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INSTRUMENTS
INSTRUMENTS
ACCORDION
AUTOHARP
BAGPIPE
BANJO
BASS
BASSOON
BOOKS
BOUZOUKI
BUGLE
CHORAL - VOCAL - CHOIR
CLARINET
CORNET
DIDGERIDOO
DJ GEAR
DRUM
DULCIMER
EUPHONIUM
FLUTE
FRENCH HORN
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
LAP STEEL GUITAR
LUTE
MANDOLIN
MARCHING BAND
MARIMBA
MUSIC COURSE
OBOE
OCARINA
ORCHESTRA - BAND
ORGAN
PANPIPES
PERCUSSION
PIANO
RECORDER
SAXOPHONE
SYNTHESIZER KEYBOARD
TROMBONE
TRUMPET
TUBA
UKULELE
VIBRAPHONE
VIOLA
VIOLIN - FIDDLE
VIOLONCELLO - CELLO
XYLOPHONE
ZITHER
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2 Pianos, 8 hands (2)
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Orgue Et Instruments Divers (2)
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Piano(s) & Other Instruments (… (2)
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Bodhran (2)
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SSA a Cappella (2)
Cor Ténor et Piano (2)
Ténor Solo, Violon Solo, SATB… (2)
Carillon (2)
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Präpariertes Klavier, 2 Viol… (2)
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5 Recorders (2)
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1 Ou 2 Guitare(s) (2)
Ukulele Ensemble (2)
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Horn and Orchestra (2)
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3 Recorders (trio) (2)
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Stationery (2)
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Piano (Accompagnement) (2)
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Orgue Sans Pédale (1)
ENS::Ensemble d'cole (1)
Gemischter Chor, Streicher un… (1)
Ocarina (1)
Trompette Et Orchestre (1)
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Flöte, Oboe, Klarinette [B] … (1)
Any Number of Toy Pianos / Oth… (1)
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Saxophone Alto 1 (1)
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Cor (pour Quintette De Cuivres… (1)
Variable (1)
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2 Trompettes Et 4 Trombones (1)
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for Tenor and Piano (1)
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Contemporary Small Ensemble (1)
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Any Number of Toy Pianos (1)
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Flûte Traversière Et Piccolo… (1)
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Saxophone Soprano Et Alto (1)
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High voice (1)
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Choeur ATBarB/ATBarB (1)
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Education CD (1)
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Harfe und Bläserquintett (1)
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DVD (1)
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Bass Clarinet (1)
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Bob Chilcott: Spirituals for Choirs: SATB: Vocal Score
Choral SATB
[Vocal Score]
Oxford University Press
. . . for Choirs Collections-Spirituals For Choirs is an exciting collection of ...
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. . . for Choirs Collections-Spirituals For Choirs is an exciting collection of 20 specially commissioned arrangements for a cappella and accompanied SATB choir. The contents reflect the richness and diversity of the spiritual tradition including many much-loved favorites alongside exquisite discoveries that are less well known. Each piece is bursting with freshness and invention to provide singers with inspirational moving and above all enjoyable repertoire. With a mixture of large and small-scale pieces there???s something here for every choir whatever its forces or levels of expertise.
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Alan Bullard: Oxford Book Of Flexible Carols: SATB: Vocal Score
Choral SATB
[Vocal Score]
Oxford University Press
The Oxford Book of Flexible Carols is the perfect resource for choirs of all typ...
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The Oxford Book of Flexible Carols is the perfect resource for choirs of all types and sizes. Each piece is presented with flexible scoring options clearly explained throughout enabling performance by various combinations of singers. With carols for Advent Christmas New Year and Epiphany and a fabulous range of accessible quality material this is a must-have collection for all choirs at Christmas. 56 flexibly scored carols Suitable for mixed choirs upper-voice choirs choirs with few men unison choirs small choirs and all other groups New flexible arrangements of traditional carols and modern favourites Brandnew carols written specially for the collection Variety of composers including Kerry Andrew Malcolm Archer Alan Bullard Bob Chilcott Stephen Cleobury Cecilia McDowall John Rutter Mack Wilberg and David Willcocks Wide range of material from Medieval to the present day and including wassails gallery carols world carols and spirituals Accessible keyboard accompaniments suitable for Organ (with or without pedals) or Piano
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Alan Bullard: The Oxford Book of Flexible Carols: Mixed Choir: Vocal Score
Choral SATB
[Vocal Score]
Oxford University Press
The Oxford Book of Flexible Carols is perfect resource for choirs of all types a...
