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You've selected:
Fragments of Life
Sheetmusic to print
31 sheet music found
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Fragments of Life
Concert band
Concert Band - Digital Download SKU: A0.495192 Composed by Moises Mendoza. Contempo…
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Concert Band - Digital Download SKU: A0.495192 Composed by Moises Mendoza. Contemporary. Score and parts. 67 pages. Published by Moises Mendoza (A0.495192). I composed this piece because I wanted to get myself used to composing for large ensembles, wind ensemble particularly. This composition took the most time and energy in creating the biggest work I have taken on thus far. This piece allowed me to get a better insight of my creativity as well as incorporate the lessons I have learned from my music professors. The experience was well worth it for I now know what I am capable of in my compositions and I look forward to working on more works in large ensembles in the future. During the time I composed this piece, I was expecting to have it performed around April 2020. However, that was around the time when COVID started spreading around the world and so that experience was lost to me. I hope someday it will be performed under better days.
$30.00
27.03 €
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Concert band
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Moises Mendoza
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Fragments of Life
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Moises Mendoza
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SheetMusicPlus
MANX LIFE SUITE for STRING QUARTET
String Quartet: 2 violins, viola, cello
String Quartet String Quartet - Level 2 - Digital Download SKU: A0.1334145 Composed…
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String Quartet String Quartet - Level 2 - Digital Download SKU: A0.1334145 Composed by Trad & Alan Edgar. Folk,Traditional. 36 pages. Alan Edgar Ted Moon #920362. Published by Alan Edgar Ted Moon (A0.1334145). Here'a suite about life in the Isle of Man based on Manx folk tunes and religious music.  All the harmonies and some decorations are mine. There are 5 movements. I MAINLY CELEBRATIONS:  I found all the melodies in The Mona Melodies, a group of traditional tunes (probably heard in Douglas) collected in 1820.  Hunt the Wren is a surprising, lively, traditional event on St Stephen's Day when villagers dance and sing round the town hoping for gifts. This tune is dorian.  A Lullaby in aeolian follows, then In Praise of Wine, in ionian, while at the same time fragments of the Lullaby are heard from inside a home.  The Wren group return.II FAITH Religious music  I assume could have been heard in Manx churches.  Two supposedly Celtic-style antiphon melodies from a 13th-century breviary from Caen  (a) The Holy Cross (b)  The Saints.  I made them into parallel organum with a drone.  Between them is an elaborate ancient melody (labelled Martyrs) for Psalm 80 (Lord, come and save us), which I found with Gaelic words.  I accompany with 3 more parts.  The whole movement is in dorian mode.III EMOTIONS:  Mourning for a Prince is a mixolydian tune also found in The Mona Melodies.  I give the tune to the viola.  In Praise of Beauty is sung by the cello in C major.  This tune is also found in The Mona Melodies, as Brown Oxen (Berry Dowin).  William Brown (Illiam Dhoan) (should be Dhone, I believe) is the air used for Love Lost and Found: again from The Mona Melodies.  I made it C minor at first (love lost) , then  the original version in F major (love found).IV CAR JUAN NAN (Let's All Dance) is a reel, from which I took a few bars and made it into a round.  My source was the book Ed. Colin Jerry Kiaull yn Theay 1:  Manx music and songs for folk instrumentsV WORK, REST and PLAY.  The Spinning Song is major/ionian, the Milking Song is major pentatonic, but my mooing bass part does not respect that: I found those tunes in  Kiaull yn Theay.  The Harvest Celebration Dance (Yn Mheillea) is from manxmusic.com.  The Goodnight Song (Arrane Oie Vie) was traditionally sung after a Christmas Eve event in the church, after more formal proceedings and after the singing of many gloomy vaguely religious songs there and a visit to the pub.  Collected from Mr E, Corteen and Mr T.  Taggart of Malew:  my source:  manxmusic.com.DURATION: 15 minutes.
$25.00
22.53 €
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String Quartet: 2 violins, viola, cello
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Trad & Alan Edgar
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MANX LIFE SUITE for STRING QUARTET
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Alan Edgar Ted Moon
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SheetMusicPlus
"Fragments" Short Variations for piano solo
Piano solo
Piano Solo - Level 5 - Digital Download SKU: A0.886712 Composed by Panagiotis Theod…
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Piano Solo - Level 5 - Digital Download SKU: A0.886712 Composed by Panagiotis Theodossiou. Concert,Contemporary,Standards. Score. 11 pages. Panagiotis Theodossiou #3879161. Published by Panagiotis Theodossiou (A0.886712). Fragments Short variations for piano solo (2018) Thirteen short variations between an intriduction and a long epilogue follow a theme based on the lettername of distinguished Greek piano soloist and educator Kosmas Lapatas to whom are dedicated. The work, of serial character, unfolds through an austere time signature sequence (4+4+4+4+2) a parallel scenario which narrate, may be in an autographical way, characteristic instants from a couple's life.Sylistically marks composer's return to the austere serial technique.The parts:
$10.00
9.01 €
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Piano solo
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Panagiotis Theodossiou
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"Fragments" Short Variations for piano solo
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Panagiotis Theodossiou
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SheetMusicPlus
Three Fragments of Life
2 Guitars (duet)
2 guitars - Intermediate - Digital Download SKU: ZZ.DZ-2707 Composed by Siyoh Tomiy…
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2 guitars - Intermediate - Digital Download SKU: ZZ.DZ-2707 Composed by Siyoh Tomiyama. Scores (2). 20 pages. Les Productions d'OZ - Digital #DZ 2707. Published by Les Productions d'OZ - Digital (ZZ.DZ-2707). ISBN 9782897376246.
