| New Busker's
Fakebook 1001 All-Time
Hit Songs - Easy Music Sales
The second volume of a thousand and one all-time hit songs ranging from essentia...(+)
The second volume of a thousand and one all-time hit songs ranging from essential standards to the latest pop hits - a must for all singers and musicians. / Chant Et Guitare
89.80 EUR - Sold by LMI-partitions (Seller in french langage) Pre-shipment lead time: 3-10 days - In Stock Supplier |
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| Piano Treasury Of Hymns
Cd Piano, Voice [Sheet music + CD] - Intermediate Amsco Wise Publications
The Piano Treasury of Hymns is designed to be the cornerstone of your personal m...(+)
The Piano Treasury of Hymns is designed to be the cornerstone of your personal music library. This tremendous collection contains 400 pages of the best-loved Christian hymns from Europe and America. From traditional favourites to contemporary worship songs, here you'll find the music that has inspired praise and worship for over four centuries. This sacred folio will provide years of enjoyment for everyone who loves the music of the church. Rediscover the beauty and power of the great songs that are a part of the fabric of the church and music history. / Piano
27.40 EUR - Sold by LMI-partitions (Seller in french langage) Pre-shipment lead time: 3-10 days - In Stock Supplier |
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| The Top Ten Film Themes
To Play On Piano: Piano:
Instrumental Album Piano solo [Sheet music] - Intermediate Amsco Wise Publications
The Top Ten Film Themes To Play On Piano is part of a series that has been spec...(+)
The Top Ten Film Themes To Play On Piano is part of a series that has been specially designed to help pianists of all levels to find the repertoire they really want to play. Featuring some of theworld's greatest pieces of music from a variety of different genres the 'Top Ten' series contains music for everyone. Whether you're a beginner who wants to know the best classical pieces to learn or a more experienced playerlooking for the ultimate Piano songs to add to your repertoire we have a 'Top Ten' for you! Each piece comes with interesting background notes to give you that extra bit of insight. The pieces in this book will transportyou to a variety of exhilarating eras and locations. In no particular order they include a gladiatorial arena in Ancient Rome Juliet's balcony as she calls out for Romeo bombed-out Warsaw in the dark days of the Second WorldWar the gritty world of Scandi-noir and a secluded Pacific island where a team of scientists just happen to be breeding dinosaurs...So make sure your vaccinations are up to date and enjoy the ride! This collectionfeatures Monty Norman's James Bond Theme The King's Speech by Alexandre Desplat Henry Mancini's Pink Panther Theme Michael Nyman's The Heart Asks Pleasure First from The Piano andmore.
13.99 GBP - Sold by Musicroom UK Pre-shipment lead time: In Stock |
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| Francis Poulenc:
L'Histoire De Babar:
Piano Duet: Instrumental
Work 1 Piano, 4 hands - Intermediate/advanced Chester
Pour récitant et piano à quatre mains-During the visit to Brive-la-Gaillarde i...(+)
Pour récitant et piano à quatre mains-During the visit to Brive-la-Gaillarde in 1940 Poulenc sketched a little piece for the children of his cousins: Sophie Sylvie Benoit Florence and Delphine Périer Yvan Alain Marie-Christine and Marguerite-MarieVillotte and their two friends Marthe Bosredon and André Lecoeur. This took the form of a musical background to Jean de Brunhoff's popular illustrated children's story about Babar a baby elephant whose mother is killed by ahuntsman. Fortunately Babar meets a kind elderly lady who dresses him in a fine suit and gives him an impressive motor-car.However Babar feels homesick for his forests and is pleased when his cousins Arthur and Celeste find him and needs no persuasion to go home with them. Back in the forest where the King of the Elephants has eaten a poisonous mushroom Babar is elected to succeed as King. He marries Celeste and the last we hear of him isthinking of a rosy future as he dreamily looks up at a marvellously star-filled sky.Poulenc's score to which he returned and completed in 1945 is for a narrator and a Piano so written that the individualsections offer the pianist a number of self-contained descriptive pieces such as a Lullaby a Reverie a Galop a Nocturne and so on. Indeed some of Poulenc's finest Piano music isfound in these charming pages.In 1962 Jean Françaix made an orchestral version and Barbar has been enjoyed by children of all ages all over the world. An English translation of the text was made by Nelly Rieu.Thisparticular edition is arranged for Narrator and Piano duet (1 Piano 4 hands) and a separate insert with English translation is included.