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The Oxford Book of Flexible Carols is perfect resource for choirs of all types and sizes. Each piece is presented with flexible scoring options clearly explained throughout enabling performance by various combinations of singers. With carols for Advent Christmas New Year and Epiphany and a fabulous range accessible quality material this is a must-have collection for all choirs at Christmas.
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Bacchanale (Arranged for Two Prepared Guitars) (CAGE JOHN)
2 Guitars (duet)
[Sheet music]
Peters
Par CAGE JOHN. Bacchanale, John Cage\'s first work to exploit his influential \'...
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Par CAGE JOHN. Bacchanale, John Cage\'s first work to exploit his influential \'prepared piano\' technique, arose from a request for musical accompaniment by dancer Syvilla Fort. Intending to write her a percussion piece, Cage discovered that the theater in which the premiere was to take place was too small to accommodate any instruments beyond the piano already present, and instead adapted the piano into a palette of percussive sounds by placing small foreign objects among the strings. A new arrangement by guitarist Aaron Larget-Caplan translates this six-minute work from the prepared piano to an even more novel instrumentation: a duo of prepared guitars, the sound of their vibrating strings transformed by the addition of alligator clips, washers, and slips of paper. This performing score (EP 6784a) includes detailed, illustrated instructions from the arranger on how to prepare the instruments. The original version of Bacchanale is now available for sale in John Cage\'s Prepared Piano Music 1940-47, Vol. 1 (EP 67886a). Along with fellow guitarist Adam Levin, Aaron Larget-Caplan gave the world premiere of this arrangement in December 2018 at Arlington Street Church in Boston. / Date parution : 2022-09-07/ Répertoire / 2 Guitares Préparées
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Pete Churchill: Don't forget tomorrow: Mixed Choir: Vocal Work
Choral SATB
SATB, Piano
[Vocal Score]
Oxford University Press
Pete Churchill's Don't Forget Tomorrow is an uplifting encore-style piece ideal ...
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Pete Churchill's Don't Forget Tomorrow is an uplifting encore-style piece ideal for college and community choirs with independent parts during the verses and a catchy chorus in harmony - all supported by an infectious samba rhythm.This piece is for SATB and Piano.
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Russian Operatic Arias For Mezzo-Soprano 19Thand 20Th Century Repertoire
Mezzo-Soprano voice
Peters
Cette série historique ouvre vistasof répertoire passionnant stimulant et enri...
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Cette série historique ouvre vistasof répertoire passionnant stimulant et enrichissant pour le chanteur exigeants et aventureux. Comme pour les volumes de compagnie Peters d'airs d'opéra français, cette série russe présente de nombreux arias justement célèbres, mais les alsojuxtaposes avec d'autres joyaux moins connus qui méritent une plus grande reconnaissance undoutedly. Une grande partie du répertoire choisi est parfaitement adapté à des fins d'audition, de sorte que chaque volume est un véritable trésor pour les chanteurs professionnels et les étudiants. / Mezzo-Soprano
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Favorite American Listening Pieces For Two Steps (STACY PHILLIPS)
Violin
Mel Bay
Two-Steps,& Marches- Fiddle. Par STACY PHILLIPS. Poursuit la réédition du clas...
