The “organ plus brass” series presents original works and arrangements for organ and brass choir specially tailored to meet the needs of amateur ensembles and non-professional organists. The pieces may be played by any constellation of brass ensemble. Volume IV contains arrangements of church music by Charles Villiers Stanford, both chorale-based and freely composed. The original works for choir and organ can be appropriately transferred to the festive scoring for brass ensemble and organ. - Repertoire for brass ensemble and organ - Suitable for amateur ensembles and non-professional church musicians - A variety of instrumental parts allow many performance options Edition no.: BA 11204 ISMN: 9790006558629 Volume / Series: organ plus brass 4 Editor: Klomp, Carsten / Petersen, Heiko Arranger: Klomp, Carsten Language(s) of text: German, English Product format: Performance score(s), Wind instruments score Includes the following individual parts: Wind instruments, Organ Binding: Stapled Pages / Format: 25/12 S. - 30,0 x 23,0 cm

Transcriptions pour guitare (note à note et tablatures) Titres : If I Could Belle No other way Good People Constellations Do You Remember Staple It Together Banana Pancakes Crying Shame Better Together Never Know Situations Sitting, Waiting, Wishing

Björk Guðmundsdóttir is one of the key recording artists of the 21st century. Moving effortlessly between disciplines and genres so fluidly it would shame David Bowie, Björk has tackled neo-classical, showtunes, house, pop, indie as well as acting (winning best actress at the Cannes Film Festival for her turn in Dancer In The Dark) and creating a visual template for her work that is staggeringly rich. Björk has used collaboration as a key part of her work and her work available in sheet music is perhaps her most radical example of this. In her own words ?I wanted to question how I felt about musical documentation, when CDs were slowly becoming obsolete, I was curious about the difference of midi (digital notation) and classical notation and enthusiastic in blurring the lines and at which occasions and how one would share music in these new times. What is the difference of karaoke and the lyrical recitals of the 19th century? Can one meet at bonfires and sing techno songs? (well icelanders do obvs) Maybe I should share digital notation that people could connect to their synths or do harpsichord versions of electronic beats to enjoy in the living rooms and hopefully families singalong to?.
All Is Full Of Love
The Anchor Song
Atom Dance
Aurora
Bachelorette
Black Lake
Cover Me
Declare Independence
Desired Constellation
The Dull Flame Of Desire
Gratitude
I've Seen It All
Immature
Isobel
Joga
Mother Heroic
My Juvenile
New World
Notget
Oceania
Pagan Poetry
Pleasure Is All Mine
Pneumonia
Stonemilker
Sun In My Mouth
Unravel
Venus As A Boy
Vertebrae by Vertebrae
Where Is The Line?
/ Partitions variété - pop - rock / Variété internationale / Piano voix guitare / HAL LEONARD

Per Nørgård's Libra was originally a commission-work for Guitar but during the compositional process a vocal part was liberated from the musical material a part which could be provided with words from the Rudolf Steiner’s poem 'Libra'. Gradually two choruses and ten movements were created around this part and texts from David’s Psalms were added.Libra is one of the most characteristic works in the row of the composer’s 'hierachic music' works: Slow and rapid versions of the same melodies series of accords are coupled in continuously new constellations but always based in harmony. Thisis only possible because of the hierachic nature of this music.