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Four for Five
INSTRUMENTS
INSTRUMENTS
ACCORDION
AUTOHARP
BAGPIPE
BANJO
BASS
BASSOON
BOOKS
BOUZOUKI
BUGLE
CHORAL - VOCAL - CHOIR
CLARINET
CORNET
DIDGERIDOO
DJ GEAR
DRUM
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EUPHONIUM
FLUTE
FRENCH HORN
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
LAP STEEL GUITAR
LUTE
MANDOLIN
MARCHING BAND
MARIMBA
MUSIC COURSE
OBOE
OCARINA
ORCHESTRA - BAND
ORGAN
PANPIPES
PERCUSSION
PIANO
RECORDER
SAXOPHONE
SYNTHESIZER KEYBOARD
TROMBONE
TRUMPET
TUBA
UKULELE
VIBRAPHONE
VIOLA
VIOLIN - FIDDLE
VIOLONCELLO - CELLO
XYLOPHONE
ZITHER
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New Busker's Fakebook 1001 All-Time Hit Songs
-
Easy
Music Sales
The second volume of a thousand and one all-time hit songs ranging from essentia...
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The second volume of a thousand and one all-time hit songs ranging from essential standards to the latest pop hits - a must for all singers and musicians. / Chant Et Guitare
89.80 EUR - Sold by LMI-partitions
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Aulis Sallinen: Five Portraits of Women: Soprano: Score
For Soprano, solo Horn and large ensemble
Novello & Co Ltd.
for soprano solo horn and large ensemble - Full Score-Five Portraits of Women i...
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for soprano solo horn and large ensemble - Full Score-Five Portraits of Women is a set of songs with large ensemble derived by Aulis Sallinen from arias from three of his operas: The Red Line The King Goes Forth to France and Kullervo. Each draws a portrait of a woman compelled in her role by fate or a mission. The vocal lines differ only very slightly from their original counterparts in the operas but the revised orchestral accompaniment creates an extraordinary new soundscape as background to the arias consisting as it does of a woodwind orchestra four cellos a harp and a piano. There is also a solo French horn which acts as a sort of masculine counterweight to the female vocalist. Tuiskuaa lunta (It is stillsnowing) (from The Red Line) is the story of Riikka waiting in her snowbound cabin for the arrival of a good life-enhancing message. Carolinen häät (Caroline’s Wedding) (from The King Goes Forth to France) describes the deranged Caroline Tammatukka (Caroline with the Thick Mane) in a feverish hallucination involving the King whose arrival she awaits. The King is in fact already married but Caroline believes that he has left France for their wedding. Minä odotan sinua paimen (When we meet this evening) (from Kullervo) is the aria of the smith’s young wife who waits impatiently for the arrival of Kullervo. Itkenkö minä sinua? (How can you ask if I’ll mourn you) from the same opera describes the all-embracing love of a mother which encourages yet overrules the scorn of others for the youth. On tämä silta tehty naisista (That’s the bridge that’s made of womankind) (from The King Goes Forth to France) is the song of Caroline Iloinen [The Nice Caroline] explaining the biological eternal mission of woman as the bearer and birth-giver of life. The libretto of the opera The King Goes Forth to France is written by Paavo Haavikko; the librettos of The Red Line and Kullervo are by the composer. Five Portraits of Women was commissioned by the Finnish Radio Symphony
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Jazz Arranging And Composing (DOBBINS BILL)
Musical course - Solfege
Advance Music
Par DOBBINS BILL. Many different possibilities for harmonizing the same melody a...
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Par DOBBINS BILL. Many different possibilities for harmonizing the same melody are illustrated and analysed, using techniques by such influential arrangers and composers as Duke Ellington, Billy Strayhorn, Oliver Nelson, Gil Evans and Clare Fischer. Techniques of melody harmonisation, linear writing and counterpoint for 2, 3, 4 and 5 horns. A chapter on writing for the rhythm section clearly illustrates the techniques commonly used by jazz arrangers and composers. Six complete scores in concert key are ideal for analysis, for playing the horn parts on the piano or for following the performances on the CD. An extensive chapter on form and development deals with extended compositional forms and the use of compositional techniques in writing for the small jazz ensemble A useful discography is included at the end of each chapter./ Recueil / Instruments Mélodiques
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Ars Organi Vol. 3 (PEETERS FLOR)
Organ
Schott
Complete theoretical and practical method for organ-playing in three parts. Par ...
