cm (TP176) violin viola and piano reduction (BA4900-90) available for sale
5.50 GBP - Sold by Musicroom UK |
|
| Wolfgang Amadeus Mozart:
Sinfonia concertante in
E-flat major K.364:
Violin & Violon, Viole Et Orchestre Barenreiter
There is no reference to the origin occasion or a performance of the Sinfonia c...(+)
There is no reference to the origin occasion or a performance of the Sinfonia concertante in E-flat for Violin Viola and Orchestra K. 364 (320d) because in all probability it was composed in Salzburg (presumably in summer or early autumn 1779): Mozart seems to have had no reason to write about it. It was apparently in Paris that he first had the occasion of giving the genre of the “Symphonie concertante” his special attention. On April 5 1778 he wrote to his father: “Now I shall write a sinfonie concertante for flute wendling oboe Ramm Punto horn and Ritter bassoon”.Even more discouraging must have been the fact that he had similardifficulties in Paris in having the works performed as he had in Mannheim. After the organizier of the Concerts spirituels Le Gros contrary to his promise did not include the mentioned “sinfonie concertante” in his program.Mozart had no reason to compose any more for this genre in Paris. After Mozart’s return to Salzburg he might have been eager to introduce the new genre there especially since adequate instrumentalists were available. Also the choice of the solo instruments (violin and viola) in the work presented here was probably influenced by the popularity of this instrumental combination in Salzburg at that time.- Urtext of the New Mozart Edition- Full score & parts (BA4900) study score format 22.5 x 16.5cm (TP176) violin viola and piano reduction (BA4900-90) available for sale
6.50 GBP - Sold by Musicroom UK |
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| Joseph M. Martin:
Appalachian Winter: SATB:
Vocal Score Choral SATB [Vocal Score] Shawnee Press
From the composer of Festival of Carols and The Winter Rose comes a cantata that...(+)
From the composer of Festival of Carols and The Winter Rose comes a cantata that celebrates the legacy of early American carols and hymnody. Composed in the spirit of folk music the cantata combines traditionalsounds with more rustic elements creating a blend that is fresh and pleasing. Popular American carols like Away In a Manger and O Little Town of Bethlehem dance with traditional spirituals such as Children GoWhere I Send Thee and Go Tell It on the Mountain. Sacred Harp tunes are re-tooled for Advent and stand alongside new versions of Shaker hymns and Appalachian melodies. Thoughtful narration weaves the movements togetherin a meaningful tapestry of song and Scripture. Two orchestral options are available allowing maximum flexibility in performance. A full line of support products is also available. Available separately: SATB CD-ROM FullOrchestration (Score & Parts for Flute 1 & 2 alto recorder Oboe/English Horn Clarinet 1 & 2 Bassoon Horn 1 & 2 Trumpet 1-3 Trombone 1 & 2 Bass Trombone/Tuba Timpani Percussion Acoustic Guitar Banjo Harp Piano Synth Solo fiddle Violin 1 & 2 Viola Cello Double Bass) Printed Full Orchestration Appalachian Consort Orchestration (Score & parts for Flute Violin Cello Mandolin Guitar Percussion and Piano) StudioTrax CD (accompanimentonly) SplitTrax CD Listening CD 10-Pack Listening CDs Preview Pack (Book/CD combo) RehearsalTrax CDs (part predominant reproducible) Digital Resource Kit (PowerPoint Choir Devotionals Poster Program Flyers Children'sProgram PDFs). Duration: approx. 40 min.
