SKU: CF.CM9774

ISBN 9781491164457. UPC: 680160923359. Key: E major. English. Leslie Grant Scott adapted by Composer.

I Have Heard the Music There for treble voices, optional descant, with piano is a lyrical work that utilizes a reoccurring motif which grows and varies. The developing variation-like use of this theme speaks to the image or notion of growth; the growth of a tree, of a person, or a choir. We may start out small, then vary, change, develop, transform. The vocal line’s slight variation, use of repetition, imitation, and canonic-like movements weave a thread of familiarity through the piano’s tapestry of subtle shifts in timbre, register, and alternation between chorale-like writing and moments of florid flourishing; the music paints the imagery of the text.The text by Leslie Grant Scott illuminates themes of the humanity, solace, and comfort we find in Nature. The forest’s foliage filters out the harshness of the world, and we are calmed by the forest’s heart. To me Nature is also a metaphor for community, or the network of loved ones you may have, over perhaps your choir; together with compassion and kindness we are able to filter the world’s harshness, together we grow, we celebrate, and we listen to the music around us.SILENCE [Leslie Grant Scott, 1912 PD] adpt. M. EmeryI have heard the music thereIn the deep forest's heart, Where filters the sun's rays, In a still, golden haze.I have heard the music there.The breathless silence speaks, Bringing Nature's soft balm And her great soothing calm To all those who will hear.I have heard the music there.

SKU: HL.2050293

UPC: 797242885594. 6.75x10.5x0.351 inches.

The truly blessed are those that can see the miraculous in what others see as mundane. Even more so are those that never lose the wonder of the awesome impact of the sacred. It is part of our nature to allow the most wonderful things in our lives to seem commonplace at times - to take tremendous blessings for granted. King David's prayer, “Restore to me the joy of Your salvation and grant me a willing spirit to sustain me.” (Psalm 51:12) speaks to us in the times and seasons of our own lives.This musical is about the importance of remembering. On the eve of His trial and execution Jesus made it clear that we were to remember Him and His sacrifice. He instituted the sacrament of the Last Supper to be a central part of the Christian faith - a time to gather as His Body and remember.We cannot stand in the distance and casually observe the sacrifice of the Cross. We cannot pretend it did not happen - that it is less than it is proclaimed to be - that it does not touch us or our lives. The Cross is not something that we get used to - not something that we can get comfortable with - not something that we can ever take lightly.Jesus Christ, the Son of God, by His own choice died nailed to a Cross for the sins that you and I committed. May we never forget His sacrifice, may we never fail to fall to our knees in thanksgiving for that kind of love, may we never lose the wonder - the wonder of the Cross.

SKU: CF.AS144

ISBN 9781491160602. UPC: 680160919192.