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Two-Steps,& Marches- Fiddle. Par STACY PHILLIPS. Poursuit la réédition du classique Phillips Collection de traditionnelle américaine Fiddle Tunes - Volume 2, Favorite américaine écoute pièces, deux étapes et Marches pour violon présente plus de 120 classique et moins connus fiddle tunes de partout aux Etats-Unis, certains avec plusieurs versions. Ce trésor rassemble beaucoup de fusées-sondes lonesome et mystérieux, parfois sinueuse, mais toujours de belles mélodies qui ne correspondent pas clairement dans le typique fiddle catégories, encore sont quelques-uns des mélodies plus aimés par violoneux. Toutes les pièces sont transcrit de représentations des plus grandes violoneux traditionnelles du passé et du présent notamment Kenny Kosek, Pete Sutherland, Eck Robertson, Bruce Greene, Hoyt Ming, Jere Canote, Luther Strong, John Salyer, Clark Kessinger, Kenny Baker, Howdy Forrester, John Hartford et des douzaines plus. / Niveau : Débutant à Intermédiaire / Fiddle Tunes - Solos / Recueil / Violon
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Opera Arias For Soprano
Piano, Voice
Peters
Ger., with some It./Fr. Vol.2: 44 Arias for Soprano / Voix Et Piano
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Robert Schumann: Concerto for Cello and Orchestra (Concertstück): Cello and
Cello, Piano
Peters
Original Version - Edition for Cello and Piano. Schumann?s Cello Concerto Redisc...
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Original Version - Edition for Cello and Piano. Schumann?s Cello Concerto Rediscovered. In her first Urtext edition for Edition Peters, internationally renowned cellist Josephine Knight reveals Robert Schumann?s original version of his Cello Concerto in A minor Op. 129 ? a piece he actually called a ?Concertstück? ? removing generations of inauthentic editorial interventions. This is the only available modern scholarly edition of the work as Schumann originally conceived it, and restores the text from October 1850, based on the composer?s manuscript held in the Biblioteka Jagiello?ska in Kraków. It is presented in a beautifully printed edition for cello with Schumann?s original piano reduction. Matching orchestral material is also available from the publisher. Only modern Urtext edition based on Schumann?s original 1850 manuscript Many new corrections and clarifications, especially to the cello part Scholarly preface detailing history of the work and this edition by editor Josephine Knight, Piatti Professor of Cello at the Royal Academy of Music London Cello Part contains Josephine Knight's fingering and bowing suggestions Critical Commentary Matching orchestral material available separately from Edition Peters Recording of the Concertstück featuring Josephine Knight available from Dutton Robert Schumann?s tragic last years have mired many of his greatest works in unnecessary doubt. The story of the suppression of his Violin Concerto by well-meaning friends is relatively well-known. Few, however, know that the version of the Cello Concerto that is routinely heard today is so far from Schumann?s original conception of the work ? not only in details of phrasing and articulation, but also featuring a different ending with a bold final flourish from the cello. Composed in a burst of inspiration in two weeks in October 1850 shortly after he and Clara had moved to Düsseldorf, Schumann (who in 1850 was still in good health) never heard the piece performed. In an effort to promote a performance of the work, he gave the score to the cellist Robert Emil Bockmühl. Bockmühl made revisions that Schumann resisted, and the hoped-for performance never happened. Schumann?s health failed and he died aged just 46 in 1856. The Concerto, in an already substantially revised form, was premiered in 1860 but it was not given significant recognition until it was championed by Pablo Casals in the 20th century by which time (and since) the text for the work had accreted additions and alterations from generations of soloists. Now Josephine Knight, Piatti Professor of Cello at the Royal Academy of Music, London has returned to the original 1850 manuscript of the work, which is in the Biblioteka Jagiello?ska in Kraków, to reveal Schumann?s original thoughts for the first time in a modern Urtext edition. The edition reflects Schumann?s original conception of the work as a Concertstück and restores Schumann?s musical text, free of posthumous interventions. It is presented in a beautifully printed edition for cello, with Schumann?s original piano reduction. Matching orchestral material is also available from the publisher. ?My ultimate wish,? says the editor, ?is to give performers both access to, and confidence that they are playing from, an edition which is a true representation of the piece in its original form, no matter how much more difficult this might be. I found that incorporating the changes enabled the piece to take on a completely different character ? one that is lighter and happier, even ?cheerful?, as Schumann himself described the work.?