$9.95
8.97 €
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2 Guitars (duet)
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Siyoh Tomiyama
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Three Fragments of Life
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Les Productions d'OZ - Digital
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SheetMusicPlus
Princess of Stories from Shéhérazade, Op. 35 - N Rimsky-Korsakov (Violin & Cello ) fragments
Violin, Cello (duet)
Instrumental Duet Cello,Instrumental Duet,Violin - Level 3 - Digital Download SKU: A0.8…
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Instrumental Duet Cello,Instrumental Duet,Violin - Level 3 - Digital Download SKU: A0.802596 Composed by Nikolay Andreyevich Rimsky-Korsakov. Arranged by Peet du Toit. Contemporary. Score and parts. 2 pages. Peet du Toit #5889329. Published by Peet du Toit (A0.802596). Perhaps Rimsky-Korsakov's most celebrated work.Sultan Schahriar, convinced of the unfaithfulness of women, swore to execute each of his wives after the first night.But the Sultana Shéhérazade saved her life by diverting him with the stories which she told him during a thousand and one nights. The Sultana so roused the Sultan's curiosity with the stories told him, that he continually delayed her execution.Finally, he renounced his terrible vow altogether. Shéhérazade told the Sultan many amazing stories, blending the verses of poets with the words of songs, combining fairy tales with adventures.
$13.00
11.71 €
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Violin, Cello (duet)
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Nikolay Andreyevich Rimsky-Korsakov
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Princess of Stories from Shéhérazade, Op. 35 - N Rimsky-Korsakov
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Peet du Toit
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SheetMusicPlus
"At The Edge Of A Spiral" - for Piano Four-Hands [Performance Score]
1 Piano, 4 hands
Instrumental Duet Instrumental Duet,Piano - Level 5 - Digital Download SKU: A0.976038
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Instrumental Duet Instrumental Duet,Piano - Level 5 - Digital Download SKU: A0.976038 Composed by Lior Navok. 20th Century,Contemporary. Score and parts. 27 pages. Lior Navok Music #4725307. Published by Lior Navok Music (A0.976038). AT THE EDGE OF A SPIRAL - for Piano Four-Hands (2004) DURATION: 10 Minutes PROGRAM NOTES: The composer writes about his work: At the Edge of a Spiral for one piano, four hands is a short journey of a built intensity. It is based on few fragments, motives that are lit in different light each time. The piece starts slow, but increases its intensity and speed as it progresses, utilizing the same motives. While composing the piece, I heard about a young man that threw himself to the river. I tried to imagine that went in his mind and what brought to this dead-end. And again the idea of a built intensity, obsessive and uncompromising came to my mind. At the very end of the piece, there is a sudden drop of intensity followed by a music box passage, as if describing what is going on in the person's mind right after the jump, right after reaching the edge of his life's spiral. At the Edge of a Spiral was written and dedicated for the Silver-Garburg Piano Duo - Sivan Silver and Gil Garburg. It was funded by the generous support of Miriam and Eliezer Benbassat. INFO: Item: Performance Score Edition: 2nd Edition Copyright: Lior Navok Publisher: Lior Navok Music Pages: 27 Binding: Ink: Black & White Paper Size: Folio / Legal.
$18.00
16.22 €
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1 Piano, 4 hands
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Lior Navok
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"At The Edge Of A Spiral" - for Piano Four-Hands [Performance Score]
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Lior Navok Music
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SheetMusicPlus
Dances of the three daughters of Night and Darkness
Violin and Piano
Instrumental Solo,Piano,Violin - Digital Download SKU: A0.938341 Composed by Dr Ant…
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Instrumental Solo,Piano,Violin - Digital Download SKU: A0.938341 Composed by Dr Anthony Costandius. 20th Century,African,Contemporary,World. Score and individual part. 36 pages. Anthony Costandius Music #35773. Published by Anthony Costandius Music (A0.938341). A piece for solo violin and piano. Old Night and his wife Darkness live in a cave deep in the Ghost Mountains of the Kalahari Desert. They had three daughters and lived their quiet life deep in the stone cave while the whole world was covered in cold and darkness. The three daughters were called Mountains, Plains and Waters. These daughters loved to dance and their parents enjoyed watching them. Often people from far away would come and visit them, just to watch the girls dance. There are five parts: The Cave of Old Night and darkness Dance of Mountains and her tortoise shell necklace Dance of Plains and her seed-filled calabashes Dance of Waters and her dried Springbok ears, filled with tiny bone fragments Encore.
