In adapting Chopin?s masterful Nocturne No 2 for Guitar Francisco Tárrega simplified some sections while retaining the flavour style and delicacy of the original. It is a work of extreme difficulty for Guitarists and is just one of the many works by Chopin Mendelssohn Beethoven and others that Tárrega adapted.Modern proponents of serious Guitar may not know the debt they owe to Francisco Tárrega who began his performing and teaching career at a time when the Guitar was at a particularly low ebb in the late 1800?s. He studied Guitar and Piano and with the acquisition of an especially loud instrument by a luthier in Seville he launched a stage career following study atthe Madrid Conservatory. Through his tours and his pupils Tárrega influenced the popularity of the Guitar in the 20th century enormously.

This present edition represents for the first time a summary of all studies by Tárregas Francisco. Clearly organized into chapters the exercises will be supplemented by fingering aids as well as useful preparatory exercises.

Instrument : 4 cellos Type : score and parts Series : Cello Library Nombre de Pages : 24 The tremolo study 'Recuerdos de la Alhambra' composed in 1896 is, without doubt, the most famous piece by the Spanish composer and guitarist Francisco Tárrega, bringing back memories of the fortified Moorish palace situated on a hill in the Spanish city of Granada. The charming, slightly melancholy melody - perhaps inspired by Georges Bizet's 'Je crois entendre encore' from 'The Pearl Fishers' - makes it ideal for performing with other melodic instruments and piano.

Rosita a Polka and Marieta a Mazurka are presented here as a pair of short but challenging pieces for the solo classical guitar. Castellon-born composer Francisco Terrega was a highly important figure in the revival of the guitar as a solo instrument at the start of the 20th century and these two dances form part of nearly 100 original works for the instrument.

30 Transcriptions. Par SCHUMANN ROBERT. The edition Schumann for Guitar is an interesting attempt to transfer Robert Schumann's romantic, lyrical music to the guitar. As a consequence, new tonal possibilities present themselves for the guitar repertoire, particularly in view of the fact that Schumann himself never composed an original piece for guitar. This volume naturally contains pieces from the famous piano cycles Album für die Jugend, Kinderszenen and Albumblätter, but also some lieder like Mondnacht or Im wunderschönen Monat Mai. Special highlights of the volume are the original Schumann transcriptions by Francisco Tárrega (1852-1909) which prove that guitarists studied Schumann's music as early as the 19th century. Schumann for Guitar is ideal for concerts and music lessons, but also for private music-making. The pieces are of easy to intermediate technical difficulty so that even amateur guitar players will enjoy the pieces! / Niveau : Facile à Moyen / Recueil / Guitare

51 studi e brani facili. Par . Cette anthologie offre une riche sélection de titres appartenant au répertoire incontournable pour la formation du guitariste. Le choix des pièces couvre cinq siècles d?histoire de l?instrument (de la Renaissance au XXe siècle), offrant de multiples parcours d?étude. Les pièces, qui ont été choisies également pour leur attrait et sont très captivantes, ne présentent pas de difficulté particulière, se situant à un niveau facile-moyen. La présence de la tablature favorise l?étude des guitaristes autodidactes. / Date parution : 2021-11-03/ Tablatures / Guitare

Tárrega's works are often very virtuosic guitar-based compositions and therefore often heard in the concert hall. His musical memory of the Moorish palace in Granada is arguably one of the most beautiful tremolo guitar etudes of romantic literature and is essential in the repertoire of any aspiring guitarist.

