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New Busker's Fakebook 1001 All-Time Hit Songs
-
Easy
Music Sales
The second volume of a thousand and one all-time hit songs ranging from essentia...
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The second volume of a thousand and one all-time hit songs ranging from essential standards to the latest pop hits - a must for all singers and musicians. / Chant Et Guitare
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Vol.2 Chediak
Français
Guitar
[Sheet music]
ID Music
Le livre Vocal réelle est la réponse à l'ouvrage de faux. C'est une alternati...
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Le livre Vocal réelle est la réponse à l'ouvrage de faux. C'est une alternative à la pléthore de volumes mal conçues, illisibles, inexacts, mal edited qui abondent sur le marché aujourd'hui. Le livre Vocal réelle est extrêmement précis, soignée et vise, avant tout, pour un usage pratique. Tous les efforts réalisés pour le rendre agréable à effectuer. La sélection de musiques pour ce volume met en évidence les principaux compositeurs jazz du passé des années 60, avec une attention particulière pour les années 1960 et 1970. Un certain nombre de chansons par Rogers
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The Gallipoli Songbook (Pvg)
Piano, Vocal and Guitar
Amsco Wise Publications
The Gallipoli Campaign took place between April 1915 and January 1916 and marked...
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The Gallipoli Campaign took place between April 1915 and January 1916 and marked the first significant military engagement for Australia as an independent dominion. The Gallipoli Songbook commemorates this crucial event of the Great War with a collection of contemporary songs relating to the soldiers, the public at home, and the sheer poignancy of such a tragic event, all arranged for Piano, Vocal and Guitar.The diversity of songs included in this Gallipoli Songbook is testament to the spirit of optimism, consolation and humour inherent in the collective consciousness at the time of such great anxiety and fear. This is a wonderful compilation of contemporary tunes that were popular both before the War, during the various campaigns and after the War itself. Some songs included here sum up the optimistic and patriotic spirit in the years leading up to Gallipoli, such as Waltzing Matilda and God Save The King, while others like And The Band Played Waltzing Matilda, from after the event, look back on the horrors of the Anzac experience on those fateful days.Other tunes come from the wonderful British Music Hall tradition, using irony, sarcasm and humour to overcome the sadness associated with the Great War. Songs like Oh! It's A Lovely War, It's A Long Way To Tipperary and Along The Road To Gundagai were popular both at home and as marching tunes, conquering the petrifying realities of war with rousing music and song. The Gallipoli Songbook also includes wistful, sad and heartbreakingly poignant lyrics that capture the unavoidable sadness associated with the costs of total war, songs like I Wonder Who's Kissing Her Now, There's A Long, Long Trail and The Gift Of Years, all bittersweet reflections on love, loss and life's transience. Each song included here is a fantastic way to remember the victims of the Gallipoli campaign, and to understand the power that music has to allay, disguise and reflect upon fear and anxiety. The songs, arranged for Piano, Vocal and Guitar with full lyrics and chord boxes, are a fascinating insight into the period from before the War to after it, and their timelessness makes them as fun to play and sing now, as they were back then. The book also contains a smattering of brilliant images from the time, as well as an extensive foreword that explains, in detail, some of the songs and their meanings.The Gallipoli Songbook is an enjoyable, poignant and fascinating collection of tunes of, or relating to, the Great War and the Gallipoli campaign. Each song is beautiful in its own way, and would be perfect for a commemorative performance, or just an addition to your general repertoire. This songbook is perfect for a musician interested in history, or simply anyone who appreciates the golden age of emotive songs that meant more back then than we could ever imagine today. / Piano/Vocal/Guitare (PVG)
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Modern Harmony Method : Fundamentals Jazz (GRIFFIN MICHAEL)
All Instruments
[Sheet music]
Faber Music Limited
Par GRIFFIN MICHAEL. This clear and well organised text is suitable for students...