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Complete theoretical and practical method for organ-playing in three parts. Par PEETERS FLOR. Flor Peeters, born in Belgium in 1903, is one of the most important organists and organ composers of the 20th century. After completing his studies at the famous Lemmens Institute in Mechelen, he worked there as a teacher of organ and improvisation before becoming professor at and director of the Royal Flemish Conservatoire of Antwerp. Until his death in 1986, Peeters gave concerts all around the world, held numerous master classes and received several awards and prizes for his achievements as a composer, organist and teacher. In his successful three-volume educational work 'Ars Organi', Peeters combines theoretical knowledge and practical exercises on all aspects of organ playing, starting with basic information on the instrument, manual and pedal exercises and two-part manual and pedal playing. While Vol. 2 contains exercises on three-part playing, Vol. 3 contains exercises on four and five-part playing as well as studies on demanding trio playing. Each learning stage is accompanied by pedal exercises and tips on articulation, touch, interpretation, registration and organ specifications - a valuable compendium for every organist. / Méthode / Date parution : 1954-11-20/ Méthode / Orgue
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Complete Jerry Hahn Method For Jazz Guitar (HAHN JERRY)
Guitar
-
Intermediate
Mel Bay
Par HAHN JERRY. This jazz guitar book is a compilation of three books formerly p...
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Par HAHN JERRY. This jazz guitar book is a compilation of three books formerly published as Volume 1 - Scales and Exercises, Volume 2 - Patterns and Solos and Volume 3 - Improvisation Course and Chord Studies. This comprehensive edition covers all of the facets of jazz guitar study including all of the primary scales and arpeggios in five positions. There are several exercises to help increase technical facility including an excellent cross-picking exercise. Also there is a large single line section that includes jazz vocabulary and ideas to be played over certain chords and progressions. Learning and memorizing these single line studies expands the student's improvisational concepts and technique. The chord section includes the primary chord forms found in jazz and contemporary music as well as examples of turn-arounds, variations on twelve bar blues, and modal comping. The harmonized bass line section has four chord studies in a Freddie Green style. The Improvisation Course is a unique systematic approach to teaching improvisation. It consists of four lessons that has the student write out solos (with out an instrument) utilizing certain rules. The material in this book will provide a solid foundation for the aspiring jazz guitar student and has been used as the primary text for the jazz guitar programs at Portland State University and Wichita State University. / Niveau : Intermédiaire / Jazz - Methods / Méthode / Guitare
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Fives for Piano (GOWIK KRYSTYNA) (GOWIK KRYSTYNA)
Easy Piano
[Sheet music]
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Easy
PWM (Polskie Wydawnictwo Muzyczne)
Par GOWIK KRYSTYNA. Fives for piano comprises music for beginners ? miniature pi...
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Par GOWIK KRYSTYNA. Fives for piano comprises music for beginners ? miniature pieces for five successive notes of a particular scale. However, those notes can be written in different octaves, with the following aims in mind: ? to teach the quick recognition of how notes are written on the stave, ? to teach how to move around the keyboard and to recognise the sounds of the instrument?s registers, ? to make the music more interesting. There are always five notes, one for each finger, so the fingerings are not numbered and we do not introduce any techniques for crossing fingers. We assign particular fingers to specific notes ? with the help of an insert included with the edition ? and we play. Thanks to the systematic use of all five fingers, we can develop all the fingers evenly and at the same time, which is particularly important with regard to the fourth and fifth fingers. These works may touch on five-finger exercises to a limited extent, but not entirely, as in that method there are different notes in the right and left hands, while here they are the same for both hands. In my works, we learn different keys and modal scales. Each work is preceded by information about the key or scale employed and about the notes that are used. I have also taken care over articulation and dynamics. The budding pianists might try playing some of the works with pedal. I hope you enjoy working with Fives! Krystyna Gowik translated by John Comber / Date parution : 2022-12-12/ Répertoire / Piano
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Zhou Long: Five elements with Chinese and western instruments: Ensemble: Study
Oxford University Press
Paperback-Zhou Long's Five Elements for Dizi Clarinet Percussion Pipa Erhu a...
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Paperback-Zhou Long's Five Elements for Dizi Clarinet Percussion Pipa Erhu and Violoncello.The concept of the Five Elements was a central aspect of traditional Chinese thought. Here each of the Five Elements is characterised in an individual movement. In the first movement metal is represented by metallic Percussion while in the second movement Marimba and Claves are used to portray wood. In the third movement a slower and expansive texture is employed to signify water and rhythmic drumming is used to illustrate the heat of fire the subject of movement four. A majestic yet peaceful final movement portrays Earth where all the elements are transformed into a perfect balance.
