By Brian Doerksen. Arranged by Jack Schrader. Call To Worship, Commitment, Gathering, Gospel, Praise and Worship and Sacred. CD Single (R/P CD). Published by Hope Publishing Company.

OpEra comique. Principal Versions Paris 1, Paris 2 and Weimar. Klavierauszug nach dem Urtext der New Berlioz Edition (franz!sisch), mit Beilage: Libretto (englisch/deutsch). By Hector Berlioz. Edited by Hugh Macdonald. Arranged by Wernhard, Eike;Schelhaas, Martin. For Soprano Solo, Mezzo-Soprano Solo, Tenor Solo (2), Baritone Solo, Bass Solo (5), Mixed Choir-SSTTBB, Flute (2), Oboe (2), Clarinet (B Flat) (2), Bassoon (4), Horn (4), Trumpet (4), Cornet (2), Trombone (3), Ophicleide, Kettledrum, Drums, Guitar (2), Harp (2), Strings B!Hnenmusik: Guitar (2), Trumpet (2), Drums. Neue Berlioz-Ausgabe, Band 1a-d. Piano Reduction/Vocal Score (hard bound). Holoman 76. Published by Baerenreiter-

8 Faust-Szenen. Urtext der New Berlioz Edition. By Hector Berlioz. Edited by Rushton, Julian. Text: Goethe, Johann W von. For Soprano Solo (3), Alto Solo, Tenor Solo (2), Baritone Solo, Bass Solo (2), Mixed Choir-SSTTBB, Flute (2)/Piccolo, Oboe (2)/English Horn, Clarinet (B Flat) (2), Bassoon (4), Horn (4), Trumpet (2), Ophicleide, Kettledrum, Harmonium, Harp (2), Guitar, Strings. Neue Berlioz-Ausgabe, Band 5. Score; Urtext Edition; Complete Edition (cloth bound). Holoman 33. Published by Baerenreiter-Ausgaben (German import).

Poly-Werk fur Oboe und Orchester, darin installiert "Gorgoneion" fur Oboe-solo (1990), "Die Schlangen der Medusa" fur Klarinetten (1991), "Pegasos" fur Cembalo und "Stheno und Euryale" fur Harfe (1992). By Claus-Steffen Mahnkopf. For Oboe Solo/English Horn Solo, Clarinet (B Flat) 1/Soprano Clarinet/Ba-Hn-F, Clarinet (B Flat) 2/Ba-Hn-F, Clarinet (B Flat) 3/Bass Clarinet, Clarinet (B Flat) 4/Klarkb, Harp 1/Clavichord 1, Harp 2/Clavichord 2, Harpsichord, Guitar/Clavichord 3, Hungarian Dulcimer/E Trb-Hob, Streichtrio (Violin, Viola, Violoncello), Streichquartett (Violin (2), Viola, Violoncello), Streichquintett (Violin (2), Viola, Violoncello, Contrabass). Study Score. Duration ca. 19'. Published by Baerenreiter-Ausgaben (Ge

Fiddle - Intermediate

SKU: MB.30815M

Renaissance, Saddle-stitched. Celtic / Irish. Book and online audio. 48 pages. Mel Bay Publications, Inc #30815M. Published by Mel Bay Publications, Inc (MB.30815M).

ISBN 9781513466828. 8.75x11.75 inches.

Early Music Gems contains 49 tunes dating from 1300-1791, including Medieval, Renaissance, and ancient melodies as well as a �??best of�?� John Playford's The Dancing Master. These delightful melodies are perfect for contradance, English country dance and concert settings. Suggested bowings, chords, tempos, and variations are included. An audio recording of each of the tunes includes the fiddle melody with guitar accompaniment. Includes access to online audio.

Coro SMsA, 2 Fl, Git, Perc

SKU: CA.336560

Arranged by Jesus Albert Hernandez. Separate edition with choral collection. Secular choral music. Full score. 5 pages. Carus Verlag #CV 03.365/60. Published by Carus Verlag (CA.336560).

ISBN 9790007244033. Language: Spanish.

This song is a popular 'Cueca brava,' also known as 'Cueca Chilenera.' The 'Cueca' was designated a na tional dance in Chile since 1979 and it has been danced throughout this country since the early 19th century, both in the countryside and in the cities. The styles of the 'Cuecas' are different according to the nature of the texts and to traditions of each region. The origin of the 'Cueca' is unclear, but certainly it developed in the Viceroyalty of Peru, fi rst as a dance called the 'zamacueca,' which in turn originated from the 'jota' and the 'fandango.' It is danced in couples who dance apart from each other while waving red scarves and moving in circles. The musicologist Carlos Vega writes: it is possible to consider the 'Cueca' as a parody of courtship between a cock and a hen: the scarves could symbolize feathers or ridges within a choreography that is characterized by loose interdependent partners. In describing the 'Cueva' another musicologist, Samuel Claro, explains that the choreography recalls the ancient or medieval tournaments and derives from the pantomime of love ... It is a festive and cheerful dance, accompanied by guitars, harp, accordion and percussion instruments, although it is written mostly in minor keys. The rhythm combines measures of 6/8 and 3/4.