Composed by Frances Lai. For solo piano. From the motion picture "Love Story". Format: piano solo single. Movies. G Minor. 5 pages. 9x12 inches. Published by Hal Leonard

Concert band - Grade 2

SKU: RM.LAI02464-CO

Composed by Frances Lai. Arranged by Jerome Naulais. Musique de film et television. Orchestra. Conductor's score. Duration 3 minutes, 10 seconds. Editions Robert Martin #LAI02464-CO. Published by Editions Robert Martin (RM.LAI02464-CO).

Concert Band/Harmonie - Grade 3

SKU: HL.44002108

Composed by Frances Lai. Arranged by Naohiro Iwai. De Haske Concert Band. TV-Film-Musical-Show. Score Only. Composed 1993. De Haske Publications #930510. Published by De Haske Publications (HL.44002108).

UPC: 073999583342. 6.75x10.5 inches.

Where Do I Begin ist ein wunderschones Lied aus dem Film Love Story von 1970, der viele Generationen bewegt und begeistert hat. Die Filmmusik von Francis Lai wurde mit einem Oscar ausgezeichnet und das Lied Where Do I Begin gelangte in mehreren Interpretationen in die Hitparaden. Naohiro Iwai machte die bewegende Ballade mit seiner gefuhlvollen Bearbeitung auch Ihrem Blasorchesterrepertoire zuganglich.

Composed by Frances Lai. Arranged by Jerome Naulais. For concert band. Film and TV Music. Grade 2. Full set. Duration 3 minutes, 10 seconds. Published by Editions Robert Martin

Concert band - Grade 3

SKU: RM.LAI02609-CO

Composed by Frances Lai. Arranged by Haas. Musique de film et television. Orchestra. Conductor's score. Editions Robert Martin #LAI02609-CO. Published by Editions Robert Martin (RM.LAI02609-CO).

By Frances Lai. Arranged by Willie Maiden. Jazz Ensemble / Jazz Band. The Stan Kenton Orchestra Library Series. Latin. Level: Grade 5. Score and set of parts. Published by Sierra Music.

Big band (Alto Sax 1, Alto Sax 2, Tenor Sax 1, Tenor Sax 2, Baritone Sax, Trumpet 1-5, Trombone 1-3, Bass Trombone 4-5, Piano, Bass, Drums) - difficult

SKU: M7.SMP-726

Latin. Composed by Frances Lai and Stanley Newcomb Kenton. Arranged by Willie Maiden. Sheet music. Latin. Score and parts. Handelsware #SMP 726. Published by Handelsware (M7.SMP-726).

English.

As recorded by the Stan Kenton Orchestra on Live at Brigham Young University, this may well be Willie's best chart done for Stan. Maiden uses a latin feel, the lush sound of the trombones and saxophones and the exciting energy of the trumpets and rhythm section to create a superb arrangement of this very special melody. Solos for piano, trombone, and alto saxophone. 5-5-5-3.

Snare Drum

SKU: BT.DHP-0991685-401

By Gert Bomhof. By Gert Bomhof. De Haske Percussion Series. Educational Tool. Book Only. Composed 1999. 48 pages. De Haske Publications #DHP 0991685-401. Published by De Haske Publications (BT.DHP-0991685-401).

ISBN 9789043105699. French.

La collection DE HASKE PERCUSSION SERIES est constituée de quatre méthodes en deux volumes qui vous permettront d’apprendre les techniques de base dans un contexte ludique et motivant. Le contenu est présenté de façon claire et précise. Chaque chapitre s’ouvre sur la présentation d’une nouvelle figure ou combinaison rythmiques suivie d’exercices techniques. Parallèlement au travail du rythme et des techniques fondamentales, les élèves interpréteront de nombreux morceaux (solos, duos et canons) qui leur permettront de se concentrer sur la musicalité.

