This modern praise song is quickly becoming embraced by congregations of all styles and ages. The lyrics describe the timeless element of God's Word and will provide an inspirational moment to a variety of worship settings.Available separately: SATB SAB 2-Part Mixed. Duration: ca. 3:00.

Uses: General Missions Scripture: Genesis 1:2: Acts 6:7: Hebrews 6:5 From the influential oeuvre of Keith and Kristyn Getty comes a lilting sacred song affirming the power of God's Word. Expertly arranged for choir this timeless message celebrates the transformative nature of Scripture and challenges us to be instruments of the Good News in the world. Score and Parts (fl perc 1-2 ac gtr elec bass) available as a digital download.

Real Easy Book 2 - C Version. Following on from the great success of The Real Easy Book Volume 1, The Real Easy Book Volume 2 is perfect for students with a few years of playing experience, right up to working professionals. From jazz classics like Four, Scrapple From The Apple, and Dear Old Stockholm to contemporary tunes like George Benson's Mimosa and Donald Fagen's Walk Between Raindrops this selection of songs will keep you and your audience smiling. The Real Easy Book Volume 2 will save band directors countless hours of writing out scales for soloing, chord voicings, Guitar diagrams and Bass lines - they are all included with each tune. The educational material in this book has been developed in conjunction with Stanford Jazz Workshop. It works.

God Will Take Care Of Us All was written in honour of Flora MacKillop mother of St Mary of The Cross MacKillop. 2016 is the 200th Anniversary of Flora's birth. Those who knew Mrs. Flora MacKillop well speak of her as a sweet amiable good-natured creature charitable in thought word and deed intensely devoted to her religion and withal a truly lovable woman who ruled her life by the strictest principles of virtue self sacrifice and integrity. Flora MacKillop was killed in a ship wreck south of Eden NSW in 1886. Mary MacKillop wrote hundreds of letters all of which give great insight into the life of this extraordinary Australianwoman. Among these letters now kept at the archives of the Sisters of St Joseph in North Sydney are many written between mother and daughter. Born in Melbourne on 15 January 1842 Mary was the first-born child of Flora MacDonald and Alexander MacKillop both recent arrivals from Scotland. On many occasions Mary pointed out to her mother the formative influence she had been in her life. Mary had learnt from her grandparents and parents that ?God will take care of us all?. This deep trust in God?s loving care was foundational in the faith life of the whole family.

This masterful setting of God’s Grandeur by Kenneth Leighton composed quite early in his career has characteristic mid-century muscularity. One can discern the influences of Hindemith and Dallapiccola at moments though the Leighton sustains his diatonic grounding. There are frequent seconds and fourths in the harmonies and sly programmatic details like the sliding setting of the word ‘oozing’. Composer and pianist Kenneth Leighton is one of Britian’s most distinguished post-War composers whose works for Piano and Organ in particular manifest his intellectual rigour and Romanticism with virtuosic solo writing.

Uses: Epiphany Christmas concertScripture: Matthew 1:2-18Quintessential Epiphany hymn meets all-star arranger in this carol of seeking and finding. Guided by the star the Magi seek Christ and wisemen still seek him following the light of God's word to the truth and joy of Christmas. Cinematic in its scope Sterling's stylish keyboard writing creatively supports the vocal writing and energizes this standard with a newcontemporary vernacular. Special!

Uses: General Reformation Hymn ArrangementScripture: I Corinthians 6:19-20; Philippians 2:5-11; I Peter 2:9“Music of the masters for the Master” is exemplified in this sturdy adaptation of an illustriousBrahms melody. A faith-affirming text reminds the church of its mission while stately part-writing and solid organ support lifts the piece into the hearts of the listener. This is an encouraging word for the church triumphant. Dont miss this one!

In the spirit of the old campground meeting Jimbo Stevens brings a Southern gospel feel to wife Michelle's words of God's eternal promise. This one is fun to sing and easy to learn. God Will Hear Your Prayer is a wonderfultoe-tapping hand-clapping reassuring reminder.