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Robert Schumann: Concerto for Cello and Orchestra (Concertstück): Cello and
Cello, Orchestra
Peters
Original Version. Schumann?s Cello Concerto Rediscovered In her first Urtext edi...
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Original Version. Schumann?s Cello Concerto Rediscovered In her first Urtext edition for Edition Peters, internationally renowned cellist Josephine Knight reveals Robert Schumann?s original version of his Cello Concerto in A minor Op. 129 ? a piece he actually called a ?Concertstück? ? removing generations of inauthentic editorial interventions. This is the only available modern scholarly edition of the work as Schumann originally conceived it, and restores the text from October 1850, based on the composer?s manuscript held in the Biblioteka Jagiello?ska in Kraków. This Full Score matches the separately available edition for Cello and Piano (EP 73488). Matching orchestral material is also available from the publisher. Only modern Urtext edition based on Schumann?s original 1850 manuscript Many new corrections and clarifications, especially to the cello part Scholarly preface detailing history of the work and this edition by editor Josephine Knight, Piatti Professor of Cello at the Royal Academy of Music London Cello Part contains Josephine Knight's fingering and bowing suggestions Critical Commentary Cello and piano edition available separately from Edition Peters: orchestral parts available for rental Recording of the Concertstück featuring Josephine Knight available from Dutton Robert Schumann?s tragic last years have mired many of his greatest works in unnecessary doubt. The story of the suppression of his Violin Concerto by well-meaning friends is relatively well-known. Few, however, know that the version of the Cello Concerto that is routinely heard today is so far from Schumann?s original conception of the work ? not only in details of phrasing and articulation, but also featuring a different ending with a bold final flourish from the cello. Composed in a burst of inspiration in two weeks in October 1850 shortly after he and Clara had moved to Düsseldorf, Schumann (who in 1850 was still in good health) never heard the piece performed. In an effort to promote a performance of the work, he gave the score to the cellist Robert Emil Bockmühl. Bockmühl made revisions that Schumann resisted, and the hoped-for performance never happened. Schumann?s health failed and he died aged just 46 in 1856. The Concerto, in an already substantially revised form, was premiered in 1860 but it was not given significant recognition until it was championed by Pablo Casals in the 20th century by which time (and since) the text for the work had accreted additions and alterations from generations of soloists. Now Josephine Knight, Piatti Professor of Cello at the Royal Academy of Music, London has returned to the original 1850 manuscript of the work, which is in the Biblioteka Jagiello?ska in Kraków, to reveal Schumann?s original thoughts for the first time in a modern Urtext edition. The edition reflects Schumann?s original conception of the work as a Concertstück and restores Schumann?s musical text, free of posthumous interventions. ?My ultimate wish,? says the editor, ?is to give performers both access to, and confidence that they are playing from, an edition which is a true representation of the piece in its original form, no matter how much more difficult this might be. I found that incorporating the changes enabled the piece to take on a completely different character ? one that is lighter and happier, even ?cheerful?, as Schumann himself described the work.'
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The Peters Edition Vocal Guide (VELARDE BRANDON)
Chant
[Sheet music]
Peters
Par VELARDE BRANDON. Le Catalogue de Vocal Edition Peters est appel nominal de o...