40.25 GBP - Sold by Musicroom UK
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Zhou Long: Five Elements with western instruments: Ensemble: Study Score
Oxford University Press
Paperback-Zhou Long's Five Elements for Flute Clarinet Percussion Piano Viol...
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Paperback-Zhou Long's Five Elements for Flute Clarinet Percussion Piano Violin and Violoncello.The concept of the Five Elements was a central aspect of traditional Chinese thought. Here each of the Five Elements is characterised in an individual movement. In the first movement metal is represented by metallic Percussion while in the second movement Marimba and Claves are used to portray wood. In the third movement a slower and expansive texture is employed to signify water and rhythmic drumming is used to illustrate the heat of fire the subject of movement four. A majestic yet peaceful final movement portraysEarth where all the elements are transformed into a perfect balance.
40.25 GBP - Sold by Musicroom UK
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Anne Witt: Scottish Fiddling For Viola: Viola: Instrumental Album
Viola
[Sheet music]
-
Easy
Mel Bay
The forty-five tunes in this collection represent the vast repertoire of traditi...
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The forty-five tunes in this collection represent the vast repertoire of traditional Scottish fiddle music dating back to the 1700s.There is a long history of music shared between fiddle bagpipe and song. Included are laments airs marches strathspeys reels and jigs. The music has been edited and arranged for viola along with guitar chords if desired for accompaniment. The tunes are presented in sets of three or four for solo performance.
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Timothy Bowers: Sonata for tuba and piano: Tuba: Instrumental Album
Tuba and Piano
[Sheet music]
-
Intermediate/advanced
Queen's Temple Publications
This work was written in the winter months of 2006 for Peter Smith to whom it ...
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This work was written in the winter months of 2006 for Peter Smith to whom it is dedicated. It is in three short movements which are thematically related. The work received its first performance in June 2006 by Peter Smith and Jennifer Miles. The performance led to a commission from Professor James Watson on behalf of the Brass Faculty of the Royal Academy of Music for a further four sonatas for brass and piano (for Bass Trombone Tenor Trombone Horn and Trumpet/Flugelhorn) and a concluding Sinfonia Concertante for five solo brass brass ensemble and percussion; which form a series.
12.95 GBP - Sold by Musicroom UK
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Bob Chilcott: Five Passion Hymns: Mixed Choir: Vocal Score
[Vocal Score]
Oxford University Press
This short collection presents the complete set of hymns from Bob Chilcott's stu...
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This short collection presents the complete set of hymns from Bob Chilcott's stunning setting of the St John Passion. The five well-known hymn texts are set to new original melodies which are also intended for performance by the audience or congregation. The parts for SATB choir are simple yet beautifully crafted with a soaring soprano descant to complete four of the hymns. Perfect for liturgical use during holy week the set would also be ideal for concert performance.
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Essential Keyboard Etudes
Piano solo
Alfred Publishing
This essential collection of 100 piano études is divided into 15 units that sur...
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This essential collection of 100 piano études is divided into 15 units that survey the technical challenges at the early intermediate, intermediate, and late intermediate levels. The early units review technical issues that students experience at the elementary levels, such as five-finger patterns and articulations. The later units introduce more difficult technical challenges that prepare students for advanced repertoire, such as playing ornamentation, octaves, and large chords. Each unit contains between five and ten études written by master composers from the Baroque, Classical, Romantic, and Contemporary periods. Within each unit, the études are arranged in order of difficulty. Each piece appears in its original form - notes have not been added or removed. The composers' original dynamics, tempo marks, phrase indications, and articulations have been preserved. Ornamentation is realized in footnotes. Added measure numbers provide easy reference, and editorial suggestions for fingering and pedaling have been provided. A concise foreword discusses technique at the intermediate levels. Two indexes are included: one by unit and technical skill, and another by level and composer.Unit listing: Five-Finger Patterns * Articulation * Coordination between the Hands * Scales * Triads, Inversions, and Broken Chords * Double Notes * Left-Hand Development * Velocity * Arpeggios * Finger and Hand Independence * Repeated Notes * Accompaniment Patterns * Ornamentation * Octaves * Four- and Five-Note Chords. / Piano
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George Gershwin: Preludes For Piano: Piano: Instrumental Album
Piano solo
G. Henle
'Some of Gershwin's finest inspirations have not as yet been either published or...