9.99 GBP - Sold by Musicroom UK |
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| Georg Philipp Telemann:
Du Aber Daniel Gehe Hin
- Funeral Cantata: SATB:
Vocal Choral SATB [Sheet music] Barenreiter
Trauerkantate-Telemann's Funeral Cantata ?Du aber Daniel gehe hin? appears he...(+)
Trauerkantate-Telemann's Funeral Cantata ?Du aber Daniel gehe hin? appears here for the first time in print. A score of the work until Second World War was held in the Berliner Sing-Akademie. It was written by J. Dirmar the former cantor at St Nikolai in Berlin and consisted of a four-page printed text.Full score parts (BA3583) and choral score (BA3583-91) available for saleScored for Soprano solo Bass solo Mixed choir (SATB) Flute Oboe Strings Organ
4.50 GBP - Sold by Musicroom UK |
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| Georg Philipp Telemann:
Du Aber Daniel Gehe Hin
- Funeral Cantata: Mixed SB, 4 Parties Mixtes et Orchestre [Sheet music] Barenreiter
Funeral Cantata-Telemann's Funeral Cantata ?Du aber Daniel gehe hin? appears ...(+)
Funeral Cantata-Telemann's Funeral Cantata ?Du aber Daniel gehe hin? appears here for the first time in print. A score of the work until Second World War was held in the Berliner Sing-Akademie. It was written by J. Dirmar the former cantor at St Nikolai in Berlin and consisted of a four-page printed text.Full score parts (BA3583) and choral score (BA3583-91) available for saleScored for Soprano solo Bass solo Mixed choir (SATB) Flute Oboe Strings Organ
5.50 GBP - Sold by Musicroom UK |
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| Georg Philipp Telemann:
Du Aber Daniel Gehe Hin
- Funeral Cantata: Mixed SB, 4 Parties Mixtes et Orchestre [Sheet music] Barenreiter
Funeral Cantata-Telemann's Funeral Cantata ?Du aber Daniel gehe hin? appears ...(+)
Funeral Cantata-Telemann's Funeral Cantata ?Du aber Daniel gehe hin? appears here for the first time in print. A score of the work until Second World War was held in the Berliner Sing-Akademie. It was written by J. Dirmar the former cantor at St Nikolai in Berlin and consisted of a four-page printed text.Full score parts (BA3583) and choral score (BA3583-91) available for saleScored for Soprano solo Bass solo Mixed choir (SATB) Flute Oboe Strings Organ
5.00 GBP - Sold by Musicroom UK |
|
| Georg Philipp Telemann:
Du Aber Daniel Gehe Hin
- Funeral Cantata: Mixed SB, 4 Parties Mixtes et Orchestre [Sheet music] Barenreiter
Funeral Cantata-Telemann's Funeral Cantata ?Du aber Daniel gehe hin? appears ...(+)
Funeral Cantata-Telemann's Funeral Cantata ?Du aber Daniel gehe hin? appears here for the first time in print. A score of the work until Second World War was held in the Berliner Sing-Akademie. It was written by J. Dirmar the former cantor at St Nikolai in Berlin and consisted of a four-page printed text.Full score parts (BA3583) and choral score (BA3583-91) available for saleScored for Soprano solo Bass solo Mixed choir (SATB) Flute Oboe Strings Organ
5.00 GBP - Sold by Musicroom UK |
|
| Georg Philipp Telemann:
Du Aber Daniel Gehe Hin
- Funeral Cantata: Mixed SB, 4 Parties Mixtes et Orchestre [Sheet music] Barenreiter
Funeral Cantata-Telemann's Funeral Cantata ?Du aber Daniel gehe hin? appears ...(+)
Funeral Cantata-Telemann's Funeral Cantata ?Du aber Daniel gehe hin? appears here for the first time in print. A score of the work until Second World War was held in the Berliner Sing-Akademie. It was written by J. Dirmar the former cantor at St Nikolai in Berlin and consisted of a four-page printed text.Full score parts (BA3583) and choral score (BA3583-91) available for saleScored for Soprano solo Bass solo Mixed choir (SATB) Flute Oboe Strings Organ
5.00 GBP - Sold by Musicroom UK |
|
| Georg Philipp Telemann:
Du Aber Daniel Gehe Hin
- Funeral Cantata: Mixed SB, 4 Parties Mixtes et Orchestre [Sheet music] Barenreiter
Funeral Cantata-Telemann's Funeral Cantata ?Du aber Daniel gehe hin? appears ...(+)
Funeral Cantata-Telemann's Funeral Cantata ?Du aber Daniel gehe hin? appears here for the first time in print. A score of the work until Second World War was held in the Berliner Sing-Akademie. It was written by J. Dirmar the former cantor at St Nikolai in Berlin and consisted of a four-page printed text.Full score parts (BA3583) and choral score (BA3583-91) available for saleScored for Soprano solo Bass solo Mixed choir (SATB) Flute Oboe Strings Organ
5.00 GBP - Sold by Musicroom UK |
|
| Georg Philipp Telemann:
Du Aber Daniel Gehe Hin
- Funeral Cantata: Mixed SB, 4 Parties Mixtes et Orchestre [Sheet music] Barenreiter
Funeral Cantata-Telemann's Funeral Cantata ?Du aber Daniel gehe hin? appears ...(+)
Funeral Cantata-Telemann's Funeral Cantata ?Du aber Daniel gehe hin? appears here for the first time in print. A score of the work until Second World War was held in the Berliner Sing-Akademie. It was written by J. Dirmar the former cantor at St Nikolai in Berlin and consisted of a four-page printed text.Full score parts (BA3583) and choral score (BA3583-91) available for saleScored for Soprano solo Bass solo Mixed choir (SATB) Flute Oboe Strings Organ
5.00 GBP - Sold by Musicroom UK |
|