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Par GRIFFIN MICHAEL. This clear and well organised text is suitable for students of arranging and composition, and for classically trained musicians wishing to further grasp the simple logic of jazz harmony. Essential understandings: - Triad structures and inversions - How to select chords - chord symbols - Simple but effective voicing formulae - The circle of 4th progressions, - Extensions to the 9ths and dominant 13ths, and altered 5ths and 9ths. Included in the 107 pages are comprehensive explanations, examples, exercises and solutions. For school students, the course can be started in year 9 and worked through to year 13. 'This book certainly delivers. Mr. Griffin does a superb job giving clear and concise steps that students should take when approaching the task of harmonizing a melody. The book is laid out in a clean, easy-to-understand format. Mr. Griffin is obviously a gifted teacher, and has developed a book that would be a great resource for any music teacher or student interested in understanding and implementing more complex theory/harmony concepts.' - Natalie Wickham, Music Matters, USA. 'Particularly good for A Level pupils composing in a pop and jazz style. The material gradually increases in difficulty and there are a lot of useful exercises to be completed by students”- Music teacher, UK. 'Excellent resource which will save teachers hours of preparatory work. Useful for a general understanding of options when harmonising in composition. An essential part of KS5 harmony work which goes beyond the common chords and progressions. Very professionally set out.”- ZigZag Education, UK./ Méthode / Tout Instrument
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John Luther Adams: Four Thousand Holes: Ensemble: Score and Parts
Taiga Press
John Luther Adams' Four Thousand Holes for Piano Percussion (Vibraphone and Orc...
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John Luther Adams' Four Thousand Holes for Piano Percussion (Vibraphone and Orchestra Bells) and Electronic Aura. Composed in 2010 and dedicated to Stephen Drury. Duration: 32 minutes 30 seconds.'Four Thousand Holes is my own effort to re-appropriate and reclaim for myself something of my own musical past. For the first time since my days as a rocker I've chosen to restrict myself to major and minor triads - thosemost basic elements of Western music (both pop and classical). But I've tried to assimilate them fully into my own musical world. Approaching these simple chords as found objects I've superimposed them in multiple streams oftempo to create darker harmonies and lush fields of sound. In recent years I've been fortunate enough to form a close musical partnership with Stephen Drury. Steve's extraordinary gifts inspired me to exploreexpansive forms and textures (similar to those of my orchestral music) with only one or two performers In essence Four Thousand Holes is a concerto. To begin I composed the score for the electronic tracks. Steve recorded all ofthe individual chords that occur in the score. I took these recordings time-stretched them reversed their envelopes and knit the reversed sounds together with their original decays. The resulting waves of sound I layered intoten independent tracks to create the virtual 'orchestra'. Next I composed the Piano part articulating the peaks of all the electronic tracks simultaneously - a feat of coordination that demands considerable virtuosity from thepianist. Finally I composed another multi-layered part for metallic Percussion sounds that I think of as sparks emanating from the Piano. In Four Thousand Holes strong musical currents fall and rise again andagain as points and lines are juxtaposed with heavy hammered chords. The mix of 'live' and electronic sounds blurs the distinction between musical figure and ground. As in much of my recent music I conceive of the entire piece
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Music from Encanto
Ensemble Flexible à 7 Parties
[Score and Parts]
Norsk Noteservice
Par MIRANDA LIN-MANUEL. It was really fun to make an arrangement on these three ...