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'Some of Gershwin's finest inspirations have not as yet been either published or publicly performed. It is probable that the production of his twenty-four preludes ... will award him a still higher rank in the army of contemporarycomposers.' In 1925 an admirer thus heralded George Gershwin's ambitious project in Vanity Fair namely to compose preludes in all keys as Bach and Chopin had done before. On 4 December of the following year the composerpublicly performed five of these pieces. However the extremely busy darling of Broadway only published the famous three Preludes for Piano (1927) during his lifetime. Henle now presents them for the first time in astate-of-the-art Urtext edition.
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1001 All-Time Hit Songs
Melody line, (Lyrics) and Chords
[Sheet music]
Amsco Wise Publications
Third edition of the world's biggest songbook. This is a vast bumper collection,...
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Third edition of the world's biggest songbook. This is a vast bumper collection, perfect for buskers, of 1001 all-time hit songs.Whatever your taste, there's guaranteed to be tonnes of songs you'll want to play, this book will last you years!Inside the spiral bound cover you will find a generous selection of hit songs, golden standards, jazz and blues numbers, classical pieces, hymns, gospel songs, stage, film and musical music! Arranged here in Melody line arrangements for Piano, Organ, Electronic Keyboards, Guitar and all C instruments, complete with lyrics and chord symbols. / Ligne Mélodique, Paroles Et Accords (Avec Grilles D'Accords)
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John Joubert: Five Songs Of Incarnation: Tenor & SATB: Vocal Score
[Vocal Score]
-
Intermediate
Novello & Co Ltd.
Five Songs of Incarnation is planned to be performed as a cycle in celebration o...
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Five Songs of Incarnation is planned to be performed as a cycle in celebration of the Nativity. Each song is prefaced by quotations from the first chapter of St. John's Gospel set for tenor solo and SATB unaccompanied.Although the work is designed as a single entity to be performed without a break individual songs may be performed separately with or without their respective preface. Four of the songs are reworkings of carols from the composer's earlier Five Carols for Five Voices Op. 78. The central song I Sing of a Maiden is new as are the prefaces for tenor solo.
8.99 GBP - Sold by Musicroom UK
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Apollon-Marie-Rose Barret Jean-Delphin Alard: Four (4) SonatasFive (5) Melodious
Southern Music Ltd
Each of these four instructional sonatas for solo clarinet (transcribed from Bar...
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Each of these four instructional sonatas for solo clarinet (transcribed from Barret's famous oboe studies by David Hite) includes a complete accompaniment part for second clarinet making them suitable not just for intermediate toadvanced solo study but also as contest pieces for two clarinets. Also included in this volume are five melodious studies by Delphin Alard.
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Jazz Standards For Vocalists With Combo Accompaniment - Vocal Part
Voice solo
Belwin
Belwin Jazz offers ten great jazz standards arranged for solo vocalist with a ni...
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Belwin Jazz offers ten great jazz standards arranged for solo vocalist with a nine or ten piece combo accompaniment. These songs are superbly arranged by one of the finest writers in the business, Dave Wolpe. This collection is ideal for a vocalist who needs a smaller ensemble with four or five horns and rhythm section. The combo horns are trumpet, alto sax, tenor sax, trombone and baritone sax. The baritone sax part adds additional color to the texture but is optional. The rhythm section is scored for guitar, bass, drumset and a piano/conductor part which includes cues for the horns. Titles include: How High the Moon * I Get a Kick Out of You * I've Got You Under My Skin * Just Friends * My Funny Valentine * Night and Day * Something's Gotta Give * Summer Wind * They Can't Take That Away From Me * Too Close For Comfort Click On Each Image to Zoom. Click the larger image to close. Use the arrows on your keyboard to scroll left and right. There are no samples for this item There are no audio samples for this item.
13.70 EUR - Sold by Woodbrass
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Music for Children Vol. 4 (ORFF CARL / KEETMAN GUNILD)
Voix, Flûte à Bec et Percussion
[Score]
Schott
Minor: Bordun. Par ORFF CARL / KEETMAN GUNILD. Carl Orff devoted much of his lif...