13.99 GBP - Sold by Musicroom UK Pre-shipment lead time: In Stock |
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| Bent Sørensen:
Lullabies: Piano:
Instrumental Work Piano solo Wilhelm Hansen
Piano Solo-Lullabies / Vuggeviser for Piano solo was composed by Bent Sørensen ...(+)
Piano Solo-Lullabies / Vuggeviser for Piano solo was composed by Bent Sørensen in 2000. Preface / Programme Note: Some melodies keep haunting me; they will stick in my mind and I will walk about humming them and they will find their way into my music. Two such melodies are the basis for the present piano piece which I call LULLABIES. The first little tune began its life as a ballad in an operatic draft ofmine. Later on – with text by English poet Selima Hill – it became part of my songcycle ROSES ARE FALLING for mezzo soprano and piano. In the latter context it is a love song but I have always had a lullaby-feelingabout this tune and indeed as a lullaby it appears in my opera UNDER THE SKY to text by Peter Asmussen; inthe opera the loved one sings and hums to her beloved and make him come to rest. During LULLABIES the tune will appear a half tone lower with each entry and make its way downwards through the musical texture from upper voice to bassline. The other little melody is a true lullaby which I hummed for my youngest daughter to try and make her go to sleep. Later on it became the backdrop for the last movement of my trombone concerto BIRDS AND BELLS. The two melodies in their original form are reproduced at the beginning of LULLABIES.Bent Sørensen 2000
11.50 GBP - Sold by Musicroom UK |
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| Concerto For Alto
Saxophone And Orchestra
(DENISOV EDISON) Alto Saxophone and Piano Sikorski
Piano Reduction including solo part. Par DENISOV EDISON. The catalogue of Edison...(+)
Piano Reduction including solo part. Par DENISOV EDISON. The catalogue of Edison Denisov's works includes 16 concertos. It was a genre to which he returned time and again throughout his life, from the Concerto for Cello and Orchestra of 1972 to the Double Concerto for Flute, Clarinet and Orchestra of 1996. In Denisov's music the role of the soloist, or rather the protagonist, is extraordinarily important, not so much for its virtuosity as for its confessional character. The solo part is a monologue distinguished by poetic diction and a very personal message from the composer. The dramaturgical conception of the Concerto for Saxophone and Orchestra, a reworking of the Viola Concerto of 1986, draws on traditional sonata form, thereby reaffirming the ubiquitous classicism in Denisov's thought. In this late work, we find all the typical features of his style: sinuous melodic lines layered into dense contrapuntal textures, and an interplay of orchestral colours, with pure sonorities contrasting with complex mixtures of sounds. It is a perfect dramaturgy that governs the evolution of the music to the very end. The first movement assumes the role of a sonata-allegro, with the standard formal sections of exposition, development, recapitulation and coda. The second movement is an Adagio for strings. The third takes the form of a little contrasting intermezzo that introduces both new thematic material and a new range of colours. Here tunefulness gives way to pointillism enriched with sonic effects. The only movement with a virtuosic solo part, its nervousness and inner tension set it worlds apart from the second and fourth movements that surround it. The fourth movement assumes the traditional form of a final set of variations. It is the dramaturgical and semantic heart of the concerto. The theme of the variations is Franz Schubert's Impromptu in B-flat major, op. 142, which in this case is 'born' from the celesta as the product of a dodecaphonic string cluster. This finale represents Denisov's homage to his great mentor, Schubert's music being for him a symbol of eternal and universal beauty. 'The attentive listener', Denisov stressed, 'will recognise that the Impromptu theme is already suggested very slowly in the course of the three preceding movements, not only thematically, but also psychologically. That's what makes the appearance of the Schubert theme sound so natural.' The variations relate to the variation genre less in their form than in their spiritual and conceptual metamorphoses. It is, one might say, 'music round about Schubert'. (Ekaterina Kouprovskaia-Denisova)/ Répertoire / Saxophone Alto et Piano
68.44 EUR - Sold by LMI-partitions (Seller in french langage) Pre-shipment lead time: 3-10 days - In Stock Supplier |
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| Sam Pegg: A Child of The
Snows: SATB: Vocal Score Choral SATB SATB, Piano [Vocal Score] Spartan Press
Sam Pegg's A Child Of The Snows for SATB choir and Piano accompaniment is a sett...(+)
Sam Pegg's A Child Of The Snows for SATB choir and Piano accompaniment is a setting of a poem by G. K. Chesterton. Chesterton was known as an avid traveller and was a friend to all he met on his wanderings. In his own house he was famed for his warmth and hospitality. For him the inn was almost a spiritual symbol. 'In all of my settings of his poems I have tried to convey the sense of a yearning journey of life coupled with the joy of finding something thought lost forever: we travel to a place that if we are truthful we never really left. In A Child of the Snows I have tried to suggest the wandering wondering journey to the next staging post 'the Inn at the end of the world'. - Sam Pegg There is heard a hymn when the panes are dim And never before or again When the nights are strong with a darkness long And the dark is alive with rain. Never we know but in sleet and in snow The place where the great fires are That the midst of the earth is a raging mirthAnd the heart of the earth a star. And at night we win to the ancient innWhere the child in the frost is furled We follow the feet where all souls meetAt the inn at the end of the world. The gods lie dead where the leaves lie red For the flame of the sun is flown The gods lie cold where the leaves lie gold And a Child comes forth alone.
