21 pieces for violin players. Par COLLEDGE HUGH / COLLEDGE KATHERINE. La collection Easy String Music de Boosey

The on-hiatus Foos released a hit-packed career retrospective in 2009. This matching folio features notes and tab for 15 tunes, including two new songs - 'Wheels? and 'Word Forward? - and: All My Life - Best of You - Big Me - Breakout - Everlong - Learn to Fly - Long Road to Ruin - Monkey Wrench - My Hero - The Pretender - Skin and Bones - This Is a Call - Times like These. / Guitare

Geoffrey G. Forward, entraîneur et expert de premier plan dans la diction américaine agissant, illustre clairement la chanteuse comment prendre le contrôle en éliminant la tension vocale et pauvres diction et son remplacement par une prononciation claire. Mettez la touche finale à votre chant non seulement à l'excellente diction vous gagnerez en utilisant ce texte, mais aussi à travers les concepts de phrasé, l'identification des mots clés et chanter avec émotion, qui ont été portées à la vie dans ce livre. Ce livre de 270 pages est un ajout essentiel à la bibliothèque de chaque chanteur, professeur de chant et coach vocal. / Voix

Learn how to bend strings like a pro with this latest edition to the Fast Forward series. Comes with a high-quality CD of audio tracks, so you can listen, learn and play along. Create the famous string bends used by Jimi Hendrix, Mark Knopfler, Chuck Berry, Duane Eddy, Hank Marvin and other legends. Develop all the correct techniques for effective string bending. Achieve greater versatility and expression. / Guitare

Martin Luther. Par SCHNEIDER ENJOTT. On the occasion of the quincentenary of Reformation Day in 2017, the composer Enjott Schneider thoroughly studied Martin Luther the individual and all his contradictions. The result is a brilliant, demanding organ symphony which is perfect for concerts on the subject of Reformation and Martin Luther. The composer describes the five movements of the symphony as follows: '1st movement: Wir glauben all an einen Gott with its quintuplet-like beginning is very Gregorian in style, outlining the range of Lutheran emotionalism between the Middle Ages and the modern era. The irrationality of 'faith' ultimately has priority over any thought and evidence. At the beginning of the movement, sounds of knocking on wood remind of the nailing of the Ninety-Five Theses to the doors of churches in Wittenberg. The chorale melody sometimes hides with an almost rough medieval saltarello, referring to Luther's robustness and vitality with which he knew to carry away even common people. 2nd movement: In 1530, the electoral prince of Saxony presented to Luther at Coburg Castle the golden signet ring with the 'Luther rose' which became the symbol of his theology of grace. A white heart with black cross is fixed on a five-petalled rose. To him, 'white' is the colour of angels and ghosts, 'black' stands for the pain of crucification: 'The just shall live by faith, but by faith in the Crucified.' But the fact that the rose and the heart are the dominating symbols shows how Catholic Marian piety remained an ingredient of Luther's spirituality throughout his life. In line with the dominant five-petal structure of the rose, this movement was composed, to a large extent, in accordance with the floating, lyrical rhythm in 5/8 time. 3rd movement: The omnipresence of death and dying – from the plague and war to the never-ending dangers of daily life – was an essential part of the world view of that time. Fears ensued that might heighten into the grotesque, e.g. in the pictures of Hieronymus Bosch. The 'Danse macabre' was a popular motif in those years. Luther's chorale 'Mitten wir im Leben sind / mit dem Tod umfangen' from 1524 ('Enchiridion' from Erfurt) is based on the Gregorian chant 'Media vita in morte sumus' created in France around 750 and, with its idea of transience, inspired a simplistic air. 4th movement: The famous confession delivered at the Diet of Worms in 1521, 'I stand here and can say no more. God help me. Amen', are not Luther's words but the version later used as text for a pamphlet. However, it represents quite plainly the straightforwardness and inevitability of his mission. Musically, it was made into a 'perpetuum mobile', i.e. a dogged, ostinato and never-ending musical air. 5th movement: The 'Mighty Fortress', on the other hand, is one of the great symbols of Martin Luther which, with its shining C major key, embodies the Protestant ideology and willful nature of the Reformation unlike any other song. Heinrich Heine called it the 'Marseille anthem of the Reformation', Friedrich Engels the 'Marseillaise of the Peasants' Wars'. This disputability is not thought through to the end but rather interrupted: With a jubilant 'birdcall version' of the melody, the finale shows a rather chamber-music-like side of the 'ideals of freedom of Christians'.'/ Répertoire / Orgue

Par WYLIE KENNAN / BISSONETTE GREGG. Designed for anyone just learning to play the drumset, Book 2 of this instruction method continues building on the fundamentals from Book 1 and moves forward into more challenging styles and techniques. Includes hours of audio tracks for demonstration and play-along, plus video lessons by drum master Gregg Bissonette. Lessons include: limb independence - half-time grooves - syncopation - funk grooves - ghost notes - jazz drumming - chart reading - drum soloing - brush playing - and much more. Designed for anyone just learning to play the drumset, Book 2 of this instruction method continues building on the fundamentals from Book 1 and moves forward into more challenging styles and techniques. Includes hours of audio tracks for demonstration and play-along, plus video lessons by drum master Gregg Bissonette. Lessons include limb independence - half-time grooves - syncopation - funk grooves - ghost notes - jazz drumming - chart reading - drum soloing - brush playing and much more. / Méthode / Méthode / Batterie

This book provides the pianist with an amazing assortment of easy, essential exercises. Players of all experience levels can utilize this method: beginners will learn to play music through creative exercises, while advanced pianists can add new exercises to their routines. With this book, you will be able to practice scales and chords without the usual monotony. The exercises focus on three 5-note palindrome patterns (which sound the same forwards and backwards) and are excellent for sight reading. Correct fingering is the key to playing piano with dexterity—this book provides all 120 ways these 5-note patterns can be played, giving you the ability to utilize all ten fingers efficiently across 88 keys. / Pédagogie / Date parution : 2018-05-04/ Etude / Piano

The skill and thrill of auto racing is captured musically in this piece via its infectious groove and exciting syncopations. Written in one continuous movement, its sections will help you imagine sitting behind the wheel of a powerful and agile racing machine over the course of a breathtaking speed contest. Students performing this piece will enjoy discovering that the palindromic nature of the piece, including the title, 'Race Car' (which reads the same forwards and backwards), a pervasive syncopated ostinato rhythm, A-B-A form, and a fugato section at the center of the work (Pit Stop), in which virtually each instrumental part is a palindrome! (3:25) / Concert Band

Ce favori évangile durable est défini par un verset straight-forward premier et choeur. Les deux versets suivants combiner bluegrass traditionnel style vocal avec le contrepoint et la fugue, résultant en un crescendo d'excitation. / Choeur Mixte (SSAATTBB) A Cappella

Hissez le drapeau noir et sortir les coutelas! Avec la percussion ajoutée, cette pièce est une introduction amusante et excitante à la tonalité de ré mineur, qui rappelle les jours de gloire de la piraterie, certain d'entendre tous les membres de votre auditoire. Les élèves utiliseront une variété de techniques de droite, y compris Double Up-arcs, arc ascenseurs et pizzicato. Ils élargiront leurs connaissances rythmiques en utilisant une croche / XVIe combinaison pointée. Technique de gauche est contestée par tiers travaux de position straight-forward pour les premiers violons et alternant entre C-naturel et C-sharp dans la plupart des régions. Les étudiants seront également développer de bonnes compétences oreille-formation dans les passages parallèles qui utilisent tiers. / Orchestre A Cordes