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Minor: Bordun. Par ORFF CARL / KEETMAN GUNILD. Carl Orff devoted much of his life to the development of a philosophy of Music for Children, based on his belief that music is the natural outcome of speech, rhythm and movement. His ideas and pioneering work have had a major influence on music and dance education throughout the world and today that work continues under the guidance of leading teachers and educators in many countries. The five basic German volumes of 'Music for Children' by Carl Orff and Gunild Keetman were published between 1950 and 1954. Edition have since been published in Bolivia, Brazil, Canada, Czechoslovakia, Denmark, Estonia, France, Ghana, Great Britain (including a special Welsh edition), Greece, Italy, Japan, Korea, Latin-America, the Netherlands, Portugal, Spain, Sweden, Taiwan and the USA. In 1952 the first edition in translation appeared, an English language adaptation by Doreen Hall and Arnold Walter for their Canadian and American students. A few years later, Margaret Murray independently developed a version (1957-1966), essentially to fulfil the needs of United Kingdom teachers. Inevitably the considerable growth of Orff-Schulwerk in the United States led to the publication of the American Edition (1977) to satisfy the requirements of a different educational system and national heritage. Orff-Schulwerk: Music for Children has proved itself to be a stimulating source of material for music teaching. Carl Orff's fundamental educational ideas have revitalized music education in nursery schools, at all levels of primary and secondary education and in special music schools, based on the concepts that: - music, dance and language are inter-related and animated through rhythm. - when children discover, invent, improvise and compose, their experience of music is intensified. These creative activities are complementary to those of interpreting and listening to music. - all who take part are encouraged to contribute, not only vocally but also instrumentally. - the Orff approach to music education is many sided; it is concerned with practical music-making, it provides fundamental experiences and it lays the foundation for a comprehensive musical training. - movement games and activities for body awareness in space, time and flow, lead to movement improvisation and dance forms. - music and dance have been notated in many different ways in history. Various ways of writing down sounds and music, as well as playing from and interpreting different kinds of sources are being explored. Today, countless teachers and institutions are using these ideas. More and more teachers look for ways of invovling their students in active music making. In particular, they seek to challenge their pupils' creativity by the use of music, dance and speech - as media of human expression - as a foundation of all education. A prerequisite for work in Orff-Schulwerk is the artistic and pedagogical training of teachers. The Orff Institute was founded in 1961 as a Department of the 'Mozarteum', in Salzburg, Austria. Training offered includes a four-year diploma course, a two-year post-graduate course, and a one-year-course in English. At the opening of the Orff Institute in Salzburg in 1963, Carl Orff ended his speech with a quotation from Schiller: 'I have done my part, now do yours.' That challenge has been taken up by teachers worldwide. Hall/Walter Edition Based on Volumes 1, 2 and 4 of the original German Edition 'musik für Kinder', english adaption with additional material by Doreen Hall and Arnold Walter./ Recueil / Voix, Flûte à Bec et Percussion
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Music for Children Vol. 5 (ORFF CARL / KEETMAN GUNILD)
Voix, Flûte à Bec et Percussion
[Score]
Schott
Minor: Triads. Par ORFF CARL / KEETMAN GUNILD. Carl Orff devoted much of his lif...
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Minor: Triads. Par ORFF CARL / KEETMAN GUNILD. Carl Orff devoted much of his life to the development of a philosophy of Music for Children, based on his belief that music is the natural outcome of speech, rhythm and movement. His ideas and pioneering work have had a major influence on music and dance education throughout the world and today that work continues under the guidance of leading teachers and educators in many countries. The five basic German volumes of 'Music for Children' by Carl Orff and Gunild Keetman were published between 1950 and 1954. Edition have since been published in Bolivia, Brazil, Canada, Czechoslovakia, Denmark, Estonia, France, Ghana, Great Britain (including a special Welsh edition), Greece, Italy, Japan, Korea, Latin-America, the Netherlands, Portugal, Spain, Sweden, Taiwan and the USA. In 1952 the first edition in translation appeared, an English language adaptation by Doreen Hall and Arnold Walter for their Canadian and American students. A few years later, Margaret Murray independently developed a version (1957-1966), essentially to fulfil the needs of United Kingdom teachers. Inevitably the considerable growth of Orff-Schulwerk in the United States led to the publication of the American Edition (1977) to satisfy the requirements of a different educational system and national heritage. Orff-Schulwerk: Music for Children has proved itself to be a stimulating source of material for music teaching. Carl Orff's fundamental educational ideas have revitalized music education in nursery schools, at all levels of primary and secondary education and in special music schools, based on the concepts that: - music, dance and language are inter-related and animated through rhythm. - when children discover, invent, improvise and compose, their experience of music is intensified. These creative activities are complementary to those of interpreting and listening to music. - all who take part are encouraged to contribute, not only vocally but also instrumentally. - the Orff approach to music education is many sided; it is concerned with practical music-making, it provides fundamental experiences and it lays the foundation for a comprehensive musical training. - movement games and activities for body awareness in space, time and flow, lead to movement improvisation and dance forms. - music and dance have been notated in many different ways in history. Various ways of writing down sounds and music, as well as playing from and interpreting different kinds of sources are being explored. Today, countless teachers and institutions are using these ideas. More and more teachers look for ways of invovling their students in active music making. In particular, they seek to challenge their pupils' creativity by the use of music, dance and speech - as media of human expression - as a foundation of all education. A prerequisite for work in Orff-Schulwerk is the artistic and pedagogical training of teachers. The Orff Institute was founded in 1961 as a Department of the 'Mozarteum', in Salzburg, Austria. Training offered includes a four-year diploma course, a two-year post-graduate course, and a one-year-course in English. At the opening of the Orff Institute in Salzburg in 1963, Carl Orff ended his speech with a quotation from Schiller: 'I have done my part, now do yours.' That challenge has been taken up by teachers worldwide. Hall/Walter Edition Based on Volumes 1, 2 and 4 of the original German Edition 'musik für Kinder', english adaption with additional material by Doreen Hall and Arnold Walter./ Recueil / Voix, Flûte à Bec et Percussion
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Consort Music Of Four Parts: Ensemble
Stainer and Bell
Edited by Ian PayneJohn Ward's music for four viols shows less consistency of st...