$10.00
9.01 €
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Violin and Piano
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Dr Anthony Costandius
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Dances of the three daughters of Night and Darkness
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Anthony Costandius Music
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SheetMusicPlus
American Vignettes
Brass Quintet: 2 trumpets, horn, trombone, tuba
Composed by Sy Brandon. 21st Century, 20th Century, Contemporary Classical, Folk, Recital.…
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Composed by Sy Brandon. 21st Century, 20th Century, Contemporary Classical, Folk, Recital. Score, Set of Parts. 88 pages. Published by Sy Brandon (S0.188057). - Score,Set of Parts - 21st Century,20th Century,Contemporary Classical,Folk,Recital - Sy Brandon
American Vignettes was composed during 2011 for the Lyric Brass of Pacific Lutheran University. They were looking for a composition to include on a CD of American music and one that would feature each of the musicians. The first movement, ?Barn Dance?, features the first trumpet and after a syncopated, fanfare-style introduction, the movement uses fragments and elaborations of "Old Chisholm Trail" and "Short?nin Bread". For the second movement, I wanted to write a blues and feature the other trumpet player on Flugelhorn. As I was working on the movement, the blues seem very mysterious and lonely, so I titled the movement 4 A.M. Blues. It reflects someone who can?t sleep and is contemplating the deep mysteries of life and feels very alone in the world. Movement 3 is the tuba feature and is called "Spirituals". I use three different spirituals in this movement, "Nobody Knows the Trouble I?ve Seen". "Cotton Needs Picking" and "Every Time I Feel the Spirit." Movement 4 ?Fiesta? is a trombone feature and represents the Southwest. The Southwestern flavor is accomplished through alternating 6/8 and 3/4 and the bright colors of the muted brass playing staccato eighth note rhythms and "ay" sounding motifs. The Horn is featured in the fifth movement ?From Sea to Shining Sea? that starts with a jazz harmony version of ?America the Beautiful? followed by a jazz waltz built from motifs of the song. The last movement is called ?Harlem Jump? and is an up-tempo jive with Be-bop type solos written for each of the musicians. ?
$14.99
13.51 €
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Brass Quintet: 2 trumpets, horn, trombone, tuba
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Sy Brandon
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American Vignettes
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Sy Brandon
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SheetMusicPlus
No Longer At Ease for Euphonium Quartet
Euphonium,Low Brass Quartet - Level 5 - Digital Download SKU: A0.1259405 Composed b…
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Euphonium,Low Brass Quartet - Level 5 - Digital Download SKU: A0.1259405 Composed by Matthew Nunes. 21st Century,Chamber,Contemporary. 33 pages. Matthew Nunes Music #852692. Published by Matthew Nunes Music (A0.1259405). Listen to this piece hereBuyer beware, these are the hardest euphonium parts I've written. Be sure to check out my first euphonium quartet Beacons (2014).No Longer at Ease is a stand-alone euphonium quartet inspired by Chinua Achebe’s 1960 novel of the same name. In Achebe’s novel a young man is sent to University by his village’s elders in the hopes he will return able to guide and protect his people through uncertain and unwanted colonialist developments. However, the man abandons their plans to pursue his own interests and faces the fallout of his actions upon his return home and in the volatile years to come. Reading such an affective work in the final semester of my Masters preparing to return home was timely and I have found the similarities between my life and Achebe’s art blurred. I began writing this work upon returning home to Niceville, Florida and realizing that both myself and the town I call home have changed drastically.     The piece begins with jarring sixteenth-notes derived from a rising arpeggiated-tetrachord. Ceaseless double tonguing, the lead in the fourth euphonium, and unsettling metric shifts combine for unique and frenetic effects. A yearning melody enters amidst this chaos and is a musical spelling of “homeâ€. The return and developments of the frenetic material culminates in a solo statement of this theme. The middle section represents the home of years past and features a uniquely Niceville quote with fragments of the Niceville High School fight song. These fragments make up each independent line and the music culminates in a triumphant victory. However, this victory is cut brief by the cutting sixteenth-note driven material from earlier. The finale is an exciting mockery of the “home†theme with interjections and exploitations of all previous themes. - Matthew NunesNiceville, June 2018.
$24.99
22.52 €
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Matthew Nunes
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No Longer At Ease for Euphonium Quartet
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Matthew Nunes Music
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SheetMusicPlus
Arizona Centennial Overture - Chamber Orchestra Version
Chamber Orchestra
Chamber Orchestra - Level 4 - Digital Download SKU: A0.755102 Composed by Sy Brando…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.755102 Composed by Sy Brandon. 20th Century,Contemporary,Folk. Score and parts. 107 pages. Sy Brandon #3384583. Published by Sy Brandon (A0.755102). Arizona Centennial Overture was commissioned by the Arizona Commission on the Arts as part of the Centennial Legacy Project to help celebrate Arizona’s centennial. There are three versions of the compositions, chamber orchestra, full orchestra, and band. The overture pays tribute to the unique blend of the various cultures that had a part in shaping Arizona into what it is today. This six and a half minute composition is divided into three main sections. The first section begins with fanfares that announce the celebration. After thirty seconds, the introduction fades into music that pays tribute to the pioneers that migrated to Arizona. The music has a rustic quality reflecting the pioneering spirit of the ranchers, farmers, miners, and merchants who came to Arizona seeking a better way of life. This section is intended to be inclusive as it is impossible to represent each culture individually in a short musical composition. The second section pays tribute to the various Native American cultures that are a large part of Arizona’s history and its present way of life. Flutes and percussion instruments are used in the beginning of this section to represent the Native American respect for nature. This quiet section evolves into a ceremonial dance that increases in intensity. Towards the end of this section one hears fragments of the pioneer melody as these culture come together. The third section is influenced by Mariachi music to recognize the Hispanic influence in Arizona. The first part uses an original rollicking tune with four beats to the measure over syncopation. The second part contains a lyrical melody with three beats to the measure accompanied by instruments playing accents that create the Hispanic sounding grouping of six notes into three groups of two alternating with two groups of three. A brief ending using the fanfares of celebration interspersed with figures from the Native American and pioneer sections brings the work to a rousing close. The score prints on legal size paper and the parts on letter.
