Violin Play-Along Volume 74-The Violin Play-Along series will help you play your favorite songs quickly and easily. With this special volume you can play along to the original backing tracks created and recorded by The Piano Guys. The purchase price includes online access to the audio for download or streaming. The online audio player Playback allows you to slow down audio without changing pitch set loop points change keys plan left or right and more! This volume includes 10 original songs: O Holy Night/Ave Maria · Mary Did You Know?/Corelli Christmas Concerto · Ode to Joy to the World · What Child Is This? · Gloria/Hark! The Herald Angels Sing · O Little One Sweet · Little Drummer Boy/DoYou Hear What I Hear · Silent Night Holy Night · The Manger · The Sweetest Gift.

Compositeur/Auteur : APTEL GuyDiscipline/Instrument : trompetteSupport : PartitionStyle/Genre : classiqueDate de parution : avr.-92Nombre de pages : 16

Par PRINTEMPS GUY. Cette partition Printemps Guy : Transparences abruptes de Printemps Guy a été éditée par les éditions Dhalmann. La référence de cette partition est FD0070. Cette oeuvre d'une durée de 3 - 5 mn est idéale pour les musiciens qui ont un niveau Intermédiaire/Difficile et pour qui l'instrument pratiqué est Percussions. Après quelques heures de pratique, cette ouvrage n'aura plus de secret pour vous. Guy Printemps est né à Paris en 1947. Son parcours musical l'a amené à composer et réaliser un grand nombre de musiques originales pour des courts-métrages, des films documentaires et institutionnels, ainsi que des musiques de scène pour différents théâtres de Paris et de Lyon. Il assure également de nombreuses directions d'orchestre et réalisations musicales à Paris et à Londres Parallèlement à la composition quasi permanente de pièces de concert, il est directeur de l'Ecole Intercommunale de musique de la basse Yonne, chef de l'ensemble Vox Intermusica et de l'ensemble vocal Khélis. / Niveau : Intermédiaire à Difficile / Répertoire / Marimba et Piano

50 Witty and 50 Wise Ways to Inspire Aspiring Musicians-In this delightful book of reflections Suzanne Guy shares witty sayings and wise truths gathered over 45 years of teaching piano. From daily chuckles to profound thoughts the rich imagery and concepts presented here sparkle like musical gems offering the perfect dose of inspiration. About the Author: Suzanne Guy has presented workshops and master classes at colleges conventions and professional organizations throughout the United States. Guy holds the MTNA Master Teacher Certificate and was also selected to be a Mobil Ambassador teacher at the ninth Van Cliburn Competition. Guy holds a degree in piano performance from Agnes Scott College and taught piano pedagogy at bothPeabody Conservatory and George Mason University.

Par VAN NUETEN GUY. Light the fire, James. We'll take our digestive by the crackling of the hearth. Such were the thoughts that came to mind as I started listening to Guy Van Nueten's new record. Because, yes, there is a certain aristocracy to this music. There's the feeling of autumn and you immediately long to warm yourself on the sounds that issue from Van Nueten's bony fingers. But it could just as well be a car ride through soft rain at nightfall, where trees become freakish phantoms, and here and there a villa looms like a light beacon. Pacman is a record that makes you hunt for images, films you have seen before, feelings you have known and wish to relive, like a somewhat forbidden fruit, asecret pleasure. Melancholy? Absolutely. A vague sadness to make a person purr like a contented cat? Certainly. Yet at the same time, Van Nueten is cunning. While ensuring that his music pleases you, at the end of some compositions he'll suddenly come up with a theme that he'll stop abruptly, so that the notes remain hanging like snapshots of aerial acrobats in action. It is also investigative music as if Guy himself does not wish to know just where he will finish up. There is a stubbornness to it, an elegant fight perhaps between composer and pianist. It pursues you - exactly like a Pacman, in fact, chomping away at digital pieces of your heart. Yet it never seems to dissolve into thin air: time and again, right from the first listen, he makes you long to hear more. It is music that should protect a person like a secret, like an illegal fire in a forest that warms your hands and fills your head with dreams. It smells like cedar, this piano music. Or like a nice cigar offered to you by the imaginary James, who whispers: 'The fire is crackling, sir. Just as you like it.' At which point the enchantment begins all over again./ Répertoire / Piano