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Edited by Ian PayneJohn Ward's music for four viols shows less consistency of style than his work for five- or six-part consort. Thesmooth madrigalian lines of the six Oxford fantasias most clearly approach the accomplishment of his characteristic pieces for larger ensembles. The Paris fantasias which with the In nomines also included in the collection feature uniquely in a single source in the Bibliothèque Nationale de France are more variable in texture and idiom. The volume also includes six ayres for two bass viols and organ brief tuneful compositions in dance-like rhythm redolent of the almain.First published in 2005. Hardback
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Bela Bartok: Mikrokosmos for piano Volume 3-4 BB 105: Piano Solo: Instrumental
Piano solo
EMB (Editio Musica Budapest)
Urtext (1932-1939). Bartók's Mikrokosmos has been one of the milestones in peda...
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Urtext (1932-1939). Bartók's Mikrokosmos has been one of the milestones in pedagogical piano repertoire for 80 years - and yet it is also far more than a "classical" piano primer. These 153 piano pieces, organized in ascending order of difficulty, engage not only with technical aspects of piano playing but also with the fundamentals of composition - from "Imitation and Inversion," "Ostinato," and "Free Variations," concerning compositional technique, to mood pieces and pieces with programmatic ideas such as "Notturno," "Boating," "From the Diary of a Fly," or the famous "Six Dances in Bulgarian Rhythm." Mikrokosmos first appeared in 1940 in six volumes. Based on volume 40 of the Bartók Complete Edition published in 2020(Z. 15040), the present Urtext edition offers the series gathered in three volumes. This edition includes Bartók's preface, exercises, and notes written for the first edition. Furthermore, it also features a preface and comments by the editor, which not only discuss the genesis and the compositional sources but also provide performers, teachers and pupils alike, with authentic and detailed information about Bartók's notation and the specific performing problems of Mikrokosmos.
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Laverne A. - Chords In Motion - Piano
Piano solo
Jamey Aebersold Jazz
Noted jazz pianist, composer, recording artist and educator Andy LaVerne has dra...
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Noted jazz pianist, composer, recording artist and educator Andy LaVerne has drawn from his decades of experience playing with master musicians from Getz to Lovano to create this comprehensive compendium of contemporary moving voicings. Quartal, quintal, drop 2, dominant 7b9/diminished, triadic, whole tone and chromatic performance proven voicings pioneered by McCoy Tyner, Chick Corea, Herbie Hancock, and Andy himself are presented and fleshed out in all twelve keys. This book picks up where others leave off, enabling you to replace static chords with voicings that move melodically, dramatically, and gracefully over the entire range of the keyboard. Firmly rooted in contemporary jazz theory, the emphasis is on practical performance applications. Andy ties it all together with illustrations of comping choruses for five standard jazz tunes. Chords in Motion satisfies a long awaited need in actual comping situations, and shows you how to move chords through varying harmonic rhythms. FINALLY ? a book that gives you moving voicings, and sets them in motion in all twelve keys. Chords in Motion is a valuable resource for all keyboardists, arrangers, and instrumentalists. Activate, animate, and energize your comping with this encyclopedic volume. 156 pages, spiral bound for easy opening. Andy carries the flame of jazz piano tradition and just great music. He always inspires me. Chick Corea This is a great book! I am going to sit down and play through this!! I am always telling my non-piano playing students how important it is to work with (and internalize) the sounds that we live with all our lives as Jazz musicians. Coltrane spent years sitting at the piano and so should all of us!!! John Patitucci Berklee College of Music One thing about Andy?he is complete as can be and has been consistently so for years in both his teaching materials and playing. He is completely knowledgeable in such a way that when I play with him, I know he KNOWS!! Plus he is one of the smoothest and polished of players around. Great book?encyclopedic in content. Dave Liebman Founder, Artistic Director, International