$39.99
36.04 €
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Chamber Orchestra
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Sy Brandon
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Arizona Centennial Overture - Chamber Orchestra Version
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Sy Brandon
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SheetMusicPlus
Arizona Centennial Overture - Band Version
Concert band
Concert Band - Level 4 - Digital Download SKU: A0.755100 Composed by Sy Brandon. 20…
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Concert Band - Level 4 - Digital Download SKU: A0.755100 Composed by Sy Brandon. 20th Century,Concert,Contemporary,Folk. Score and parts. 130 pages. Sy Brandon #3384569. Published by Sy Brandon (A0.755100). Arizona Centennial Overture was commissioned by the Arizona Commission on the Arts as part of the Centennial Legacy Project to help celebrate Arizona’s centennial. There are three versions of the compositions, chamber orchestra, full orchestra, and band. The overture pays tribute to the unique blend of the various cultures that had a part in shaping Arizona into what it is today. This six and a half minute composition is divided into three main sections. The first section begins with fanfares that announce the celebration. After thirty seconds, the introduction fades into music that pays tribute to the pioneers that migrated to Arizona. The music has a rustic quality reflecting the pioneering spirit of the ranchers, farmers, miners, and merchants who came to Arizona seeking a better way of life. This section is intended to be inclusive as it is impossible to represent each culture individually in a short musical composition. The second section pays tribute to the various Native American cultures that are a large part of Arizona’s history and its present way of life. Flutes and percussion instruments are used in the beginning of this section to represent the Native American respect for nature. This quiet section evolves into a ceremonial dance that increases in intensity. Towards the end of this section one hears fragments of the pioneer melody as these culture come together. The third section is influenced by Mariachi music to recognize the Hispanic influence in Arizona. The first part uses an original rollicking tune with four beats to the measure over syncopation. The second part contains a lyrical melody with three beats to the measure accompanied by instruments playing accents that create the Hispanic sounding grouping of six notes into three groups of two alternating with two groups of three. A brief ending using the fanfares of celebration interspersed with figures from the Native American and pioneer sections brings the work to a rousing close.The score prints on legal size paper and the parts on letter.
$39.99
36.04 €
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Concert band
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Sy Brandon
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Arizona Centennial Overture - Band Version
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Sy Brandon
#
SheetMusicPlus
Arizona Centennial Overture - Orchestra Version
Orchestra
Full Orchestra - Level 4 - Digital Download SKU: A0.755101 Composed by Sy Brandon. …
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Full Orchestra - Level 4 - Digital Download SKU: A0.755101 Composed by Sy Brandon. 20th Century,Concert,Contemporary,Folk. Score and parts. 124 pages. Sy Brandon #3384577. Published by Sy Brandon (A0.755101). Arizona Centennial Overture was commissioned by the Arizona Commission on the Arts as part of the Centennial Legacy Project to help celebrate Arizona’s centennial. There are three versions of the compositions, chamber orchestra, full orchestra, and band. The overture pays tribute to the unique blend of the various cultures that had a part in shaping Arizona into what it is today. This six and a half minute composition is divided into three main sections. The first section begins with fanfares that announce the celebration. After thirty seconds, the introduction fades into music that pays tribute to the pioneers that migrated to Arizona. The music has a rustic quality reflecting the pioneering spirit of the ranchers, farmers, miners, and merchants who came to Arizona seeking a better way of life. This section is intended to be inclusive as it is impossible to represent each culture individually in a short musical composition. The second section pays tribute to the various Native American cultures that are a large part of Arizona’s history and its present way of life. Flutes and percussion instruments are used in the beginning of this section to represent the Native American respect for nature. This quiet section evolves into a ceremonial dance that increases in intensity. Towards the end of this section one hears fragments of the pioneer melody as these culture come together. The third section is influenced by Mariachi music to recognize the Hispanic influence in Arizona. The first part uses an original rollicking tune with four beats to the measure over syncopation. The second part contains a lyrical melody with three beats to the measure accompanied by instruments playing accents that create the Hispanic sounding grouping of six notes into three groups of two alternating with two groups of three. A brief ending using the fanfares of celebration interspersed with figures from the Native American and pioneer sections brings the work to a rousing close.The score prints on legal size paper and the parts on letter.
