Frühe Lieder II (1911-1915) - Erstausgabe. Par SIMON KLAUS. All songs and lieder composed in the years 1910-1937 by the composer Erwin Schulhoff from Prague, who was persecuted by the National Socialists, are now published in three volumes for the first time, documenting his very different creative phases and stages of life: Whereas Vol. I and II stand for the emancipation from being a successor to Wagner and Debussy, Vol. III contains not only the well-known atonal Fünf Gesänge from 1919 but also fresh jazzy popular songs and political songs for the masses written after 1933 when he turned to communism./ Recueil / Chant et Piano

Traduction en anglais par Elizabeth Mayer et Peter Pears / Voix Moyenne(s) Et Piano

Arnold Schönberg is the central figure in the musical world of this century. His musical significance was already apparent during his life-time, but his posthumous influence has increased immensely. His work paved the way for ground-breaking changes in musical perception. This complete edition aspires to be equally indispensable for research as well as for performance. The edition is published in two series: series A in folio format contains all completed works, all piano scores prepared by the composer himself and all unfinished works suitable for performance - also fragments (large scores) which are better suited to be printed in such a format. Series B, in quarto format, contains early versions, sketches, ideas and fragments as well as genesis and a Critical Commentary. / Scores

for Percussion and Violoncello. Par HUMMEL BERTOLD. In summer 2001, Bertold Hummel composed the present work as a commission for the 'Asiago Festival' and brought together in the grand dimensions of his 'Fantasy in one movement' - as he himself termed it - for the first time the instruments he had always loved much during his life. Asiago - the letters a-s-a-g, corresponding to the notes a, e-flat, a, g in the German musical scale, open and close the work - is a successful excursion into the complex sound combinations of percussion instruments and the mystical, sensuous tone of the violoncello, whereby the stringed instrument occasionally takes on a percussive role and the percussion is sometimes treated like a bowed. Driving rhythms pursue each other, alternating with meditative moments. Chorale fragments lead to a grand cadenza, in which the instrumentalists have the opportunity, following patterns provided, for free improvisation. The première of this work took place on 5th August, 2001 in the Duomo di S. Matteo in Asiago in northern Italy and was in the hands of Peter Sadlo and Julius Berger, who are amongst the most committed exponents of Bertold Hummel's works./ Répertoire / Percussion et Violoncelle

63 songs, with extensive historical introductory notes. Includes all art songs originally composed for voice and piano published by Boosey and Hawkes. Available for for High Voice as well as for Medium/Low Voice, with newly published transpositions as necessary. / Voix Haute Et Piano