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Par MIRANDA LIN-MANUEL. It was really fun to make an arrangement on these three great melodies from Encanto! Here, the band will be able to work with latin rhythms, syncopation (which doesn't rush) and with possible solo elements on the melody. Use your imagination and feel free to re-arrange to let your musicians shine. (Example: bar 27 and onwards can be performed as a duet) All three songs can be played separately. They have different degrees of difficulty and if the band lack the ability to perform the last melody, you can easily stop before that. 1. 'We don't talk about Bruno' (1-55) benefits greatly from having a Guiro saying 'go-ap tsh tsh'. This piece can be stopped by playing to the end of bar 54. If you want to play this piece only, you can easily extend it, by repeating from 27, perhaps with other soloists? 2. 'Surface Pressure' (55-116) If the cowbell-part is not played, percussionists have to play these two weak beats in 56. The groove for drum set is also very important from 68. Also, that you get a proper swing feeling on 84- 98 and that the drummer in 99 really goes back to even eighths. If you want to extend this piece, you may repeat from 84. If you want to end after this song, you can insert a ritardando 2 bars before 116 and preferably add a quarter note high G, then a quarter rest, and then a darker G. Another possibility is to repeat from 84 and then stop at the first note in 100. 3. 'The Family Madrigal' can of course also be played alone. This is truly a song that gets people clapping! I have chosen to make the opening rhythm a little easier by adding an eighth note to the one (120) If the ensemble has a very good understanding of rhythm, it can be skipped, but then the only tone in the phrase that is on the pulse beats will be the quarter note in the second measure. You can start the piece straight on bar 120 without the drum intro. If you want to extend this piece, you can repeat 152 – 199. (Or you can go all the way back to 136) If you do so, you can perhaps skip the first house at the end, if the audience is not standing on the chairs dancing Have fun performing this arrangement! The Movie Encanto is a 2021 American computer-animated musical fantasy comedy film produced by Walt Disney Animation Studios. It follows a multigenerational Colombian family, the Madrigals, led by a matriarch (Botero) whose children and grandchildren—except for Mirabel Madrigal (Beatriz)—receive magical gifts from a miracle that helps them serve the people in their rural community called the Encanto. When Mirabel learns that the family is losing their magic, she sets out to find out what is happening, and save her family and their magical house. Encanto premiered at the El Capitan Theatre in Los Angeles on November 3, 2021 The film received critical acclaim for its characterization, music, animation, voice acting, emotional depth, and cultural fidelity; reviews named magic realism and transgenerational trauma as the film's core concepts. Publications have described Encanto as a cultural phenomenon. The film was nominated for three awards at the 94th Academy Awards, winning Best Animated Feature, and received numerous other accolades. The film's soundtrack also became a success, reaching number one on the US Billboard 200 and UK Compilation Albums charts; 'We Don't Talk About Bruno' and 'Surface Pressure' were its two most successful songs, with the former topping both the US Billboard Hot 100 and UK Singles Chart for multiple weeks. Bjørn Morten Kjærnes / Date parution : 2023-07-31/ Répertoire / Ensemble Flexible à 7 Parties
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Music in My Mother's House: SSAA: Vocal Score
Choral SSAA
[Vocal Score]
Shawnee Press
Your accompanist will love the opportunity to imitate a music box and play a lit...
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Your accompanist will love the opportunity to imitate a music box and play a little ragtime in this sweet usical tribute to mom! Music in My Mother's House from the Mark Foster catalog is a song of thanks for the gift of musicpassed from parent to child. Extra special for Mother's Day!
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Edward Elgar: Elgar Favourites: Piano: Instrumental Album
Piano solo
Universal Edition
Although often regarded as quintessentially English in style Elgar???s music is...
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Although often regarded as quintessentially English in style Elgar???s music is undeniably deeply rooted in the German Romantic tradition. Elgar???s gift for the creation of melody often sequential and frequently including one of his most familiar ???fingerprints??? ??? the falling seventh ??? might well be the most obvious attraction in his music. But underpinning those melodies is a sophisticated harmonic vocabulary which often reveals that wider Germanic influence especially in moments of drama.It is hoped that this set of piano duet arrangements suitable for intermediate-level players and beyond will continue to bring new performers to these Elgar favourites whether they are simply playing for their own enjoyment or preparing for concert performance and that they will find much to reward their efforts.
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My Family And Other Animals For Clarinet And Piano (JOLLIFFE EDMUND)
Clarinet and Piano
[Sheet music]
-
Easy
Stainer and Bell
Clarinet and Piano. Par JOLLIFFE EDMUND. The composer has written extensively fo...