Often referred to as the Dean of African American Composers, William Grant Still's illustrious career contained many ground-breaking achievements. Following the massive success of his critically acclaimed Symphony No. 1, the Afro-American Symphony (1930), Still's Symphony No. 2 was premiered in 1937 by the Philadelphia Orchestra under the direction of conductor Leopold Stokowski. The work, subtitled Song of a New Race, infuses elements of blues and jazz into the classical form, creating a uniquely blended sound to reflect Still's vision of an increasingly diverse American culture. Slow, dreamy themes are expressed through lush harmonies utilizing thick textures along with solo and divisi playing. The tension between traditional and jazz idioms is felt in the push and pull of shifting tempo and tonality. Originally composed for Full Orchestra, this slightly abridged version for String Orchestra includes the original harp part, honoring the legacy of one of America's greatest composers.
Often referred to as the Dean of African American Composers, William Grant Still's illustrious career contained many ground-breaking achievements. Following the massive success of his critically acclaimed Symphony No. 1, the Afro-American Symphony (1930), Still's Symphony No. 2 was premiered in 1937 by the Philadelphia Orchestra under the direction of conductor Leopold Stokowski. The work, subtitled Song of a New Race, infuses elements of blues and jazz into the classical form, creating a uniquely blended sound to reflect Still's vision of an increasingly diverse American culture. Slow, dreamy themes are expressed through lush harmonies utilizing thick textures along with solo and divisi playing. The tension between traditional and jazz idioms is felt in the push and pull of shifting tempo and tonality. Originally composed for Full Orchestra, this slightly abridged version for String Orchestra includes the original harp part, honoring the legacy of one of America's greatest composers.
Often referred to as the Dean of African American Composers, William Grant Still's illustrious career contained many ground-breaking achievements. Following the massive success of his critically acclaimed Symphony No. 1, the Afro-American Symphony (1930), Still's Symphony No. 2 was premiered in 1937 by the Philadelphia Orchestra under the direction of conductor Leopold Stokowski. The work, subtitled Song of a New Race, infuses elements of blues and jazz into the classical form, creating a uniquely blended sound to reflect Still's vision of an increasingly diverse American culture. Slow, dreamy themes are expressed through lush harmonies utilizing thick textures along with solo and divisi playing. The tension between traditional and jazz idioms is felt in the push and pull of shifting tempo and tonality. Originally composed for full orchestra, this slightly abridged version for string orchestra includes the original harp part, honoring the legacy of one of America's greatest composers.
Often referred to as the “Dean of African American Composers”, William Grant Still’s illustrious career contained many ground-breaking achievements. Following the massive success of his critically acclaimedSymphony No. 1, the Afro-American Symphony (1930), Still’s Symphony No. 2 was premiered in 1937 by the Philadelphia Orchestra under the direction of conductor Leopold Stokowski. The work, subtitled “Song of a New Race”, infuses elements of blues and jazz into the classical form, creating a uniquely blended sound to reflect Still’s vision of an increasingly diverse American culture. Slow, dreamy themes are expressed through lush harmonies utilizing thick textures along with solo and divisi playing. The tension between traditional and jazz idioms is felt in the push and pull of shifting tempo and tonality. Originally composed for full orchestra, this slightly abridged version for string orchestra includes the original harppart, honoring the legacy of one of America’s greatest composers.

SKU: FT.FM884

ISBN 9790570487837. 21 x 30 cm inches.

This quartet is an arrangement of Richard Strauss' string quartet; an early work (1881), but one that he thought enough of to have published with an official opus number. The String Quartet, not unlike the D Minor Symphony and Piano Sonata Op. 5 of the same period, reveals the young composer's devotion to the Viennese masters, and Haydn in particular. The piece is written in a standard four-movement form -- Allegro, Scherzo, Andante cantabile, and Finale: Allegro vivace -- with the outer movements bearing most of the compositional weight. Strauss uses sonata form in the first movement, and while the Quartet shows his early training in the Classical aesthetic, it is nonetheless a Straussian work in several respects: instrumental colour is granted particular importance, the texture is frequently light and contrapuntal, and the melodies are lively and lyrical. Moreover, the inner voices participate with uncharacteristic significance in the weaving of the work's contrapuntal textures. This is a full arrangement of the quartet, and as such the first and last movements in particular are lengthy and complex. The first flute carries a lot of the melodic passage work in the outer movements particularly, and will require strong technique and stamina to perform effectively. All parts participate in the contrapuntal nature of the music; the alto and bass flutes also have melodic solos particularly in the slow movement.

SKU: PE.TSGB010S

UPC: 038081584317.

Instrumental colors abound in this emotionally moving memorial piece, Solace in the Equinox by Tyler S. Grant. Impressionistic passages float in and out of varied instrumental combinations, creating sonic palettes of pastel colors and swirling shapes. Just as the fall equinox balances darkness and light, the music exhibits a harmonious balance between moments of quiet and delicate textures with contrasting fully scored statements of brightness and joy. (7:00).

SKU: WD.080689862120

UPC: 080689862120.