1.95 GBP - Sold by Musicroom UK |
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| Antonín Dvo?ák:
Slavonic Dances Op.72 -
Piano Four-Hands: Piano
Duet: 1 Piano, 4 hands G. Henle
Slavonic Dances op. 72 for Piano Four-hands-With the publication of the second v...(+)
Slavonic Dances op. 72 for Piano Four-hands-With the publication of the second volume all of the ?Slavonic Dances? are now available in Urtext. Following the resounding success of the first series op. 46 which immediately made the composer famous around the world thepublisher urged him to write more. Dvo ák only got down to work on them eight years later announcing ?I think these will be very different?. And indeed the difference cannot be missed: the second series is singled out bygreater formal freedom and more colourful harmony. Whereas Opus 46 is for the most part characterised by sparkling high spirits (HN757) in Opus 72 there are also quieter notes: melancholy and poetry find their way into theexuberant dance.
18.50 GBP - Sold by Musicroom UK |
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| Ludwig van Beethoven:
Three Sonatas In G Major
D Minor & E-Flat Major:
Piano: Piano solo - Advanced Barenreiter
Op. 31-With his sonatas Op.31 composed in 1802 Beethoven for the last time group...(+)
Op. 31-With his sonatas Op.31 composed in 1802 Beethoven for the last time grouped together piano sonatas under one opus number. The centrepiece of the collection is undoubtedly the dramatic Sonata in D minor nicknamed »Tempest« which already fascinated his contemporaries. According to Anton Schindler who asked the composer about the „key“ to this work as well as to the sonata Op.57 (»Appassionata«) Beethoven advised him: “Just read Shakespeare’s Tempest”. Jonathan Del Mar currently one of the most renowned Beethoven scholars stands for a meticulously edited Urtext edition on the basis of anintensive study of all sources. Performers are presented with a musical text offering new readings and based on the latest research findings. The detailed Critical Commentary accounts for sources readings and editorial emendations. In this edition great care has been given to a user-friendly layout which on the one hand reflects the flow and tempo of the music and on the other hand facilitates the study of this complex music by means of a transparent and clear appearance on the page as well as good page turns. Particularly enlightening is the chapter on period performance practice which sheds light on certain issues of Beethoven’s instruments and their range the usage of the pedals tempo dynamics articulation and ornaments. Scholarly-critical Urtext edition at the cutting edge of scholarship New readings Based on an evaluation of all available sources Reader-friendly layout and practical page turns Informative Introduction (Eng/Ger) and detailed Critical Commentary (Eng) With valuable information on historical performance practice (Eng/Ger)
22.00 GBP - Sold by Musicroom UK |
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| Royer-cardona C. -
Methode - Mes Debuts De
Musicien A La Flute
Traversiere (avec Cd
D'accompagnement Français Flute [Sheet music + CD] - Beginner FLEX Editions
A new full color method with a CD for learning the flute for young children (bet...(+)
A new full color method with a CD for learning the flute for young children (between 7 and 9 years old). On the CD, accompaniments are played by various instruments (guitar, piano, clarinet, flute, snare drum, tuba, harp, organ, violin, cello ...). An introduction to improvisation is available with piano accompaniment on the CD. The young flutist will also discover contemporary language with original pieces for flute solo or with accompaniment. At the end of the notebook, various exercises will help him/her in finding adapted solutions, in relation to the part he plays. Instruments: Flûte Difficuly Level: Very Easy Duration: >15 Musical Style: Educational Category: Original Composition, Method Composer: ROYER-CARDONA Cecilia
29.80 EUR - Sold by Woodbrass Pre-shipment lead time: In Stock |
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