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Clarinet and Piano. Par JOLLIFFE EDMUND. The composer has written extensively for film and television, and his gift for musical characterisation illuminates every bar of My Family and Other Animals. Here is a delightful human menagerie, a family circle with its typical variety of awkward and amiable relatives, beautifully portrayed in music of beguiling simplicity by Edmund Jolliffe. Technically, for beginners and early-grade players, there is an important lesson that musical expression is in essence the expression of personality, often from the most basic musical resources. Brother is a cool repeated phrase - a bit detached. Mum is a gentle lullaby, and Grandmother a soothing, dependable tune. Grandfather turns sweet too, but not before a spiky introduction. From his breezy melody Dad seems on his way elsewhere. Perhaps off to wash the car! / Niveau : Facile / Recueil / Clarinette et Piano
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Hal Leonard Perfect Pitch Method: Reference Books: Theory
Musical course - Solfege
[Sheet music + Audio access]
Hal Leonard
A Musician's Guide to Recognizing Pitches by Ear (Book/3CD with Online Audio)-Pe...
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A Musician's Guide to Recognizing Pitches by Ear (Book/3CD with Online Audio)-Perfect pitch also called absolute pitch has been a source of endless fascination for hundreds of years. The ability to recognize musical tones with no reference is often viewed as a kind of magical power a gift that only a select few musicians are born with a skill that cannot be learned. But perfect pitch is largely a misunderstood phenomenon. The Hal Leonard Perfect Pitch Method is designed to help you develop a sense of perfect pitch. In the process your overall musicianship will benefit and you'll start listening to music on a deeper level and getting more satisfaction from it. At the heart of this book is a series of 49 ear-trainingsessions one per day for seven weeks using the included CDs or the online audio. Many of the lessons include three separate drills. You can do just one and save the others for later or all three at the same time. Take your time advancing to the next session only when you're satisfied with your results on the previous session. Pretty soon you'll notice a marked improvement in your pitch acuity.
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Eleanor Daley: Christ the Lord is ris'n today: Mixed Choir: Vocal Score
Choral SATB
SATB, Organ
[Vocal Score]
Oxford University Press
Eleanor Daley sets this Wesley text in an antiphonal style between the SATB choi...
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Eleanor Daley sets this Wesley text in an antiphonal style between the SATB choir and organ (or brass quartet parts available separately). The sound is majestic and declamatory just as one would expect from an Easter fanfare with a hint of modal harmony resulting in a strong and accessible Eastertide anthem.Eleanor Daley - composer choral clinician and freelance accompanist - is the director of music at Fairlawn Heights United Church in Toronto Ontario. A proficient pianist and organist she recieved her Bachelor of Music Degree in Organ Performances from Queen's University in Kingston Ontario and holds diplomas in Piano and Organ from the Royal Conservatory ofMusic Toronto and Trinity College England. A prolific composer with a remarkable gift for melody Eleanor has well over eighty published choral compositions and is commissioned extensively throughout North America Great Britain Europe South Africa and the Far East. As a freelance accompanist and choral clinician she works with the Toronto Children's Chorus the Elmer Iseler Singers The Amadeus Choir and the Bach Children's Chorus.
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Wesley Ball: Music Moves Me: Classroom Musical
Musical Awakening
Hal Leonard
Active Listening Strategies for the Classroom-Make music come alive with this cr...
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Active Listening Strategies for the Classroom-Make music come alive with this creative collection of visuals and strategies. Created for the music classroom this handy book/CD pak features reproducible listening maps and movement activities designed for a variety of levels along with easy-to-use teaching plans based on the National Standards. All musical examples used are included on the CD. Featured listening selections include: Stars and Stripes Forever Fanfare for the Common Man Ev'rybody Wantsto Be a Cat (from The Aristocats) Chinese Dance (from The Nutcracker Suite) Ballet of the Unhatched Chicks (from Pictures at an Exhibition) Histoire du Tango Spring (from The Four Seasons) Variations on America Variations onSimple Gifts Stompin' at the Savoy Russian Dance (from The Nutcracker Suite) Mars the Bringer of War (from The Planets) Splish Splash Summer (from The Four Seasons).
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Alexander Scriabin: Poem Of Ecstasy And Prometheus: Orchestra: Score
Orchestra
Dover Publications
In the early years of our century when vital new forces were revolutionising th...