La Collezione De HASKE PERCUSSION SERIES è costituita da quattro metodi in due volumi per apprendere ai giovani percussionisti le tecniche di base in un contesto ludico e motivante. Gli obiettivi sono facilmente realizzabili e quindi realisti, il contenuto è presentato in modo chiaro e preciso. Ogni capitolo si apre con una presentazione di una nuova figura o combinazione ritmica, seguita da una pagina di esercizi tecnici nei quali si applicano gli elementi studiati. Parallelamente al lavoro del ritmo e delle tecniche fondamentali, gli allievi interpretano numerosi brani (soli, duetti e canoni) che permettono di concentrarsi in modo particolare sullamusicalit . IN FRANCESE.

Keyboard accordion - Beginning-Intermediate

SKU: MB.96710

Composed by Larry Hallar. Solos, Squareback saddle stitch. French. Book. With solos. 112 pages. Mel Bay Publications, Inc #96710. Published by Mel Bay Publications, Inc (MB.96710).

ISBN 9780786605088. UPC: 796279047135. 8.75 x 11.75 inches. Transcribed by Larry Hallar.

A compilation of pieces composed and performed by some of Frances most famous musette musicians, including Jo Private and Tony Murena. Included are tangos, paso dobles, mazurkas, sambas, polkas and gypsy music, with a generous collection of traditional French musette waltzes as well. All are arranged for the piano accordion in standard notation.

Composed by Elaine Hagenberg. Sacred octavos. Sacred, General Worship. Octavo. Beckenhorst Press #2253. Published by Beckenhorst Press

By Frances Irwin. For Accordion (Keyboard). Solos. World Music. Level: Beginning-Intermediate. Book. Size 8.5x11. 106 pages. Published by Mel Bay Publications, Inc.

Flute and Piano. By Johann Joachim Quantz. Arranged by Frances Blaisdell. (Flute). Woodwind Solo. Size 9x12 inches. 26 pages. Published by G. Schirmer, Inc.

Stage Works

SKU: UT.NAP-11

Composed by Saverio Mercadante. Edited by Elisabetta Pasquini. Paperback (Soft Cover). Napoli e l’Europa (Naples and Europe). Classical. Score. 916 (2 volumes) pages. Ut Orpheus #NAP 11. Published by Ut Orpheus (UT.NAP-11).

ISBN 9790215323438. 9 x 12 inches.

Performance Material on Hire

[Solo: SSATTB - Choir: SATB - 2.2.2.2 - 4.2.3.0 - Tp - Hp - Str]

Francesca da Rimini is a drama for music in two acts by Saverio Mercadante, libretto by Felice Romani; the text is freely inspired by the unfortunate events of the two lovers, Francesca and Paolo, of which Dante's Comedy (canto V) also narrates.
According to some scholars, the first performance of Francesca da Rimini took place in Madrid in January 1828; however, this date is not reflected in the Diario de Avisos de Madrid, a publication that daily reserved a conspicuous space for news on the shows staged in the Spanish city: the years between 1828 and 1831 in fact do not mention the work. Furthermore, no printed libretto of Mercadante's Francesca da Rimini is preserved today – an inexplicable fact, if one admits that the performance took place. The text of the opera can be largely traced back to the one prepared by Romani for the homonymous work by Antonio Carlini (Naples 1825), which Mercadante was able to know before his stay in Spain.
Following the missed Spanish premiere, the opera should then have been represented at La Scala Theater in a subsequent season, with reliability the imminent one of the 1831/32 carnival; but shortly thereafter the impresario died: thus the contractual obligations involving him were no longer fulfilled, and, for a second time, Mercadante was then forced to shelve the plans about Francesca da Rimini, put aside now for several months.
In fact, the scoring – very similar to that of the operas planned at La Scala in the same Carnival period – assumes that Francesca da Rimini was destined for a theatre of great means, like few others in Italy besides La Scala. But the failure of the opera may also have been due to the presence of the part of an amoroso en travesti, Paolo, to whom Mercadante assigns a prominent role also in terms of music: in 1831 and in Italy such a solution was no longer so frequent as a few years before or in provincial theatres, and so this condition may possibly have affected the fate of the negotiations in Milan, and may explain how the composer was then unable to have the score performed elsewhere.
This critical edition is based on manuscript copies conserved in the Museo internazionale e Biblioteca della Musica di Bologna (autograph score) and in the Biblioteca Histórica Municipal in Madrid (score and separate parts).