$39.99
36.04 €
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Orchestra
#
Sy Brandon
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Arizona Centennial Overture - Orchestra Version
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Sy Brandon
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SheetMusicPlus
Lithuanian Nonet for winds & strings
A Clarinet,Bassoon,Cello,Double Bass,Flute,Horn,Oboe,Viola,Violin - Level 4 - Digital Down…
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A Clarinet,Bassoon,Cello,Double Bass,Flute,Horn,Oboe,Viola,Violin - Level 4 - Digital Download SKU: A0.1358397 Composed by Juozas ŽileviÄius. Arranged by Kazys DaugÄ—la. 20th Century,Classical. 162 pages. Kazys Daugela #942837. Published by Kazys Daugela (A0.1358397). Juozas ŽileviÄius (1891–1985) was an organist, composer, educator, and researcher in the history of music. In 1919, when graduating from the Petrograd Conservatory, he composed Symphony in F minor, the first Lithuanian composition in this genre. Upon his return to Lithuania in 1920, ŽileviÄius worked in various musical life spheres of the young republic: he took part in the activities of the Society of Lithuanian Art Creators, contributed to the establishment of Kaunas Opera House, worked for several years as the head of the Art Department at the Ministry of Education, prepared the first music curricula for secondary schools and progymnasiums, conducted courses for music teachers, taught at music schools in Kaunas and KlaipÄ—da, published a musical periodical, and initiated the first Lithuanian Song Festival. Musicologist DanutÄ— PetrauskaitÄ— managed to bring copies of three-movement Nonet for strings and wind instruments from Chicago to Lithuania. ŽileviÄius started writing it in December 1924. The composition was apparently inspired by the Czech Nonet members, working at KlaipÄ—da School of Music, who had been invited by its director Stasys Å imkus from Prague. This was a lively and youthful group that gave concerts all over Lithuania. It amazed audiences with its high artistic level and set an example for students, encouraging them to form various ensembles. The repertoire of the Czech Nonet consisted mainly of works from the Classical and Romantic eras. There were few contemporary compositions, and therefore the Czech Nonet performers turned to composers with a request to write new works for them. They might have discussed the matter with ŽileviÄius with whom they maintained a close relationship, as they did later with Lithuanian composer Jeronimas KaÄinskas.ŽileviÄius finished writing Nonet on 15 November 1926. All three movements were based on the intonations of Lithuanian folk melodies. The first movement (Andante. Allegro moderato) imitatively developed the motifs of the song “Autumn will Comeâ€, while the second one (Andante cantabile) featured fragments of the song I Rode through the Woodâ€, and the third one (Allegro) of the song “Oh, you Bird Cherryâ€. The composition was written professionally, it should have been attractive and interesting for the performers, but, unfortunately, it was never performed. The reasons for this could have been various: disagreements between the director of  KlaipÄ—da Music School, Å imkus, and his deputy, ŽileviÄius, as well a the Czech teachers’ falling into disgrace and starting to resign from their teaching positions in the autumn of 1926. A few years later, ŽileviÄius also resigned from the school: in January 1929 he left for the USA and settled in Elizabeth, New Jersey, where he worked as a church organist. He also brought his Nonet from KlaipÄ—da, hoping that this work would be heard in America. To this end, he found transcribers who made instrumental parts from the score. As it turned out, there were few Lithuanian instrumentalists in the USA, and ŽileviÄius did not have close relations with Americans. Thus Nonet, which the composer regarded as one of his most successful compositions after his Symphony in F minor, sank into oblivion. Thanks to Kazys DaugÄ—la, an opportunity appeared to edit and digitise it after the sheet music of Nonet had arrived in Lithuania. This work reveals the origins of the Lithuanian musical culture, enriches the repertoire of chamber-instrumental ensembles, broadens music education curricula, inks the name of ŽileviÄius, the author of both the first Lithuanian symphony and of the first nonet, in the history of music, and contributes to the preservation and fostering of the Lithuanian musical heritage.by Prof. Dr. DanutÄ— PetrauskaitÄ—.
$59.99
54.06 €
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Juozas ŽileviÄius
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Lithuanian Nonet for winds & strings
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Kazys Daugela
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SheetMusicPlus
String Quartet #2 - Aqua Vitae
String Quartet: 2 violins, viola, cello
String Quartet Cello,String Quartet,Viola,Violin - Level 3 - Digital Download SKU: A0.1…
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String Quartet Cello,String Quartet,Viola,Violin - Level 3 - Digital Download SKU: A0.1458781 Composed by Greg Woodward. 21st Century,Chamber,Classical. 35 pages. Greg Woodward #1037716. Published by Greg Woodward (A0.1458781). My second string quartet Aqua Vitae is a portrait of the natural water systems that bring clean water from the great mountain that shadows Hobart, Tasmania, through various rivulets back to the river, where it can be purified by evaporation and return to the top of the mountain to begin the cycle again.The opening section uses a blend of folk and old liturgical styles to suggest the purity of the source of the rivulet at the top of the mountain. This then gives way to a section illustrating the growing streams as a magnet for local life – using fragments of bird calls and pizzicato water “plops”, and incorporating a canon of a falling figure alternating and superimposing triplet and semiquaver rhythms representing the turbulence of waterfalls. A sharp turn into the controlled water flow through the city finds urban noises (again using the grace note “flicks” from the birds earlier but in more man-made context) and the eerie sounds of the underground pipes that divert the flow, before the water tumbles into the river and is once again drawn into the sky to be spirited away to the top of the mountain.Thanks to Anita, Emily and Nara for their recording of the piece linked below.Visit my YouTube page for more performances, arrangements and compositions.