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Par VELARDE BRANDON. Le Catalogue de Vocal Edition Peters est appel nominal de oeuvres de compositeurs les plus importants pour la voix depuis 200 ans. Cette étonnante variété de publications varie entre le Lieder de Schubert, Schumann, Brahms et le loup pour les ouvrages de Joh n Cage et de nouvelles éditions de Urtext de français et russes operatic arias et de chansons. Conçu pour encourager un planification des programmes novateur par des professionnels et amateurs, ce CD-Rom interactif permet aux utilisateurs de rechercher cette ressource exhaustive de l'information dans les catégories suivantes: - compositeur - titre de la chanson ou aria - première ligne de la chanson ou aria - poète - Date de composition - volume de l'édition de Peters. Le Peters édition Vocal Guide, qui comprend aussi un essai original par Graham Johnson intitulé ' Histoire Miniature du Lied ' est un excellent moyen pour les chanteurs, les enseignants, les accompagnateurs et les directeurs artistiques localiser le répertoire et concevoir des programmes considérant créative./ Etude / Chant
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Richard Wilberforce: Remember Bethlehem: SATB: Vocal Score
Choral SATB
[Vocal Score]
Royal School of Church Music
Remember Bethlehem was conceived after a conversation on the works of the late s...
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Remember Bethlehem was conceived after a conversation on the works of the late story-telling songsmith Jake Thackray. Thackray’s sometimes bawdy sometimes satirical and often hilarious lyrics are delivered in a lugubrious baritone and underpinned by a strong Yorkshire accent that led him to be dubbed the “North Country Noel Coward”. In his Remember Bethlehem heshows a more tender side and tells a story devoid of expletives and cutting social commentary of a “shabby little country girl” completely broken by the ardours of her journey arriving in Bethlehem as a distrusted foreigner to give birth to baby boy called Jesus. Whatstruck and moved me most about Thackray’s telling of the Nativity Narrative is the way he normalizes Mary. Rather than retrospectively beatifying her - telling her story full in the knowledge of the extraordinary thing she did (as most nativity stories do) – Thackray’s portrayal of her as young afraid and cold makes her achievement all the more astonishing. Indeed so out-of-the-ordinary is the gift given by this apparently ordinary girl that no one and no thing can ever forget it: “Even the stony old hills […] your shaggy old trees […] the sulky old sun Remembers Bethlehem.” My carol of the same name adapts a similar approach to telling Mary’s story. Musically I have only thinly veiled my affection for Peter Warlock’s miniature masterpiece Bethlehem Down and evidence of this can be seen not only in the choice of key triple metre and strophic setting but also in the resemblance of some of the cadential figures. A final strand of influence comes once more from Yorkshire and specifically Charlotte Brontë’s novel Jane Eyre. My wife is a literature scholar and pointed out to me the parallels between Mary’s plight in Thackray’s story and a scene from the novel in which Jane is lost up on the moors. Through her distrust of man she feels outcast and
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Russian Operatic Arias For Tenor 19Th And 20Th Century Repertoire
Deutsch
Tenor voice, Piano
[Sheet music]
Peters
Cette remarquable série ouvre des perspectives passionnantes du répertoire sti...
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Cette remarquable série ouvre des perspectives passionnantes du répertoire stimulante et enrichissante pour le chanteur sagace et aventureux. Comme pour les volumes de compagnon Peters de français Operatic Arias, cette série russe présente bon nombre des airs célèbres à juste titre, mais aussi leur juxtapose avec autres gemmes moins familiers, dont undoutedly méritent une reconnaissance plus large. Une grande partie du répertoire sélectionné est parfaitement adaptee aux fins de l'audition, afin que chaque volume est un Trésor pour les chanteurs professionnels et des étudiants. / Voix Et Piano
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Opera Arias For Contralto/Mezzo-Soprano
Piano, Voice
Peters
Ger., with some It./Fr. 34 Arias for Contralto Mezzo-Soprano / Voix Et Piano
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Peter Bruun Bertholdt Brecht: Svendborger Gedichte: Tenor: Vocal Work
for Tenor and Piano
[Vocal Score]
Wilhelm Hansen
Svendborger Gedichte for Tenor and Piano by Peter Bruun (2016). Three songs to t...
