SKU: BT.DHP-1104883-010

9x12 inches.

The twofold title of this concert work is directly connected with the band who commissioned it. The â??Harmonie Municipale Grevenmacherâ?? from the town of the same name, by the river Moselle in the Grand Duchy of Luxembourg was founded in the year1834. The name Machera is derived from the word machara, which in turn originated from maceries (old wall). Later, Machera evolved into Machern, Grafenmachern, and finally Grevenmacher.In 2009, this music society the third oldest still in existence in the country celebrated its 175th anniversary. And after all these years the society still flourishes! The dynamic committee, led by Georges May, fully supports and inspires themusical leader of the band, Claude Weiland, as well as his 60-strong ensemble. This well-functioning team took the initiative to ask Jan Van der Roost to write an anniversary composition, inspired, on the one hand, by the rural character ofGrevenmacher and its surroundings (where the famous Moselle wine growing dominates the countryside), and on the other hand, by the dynamics, creativity and joie de vivre the band exudes. All of this resulted in a twofold work with alternating peaceand excitement, virtuous and melodic features, orchestral splendour and soberly orchestrated passages. The première, on 10 January 2010, was conducted by the composer himself at a successful gala concert which brought a fine year full of musicalfestivities to a close. The â??Harmonie Municipale Grevenmacherâ?? faces the future with confidence, and will now prepare for its next milestone: the 200th anniversary!

1834 - Machara Impressions was a commission for the 175th anniversary of the band Harmonie Municipale Grevenmacher from the town of Grevenmacher - formerly Machara - in Luxemburg. It is a work of many contrasts with alternating peace and excitement, virtuous and melodic features, orchestral splendour and soberly orchestrated passages - reflecting the peaceful and turbulent history of the band.

Das zweiteilige Auftragswerk zum 175-jährigen Jubiläum der Harmonie Municipale Grevenmacher aus dem Dorf Grevenmacher - historisch Machara - in Luxemburg ist von Dynamik, Kreativität und Lebensfreude des Blasorchesters inspiriert. Friedliche und aufregende Zeiten spiegeln sich wechselweise in virtuosen und melodischen Eigenschaften, orchestraler Pracht und nu?chtern orchestrierten Passagen wider. Ein Thema fu?r jedes Blasorchester mit Tradition, umgesetzt in ein attraktives Werk von Jan Van der Roost.

Cette oeuvre au double titre souligne le dynamisme de la formation dédicataire, lâ??Harmonie Municipale de Grevenmacher, fondée en 1834, tout en rappelant lâ??histoire de la ville de Grevenmacher (ancienn. Machera), située au bord de la Moselle luxembourgeoise. La toile alterne entre passages calmes et passages fougueux, composantes virtuoses et composantes mélodiques, splendeur orchestrale et sobriété de lâ??orchestration.

Questo brano sottolinea ed elogia il dinamismo della Banda Municipale di Grevenmacher, fondata nel 1834, ricordando allo stesso tempo la storia di questa cittadina, situata in riva alla Mosella lussemburghese, il cui nome era nellâ??antichit Machera. Passaggi calmi si alternano armoniosamente a passaggi più vivaci, elementi virtuosi si mischiano a tratti melodici, mentre sul tutto aleggia uno splendore e una sobriet orchestrale fuori dal comune.

SKU: HL.4008962

UPC: 196288282112.

During the last ice age, Glacial Lake Agassiz was the largest lake in the world, spanning vast areas of Canada and the USA, with numerous lakes forming in its basin, including Lake Winnipeg. The beginning of this composition illustrates how the ice of the prehistoric glacier slowly melts, drop by drop, signaling the end of the ice age. Vegetation in Canada begins to flourish once again, and the first rays of a new era illuminate the majestic Lake Winnipeg. Life reawakens as Canada's indigenous people sing their sun dance, traverse the prairie on horseback, and engage in hunting. The conclusion of the composition pays tribute to this splendid, shimmering Lake Winnipeg and its indigenous inhabitants.

SKU: KN.09988S

UPC: 822795099881.

This pair of selections from Carmen will delight audiences of all shapes and sizes! The Chanson du Toreador (Toreador Song) from Act II includes the lesser-known but exciting introduction before the more famous lyrical portion of the March is heard. Then La Garde Montante (Children's Chorus) from Act I serves up a light but highly energetic dance-like theme. Range requires 1st Violins to use some 3rd and 4th positioncellos use limited 4th position and some 3rd position for convenience. Duration 3:25.

SKU: HL.14041204

SKU: HL.49047018

UPC: 842819103813. 9.0x12.0x0.083 inches.

Whilst Horowitz toured across Russia with violinist Nathan Milstein, the two regularly played Pablo de Sarasate's Carmen Fantasy op.25, for violin and orchestra, based on the opera by Bizet. Horowitz was bored of the sparse orchestral reduction and started writing his own transcription after discovering Moritz Moszkowski's arrangement of the same piece for solo piano. Thus emerged Variations on a Theme from Bizet's Carmen. The transcription was made in 1926 and was regularly played and further developed by Horowitz until 1978. Technically challenging and written in a virtuoso manner, this edition is based on a recording from 1947 and is suitable for advanced piano players.