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In the early years of our century when vital new forces were revolutionising the arts Russian-born Alexander Scriabin (1872-1915) was one of the visionary pioneers who sought a new musical language. At least a full decade before the advances of Stravinsky and Schoenberg Scriabin had begun the process of a complete break with all musical conventions. By 1905 he was immersed in a search for a way to express in sound the mystical and theosophical ideas obsessed him. Scriabin’s last two orchestral works were the products of a virtual delirium of composing. Simultaneously refining his poem called Poem of Ecstasy andcompleting the symphony that grew out of it (and shared its name) Scriabin never forgot the rapture of composing this work about creation and self-fulfilment: “I gasp for breath but oh what bliss! The very meter kindles the meaning…” Prometheus: Poem of Fire – Scriabin’s last and most revolutionary symphony – portrays Man’s epic journey from the mists of beginning time to a wonderous self-realisation given the gift of fire and light to make creative vision possible. Massively scored Prometheus incorporates a “colour Organ” to bathe the performance space in a vast interplay of coloured lights. For the music professional and every student of composition orchestration and conducting both scores are strikingly original and instructive. Equally fascinating are Scriabin’s approach to composition the extraordinary sonorities of his orchestra and his fanciful often supercharged performance instructions that replace conventional words for tempo mood and expression.
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Rob Goorhuis: The Fever Tree: Concert Band: Score & Parts
Concert band
[Score and Parts]
Gobelin Music Publications
The composition ".The Fever Tree". in 2008 was commissioned by the Musi...
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The composition ".The Fever Tree". in 2008 was commissioned by the Music Association of Central and Eastern Netherlands St.Willibrord as a gift to all its members on the occasion of the formation of a national music organization and the elimination of the music union for Central and Eastern Netherlands St.Willibrord. The fever tree is a controversial legend about St. Willibrord (658-739). The daughter of a pagan chieftain of Hoemannen that made the area around Heumen unsafe was seriously ill. They feared for her life. The chief of the gang turned to predatory Willibrord who same time in this region led mission. Willibrord commanded theman to repent and a headband of the girl to a certain special tree to hang. The desperate captain obeyed and his daughter was a miraculous heal. Then came the anger of the Hoemannen against their leader who in their eyes had committed treason by the group to convert. They abused themselves to him and killed him brutally. The daughter remained behind in great sorrow comforted by Willibrord. The composition has the following scenes: - Andante moderato - the calling of Willibrord - Allegro moderato - Willibrord passes through the province of Brabant and try to people to repent - Vivace - Hoemannen terrorize the inhabitants of the area Heumen - Andante - the healing of the sick girl and the conversion of the centurion - Inquieto - the revenge of the Hoemannen - Adagio - elegy on the death of the chief
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Rob Goorhuis: The Fever Tree: Fanfare Band: Score & Parts
Marching band
[Score and Parts]
Gobelin Music Publications
The composition ".The Fever Tree". in 2008 was commissioned by the Musi...
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The composition ".The Fever Tree". in 2008 was commissioned by the Music Association of Central and Eastern Netherlands St.Willibrord as a gift to all its members on the occasion of the formation of a national music organization and the elimination of the music union for Central and Eastern Netherlands St.Willibrord. The fever tree is a controversial legend about St. Willibrord (658-739). The daughter of a pagan chieftain of Hoemannen that made the area around Heumen unsafe was seriously ill. They feared for her life. The chief of the gang turned to predatory Willibrord who same time in this region led mission. Willibrord commanded theman to repent and a headband of the girl to a certain special tree to hang. The desperate captain obeyed and his daughter was a miraculous heal. Then came the anger of the Hoemannen against their leader who in their eyes had committed treason by the group to convert. They abused themselves to him and killed him brutally. The daughter remained behind in great sorrow comforted by Willibrord. The composition has the following scenes: - Andante moderato - the calling of Willibrord - Allegro moderato - Willibrord passes through the province of Brabant and try to people to repent - Vivace - Hoemannen terrorize the inhabitants of the area Heumen - Andante - the healing of the sick girl and the conversion of the centurion - Inquieto - the revenge of the Hoemannen - Adagio - elegy on the death of the chief
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Rob Goorhuis: The Fever Tree: Concert Band: Score
Concert band
Gobelin Music Publications
The composition ".The Fever Tree". in 2008 was commissioned by the Musi...
