SKU: BT.MUSM570209088
English.
13 specially commissioned pieces which aim to breathe new life into a largely neglected component of the GCSE/Key Stage 4 Music syllabus, Ensemble Performance. On Track comes complete with a CD-Rom containing all the parts for all the pieces and transpositions for any instrument, and these parts come with a licence for printing as many copies as needed, directly from the CD-Rom. A separate 'audio' CD also contains recordings of every piece. The book contains scores for each piece and extended notes by the composers to aid in the preparation of the music: there are 5 pieces for fixed ensembles and 8 pieces for flexible ensembles. The editor of the compilation, Sadie Harrison, comments: Playing in an ensemble with one's peers is perhaps the most rewarding and satisfying thing to do as a young performer, and it is crucial to nurture this element of GCSE courses to reflect this. On Track is a fantastic collection of many different styles, approaches and sounds. There is something in here for everybody, at whatever level, and on whatever instrument. This is what GCSE Music teachers are crying out for, and finally here is something that really hits the mark. Harrison's comments are echoed by recent examiners' reports from EdExcel, one of the largest examiners of GCSE music. They describe how the music they heard in examinations demonstrated 'an extreme range of standards and revealed evidence of the very wide range of instruments in use'. The AQA (Assessment and Qualification Alliance) Examiners' report in 2004 warns schools against allowing their students to present solo music with a piano accompaniment played by a teacher or with a CD accompaniment for the ensemble performance component. It continues, saying that it is of utmost importance that the chosen ensemble allows the candidate to show rapport with the other player(s). This is a significant requirement with which many [examination] centres did NOT comply. Fixed Ensembles Sadie Harrison — On the run!for clarinet in Bb, violin, 'cello, piano Ed Hughes — Matthew's Mazurkafor piano duet Jeremy Dale Roberts — 'Takes three...' for trumpet, 'cello, piano Matthew Roddie — Gone Clubbin' for violin, 'cello Thomas Simaku — From Across the Sea for 2 flutes, clarinet in Bb Flexible Ensembles David Blake — Piece for Luis and Justin for four instruments Anthony Gilbert — U-GO for Arirang for four instruments Jo Kondo — A Birthday Toast for any number of instruments David Lumsdaine — A tree dances for Orpheus for three instruments Paul Mealor — Swing Slow for two instruments Robert Saxton — There and Back for three instruments John Stringer — Duo for two instruments Lu s Tinoco — Diversion for four instruments.
SKU: M7.PPV-20046677
ISBN 9783955120061. German.
George Harrison ist der perfekte Lead-Gitarrist: Mit stilistischer Vielfalt, einfühlsamem Anschlag und einem untrüglichen Gespür für markante Sounds setzt er zahlreichen Beatles-Kompositionen die Krone auf. Anbei erweckt er einige der berühmtesten E-GItarren aller Zeiten zum Leben, darunter die Rocky-Strat, die Rosewood-Tele und seine Old Black Gretsch. Doch Harrison ist nicht der stille junge Mann, zu dem ihn die Presse macht. Sein Wesen ist facettenreiche, geheimnisvoll, eigenbrötlerisch und zuweilen von Dunkelheit umgeben. In Momenten der Muse schreibt er Welthits wie Something, While My Guitar Gently Weeps und Herre Comes The Sun. Als Musiker findet er schließlich seinen eigenen unverkennbaren Ton und macht Frieden mit den Beatles - als Mensch sucht er diesen zeitlebens. Die GUITAR HEROES sind eine Buchserie des beliebten Monatsmagazins guitar, dessen Fachautoren kompetent und aus nächster Nähe berichten. Jedes einzelne Taschenbuch bietet Gitarristen und Fans alle Details, die sie über ihr jeweiliges Idol wissen müssen: sein Instrumentarium im Laufe der Jahre, eine Analyse seines Spielstils und Beiträge prominenter Musikerkollegen und Zeitzeugen.
SKU: HL.14046968
ISBN 9788850715022.
SKU: BT.MUSM570360413
Pianthology is a new collection of seven contemporary Piano works by living composers which includes a recording of each of the works performed by Nicky Losseff, the volume's editor. Nicky Losseff, who combines a Senior Lectureship at the University of York with an active career as a concert pianist, has written extensive performance and analysis notes on all of the works, giving helpful suggestions about the study and performance os each piece in turn. The anthology is aimed at university and conservatiore level Piano students, but will serve as an excellent introduction to new music for the Piano for any dedicated player looking to broaden their range. The worksincluded in Pianthology are: Anthony Gilbert - Three Papillon Postcards Sadie Harrison - Impresa Amorosa Ed Hughes - Third Orchid Jo Kondo - A Dance For Piano, 'Europeans' David Lumsdaine - Six Postcard Pieces Hilda Paredes - Caligrama Thomas Simaku - Des Pas Chromatiques Pianthology was launched at the York University Spring New Music Festival on May 8th 2008, when all seven works were performed, some by Nicky Losseff and some by her students from the University of York. Includes Nicky Losseff's recordings of all works. Three Papillon Postcards Impresa Amorosa 1.
SKU: BT.MUSM570201587
The title of this work is taken from a poem of the same name by the Polish poet, Wislawa Szymborska (winner of the Nobel Prize for Literature in 1996) and considers the importance of revolutions, tyrannicides and political conspiracies in relation to that of skimming shadows, fluttering white butterflies and windblown clouds. No Title Required has two movements. The first is fast and virtuosic, the second, lyrical and colouristic. Both have the same formal pattern - a series of variations where one aspect of each section provides the ‘theme’ for the following variation. Whereas the first movement juxtaposes blocks of material to create a disjunct, segmentedstructure, the second weaves lines together to create a single, flexible texture (disrupted towards the end by ‘reminiscences’ of the work’s opening). No Title Required was commissioned by Double Image (to whom the work is dedicated) and has received several performances worldwide. The work was chosen to represent Australia in the ISCM World Music Days, Hong Kong in.
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