Edward Elgar's The Dream Of Gerontius is a splendid oratorio for Mezzo-soprano, Tenor and Bass with Chorus and Orchestra. It is based on the epic poem, The Dream of Gerontius by John Henry Newman written in 1865. The original vocal score of Gerontius was actually printed before Elgar's had even finalised or completed his final orchestration and as such it was printed without many of the markings that were added in the later full score. This new edition brings vocal and full scores into agreement for the first time having been authentically and effectively edited by Hywel Davies and Bruce Wood, and also includes helpful notes on the background to the work as well as an outline of the editorial procedure and list of sources. This New Novello Choral Edition of the Vocal score with Piano reduction of the orchestral materialincludes a detailed foreword listing history, sources and editorial proceedure. / Chant Et Piano

Op. 38. Par ELGAR EDWARD. This is the best of me, wrote Edward Elgar after the final measure of his Dream of Gerontius. Premiered in 1900, in Great Britain the work has long been a standard work in the repertoire of large oratorio choirs. Elgar?s moving, poetic setting of the eponymous poem by Cardinal John Henry Newman is about a dying man and his journey beyond death to God. Before the eyes of the listeners, a musical image of the soul is created which flies past mocking demons to God with its protecting angel at its side, is allowed to look at him briefly, then faces the purgatorial fire of salvation confident and comforted. The work is a real rarity in the history of oratorio, and for large choirs it is a thrilling alternative to the established repertoire of Requiem settings. Its popularity is thanks to the suggestive, often sensuous power of the music, the great choral scenes of the demons and the Angel, and the three impressive solo parts. All previous editions were reprints based on the historic first printed materials, which are inconsistent. By contrast, Carus has produced a modern, newly-engraved edition, compatible in all sections, which takes all the sources into consideration and evaluates the autograph manuscript in detail. For this edition the complete orchestral material is available on sale, and the vocal score and full score contain both English and German singing texts. The full score is also available digitally. / Date parution : 2022-05-31/ Répertoire / Solistes, Ch?ur SATB et Orchestre

Op. 38. Par ELGAR EDWARD. This is the best of me, wrote Edward Elgar after the final measure of his Dream of Gerontius. Premiered in 1900, in Great Britain the work has long been a standard work in the repertoire of large oratorio choirs. Elgar’s moving, poetic setting of the eponymous poem by Cardinal John Henry Newman is about a dying man and his journey beyond death to God. Before the eyes of the listeners, a musical image of the soul is created which flies past mocking demons to God with its protecting angel at its side, is allowed to look at him briefly, then faces the purgatorial fire of salvation confident and comforted. The work is a real rarity in the history of oratorio, and for large choirs it is a thrilling alternative to the established repertoire of Requiem settings. Its popularity is thanks to the suggestive, often sensuous power of the music, the great choral scenes of the demons and the Angel, and the three impressive solo parts. All previous editions were reprints based on the historic first printed materials, which are inconsistent. By contrast, Carus has produced a modern, newly-engraved edition, compatible in all sections, which takes all the sources into consideration and evaluates the autograph manuscript in detail. For this edition the complete orchestral material is available on sale, and the vocal score and full score contain both English and German singing texts. The full score is also available digitally. / Date parution : 2022-05-31/ Répertoire / Solistes, Choeur SATB et Piano

On the 30th anniversary of the publication of the original book Banjo for the Complete Ignoramus Wayne Erbsen has completely rewritten this banjo classic and now it’s even better! Clear and humorous instruction. Includes:'Cluck Old Hen ' 'Poor Wayfaring Stranger 'Sugar Hill ' 'Shady Grove ' 'Little Birdie ' 'Darlin’ Corey ' 'Will Bill Jones ' 'Rain & Snow ' 'Cotton-Eyed Joe ' 'Buffalo Gals ' Cripple Creek ' 'the Cuckoo ' 'Cumberland Gap ''Cumberland Mountain Deer Chase ' 'Down in the Willow Gardens ' 'East Virginia ' 'Groundhog ' 'Handsome Molly ' 'Little Sadie ' 'Lynchburg Town ' 'Muley’s Daughter ' 'New River Train ' 'Old Blue ' 'Old Joe Clark ' 'Polly Put theKettle On ' ''Red Rocking Chair ' 'Shortening Bread ' 'Swannanoa Tunnel ' 'Sweet Sunny South ' 'Wild Bill Jones.' Includes instructional CD with 85 selections!