$40.00
36.05 €
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String Quartet: 2 violins, viola, cello
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Greg Woodward
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String Quartet #2 - Aqua Vitae
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Greg Woodward
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SheetMusicPlus
Lament
String Orchestra
String orchestra, with optional organ - Digital Download SKU: OX.9780193201897 '…
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String orchestra, with optional organ - Digital Download SKU: OX.9780193201897 'And Wept Bitterly'. Composed by Mack Wilberg. Score. 53 pages. Oxford University Press Digital #9780193201897. Published by Oxford University Press Digital (OX.9780193201897). ISBN 9780193201897.For string orchestra, with optional organ. This moving piece for string orchestra is full of pathos and emotion. Stylistically evocative of Samuel Barber's Adagio for Strings and the distinctive musical language of Arvo P�¤rt, Lament is based around a two-bar arching ostinato, artfully developing musical fragments and enriching the texture to reach a powerful central climax. This is a welcome addition to the string orchestra repertory. This piece was recorded on the 2019 Mormon Tabernacle Choir and Orchestra CD Tree of Life under the title 'And Wept Bitterly (Lament on an Ostinato for String Orchestra)'. This complete set of parts includes: 4 x vln I, 4 x vln II, 3 x vla, 2 x vc, and 1 x db.
$58.50
52.72 €
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String Orchestra
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Mack Wilberg
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Lament
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Oxford University Press Digital
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SheetMusicPlus
Lament
String orchestra, with optional organ - Digital Download SKU: OX.9780193201880 '…
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String orchestra, with optional organ - Digital Download SKU: OX.9780193201880 'And Wept Bitterly'. Composed by Mack Wilberg. Score. 11 pages. Oxford University Press Digital #9780193201880. Published by Oxford University Press Digital (OX.9780193201880). ISBN 9780193201880.For string orchestra, with optional organ. This moving piece for string orchestra is full of pathos and emotion. Stylistically evocative of Samuel Barber's Adagio for Strings and the distinctive musical language of Arvo Pärt, Lament is based around a two-bar arching ostinato, artfully developing musical fragments and enriching the texture to reach a powerful central climax. This is a welcome addition to the string orchestra repertory. This piece was recorded on the 2019 Mormon Tabernacle Choir and Orchestra CD Tree of Life under the title 'And Wept Bitterly (Lament on an Ostinato for String Orchestra)'.
$28.50
25.68 €
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Mack Wilberg
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Lament
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Oxford University Press Digital
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SheetMusicPlus
The Hills Are Bare at Bethlehem (Downloadable Choral Score)
Choral SATB
SATB choir divisi, 2 oboes/treble instruments, and keyboard or full orchestra - Medium - D…
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SATB choir divisi, 2 oboes/treble instruments, and keyboard or full orchestra - Medium - Digital Download SKU: MQ.50-1708-E Composed by Robert Scholz. Advent, Christmas, Christmas-Sacred. 14 pages. MorningStar Music Publishers - Digital Sheet Music #50-1708-E. Published by MorningStar Music Publishers - Digital Sheet Music (MQ.50-1708-E). This hauntingly beautiful setting celebrates new life and hope arising from barren hills and tired hearts. A quiet opening grows to a full, expressive climax whenhope renewed cries out, 'Amen. It is based on the folk tune Prospect with fragments of Wondrous Love and The First Nowell.This piece can be performed in one of three versions:a cappella choir with two oboes (or other treble instruments)choir, keyboard, and two oboeschoir and full orchestra.
$2.85
2.57 €
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Choral SATB
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Robert Scholz
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The Hills Are Bare at Bethlehem
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MorningStar Music Publishers - Digital Sheet Music
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SheetMusicPlus
Asiago
Schlagzeug: Triangel - 4 Becken - Nietenbecken - Gong - Tamtam - Chimes - Kuhglocke - 2 Bo…
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Schlagzeug: Triangel - 4 Becken - Nietenbecken - Gong - Tamtam - Chimes - Kuhglocke - 2 Bongos - 2 Tomtoms - Tempelblocks - Kleine Trommel - Vibraslap - Vibraphon percussion and cello - difficult - Digital Download SKU: S9.Q6118 For Percussion and Violoncello. Composed by Bertold Hummel. This edition: score and parts. Downloadable, Score and parts. Op. 107 b. Duration 16 minutes. Schott Music - Digital #Q6118. Published by Schott Music - Digital (S9.Q6118). In summer 2001, Bertold Hummel composed the present work as a commission for the Asiago Festival and brought together in the grand dimensions of his 'Fantasy in one movement' - as he himself termed it - for the first time the instruments he had always loved much during his life. Asiago - the letters a-s-a-g, corresponding to the notes a, e-flat, a, g in the German musical scale, open and close the work - is a successful excursion into the complex sound combinations of percussion instruments and the mystical, sensuous tone of the violoncello, whereby the stringed instrument occasionally takes on a percussive role and the percussion is sometimes treated like a bowed. Driving rhythms pursue each other, alternating with meditative moments. Chorale fragments lead to a grand cadenza, in which the instrumentalists have the opportunity, following patterns provided, for free improvisation. The première of this work took place on 5th August, 2001 in the Duomo di S. Matteo in Asiago in northern Italy and was in the hands of Peter Sadlo and Julius Berger, who are amongst the most committed exponents of Bertold Hummel's works.Asiago is an effective examination of the wide range of possible tonal combinations between percussion instruments and the mystic and sensuous colouring of the violoncello, in which the string instrument is at times treated percussively and the percussion instruments in the manner of a string instrument. Furious rhythms alternate with meditative passages and choral fragments culminate in a large-scale cadenza in which the instrumentalists have the opportunity of free improvisation on the basis of specified models.
