Edizione critica a cura di Claudio Toscani-EDIZIONE NAZIONALE DELLE OPERE DI GIOVANNI BATTISTA PERGOLESI (Casa Ricordi in collaborazione con la Fondazione Pergolesi Spontini di Jesi) Based on the anonymous recasting of a libretto derived in turn from La fede tradita e vendicata by Francesco Silvani (1705) Il prigionier superbo by Giovanni Battista Pergolesi was first performed on 5 September 1733 at the Teatro di San Bartolomeo in Naples. With this opera ? his second dramma serio for San Bartolomeo in less than two years ? the young composer (who had already acquired considerable professional stature in the city?s theatres churches and aristocratic circles) reprised a perennially popular subject centered aroundthe dramatic conflict between filial piety and devotion to one?s betrothed. Inserted between the opera?s three acts were the intermezzi of La serva padrona which would soon go on to take all of Europe by storm. The primary source for this edition is a manuscript copy of the score currently housed in the Conservatorio di Musica ?San Pietro a Majella? in Naples and prepared by Giuseppe Sigismondo who was quite probably working from the now-lost autograph. Two other significant manuscript copies of the score also housed in Naples (respectively in the Biblioteca Oratoriana dei Girolamini and the aforementioned conservatory) were consulted along with a number of manuscript copies of individual arias. The edition is furnished with a historical introduction which traces the libretto?s complicated literary lineage and illustrates the circumstances of the opera?s commission genesis premiere and subsequent history: and a critical apparatus containing detailed source descriptions and critical notes for both the text and the music. An earlier version of the last movement of the Sinfonia and an aria for the third act whose text does not appear in the original printed libretto are provided as appendices.

In 1732 Giovanni Battista Pergolesi composed a setting of the Vespers in honor of St. Emidius Naples’s patron saint and protector against earthquakes. All that has survived are the introit Domine ad adjuvandum and three psalm settings: Dixit Dominus Laudate and Confitebor.Malcolm Bruno’s reconstruction consists of Pergolesi’s Hymnus Magnificat several short instrumental interpolations and the contrafactum of a secular cantata for the Salve Regina thereby presenting a full cross-section of Pergolesi’s artistic evolution. The reconstructed Vespers ranges from the early Confitebor with its allusions to Vivaldi to the late Salve Regina with its reminiscences of thefamous Stabat Mater; from contrapuntal choral writing to operatic arias; and from the magnificently scored Dixit to the almost intimate Laudate.The present edition follows the original sources as closely as possible and contains an appendix with detailed notes on performance practice.Performance material available for hireEffective reconstruction of a full-length workCross-section of Pergolesi’s sacred musicClear and easy-to-play piano reduction

Ed. critica di C. Toscani - Riduzione per canto e pianoforte-Based on the anonymous recasting of a libretto derived in turn from La fede tradita e vendicata by Francesco Silvani (1705) Il prigionier superbo by Giovanni Battista Pergolesi was first performed on 5 September 1733 at the Teatro di San Bartolomeoin Naples. With this opera ? his second dramma serio for San Bartolomeo in less than two years ? the young composer (who had already acquired considerable professional stature in the city?s theatres churches and aristocratic circles) reprised aperennially popular subject centered around the dramatic conflict between filial piety and devotion to one?s betrothed. Inserted between the opera?s three acts were the intermezzi of La serva padrona which would soon go on to take all of Europe bystorm.The primary source for this edition is a manuscript copy of the score currently housed in the Conservatorio di Musica ?San Pietro a Majella? in Naples and prepared by Giuseppe Sigismondo who was quite probably working from the now-lost autograph.Two other significant manuscript copies of the score also housed in Naples (respectively in the Biblioteca Oratoriana dei Girolamini and the aforementioned conservatory) were consulted along with a number of manuscript copies of individual arias.