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Svendborger Gedichte for Tenor and Piano by Peter Bruun (2016). Three songs to texts by Bertolt Brecht. Content 1. Gedanken über die Dauer des Exils I2. Gedanken über die Dauer des Exils II3. Über die Bezeichnung Emigranten
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Russian Operatic Arias For Bass 19Th And 20Th Century Repertoire
Low voice, Piano
[Sheet music]
Peters
Cette remarquable série ouvre des perspectives passionnantes du répertoire sti...
(+)
Cette remarquable série ouvre des perspectives passionnantes du répertoire stimulante et enrichissante pour le chanteur sagace et aventureux. Comme pour les volumes de compagnon Peters de français Operatic Arias, cette série russe présente bon nombre des airs célèbres à juste titre, mais aussi leur juxtapose avec autres gemmes moins familiers, dont undoutedly méritent une reconnaissance plus large. Une grande partie du répertoire sélectionné est parfaitement adaptee aux fins de l'audition, afin que chaque volume est un Trésor pour les chanteurs professionnels et des étudiants. / Voix Et Piano
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Telephones And Birds
3 Performeurs
Peters
Telephone Announcements and Recordings of Bird Songs (or recordings of some othe...
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Telephone Announcements and Recordings of Bird Songs (or recordings of some other category) / 3 Performeurs
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Pop Music Question And Answer Book, For Teachers And Students
Trio A Cordes
Peters
Practical help for teachers and students of pop music at all levels from GCSE to...
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Practical help for teachers and students of pop music at all levels from GCSE to undergraduate. (Companion book to Pop Music The Textbook (EP 7690) / Livre
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Peter Worley: Classical Guitar Tunes - English Folk Songs: Guitar Solo:
Guitar notes and tablatures
Mel Bay
Classical Guitar Tunes - English Folk Songs. This book presents 42 English folk ...
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Classical Guitar Tunes - English Folk Songs. This book presents 42 English folk songs arranged for the intermediate classic guitarist in standard notation with phrase and dynamic markings plus light fingering. The collection includes popular melodies like Sprig of Thyme, Seventeen Come Sunday, and Blow the Wind Southerly, but also lesser known but no less beautiful tunes like Cupid the Pretty Ploughboy, Dabbling in the Dew and Saucy Sailor. All the arrangements present the basic tune faithfully and simply before offering more elaborate and sophisticated variations suitable for concert performance. Without compromising their sophistication, these polyphonic arrangements are elegant and idiomatic to the guitar, all but devoid of excessive physical demands; even barré chords are kept to a minimum so the player can relax and focus on tone and interpretation. The primary objective of this collection is to draw attention to these deserving melodies, some of which are now rarely heard. Longtime fans of the genre will recognize a few songs once performed by folk-rock groups like Steeleye Span and The Fairport Convention, here presented anew for the solo classic guitar. ?It?s an excellent collection - good to play for pleasure, good for learning and consolidating rhythm, good for sight-reading. Just marvelous. It should meet a lot of needs. Gilbert Biberian. ?These are very accessible arrangements of 42 English folk tunes, some of which are familiar and many others which deserve to be better known. They are all tuneful and have interesting harmonies and rhythms in arrangements which will be well within the reach of intermediate guitarists. These fine settings would be useful pieces for a teacher looking for supplementary material and also for the performer looking for unhackneyed repertoire. They are thoughtfully presented with good fingering and phrasing, with idiomatic guitar writing and interesting harmonies. Congratulations to Peter Worley for presenting this compendium of gems from a lesser known tradition.? Gerald Garcia
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Movie Piano Songs For Dummies
Piano, Vocal and Guitar
[Sheet music]
-
Easy
Hal Leonard
En savoir plus de 40 chansons de vos films préférés, couvrant les quatre dern...