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The composition ".The Fever Tree". in 2008 was commissioned by the Music Association of Central and Eastern Netherlands St.Willibrord as a gift to all its members on the occasion of the formation of a national music organization and the elimination of the music union for Central and Eastern Netherlands St.Willibrord. The fever tree is a controversial legend about St. Willibrord (658-739). The daughter of a pagan chieftain of Hoemannen that made the area around Heumen unsafe was seriously ill. They feared for her life. The chief of the gang turned to predatory Willibrord who same time in this region led mission. Willibrord commanded theman to repent and a headband of the girl to a certain special tree to hang. The desperate captain obeyed and his daughter was a miraculous heal. Then came the anger of the Hoemannen against their leader who in their eyes had committed treason by the group to convert. They abused themselves to him and killed him brutally. The daughter remained behind in great sorrow comforted by Willibrord. The composition has the following scenes: - Andante moderato - the calling of Willibrord - Allegro moderato - Willibrord passes through the province of Brabant and try to people to repent - Vivace - Hoemannen terrorize the inhabitants of the area Heumen - Andante - the healing of the sick girl and the conversion of the centurion - Inquieto - the revenge of the Hoemannen - Adagio - elegy on the death of the chief
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Rob Goorhuis: The Fever Tree: Fanfare Band: Score
Marching band
Gobelin Music Publications
The composition ".The Fever Tree". in 2008 was commissioned by the Musi...
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The composition ".The Fever Tree". in 2008 was commissioned by the Music Association of Central and Eastern Netherlands St.Willibrord as a gift to all its members on the occasion of the formation of a national music organization and the elimination of the music union for Central and Eastern Netherlands St.Willibrord. The fever tree is a controversial legend about St. Willibrord (658-739). The daughter of a pagan chieftain of Hoemannen that made the area around Heumen unsafe was seriously ill. They feared for her life. The chief of the gang turned to predatory Willibrord who same time in this region led mission. Willibrord commanded theman to repent and a headband of the girl to a certain special tree to hang. The desperate captain obeyed and his daughter was a miraculous heal. Then came the anger of the Hoemannen against their leader who in their eyes had committed treason by the group to convert. They abused themselves to him and killed him brutally. The daughter remained behind in great sorrow comforted by Willibrord. The composition has the following scenes: - Andante moderato - the calling of Willibrord - Allegro moderato - Willibrord passes through the province of Brabant and try to people to repent - Vivace - Hoemannen terrorize the inhabitants of the area Heumen - Andante - the healing of the sick girl and the conversion of the centurion - Inquieto - the revenge of the Hoemannen - Adagio - elegy on the death of the chief
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A Gift of Moments for Piano Solo (DELISE LOUIS ANTHONY)
Piano solo
[Sheet music]
Metropolis Music Publishers
Par DELISE LOUIS ANTHONY. Louis Anthony deLise is an American composer, pianist,...
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Par DELISE LOUIS ANTHONY. Louis Anthony deLise is an American composer, pianist, and percussionist. The compositions in A Gift of Moments are typical of deLise?s composing style that often features the juxtaposition of disparate musical elements like serial technique, frequently changing meters, the urgency and drive of rock and roll, and the lush harmonies of 1960?s West Coast Jazz. Dr. deLise was Adjunct Lecturer of Theory and Composition at the Boyer College of Music and Dance (in Philadelphia, Pennsylvania). He is the author of The Professional Songwriter, a textbook on songwriting. The title, A Gift of Moments, comes from something a friend wrote about her deceased husband. She described their too-short time together as, ?a gift of moments.? (Time with someone you love is always ?too short,? isn?t it?) Since February 2020, (since I?ve been locked down at home with my patient and loving wife, Theresa), like the rest of us, I?ve been reminded each day of just how delicate life is. My friend?s comment about her lost love has gradually revealed itself as a worthy title for the collection of music I was creating during this time of lockdown. All of the pieces in this collection are in some way about love: of a mate, of family, our way of life, and those beliefs we consider particular to us. The compositions are varied in style as they encompass musical gestures reflective of the many disparate musical traditions alive in my soul. With this unapologetically sensitive, perhaps even nostalgic, music of mine I intend to blur the arbitrary boundaries of genre classification, like classical or pop; ambient or orchestral. Special thanks to Vivian Barton Dozor, a wonderfully talented cellist who provided insight into bowing and phrasing for the cello parts. / Date parution : 2022-11-29/ Recueil / Piano
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Joseph M. Martin: A New Psalm of Celebration: SATB: Vocal Score
Choral SATB
[Vocal Score]
Shawnee Press
from Journey of Promises-Uses: General concertScripture: Isaiah 7:14; Matthew 1...