The life-changing story of Jesus' death and resurrection is told from the unique perspective of the Samaritan woman at the well as she is transformed by the sacrificial love of Christ in this passionate new work from Deborah Craig-Claar, Allan Douglas and Phillip Keveren. Two actresses portray the woman called Anna - an older woman who looks back at the Passion events from a post-resurrection perspective, and her younger counterpart who encounters Jesus at the well and joins His followers in Jerusalem during Passion Week. The extraordinary score includes songs written or made popular by today's most accomplished artists, including Michael W. Smith, Keith Getty, Stuart Townend, Matt Maher, and Natalie Grant. Phillip Keveren's breathtaking chamber ensemble instrumentation creates an intimate and compelling experience. At only 40 minutes in length and with only two female characters, one male character, and purely optional sets/lights/costumes, Never Thirst Again can be offered by churches of any size or production capability.

Includes songs written or made popular by Michael W. Smith, Keith Getty, Stuart Townend, Matt Maher, Natalie Grant, Tony Wood, Michael Farren, Audrey Assad, and Shelley Johnson. Chamber ensemble instrumentation creates an intimate and compelling experience. Accessible cast requirements: two female characters, one male character - costumes, props, and sets are purely optional. Reader's Theatre script available at www.wordmusic.com. Features early American classics There Is a Fountain and My Song in the Night. Thoughtful benediction, Peace Be with You, or an exuberant and congregational Finale.

SKU: P2.40006

James Grant says, Slow jazz... What musical language could celebrate more appropriately the lyrical, sensuous, expressive character of the bassoon? The three Chocolates, in this version for bassoon and piano, are torch songs in the tradition of the passionate, tuneful ballads of the American 40s and 50s. The first two Chocolates, Valentine and Bittersweet, offer soulful narratives that speak to devotion, poignancy, romance, uncertainty, longing. The third Chocolate, Triple Mocha Indulgence, is slightly less soul-searching, more ebullient, and progressively becomes more animated (a sugar high, perhaps?) right up to its raucous close. Chocolates was commissioned and premiered in 1998 by violist Michelle LaCourse, to whom this music is dedicated..

SKU: PE.TSGB029S

UPC: 038081584508.

A celestial explosion of shooting stars! Leading Star Fanfare by Tyler S. Grant begins with a colorful flash of contemporary textures and driving rhythms. Moments of confidence pair beautifully with moments of light-earted charm. Dramatic from beginning to end! Recorded by the Atlanta Wind Symphony. (3:20).

SKU: CL.012-4522-75

Un Petit Cafe a Paris is a fun and engaging waltz that captures the atmosphere of a small Parisian cafe through the very recognizable style of the Bal-musette, which can often be heard throughout the streets of Paris. Inspired by the style of music brought to Paris by Auvergnat immigrants, and performed in small dance halls where waltzes were very popular. A refreshing and light-hearted happy piece that makes a fantastic addition to any concert.

SKU: PE.TSGB013

UPC: 038081584065.

Inspired by a vivid Civil War painting, Banner of the Sky by Tyler S. Grant features lyrical passages and flowing lines that are reminiscent of the American landscape. Contrasting with this are quick-paced sections reflecting the fiery orange sky that lights up the painting with warmth and passion. (6:00).

SKU: P2.80134

Baron Piquant's Pas de Deuxis one of a series of dance pieces based on characters drawn from voodoo lore; the previous ones are Baron Cimetiere's Mambo, Son of Cimetiere, Baron Samedi's Sarabande (and Soft Shoe), Baron La Croix's Shuffle and Baron Piquant on Pointe. The four Barons are all members of the family Ghede (pronounced Gay-day), the spirits in charge of the intersection between the living and the dead. Despite this grim association, the Barons have a lighter side. All three are notorious tricksters with a marked fondness for brandy and tobacco. All dress alike--in black tailcoats and tall black hats, dark glasses with one lens missing, and carry canes and smoke cigars. The music depicts both their dark and light sides. Textures are primarily transparent and ethereal, but the atmosphere of all four works is a bit sinister, mordant and menacing.