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En savoir plus de 40 chansons de vos films préférés, couvrant les quatre dernières décennies. Chansons bien-aimés comprennent: Edelweiss- Nuit A Hard Day, je suis un Man of Constant Sorrow- Moon River- The Rainbow Connection- Thème de la Liste de Schindler- Somewhere Out There- Love Theme de feu Saint-Elme- Take My Breath Away, un temps pour nous (Love Theme)- Unchained Melody- You Must Love Me et beaucoup plus. Inclus les paroles et accords de guitare où applicable, plus superbes, des notes de performance plain-anglais. / Piano/Vocal/Guitare (PVG) / 208 pages / niveau : Facile / Partition
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Duparc Henri - Complete Songs, For Medium-low Voice & Piano - Voice And Piano (par 10 Minimum)
Piano, Voice
Peters
Instrumentation : Medium-Low voice - Pf This is the first ever complete critica...
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Instrumentation : Medium-Low voice - Pf This is the first ever complete critical edition of Henri Duparc's songs. Edited by Roger Nichols, the elegantly presented music is supported by a fully comprehensive Critical Commentary which illuminates as never before the compositional stages of these beautiful songs. Roger Nichols' international reputation as a leading authority on French music makes this edition essential for all singers who perform, study or teach these mélodies. This new Peters Edition of Duparc songs is most welcome. In beautiful In beautiful, clear print, it contains not only a great deal of useful information, but also a pronunciation guide for the French and best of all, translations, something the young singer or student will find invaluable. I could not recommend it more high ly. Dame Janet Baker Content : Chanson triste; Soupir; Romance de Mignon; Sérénade; Le gallop; Au pays où se fait la guerre; Soupir Romance de Mignon Sérénade Le gallop Au pays où se fait la guerre L'invitation au voyage La vague et la cloche La fuite Élégie Extase L'invitation au voyage; La vague et la cloche; La fuite; Élégie; Extase; Le manoir de Rosemonde; Sérenade florentine; Phylidé; Lamento; Testament; La vie anterieure Editor :Nichols
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Duparc Henri - Complete Songs, For High Voice & Piano - Voice And Piano (par 10 Minimum)
Piano, Voice
Peters
Instrumentation : High voice - Pf This is the first ever complete critical edit...
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Instrumentation : High voice - Pf This is the first ever complete critical edition of Henri Duparc's songs. Edited by Roger Nichols, the elegantly presented music is supported by a fully comprehensive Critical Commentary which illuminates as never before the compositional stages of these beautiful songs. Roger Nichols' international reputation as a leading authority on French music makes this edition essential for all singers who perform, study or teach these mélodies. This new Peters Edition of Duparc songs is most welcome. In beautiful In beautiful, clear print, it contains not only a great deal of useful information, but also a pronunciation guide for the French and best of all, translations, something the young singer or student will find invaluable. I could not recommend it more high ly. Dame Janet Baker Content : Chanson triste; Soupir; Romance de Mignon; Sérénade; Le gallop; Au pays où se fait la guerre; Soupir Romance de Mignon Sérénade Le gallop Au pays où se fait la guerre L'invitation au voyage La vague et la cloche La fuite Élégie Extase L'invitation au voyage; La vague et la cloche; La fuite; Élégie; Extase; Le manoir de Rosemonde; Sérenade florentine; Phylidé; Lamento; Testament; La vie anterieure Editor :Nichols
42.20 EUR - Sold by Woodbrass
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Psalms For Leo
Piano, Voice
Peters
Commissioned by The Bach Choir in memory of Leopold de Rothschild (1927-2012), a...
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Commissioned by The Bach Choir in memory of Leopold de Rothschild (1927-2012), a singing member of the Choir for 50 years and Chairman for 23 years. Following his resignation as a singer Leo became the Choir's President, a position he held until his death - over this extraordinary period of devotion to the Choir he became a friend to vast numbers of his fellow singers, and gave unstintingly of his time and wisdomFirst performance 10 June 2014 in the Royal Festival Hall, London, by The Bach Choir, the Philharmonia Orchestra, and The Young Singers, a choir formed by The Bach Choir in partnership with the Tri-borough Music Hub, conducted by David Hill.cFor more on Jonathan Dove, please click on his name, above ... / Chant Et Piano
9.44 EUR - Sold by LMI-partitions
(Seller in french langage)
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3-10 days - In Stock Supplier
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