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Alfred's Easy Best-Loved Children's Songs
Piano, Vocal and Guitar
Alfred Publishing
Toddlers and young children love to sing and dance classic nursery rhymes and so...
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Toddlers and young children love to sing and dance classic nursery rhymes and songs. This activity strengthens bonds with family, encourages brain development and musicality, and most importantly, it's fun! This beautiful keepsake collection of over 100 classic nursery rhymes, playground songs, activity tunes, and memory rhymes ensures that all those bases are covered for parents, teachers, and their kids. Carefully arranged for piano to play and sing with toddlers and young children, each song also includes guitar and ukulele chords for easy strum-and-sing performance. The book features a 'Genre Index' that breaks the titles down into song types and categories---especially useful for educators. Finally, an 'About the Songs' section rounds out the collection with a brief history of all the tunes, and, to demonstrate what the songs should sound like, professional MP3 recordings of every song can be downloaded from alfred.com with purchase. / Piano/Vocal/Guitare (PVG)
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Moppets' Rhythms and Rhymes - Child's Book: Piano: Instrumental Album
Piano solo
Lee Roberts Music
Children's songs and games chosen for their fun value as well as for their excel...
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Children's songs and games chosen for their fun value as well as for their excellent teaching qualities. This collection of original game-songs set to the strongly rhythmical verses of well-beloved Mother Goose rhymes strengthens young children's innate sense of rhythm and understanding of melodic direction.
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Sheryl Crow: Sheryl Crow: Greatest hits so far: Guitar TAB: Artist Songbook
Guitar notes and tablatures
-
Intermediate
Faber Music Limited
Sheryl Crow emerged as one of the most talented and respected artists of the Nin...
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Sheryl Crow emerged as one of the most talented and respected artists of the Nineties and as each of her first three albums were released her musical credibility strengthened. With hits such as All I Wanna Do Every Day is a Winding Road If It Makes You Happy and My Favorite Mistake (all included in this book) Crow established herself as a permanent fixture in the pop charts throughout the decade. This Book brings you the best eleven songs of her work during the nineties tabbed for guitar and including all top lines and lyrics. Undeniably an indispensable chapter in contemporary pop music.
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Hans Werner Henze: Sinfonia N. 6: Orchestra: Score
Orchestra
[Score]
Schott
New Version 1994-Symphony No. 6 was created in the late 1960s and was first per...
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New Version 1994-Symphony No. 6 was created in the late 1960s and was first performed in Havana on 26. November 1969 by the Cuban National Orchestra under my direction. This symphony reflects not only the excited atmosphere of awakening during those years but also my efforts to include in the composition the large number of new human and artistic stimuli that I experienced at that time. So the banjo starts to play a Vietnamese song of freedom (Stars in the Night) later the first bars of Mikis Theodorakis hymn of freedom is heard.The second movement is based on the poem Fe de erratas (errata sheet) by Miguel Barnet. In the original version the three parts of the symphony merge withoutinterruption. In the revised version I separated them to make it easier for the audience to register the caesuras which are also internal caesuras as regards content. Apart from strengthening the string sound the most significant alternation in comparison to the first version is that I fully composed all of the aleatoric passages and pitches which originally were to be freely improvised as was the fashion at that time. Thus I wanted to free them the realm of chance and indeterminacy and to bring them back into my artistic control.- Hans Werner Henze
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Palmer Manus And Lethco - Adult All In One Course 1 + Cd - Piano
Piano solo
[Sheet music + CD]
Alfred Publishing
Alfred's Basic Adult All-in-One Course is designed for use with an instructor fo...
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Alfred's Basic Adult All-in-One Course is designed for use with an instructor for the beginning student looking for a truly complete piano course. It is a greatly expanded version of Alfred's Basic Adult Piano Course that will include lesson, theory, technic and additional repertoire in a convenient, all-in-one format. This comprehensive course adds such features as isometric hand exercises, finger strengthening drills, and written assignments that reinforce each lesson's concepts. There is a smooth, logical progression between each lesson, a thorough explanation of chord theory and playing styles, and outstanding extra songs, including folk, classical, and contemporary selections. At the completion of this course, the student will have learned to play some of the most popular music ever written and will have gained a good understanding of basic musical concepts and styles. The CD has accompaniments to support the student's playing of the exercises and songs found in the Level 1 book. Titles: Alouette * Alpine Melody * Amazing Grace * Au Claire de la Lune * Aunt Rhody * Auld Lang Syne * Aura Lee * The Bandleader * Beautiful Brown Eyes * Blow the Man Down! * Blues for Wynton Marsalis * Brother John * Caf Vienna * The Can-Can * Chasing the Blues Away * Chiapanecas * Cockles and Mussels * The Cuckoo * Day is Done * Dueling Harmonics * The Entertainer * A Friend Like You * Go Down, Moses * Good King Wenceslas * Good Morning to You! * Good People * Got Those Blues * Greensleeves * Happy Birthday to You! * Harmonica Rock * Harp Song * Here's a Happy Song! * He's Got the Whole World in His Hands * I'm Gonna Lay My Burden Down * Jericho * Jingle Bells * Joy to the World! * Kum-ba-yah! * Largo (Dvorak) * Lavender's Blue * Lightly Row * Little Brown Jug * Liza Jane * London Bridge * Lone Star Waltz * Love Somebody * Lullaby * The Marine's Hymn * Mary Ann * Merrily We Roll Along * Mexican Hat Dance * Michael, Row the Boat Ashore * Money Can't Buy Everything * My Fifth * Ode to Joy * On Top of Old Smoky * O Sole Mio * Raisins and Almonds * Rock Along * Rockets * Rockin' Intervals * Rock It Away! * Scarborough Fair * Shoo, Fly, Shoo! * Skip to My Lou! * Standing in the Need of Prayer * The Stranger * Tisket, a Tasket * Waltzing Chords * Waltz Time * What Can I Share * When the Saints Go Marching In * Why Am I Blue?