$19.99
18.01 €
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Bertold Hummel
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Asiago
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Schott Music - Digital
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SheetMusicPlus
Mobile for prepared piano
Piano solo
Piano Solo - Level 4 - Digital Download SKU: A0.944160 Composed by Michelle Agnes M…
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Piano Solo - Level 4 - Digital Download SKU: A0.944160 Composed by Michelle Agnes Magalhaes. Contemporary. Score. 17 pages. Michelle Agnes Magalhaes #5989239. Published by Michelle Agnes Magalhaes (A0.944160). ABOUT MOBILE (by Ricardo Descalzo, pianist) Few compositions have impressed me as much in my life as this genius work by the Brazilian composer, pianist and improviser. I remember that when I found it a few years ago I did not give credit to what I was listening and I could not imagine how those sounds were produced without any electronic manipulation. The idea of using cylindrical neodymium magnets inside the piano, shows that there are no limits in the imagination of the composers and that the resources to be used in our instrument are unlimited, even if there is an increasingly frequent number of people in our professional environment who hate these practices. The idea of combining precise writing with improvised fragments seems to me to fit perfectly with the spirit of the work, which was born from the improvisational world of the composer herself. Mobile is a tribute to John Cage (hence the classic screws and washers) and is inspired by the sculpture of Richard Lippold Gemini that, at the same time, served as inspiration for the Sonatas XIV and XV of the American composer. Mobile evokes an imaginary metal sculpture, a sound automaton and its cyclic movements. The result is a gorgeous universe of bells, ghostly echoes and distant ritual drums. Mobile is an essential part of my concert programs since it entered my life and one of the pieces that every year I work with my students in Musikene. I’m sure that it will become a classic of new piano music. I can only say: thanks, Michelle for creating something so beautiful, so original and so pleasant to play.
$8.00
7.21 €
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Piano solo
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Michelle Agnes Magalhaes
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Mobile for prepared piano
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Michelle Agnes Magalhaes
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SheetMusicPlus
Mille lune (Dedicato a Eleonora)
Small Ensemble Alto Saxophone,Guitar,Piano,Recorder,Synthesizer,Violin - Level 3 - Digital…
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Small Ensemble Alto Saxophone,Guitar,Piano,Recorder,Synthesizer,Violin - Level 3 - Digital Download SKU: A0.976832 Composed by Monica Bergo. Contemporary. Score and parts. 26 pages. Monica Bergo #3235413. Published by Monica Bergo (A0.976832). 2017 Holiday Contest EntryA thousand moons (For Eleonora) My eyes inside your I finally met you your boss laid on my aching belly that miracle you are ... I sought, I thought I invented and imagined and now I tremble at the thought that all this is not true not fade away ... you're mine ... Who will you be (where will you go) where will you go (who will be) of who you'll love? and I lose myself to dream your life to be invented thousand moons (lots of sun) you see And while time changes everything You blossom and you are rose and you are rebel wind and you are fire, sparks sustain me, exalt me and we reverse sides my embrace that melts fear and welcomes the thousand moons that you are the much sun that you are I will dry up your tears of love I will teach you to make quickly heal the heart and I'll be there thoughtful and silent spectator actress you are in this movie that is your life After me you, a thousand moons and sun still forget me if the pains you to think of me pieces of me in your young pain fragments that the time will disappear in your moon I will be Time that you know that know and saw my years be more good to her Wind,you will need Always inflate strong her sails a thousand moons, the sun for her If you love me I death for you defy if you do not want to leave me and you will walk in my own magical balance in your moon and your sun I'll be ... I thought you, I invented you I dreamed and imagined but now that you're next to me I would have hoped for so much because you are.... all this and more ..... Monica Bergo
$3.99
3.6 €
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Monica Bergo
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you are
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Mille lune
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Monica Bergo
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SheetMusicPlus
Bach: Goldberg Variations, BWV 988: Var. 30 (as played by Víkingur Ólafsson) for Piano
Piano solo
Piano Solo - Level 3 - Digital Download SKU: A0.1371724 By Johann Sebastian Bach an…