Cette anthologie offre une riche sélection de titres appartenant au répertoire incontournable pour la formation du guitariste. Le choix des pièces couvre cinq siècles d?histoire de l?instrument (de la Renaissance au XXe siècle), offrant de multiples parcours d?étude. Les pièces, qui ont été choisies également pour leur attrait et sont très captivantes, ne présentent pas de difficulté particulière, se situant à un niveau facile-moyen. La présence de la tablature favorise l?étude des guitaristes autodidactes.
1. Balletto [anonimo XVI sec.]
2. Gagliarda [anonimo XVI sec.]
3. Italiana [anonimo XVI sec.]
4. Se io m?accorgo ben mio d?un altro amante [anonimo XVI sec.]
5. The Parlement [anonimo XVI sec.]
6. Vaghe bellezze et bionde treccie d?oro (...) [anonimo XVI sec.]
7. Volt [anonimo XVI sec.]
8. Wilson?s Wilde [anonimo XVI sec.]
9. Fantasia Prima [Melchiorre De Barberis]
10. Pavana n. 1 (da El maestro) [Luis Milán]
11. Pavana n. 6 (da El maestro) [Luis Milán]
12. Troisième Branle de Bourgogne [Adrian le Roy]
13. Greensleeves [Francis Cutting]
14. Españoleta [Gaspar Sanz]
15. Pavana [Gaspar Sanz]
16. Preludio dalla Suite per violoncello BWV 1007 [Johann Sebastian Bach]
17. Sarabande [François Campion]
18. Gigue [François Campion]
19. Studio n. 13 dai 20 studi, op. 35 (Studio II di Segovia) [Fernando Sor]
20. Studio n. 2 dai 20 studi, op. 6 (Studio III di Segovia) [Fernando Sor]
21. Studio n. 1 dai 20 studi, op. 6 (Studio IV di Segovia) [Fernando Sor]
22. Studio n. 22 dai 20 studi, op. 35 (Studio V di Segovia) [Fernando Sor]
23. Studio n. 17 dai 20 studi, op. 35 (Studio VI di Segovia) [Fernando Sor]
24. Ghiribizzo n. 17 dai Ghiribizzi M.S. 43 (Le streghe) [Niccolò Paganini]
25. Ghiribizzo n. 20 dai Ghiribizzi M.S. 43 (Là ci darem la mano) [Niccolò Paganini]
26. Lezione n. 10 dal Nuevo método para guitarra (II parte) [Dionisio Aguado]
27. Lezione n. 11 dal Nuevo método para guitarra (II parte) [Dionisio Aguado]
28. Lezione n. 12 dal Nuevo método para guitarra (II parte) [Dionisio Aguado]
29. Lezione n. 13 dal Nuevo método para guitarra (II parte) [Dionisio Aguado]
30. Lezione n. 14 dal Nuevo método para guitarra (II parte) [Dionisio Aguado]
31. Lezione n. 15 dal Nuevo método para guitarra (II parte) [Dionisio Aguado]
32. Lezione n. 17 dal Nuevo método para guitarra (II parte) [Dionisio Aguado]
33. Lezione n. 22 dal Nuevo método para guitarra (II parte) [Dionisio Aguado]
34. Lezione n. 23 dal Nuevo método para guitarra (II parte) [Dionisio Aguado]
35. Lezione n. 24 dal Nuevo método para guitarra (II parte) [Dionisio Aguado]
36. Lezione n. 25 dal Nuevo método para guitarra (II parte) [Dionisio Aguado]
37. Lezione n. 26 dal Nuevo método para guitarra (II parte) [Dionisio Aguado]
38. Lezione n. 28 dal Nuevo método para guitarra (II parte) [Dionisio Aguado]
39. Lezione n. 29 dal Nuevo método para guitarra (II parte) [Dionisio Aguado]
40. Lezione n. 30 dal Nuevo método para guitarra (II parte) [Dionisio Aguado]
41. Studio n. 3 dai 25 studi melodici e progressivi, op. 60 [Matteo Carcassi]
42. Studio n. 7 dai 25 studi melodici e progressivi, op. 60 [Matteo Carcassi]
43. Adelita [Francisco Tárrega]
44. Malagueña ? Fácil [Francisco Tárrega]
45. El noi de la mare [Miguel Llobet]
46. Preludio n. 1 dai 24 preludios para guitarra, op. 20 [Manuel María Ponce]
47. Preludio n. 2 dai 24 preludios para guitarra, op. 20 [Manuel María Ponce]
48. Prélude n. 3 (dai Cinq préludes) [Heitor Villa-Lobos]
50. Estudio sencillo n. 6 [Leo Brouwer]
51. Estudio sencillo n. 11 [Leo Brouwer]
/ Méthodes et pédagogie / Guitare / Guitare acoustique / CARISCH

The première of Leo Brouwer?s Concierto de Benicassim took place at the Certamen Internacional de Guitarra ?Francisco Tárrega? in Benicassim Spain on 31st August 2002 to mark the 150th anniversary of Tarrega?s birth. Thesoloist was Gabriel Estarellas with the European Symphonic Orchestra conducted by Christian Florea.

Composée en 1886, l'étude en trémolo 'Recuerdos de la Alhambra' est sans doute la pièce la plus connue de Tárrega. Elle évoque les souvenirs de la citadelle mauresque située sur une colline de Grenade en Espagne.Grâce à l'arrangement présenté ici, ce jo / Cor (En Fa) Et Piano / 6 pages / niveau : Facile à Intermédiaire / Partition

Composée en 1886, l'étude en trémolo 'Recuerdos de la Alhambra' est sans doute la pièce la plus connue de Tárrega. Elle évoque les souvenirs de la citadelle mauresque située sur une colline de Grenade en Espagne.Grâce à l'arrangement présenté ici, ce jo / Hautbois Et Piano / 8 pages / niveau : Facile à Intermédiaire / Partition

Intended for both working guitarists and those who play strictly for the enjoyment of great music, this collection of Spanish favorites for guitar will add something special to any party or social gathering. Including such popular pieces as 'Malagueña,' 'Asturias (Leyenda),' Francisco Tárrega's 'Recuerdos de la Alhambra,' 'Lágrima,' and the famous E minor 'Romance de España,' this edition will provide you with a repertoire of crowd-pleasers for any event. / Guitare