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from Journey of Promises-Uses: General concertScripture: Isaiah 7:14; Matthew 1:8-25A fantastic acclamation of praise filled with rhythmic drive and festive spirit. This call to celebrative worship can be a theme song foryour choir as it affirms its ministry through the gift of music. The mixed-meter joy of the opening theme gives way to a more lyric middle section before returning to the commanding sweep of the opening theme. Available: SATB Orchestration StudioTrax CD. Duration: ca. 2:36.
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Richard Wilberforce: Remember Bethlehem: SATB: Vocal Score
Choral SATB
[Vocal Score]
Royal School of Church Music
Remember Bethlehem was conceived after a conversation on the works of the late s...
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Remember Bethlehem was conceived after a conversation on the works of the late story-telling songsmith Jake Thackray. Thackray’s sometimes bawdy sometimes satirical and often hilarious lyrics are delivered in a lugubrious baritone and underpinned by a strong Yorkshire accent that led him to be dubbed the “North Country Noel Coward”. In his Remember Bethlehem heshows a more tender side and tells a story devoid of expletives and cutting social commentary of a “shabby little country girl” completely broken by the ardours of her journey arriving in Bethlehem as a distrusted foreigner to give birth to baby boy called Jesus. Whatstruck and moved me most about Thackray’s telling of the Nativity Narrative is the way he normalizes Mary. Rather than retrospectively beatifying her - telling her story full in the knowledge of the extraordinary thing she did (as most nativity stories do) – Thackray’s portrayal of her as young afraid and cold makes her achievement all the more astonishing. Indeed so out-of-the-ordinary is the gift given by this apparently ordinary girl that no one and no thing can ever forget it: “Even the stony old hills […] your shaggy old trees […] the sulky old sun Remembers Bethlehem.” My carol of the same name adapts a similar approach to telling Mary’s story. Musically I have only thinly veiled my affection for Peter Warlock’s miniature masterpiece Bethlehem Down and evidence of this can be seen not only in the choice of key triple metre and strophic setting but also in the resemblance of some of the cadential figures. A final strand of influence comes once more from Yorkshire and specifically Charlotte Brontë’s novel Jane Eyre. My wife is a literature scholar and pointed out to me the parallels between Mary’s plight in Thackray’s story and a scene from the novel in which Jane is lost up on the moors. Through her distrust of man she feels outcast and
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Targeting Music (Year 5) Year 5
Divers
Schott
Dans ce livre sixième de la série les auteurs miser sur l'étage inférieur de...
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Dans ce livre sixième de la série les auteurs miser sur l'étage inférieur de la junior et utilisent un format modulaire similaire. Conçu pour étendre l'acquisition de compétences en performance, improviser et composer, écoute et appréciation et hiéroglyphes musique, élèves sont contestées par plus en plus exigeants des matériaux musicales. En même temps, il y a une emphase sur les élèves à acquérir les connaissances et l'expertise des structures profondes d'une variété de musique et une plus grande reconnaissance d'objet musical et le contexte. Attentifs à l'expérience de la gamme de programmes nationaux, les caractéristiques particulières de ce livre sont : la consolidation et l'approfondissement des techniques vocales et instrumentales et performance - une approche intégrée pour improviser et composer, combinant des compétences dans l'écoute et l'appréciation, la connaissance et la compréhension - un module en mettant l'accent sur l'observation de la phonétique, de représentation, d'enregistrement et de notation du son - une approche active, analytique et fréquemment physique d'écoute et d'appréciation - mettant l'accent sur la musique dans i... / Divers
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Bryan Jeffery Leech Benjamin Harlan: Lord When We Praise You with Glorious
Gentry Publications
Bryan Jeffery Leech pastor and song writer blessed us with scores of hymn-song...