Opera completa per canto e pianoforte-Giovanni Battista Pergolesi: Stabat Mater (Vocal Score)

Psalm 51. Nach dem Stabat Mater von Giovanni Battista Pergolesi. Par PERGOLESI GIOVANNI BATTISTA. After the Stabat Mater by Giovanni Battista Pergolesi [1710–1736], BWV 1083 / Psaumes / Répertoire / Solistes SA, 2 Violons, Alto et Basse Continue, (C

Psalm 51. Nach dem Stabat Mater von Giovanni Battista Pergolesi. Par PERGOLESI GIOVANNI BATTISTA. After the Stabat Mater by Giovanni Battista Pergolesi (1710–1736), BWV 1083 / Musique religieuse / Répertoire / Solistes SA, 2 Violons, Alto et Basse Continue, (C

Psalm 51. Nach dem Stabat Mater von Giovanni Battista Pergolesi. Par PERGOLESI GIOVANNI BATTISTA. After the Stabat Mater by Giovanni Battista Pergolesi [1710–1736], BWV 1083 / Psaumes / Répertoire / Solistes SA, 2 Violons, Alto et Basse Continue, (C

Psalm 51. Nach dem Stabat Mater von Giovanni Battista Pergolesi. Par PERGOLESI GIOVANNI BATTISTA. After the Stabat Mater by Giovanni Battista Pergolesi [1710–1736], BWV 1083 / Psaumes / Répertoire / Solistes SA, 2 Violons, Alto et Basse Continue, (C

Par PERGOLESI GIOVANNI BATTISTA. The ?Stabat Mater? is a 13th-century Catholic hymn to Mary which has been set to music by many composers throughout history. Composed in the final weeks of his life, Giovanni Battista Pergolesi originally scored it for solo soprano and alto voices, accompanied by strings and basso continuo. The haunting first movement, ?Stabat Mater Dolorosa,? is full of anguish and musical suspensions, a perfectly suitable candidate for arrangement for clarinet choir. / Date parution : 2022-11-29/ Répertoire / Ensemble de Clarinettes

Nanu - qu'est ce que c'est ? la plupart des flûtistes vont se demander à la vue de cette question . Ca a été une surprise pour garder un haut Dato inconnu Concerto pour flûte de Giovanni Battista Pergolesi (1710-1736) dans ses mains , dont une copie à la Bibliothèque royale est situé à Copenhague . Bien sûr, il ya des doutes légitimes si l' auteur de ce 'petit concerto de flûte ' , comme j'aime à l'appeler , de manière à ne pas confondre avec le célèbre 'grand' Concerto en sol majeur .Compte tenu de la durée très courte de la vie , Pergolesi et une période , qui a été limité à environ cinq ans , il est probable , cependant, mais agir dans les nombreux ouvrages qui lui sont attribuées par les oeuvres d' autres compositeurs . Cela peut également s'appliquer à la célèbre Concerto en sol majeur , qui a été découvert dans les années 50 du siècle dernier à Stockholm . Mais le 'petit concerto pour flûte en sol majeur ' semble venir au moins du même compositeur , mais il ya de grandes similitudes dans les motifs .Fait intéressant , ce 'petit concerto de flûte ' est maintenant mais surtout pour le jeune flûtiste qui obtiennent ici un concerto pour flûte , qui est presque sur mesure pour eux - bien jouable en termes techniques et gérable en longueur . Particulièrement belle est le Largo . À ce rythme, il convient de noter que da capo est noté dans le compte rendu à la fin de la phrase , qui se termine le 27 de ce numéro de tact . Depuis cette mise mais pas nécessairement apparaître nécessaire , je n'ai pas fait, pas moins d'éviter un déséquilibre , en particulier pour les très courts dernière phrase .L'orchestre se compose d'une copie d'un premier et second violon , et une voix de basse . / Flûte Et Piano

Ovvero La Morte Di San Giuseppe. Par PERGOLESI GIOVANNI BATTISTA. The oratorio LA FENICE SUL ROGO OVVERO LA MORTE DI SAN GIUSEPPE can rightly be considered the debut of Pergolesi’s career as a composer: composed in the early months of 1731 the oratorio was commissioned by the Congregazione di San Giuseppe locatedby the Oratorio dei Filippini in Naples. The critical edition was realized with criteria of philological rigor, based as the main source on the autograph score and on the manuscript copies still preserved. The volume includes: historical introduction; detailed description of all the sources considered; commentary with critical notes and information related to specific problems of performance practice; the facsimile reproduction of the printed librettoand some pages of the autograph score. The clothbound volume comes in a cardboard case. / Opéra-opérette / Date parution : 1905-06-11/ Répertoire / Choeur

Ed. critica a cura di Claudio Toscani. Par PERGOLESI GIOVANNI BATTISTA. Italian / Classique / Date parution : 1905-07-03/ Répertoire / Voix et Orchestre

Par PERGOLESI GIOVANNI BATTISTA. Tre Giorni/ Répertoire / Violon, Violoncelle et Piano