Association of Schools of Jazz (IASJ) I've played and recorded with Andy LaVerne many times over the years and in many different settings and he's always come up with the hippest, most interesting chords in the most musical way! His way of playing and looking at chords inspires me as a drummer and his rhythm section partner to play things that are in turn inspiring to the rest of the band. This book, helps musicians, understand, in a clear thoughtful presentation, how to go about getting this together. Billy Drummond Jazz Drummer, Educator, Juilliard, NYU Chords in Motion is an outstanding and comprehensive guide by Andy LaVerne, whose encyclopedic knowledge, decades of experience and brilliance as a performer and educator make this an invaluable handbook of modern jazz piano harmony. Its user-friendly, intelligent design enables musicians to expand their harmonic palette and potentially transform their playing, writing and arranging. Chords in Motion is an invaluable contribution to jazz musicians! Lynne Arriale Jazz Pianist, Composer, Educator, Associate Professor of Jazz Piano, Director of Small Ensembles, University of North Florida Chords in Motion is exactly the book I'd expect from Andy LaVerne. It's clear, openhearted and inspiring, as has been every conversation I've had with Andy over the years. Long a fan of his playing, I have enjoyed this look behind the curtain at how Andy LaVerne formulated his signature style. One other thing -- any pianist, no matter his/her approach, will gain insight into what will surely be new and exciting musical directions. Pete Malinverni Jazz Pianist, Educator, Director of Jazz Studies, SUNY Purchase College Conservatory of Music What a great resource for expanding the harmonic palette! Chords in Motion is a must have for the aspiring young jazz pianist as well as the seasoned veteran. Another winner from Andy! Paul Schmeling Jazz Pianist, Educator, Chair Emeritus, Piano Department, Berklee College of Music In Chords in Motion, I recognize chords and sounds that have inspired me to compose and play: harmony from the music of Chick Corea, Herbie Hancock and McCoy Tyner. This book is well organized, and from the beginning gets you playing. Each chord structure is explained and developed. There is plenty to practice. I especially like the exercises using contrary motion, arpeggiation
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Lennox Berkeley: Five Pieces Op.56: Violin: Instrumental Work
Violin and Piano
[Sheet music]
-
Intermediate/advanced
Chester
Five Pieces for Violin and Orchestra was commissioned by Frederick Grinke and co...
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Five Pieces for Violin and Orchestra was commissioned by Frederick Grinke and completed on 20 December 1961. The BBC Symphony Orchestra with Frederick Grinke (violin) and conducted by the composer gave the first performanceon 31 July 1962 at the Royal Albert Hall London during the BBC Proms season.This work is so constructed that each piece is complete in itself and can be played separately while at the same time the whole set of fiveconstitutes a structural unit. A basic motif consisting of a rising semitone followed by a falling tone and its inversion plays an important part in every piece. Thus the first piece which is of a slow and meditativecharacter begins with this theme in the bass. It is also heard in the first entry of the solo part and thereafter every episode is in some way derived from it. The next piece a vigorous and strongly marked ‘allegro’ uses thesemitone of the original figure as its starting point. A second theme appears first on the horns and is later taken up by the solo violin while a third section has the initial idea as its accompaniment. Next comes an extendedscherzo in free form very closely based on initial motif. The fourth is a purely melodic piece containing allusions in its middle section to the basic figure. Here the strings only are used for accompaniment. In the firstsection violas and cellos are divided in the middle section and all the strings are used in the last which is otherwise an almost exact repetition of the opening. The Finale is a lighter movement than the others concernedmainly with giving the soloist material for display but not unconnected with what has gone before.
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Postlewate: Right-Hand Studies For Five Fingers: Guitar: Study
Guitar
Classical guitar
[Sheet music]
-
Intermediate
Mel Bay
The product of a 14 year research project this book contains over 350 studies t...