30Th Anniversary Edition. Par WAYNE ERBSEN. On the 30th anniversary of the publication of the original book, Banjo for the Complete Ignoramus, Wayne Erbsen has completely rewritten this banjo classic, and now it's even better! Clear and humorous instruction. Includes: 'Cluck Old Hen,' 'Poor Wayfaring Stranger, 'Sugar Hill,' 'Shady Grove,' 'Little Birdie,' 'Darlin' Corey,' 'Will Bill Jones,' 'Rain and Snow,' 'Cotton-Eyed Joe,' 'Buffalo Gals,' Cripple Creek,' 'the Cuckoo,' 'Cumberland Gap,' 'Cumberland Mountain Deer Chase,' 'Down in the Willow Gardens,' 'East Virginia,' 'Groundhog,' 'Handsome Molly,' 'Little Sadie,' 'Lynchburg Town,' 'Muley's Daughter,' 'New River Train,' 'Old Blue,' 'Old Joe Clark,' 'Polly Put the Kettle On,' ''Red Rocking Chair,' 'Shortening Bread,' 'Swannanoa Tunnel,' 'Sweet Sunny South,' 'Wild Bill Jones.' Includes instructional CD with 85 selections! / Niveau : Débutant / Clawhammer/Frailing - Methods / Méthode / Banjo à 5 Cordes

Echoes Pictures Riddles and Tales is a terrific and practical collection of pieces for Piano solo by Martin Kutnowski. Heavily influenced by folk and the tradtional music of his native Argentina and other Southern American countries this is a colourful varied and absorbing collection intended for Elementary through Intermediate Pianists. The contents of this fine collection includes: Arrorro Mi Nino (Sleep Sleep My Child) Trumpets Echo Marching Ants Mist Stubborn and Cranky El Gallo Pinto (The Colorful Rooster) The Sleepy Groundhog Galloping on the Ranch Hopscotch Sobre el Puente de Avignon (On the Bridge of Avignon) The Haunted Mansion Milonga in G minor and many more. The FJH Contemporary Keyboard Editions Series focuses on the best contemporary music for the keyboard form the late 20th and early 21st centuries. These collected works have all been chosen for their strong musical voices and their artistic and pedagogical merits.

Frailing/Clawhammer and 3-Finger Scruggs Style-This collection contains 18 songs that are ideal for “dueling” Banjos each playing the song in a different style. The songs are arranged in tablature for bluegrass old-time and folk styles using standard rolls and multiple tunings. Online audio is included so you can hear how the songs should sound.Songs include: Cripple Creek Cotton-Eyed Joe Distant Thunder Groundhog Old Joe Clark Skip to My Lou Tom Dooley Will the Circle Be Unbroken and more.

33e quintette pour deux violons, deux altos et un violoncelle. Edition : Paris, Brandus, 1852. Œuvre composée en 1849/1850 Publication en fac-similé de toutes les sources. Présentation : Introduction – Dates essentielles de la vie de George Onslow – Différences de détails entre les trois sources. Une œuvre de musique de premier plan, que Berlioz admirait. La documentation est très complète : parties séparées autographes et éditées, mise en partition par Gouffé. - Edition originale en parties séparées, Paris, Brandus, 1852. 33ème quatuor, opus 80 (en Ut mineur et Majeur) : 1er violon – Second violon – Alto 1° - Alto 2° - Violoncelle. - Manuscrit autographe en parties séparées. Composition en 1849/1850 : Violino 1° - Violino 2° - Viola 1a – Viola 2a – Violoncello. - Partition manuscrite réalisée par Gouffé. Compositeur : Onslow George Auteur : Vasseur Jean Philippe Collection : Dominantes Titres : Edition originale en parties séparées, Paris, Brandus, 1852. 33ième quatuor, opus 80 (en Ut mineur et Majeur) : 1er violon – Second violon – Alto 1° - Alto 2° - Violoncelle, Allegro grandioso – Scherzo, molto vivace – Andante sostenuto – Finale - Manuscrit autographe en parties séparées. Composition en 1849/1850 : Violino 1° - Violino 2° - Viola 1a – Viola 2a – Violoncello, Allegro grandioso – Scherzo, molto vivace – Andante sostenuto – Finale, molto vivace - Partition manuscrite réalisée par Gouffé : Allegro grandioso – Scherzo, molto vivace – Andante sostenuto – Finale. Nombre de pages : 204 Format : 24 x 33 Parution : 02/2008

Par DE HAAN JAN. A Sunrise Impression débute avec une impression de lever de soleil, une rêverie au cours de laquelle est dévoilé le premier thème principal. La tension musicale augmente progressivement dans le Grandioso où l’on peut entendre le second thème exprimé avec puissance. Les développements qui succèdent au Grandioso n’altèrent en rien la présence appuyée des deux thèmes principaux qui, le finale approchant, gagnent en puissance grâce à l’introduction de nouveaux motifs rythmiques. / Niveau : 3 / Pièce de concert / Répertoire / Concert Band ou Harmonie