Par VAN NUETEN GUY. Contact by Guy Van Nueten originated from the feeling of being abandoned, such as a person who treks through a barren desert following a great disaster and asks himself if there's any point in carrying on when every day brings just more of the same - still more desert. I suspect that each of us has such a desert within himself, but that it depends on circumstances whether or not we choose to make the journey through it. Contact lays out a path that we can share. This music seems especially romantic to me, in the sense that the sounds have much to say about loneliness. There are moments where this album emphasises its own seriousness, then immediately afterwards invites us todance. Contact sticks out a hand, sometimes two, mostly to show the internal process of the composer - firstly the lack of fire and the abandoned longing for this, followed by the bewilderment that there is something that is still smouldering and that can be fanned into a blazing forest fire to burn away all the pain of desolation. For this reason it is also moving music - because it wants the recognition of the listener, wants us to feel our own desolation while the piano explores further depths and heights. At times a composition is almost carelessly abandoned and another one begun. Whoever looks closely at feelings and is honest with himself and the world is always a little cruel. But finally there is an end to that desert - he sees an oasis and also a beautiful hotel. Upon entering, he sees no-one, not even at the desk, but the reigning play of light and colour is of an otherworldly power. Maybe no other people are needed here and the beauty that prevails is enough. Then sounds of music arise and some people move across to the immense hall where a wing has been set up, behind which a man is sitting, his fingers moving across the keyboard. And only one thing is real: after desolation comes comfort. That person is you and that person is me. And that music is called Contact, directly from the soul of Van Nueten. Contact by Guy Van Nueten originated from the feeling of being abandoned, such as a person who treks through a barren desert following a great disaster and asks himself if there's any point in carrying on when every day brings just more of the same - still more desert. I suspect that each of us has such a desert within himself, but that it depends on circumstances whether or not we choose to make the journey through it. Contact lays out a path that we can share. This music seems especially romantic to me, in the sense that the sounds have much to say about loneliness. There are moments where this album emphasises its own seriousness, then immediately afterwards invites us todance. Contact sticks out a hand, sometimes two, mostly to show the internal process of the composer - firstly the lack of fire and the abandoned longing for this, followed by the bewilderment that there is something that is still smouldering and that can be fanned into a blazing forest fire to burn away all the pain of desolation. For this reason it is also moving music - because it wants the recognition of the listener, wants us to feel our own desolation while the piano explores further depths and heights. At times a composition is almost carelessly abandoned and another one begun. Whoever looks closely at feelings and is honest with himself and the world is always a little cruel. But finally there is an end to that desert - he sees an oasis and also a beautiful hotel. Upon entering, he sees no-one, not even at the desk, but the reigning play of light and colour is of an otherworldly power. Maybe no other people are needed here and the beauty that prevails is enough. Then sounds of music arise and some people move across to the immense hall where a wing has been set up, behind which a man is sitting, his fingers moving across the keyboard. And only one thing is real: after desolation comes comfort. That person is you and that person is me. And that music is called Contact, directly from the soul of Van Nueten./ Répertoire / Piano

Two #1 hits (My Girl in 1965 by the Temptations and My Guy in 1964 by Mary Wells) are inventively combined by Ed Lojeski in a seamless guy-girl showcase for pop and show choirs. / Voix Mixtes

Composed by Guy Lacour  Huit Études Brillantes was written for advanced Saxophone players. The book features an introduction by Marcel Mule and is actually dedicated to him. These mechanism exercises are very challenging but maintain some nice melody and their aim is definitely to help the player to keep their technique and skill growing. Each study has a different tempo key signature and technical difficulties in order to improve the technique of any saxophonist and to obtain the best results possible. Guy Lacour (1932-2013) was a French musician composer and saxophonist. He studied withMarcel Mule and Fernand Oubradous and composed many pieces for Solo Saxophone Saxophone and Piano and also Flute and Piano.

Drum Superior Technique-Le Tambour Technique Supérieure by Guy Lefèvre is a great method to master all the techniques of the Drum. Written in French and in English this book is a must-have for those who want to really master all the aspects of their instruments at a superior level. It includes numerous exercises to work on flam taps paradiddle/ double-paradiddle single stroke as well as some rolling exercises some combination of roll and single stroke and some rhythms such as quintuplets and sextuplets. Guy Lefèvre (1931-2004) was a Conservatoire professor who contributed to the creation of the EmmanuelBoursault school of Drums.

Par NWOGANG GUY. Cette méthode à l'usage de tous propose une synthèse complète et originale des rudiments et du vocabulaire musical à l'africaine. Une approche dynamique et moderne proposée par le talentueux Guy NWOGANG. Les rythmes interprétés aux percussions et à la batterie sont présentés progressivement. L'occasion pour chacun de découvrir les gestes et les figures qui vous permettront de donner plus de souplesse à votre jeu et de chaleur à vos enregistrements. Cette méthode est composée d'un livre comprenant partitions et illustrations diverses. Le DVD réalisé en haute définition est un support remarquable qui vous permettra de parcourir patiemment chaque étape de votre apprentissage. Vous pourrez naviguer d'un chapitre à l'autre au gré de votre appétit ou suivre l'ordre proposé par l'auteur. Cet ouvrage offre en outre la présentation de percussions inconnues du grand public. Vous pourrez ainsi compléter votre apprentissage par une initiation à de nouvelles sonorités/ Méthode / Batterie

Par MORANCON GUY. Guy Morançon's Fantasie Pour Luth A 8 Choeurs./ Répertoire / Luth à 8 Cordes

Written by Guy Lefèvre Progression is a set of short pieces for Drums on a music composed by Stéphane Moucha for beginners and intermediate players. It is accompanied by a CD featuring 24 titles to help the player through its execution. The book includes some “Rhythmiques” short exercises of 8 measures focus on the rhythms the written breaks and some progressive pieces for beginners up to intermediate players using all the main genres of music: binary Jazz 4/4 3/4 5/4 Bossa 12/8 Impro 4/4). Progression is a great book to start playing and to become more aware of the placeof the Drums in an ensemble or a band. Guy Lefèvre a French professor who contributed to the creation of the Emmanuel Boursault school of Drums and Stéphane Moucha is a Czech composer who plays the Violin.