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The product of a 14 year research project this book contains over 350 studies to thoroughly train the right hand of classical guitarists in the use of all five fingers - adding the little finger to the present four fingertechnique. These studies build a five-finger technique in the playing of chords arpeggios tremolos and harmonics beginning with the thumb and one-finger combinations and increasing in complexity to the thumb and four fingers.The studies are played over easy yet interesting left hand progressions up and down the fingerboard. Postlewate demonstrates how to develop your own right hand studies by including examples from standard classical guitarrepertoire pieces by Fernando Sor Federico Moreno Torroba and Heitor Villa-Lobos at the end of the book. This book is a companion to MB 98711 - HOMAGE TO VILLA-LOBOS and other compositions (music composed transcribed arrangedand edited by Charles Postlewate for the guitar using five fingers of the right hand) and its accompanying 60-minute CD HOMAGE TO VILLA-LOBOS (MB 98711CD). Spanish Description [Este libro es el resultado de unproyecto de investigación de 14 años de duración. Este incluye más de 350 estudios para entrenar la mano derecha del guitarrista clásico a usar los cinco dedos-añadiendo el dedomeñique a la técnica actual de cuatro dedos. Estos estudios desarrollan una técnica de cinco dedos para tocar acordes arpegios trémolos y armónicos empezando con combinaciones del pulgar y undedo y aumentando en complexidad al uso del pulgar con los cuatro dedos. Los estudios se tocan sobre progresiones fáciles pero interesantes de la mano izquierda por el diapason. Postlewate le muestra cómodesarrollar sus propios estudios para la mano derecha a base de ejemplos del repertorio tradicional de la guitarra clásica por Fernando Sor Federico Moreno Torroba y Heitor Villa-Lobos incluídos al final del libro.
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4 Afro-Caribbean Songs for 5 Right Hands 1 Piano: Piano: Instrumental Album
Piano solo
Universal Edition
A lively collection of four Afro-Caribbean songs scored for five right hands at...
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A lively collection of four Afro-Caribbean songs scored for five right hands at one Piano.'Following on the success of Mike Cornick's first book of four pieces for five hands at one piano he has now come up with a second volume.Huge fun to play and with each person having his own individual part these works make everyone listen carefully in order for the complex rhythmic patterns to fit together.Excellent for aural training and sight-reading this volume can only aid young pupils in making gerenal musical progress.' - Nadia Lasserson Piano Journal issue 102 2014
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Children's Songs For Banjo Made Easy (NICKERSON ROSS)
Banjo
[Sheet music + CD]
-
Beginner
Mel Bay
Par NICKERSON ROSS. Easy to play five-string banjo arrangements of twenty-four C...
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Par NICKERSON ROSS. Easy to play five-string banjo arrangements of twenty-four Children's favorites by banjo master Ross Nickerson. Not only are these songs fun to play but from an instructional standpoint they are perfect for helping you develop the ability to bring out the melody in the bluegrass banjo style. Accenting the melody within the steady rhythmic roll of banjo playing is one of the biggest challenges facing banjo students and these familiar melodies are ideal for your development of that skill. Each song is arranged and performed using proper three-finger bluegrass technique. The arrangements are carefully designed to bring out the melody, but easy enough for a beginner or intermediate player to learn quickly. The tablature in the book is large and easy to read with accent marks for melody notes, as well as right and left-hand fingering indications. This book is not simply a tablature book! Children's Made Easy for Banjo also features instruction on learning the chords to each song, chord progression charts for each song, special learning tips for each arrangement, a full page of advice on memorizing the songs and more. Also, in the instructional section of the book Ross includes a page of suggestions on the best use of practice time and how to develop the skills needed to succeed with each piece. Children's Songs Made Easy for Banjo features a high quality studio recorded CD of all the songs played at three speeds and a bonus track of Ross performing improvised versions of several of the songs in the book. / Niveau : Débutant / Children's - Solos / Tablatures / Banjo Tablatures à 5 Cordes
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Music For Celebration
Ensemble
EMB (Editio Musica Budapest)
The volumes of the Ad libitum series contain duos, trios and quartets of easy, m...
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The volumes of the Ad libitum series contain duos, trios and quartets of easy, medium and advanced levels of difficulty, which are playable with various combinations of instruments. Ad libitum Family Edition volumes are recommended mainly for families or groups of friends where at least two people play an instrument. Each of the pieces included can be performed using flexible instrumentation, whether there are two, three, four or even five persons who would like to play together. This volume contains fine and easy pieces for family celebrations, such as holidays, anniversary and birthday parties. At least one melodic and one accompanying instruments are required to perform the pieces: Part I: violin / descant recorder / flute / oboe / clarinet / soprano saxophone / trumpet Accompaniment: piano (to be played from the score) Any of the following optional parts can be added: Part II: violin / treble recorder / clarinet / trumpet Guitar Percussion Bass: cello / bassoon / euphonium / Ensemble
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