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Piano Solo - Level 3 - Digital Download SKU: A0.1371724 By Johann Sebastian Bach and VÃkingur Ólafsson. By Johann Sebastian Bach. Arranged by Flavio Regis Cunha. Baroque,Classical,Contest,Festival,Instructional. Score. 4 pages. FRC Music #955951. Published by FRC Music (A0.1371724). Bach: Goldberg Variations, BWV 988: Var. 30 (as played by VÃkingur Ólafsson) for PianoAdvanced Intermediate.Format: Concert, 9 x 12 inches.2 pages.PLUS: Engraved and Published with Urtext Kapellmeister Music Fonts.The transcendent rendition of Goldberg Variations, BWV 988: Var. 30 by VÃkingur Ólafsson on the piano is nothing short of a musical masterpiece. In this sublime interpretation, Ólafsson navigates the intricate tapestry of Bach's composition with unparalleled skill and sensitivity.Var. 30, also known as the Quodlibet, is a culmination of the preceding variations, bringing together various melodic fragments in a harmonious convergence. Ólafsson's performance is characterized by a profound understanding of the emotional nuances embedded in the piece. His delicate touch and precise articulation illuminate the intricate counterpoint, allowing each note to resonate with a profound sense of purpose.The pianist's nuanced phrasing and dynamic control breathe life into the composition, creating a compelling narrative that unfolds with each passing measure. As Var. 30 progresses, Ólafsson's interpretative choices reveal a deep connection to the essence of Bach's work, capturing the essence of the Baroque era while infusing it with a contemporary flair.The juxtaposition of contrasting motifs within the Quodlibet showcases Ólafsson's virtuosity and musical insight. His ability to seamlessly transition between intricate passages and lyrical moments is a testament to his technical prowess and artistic sensitivity. The performance, under his deft guidance, transforms into a captivating journey that engages the listener on both intellectual and emotional levels.In conclusion, VÃkingur Ólafsson's rendition of Goldberg Variations, BWV 988: Var. 30 stands as a testament to his extraordinary skill as a pianist and his deep appreciation for the musical genius of Johann Sebastian Bach. This interpretation is a compelling and enriching experience that transcends the boundaries of time, bringing the timeless beauty of Bach's work to contemporary audiences with grace and brilliance.
$6.99
6.3 €
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Piano solo
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Johann Sebastian Bach and VÃkingur Ólafsson
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Bach: Goldberg Variations, BWV 988: Var. 30
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FRC Music
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SheetMusicPlus
Ikarus - Score Only
Orchestra
Full Orchestra - Level 5 - Digital Download SKU: A0.751143 Composed by Benedikt Bry…
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Full Orchestra - Level 5 - Digital Download SKU: A0.751143 Composed by Benedikt Brydern. 20th Century,Contemporary. Score and parts. 25 pages. ConSordino Music Publishing #4633239. Published by ConSordino Music Publishing (A0.751143). Ikarus started life as a composition for 9 solo string instruments but soon grew into a fully orchestrated piece. On one hand it tells the classic story of Ikarus who, ignoring the warnings of his father, flew too close to the sun and died. On the other hand it pays homage to the inventiveness of the human spirit and embraces mankind’s ability, through the creation of complicated machines, to achieve more than our mortal bodies would allow.The music starts softly with Ikarus preparing for his take-off. Slowly the huge wings unfold and the piece lifts off with a majestic theme/motif. The nervous sixteen notes in the string section symbolize the constant flow of air and motion needed by Ikarus to fly.The joy of movement is mirrored by the cellos and bassoons, gliding in and out of the orchestra. Sounds of birds, clouds and impressions of earth from above are represented by various short melodic or rhythmic fragments throughout the first phase of his flight.Slowly the intensity and excitement builds until we are completely swept away and have lost all sense of reason or danger. Then, in the climax of the composition, Ikarus and his wings crash to the ground and the orchestra brakes down with him, loosing feather after feather until all has been destroyed. After this violent moment, the compositions quiets down gradually and reflects on the failure of Ikarus.Performed and recorded by Robert Ian Winstin and the Kiev Philharmonicon July 14, 2005Orchestral Material for Performance available as Rental Only.
$17.99
16.21 €
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Orchestra
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Benedikt Brydern
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Ikarus - Score Only
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ConSordino Music Publishing
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SheetMusicPlus
Four Preludes
Piano solo
Piano Solo - Level 4 - Digital Download SKU: A0.1269692 Composed by Michael Maw. 20…
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Piano Solo - Level 4 - Digital Download SKU: A0.1269692 Composed by Michael Maw. 20th Century,Classical. Score. 14 pages. Michael Maw #862201. Published by Michael Maw (A0.1269692). Composed at the age of 18, this set of four preludes for piano is dedicated to the Russian composer Dmitri Shostakovich. Opening with a march-like motif, the music shifts drastically between piercing screams of sound and quiet melancholy – reflecting Shostakovich’s tumultuous life under the dictatorship of Joseph Stalin. The second prelude opens with youthful energy which then descends into a mysterious ostinato. This builds into a thundering finish where the music shatters into a myriad of echoing fragments. Prelude No. 3 opens with calmness and serenity. The simple repeating motif grows into an agonizing climax, immediately followed by Shostakovich’s signature phrase: DSCH (D Eb C B). This causes a return back to the same peaceful opening – as if reflecting back on the past. The final prelude is a mix of incredible energy and jest, rounding out the set with a boisterous ending. Skill level: Advanced Intermediate. 14 pages.
$6.99
6.3 €
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Piano solo
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Michael Maw
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Four Preludes
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Michael Maw
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SheetMusicPlus
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