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Bryan Jeffery Leech pastor and song writer blessed us with scores of hymn-songs. This anthem presents a bold and dignified praise for the gift of music. Veteran arranger Benji Harlan gave us an SATB setting that has sounded in the choir loft for many years. This new SAB setting which still works with the original organ and/or brass accompaniment is a gift for the choir with fewer voices. An anthem of praise for the church choir easy to medium difficulty.
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Compete Brandenburg Concertos - Double CD: Recorded Performance
Kevin Mayhew
Complete Brandenburg Concertos-In 1721 Bach collated six concertos as a gift for...
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Complete Brandenburg Concertos-In 1721 Bach collated six concertos as a gift for the Margrave of Brandenburg. Having been composed over a long period they had little in common musically and were primarily intended as a job application. Bach received neitherthanks job nor payment from the venerable Margrave. They were given the title Brandenburg Concertos 150 years later by Bach's biographer Philipp Spitta. The concertos are of great historical importance because they weremuch influenced by Italian music and the work of Vivaldi: they managed to break away from the standard German Concerto Grosso form. Using many combinations of textures and solo instrumentalists they were obviously written forvirtuoso players. The concertos have achieved immense popularity and the fact that a recorded excerpt from the 2nd concerto was placed on the Voyager spacecraft is a tribute to their importance and popularity. Thesix Brandenburg Concertos are a pinnacle of musical invention and they underline Bach's position as one of the world's supreme musical geniuses.
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O'mara P. - A Chordal Concept For Jazz Guitar
Guitar
Advance Music
The idea behind this book is to provide the progressive guitarist with a compreh...
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The idea behind this book is to provide the progressive guitarist with a comprehensive overview of chordal structures on the guitar fingerboard. Starting with triads, then working through 7th and 9th chords and further extensions, chord substitution relationships and practical examples over standard chord progression, the book presents a chordal concept based on logic rather than just memorized shapes. In addition the book includes complete guitar arrangements of: Georgia, Body And Soul, In Your Own Sweet Way, All Blues, Secret Love (John Scofield interpretation), Very Early (Bill Frisell interpretation), Lakes and Omaha Celebration by Pat Metheny, and Costa Del Sol, Expressions, Three, The Gift, and Stairway by Peter O´Mara. This book will make it easier for today´s guitarists to understand the complex chordal structures used in contemporary jazz.
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Larry Clark: Compatible Duets for Winds: Wind Duet: Instrumental Album
Clarinet, Trumpet (duet)
[Sheet music]
-
Easy
Carl Fischer
31 Duets That Can Be Played By Any Combination Of Wind Instruments-If you have a...
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31 Duets That Can Be Played By Any Combination Of Wind Instruments-If you have a friend that plays another instrument and you want to play a duet with them for fun or in a performance then this is the book for you! This collection contains 31 duets in a variety of styles from classical to folk music to original pieces that will be fun to play with any combination of two wind instruments. Duets are a great way to learn how to play in a chamber music setting and this unique collection gives you the opportunity to do it with anyone else that plays a wind instrument making the combinations of instruments that can be used almost limitless. This collection is ideally suited for use in schools for students who areespecially eager to play music with their friends. The flexibility of these duets makes them a must-have for any wind player. Editions available for: Alto/Baritone Saxophone (CFWF95)Clarinet/Trumpet/T.C. Euphonium/Tenor Saxophone (CFWF94)Flute/Oboe (CFWF93)Trombone/B.C. Euphonium/Bassoon (CFWF96)Horn In F (CFWF97)Tuba (CFWF98)
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