Martin Luther. Par SCHNEIDER ENJOTT. On the occasion of the quincentenary of Reformation Day in 2017, the composer Enjott Schneider thoroughly studied Martin Luther the individual and all his contradictions. The result is a brilliant, demanding organ symphony which is perfect for concerts on the subject of Reformation and Martin Luther. The composer describes the five movements of the symphony as follows: '1st movement: Wir glauben all an einen Gott with its quintuplet-like beginning is very Gregorian in style, outlining the range of Lutheran emotionalism between the Middle Ages and the modern era. The irrationality of 'faith' ultimately has priority over any thought and evidence. At the beginning of the movement, sounds of knocking on wood remind of the nailing of the Ninety-Five Theses to the doors of churches in Wittenberg. The chorale melody sometimes hides with an almost rough medieval saltarello, referring to Luther's robustness and vitality with which he knew to carry away even common people. 2nd movement: In 1530, the electoral prince of Saxony presented to Luther at Coburg Castle the golden signet ring with the 'Luther rose' which became the symbol of his theology of grace. A white heart with black cross is fixed on a five-petalled rose. To him, 'white' is the colour of angels and ghosts, 'black' stands for the pain of crucification: 'The just shall live by faith, but by faith in the Crucified.' But the fact that the rose and the heart are the dominating symbols shows how Catholic Marian piety remained an ingredient of Luther's spirituality throughout his life. In line with the dominant five-petal structure of the rose, this movement was composed, to a large extent, in accordance with the floating, lyrical rhythm in 5/8 time. 3rd movement: The omnipresence of death and dying – from the plague and war to the never-ending dangers of daily life – was an essential part of the world view of that time. Fears ensued that might heighten into the grotesque, e.g. in the pictures of Hieronymus Bosch. The 'Danse macabre' was a popular motif in those years. Luther's chorale 'Mitten wir im Leben sind / mit dem Tod umfangen' from 1524 ('Enchiridion' from Erfurt) is based on the Gregorian chant 'Media vita in morte sumus' created in France around 750 and, with its idea of transience, inspired a simplistic air. 4th movement: The famous confession delivered at the Diet of Worms in 1521, 'I stand here and can say no more. God help me. Amen', are not Luther's words but the version later used as text for a pamphlet. However, it represents quite plainly the straightforwardness and inevitability of his mission. Musically, it was made into a 'perpetuum mobile', i.e. a dogged, ostinato and never-ending musical air. 5th movement: The 'Mighty Fortress', on the other hand, is one of the great symbols of Martin Luther which, with its shining C major key, embodies the Protestant ideology and willful nature of the Reformation unlike any other song. Heinrich Heine called it the 'Marseille anthem of the Reformation', Friedrich Engels the 'Marseillaise of the Peasants' Wars'. This disputability is not thought through to the end but rather interrupted: With a jubilant 'birdcall version' of the melody, the finale shows a rather chamber-music-like side of the 'ideals of freedom of Christians'.'/ Répertoire / Orgue

No. 2 of Two Hymns of Praise-The second of Rutter's arrangements of Two Hymns Of Praise. All Creatures Of Our God And King is beautifully arranged for SATB choir and congregation. Francis Assisi's words are set to the Koln's melody from Geistliche Kirchengesang.

Words by Daniel Roberts (1841-1907)Written as a celebration of God's leadership in our lives and his blessings of freedom and liberty this bright new Joseph Martin composition breathes new life into this well-known text.Particularly effective for days of national celebration or memorial events this general use choral will lift spirits and inspire. Uplifting!

with Suggested Chordal Accompaniment. Par BAY WILLIAM. This collection contains 100 favorite gospel songs and hymns for flute and guitar. Inside you will find rousing camp meeting songs, sentimental expressions of a deep-rooted faith, and gospel oriented hymns with an old-time music flavor. In preparing this collection I felt the sincere and solid faith of America's 'revivalist era”, staunchly embedded in the rural and southern regions of America, but also in the dedicated inner city missions founded in sprawling urban centers. These solos will bring joy, exuberance, nostalgia and a renewed sense of commitment to any worship celebration. They serve as a vehicle for and witness to the Christian faith. / Gospel / Recueil / Flûte Traversière et Guitare

The timeless words of this cherished hymn are set to a new melody in this delightful anthem for older elementary choirs or choirs of any age. Optional flute finger cymbals and tambourine join together with a charming piano accompaniment to glorify the wonders of God's creation and dominion. Available separately: Unison/opt. 2-Part Treble CelebrationTrax CD. Duration: ca. 2:19

Uniting traditions in the worshipping church-Different streams of the church adopt distinctive styles of worship thus creating their own traditions. Some churches are characterised by hymns which have stood the test of time others by songs that were written yesterday.Neither is necessarily right or wrong but we are in danger of thinking that certain songs are exclusive to our particular tradition. But what of the many churches that seek to progress from the old but at the same time are unsureof how to explore the new? They find themselves in a gap between the two often pursuing a style of worship that misses out on the richness of either. We in the Christian family owe it to ourselves and to future generations toembrace a greater diversity of musical expression to be open to some 'cross-pollination' and thus to share in the blessings of God's gifts.The Bridge a major collection of 427 songs and hymns has been born out of adesire to cross the doctrinal and musical divides between churches and to provide leaders with a resource which aims to be imaginative theologically sound and musically varied. It contains many hymns with which you will befamiliar and alongside their original tunes some brand-new arrangements. It also includes many songs given to us by the powerful outpouring of contemporary songwriters.