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Alberto Jonàs: Master School Of Virtuoso Piano Vol. 1: Piano: Instrumental Tutor
Piano Quintet: piano, violin, viola, cello, double bass
-
Intermediate/advanced
Dover Publications
Finger Exercises-Volume I of this multi-part treatise features precise but creat...
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Finger Exercises-Volume I of this multi-part treatise features precise but creative exercises for serious pianists looking to build flexibility and skill. All of these original exercises were written specifically for this book by world-famous masters ??? including Leopold Godowsky Joseph Lhevinne Ignaz Friedman Ernst von Dohn?nyi and Emil von Sauer ??? who also share their ideas about technique pedaling fingering and other methods.These creative finger exercises include some with a fixed position of the hand exercises for flexibility and dexterity of the thumbs diatonic and chromatic exercises special exercises with held notes exercises for the strengthening of individualfingers and exercises for lateral motion of the fingers. Additional exercises involve diminished sevenths combined legato and staccato touch for one hand the crossing of the hands and development of speed and lightness of fingers. Introductory material is presented in English German Italian and French. This new edition from a long out-of-print series includes a new Introduction and Foreword plus rare photos by the author's last living student.Reprint of Master School of Modern Piano Playing and Virtuosity Carl Fischer Publishing New York 1922.
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Ibáñez-Cursá: Cuadernos De Audición: Grado Medio: Instrumental Tutor
Español
Real Musical
Libro Del Alumno-The Cuadernos De Audición is a collection of exercises designe...
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Libro Del Alumno-The Cuadernos De Audición is a collection of exercises designed to aid ear training. Both the teacher's and student's books feature the exercises and answers on the same pages for ease of use with six courses each addressing ear training in musical terms. This is the Student's Book and comes with an MP3 CD. The book retains traditional methods of teaching but also focuses on strengthening musical memory enhancing rhythmic and melodic perception and developing good listening skills through analysis. The accompanying CD features recordings of the exercises to make learning even easier. Other titles by Ibáñez-Cursá include “Cuadernos de Lenguaje” “Nuevos Cuadernos de Teoría” “Canta con los Clásicos” and “Cuadernos de Vacaciones”.
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Wolfgang Amadeus Mozart: Missa brevis in F major K.192: Mixed Choir: Part
Soli, Mixted choir and accompaniment
satb (soli), SATB (choir), Orchestra
Barenreiter
The autograph of the Missa brevis K.192 (186f) known as the Little Credo Mass (...
(+)
The autograph of the Missa brevis K.192 (186f) known as the Little Credo Mass (because of the Credo calls interspersed in the text of the third movement) is dated Salzburg 24 June 1774. This Mass intended for Sundays and minor feasts was in any case written for Salzburg Cathedral in the archives of which is preserved an authentic set of parts containing markings by Mozart and his father. When the master journeyed to Paris in 1777 he took the autograph of this work along with him leaving it with the canons of Heilig Geist Kloster in Augsburg to have parts copied out.According to Abert (who wrote a classic biography of Mozart) this work is considered 'by manyto be the high point of Mozart's 'youthful Masses'' and 'as far as the motivic unity of the individual movements and the strengthening of the contrapuntal element is concerned goes far beyond everything composed hitherto'.Urtext of the New Mozart EditionFull score performance material (BA4770) and vocal score (BA4770-90) available for sale.
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Wolfgang Amadeus Mozart: Missa brevis in F major K.192: Mixed Choir: Parts
Soli, Mixted choir and accompaniment
satb (soli), SATB (choir), Orchestra
Barenreiter
The autograph of the Missa brevis K.192 (186f) known as the Little Credo Mass (...
(+)
The autograph of the Missa brevis K.192 (186f) known as the Little Credo Mass (because of the Credo calls interspersed in the text of the third movement) is dated Salzburg 24 June 1774. This Mass intended for Sundays and minor feasts was in any case written for Salzburg Cathedral in the archives of which is preserved an authentic set of parts containing markings by Mozart and his father. When the master journeyed to Paris in 1777 he took the autograph of this work along with him leaving it with the canons of Heilig Geist Kloster in Augsburg to have parts copied out.According to Abert (who wrote a classic biography of Mozart) this work is considered 'by manyto be the high point of Mozart's 'youthful Masses'' and 'as far as the motivic unity of the individual movements and the strengthening of the contrapuntal element is concerned goes far beyond everything composed hitherto'.Urtext of the New Mozart EditionFull score performance material (BA4770) and vocal score (BA4770-90) available for sale.
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Wolfgang Amadeus Mozart: Missa brevis in F major K.192: Mixed Choir: Score
Soli, Mixted choir and accompaniment
satb (soli), SATB (choir), Orchestra
[Sheet music]
Barenreiter
The autograph of the Missa brevis K.192 (186f) known as the Little Credo Mass (...
(+)
The autograph of the Missa brevis K.192 (186f) known as the Little Credo Mass (because of the Credo calls interspersed in the text of the third movement) is dated Salzburg 24 June 1774. This Mass intended for Sundays and minor feasts was in any case written for Salzburg Cathedral in the archives of which is preserved an authentic set of parts containing markings by Mozart and his father. When the master journeyed to Paris in 1777 he took the autograph of this work along with him leaving it with the canons of Heilig Geist Kloster in Augsburg to have parts copied out.According to Abert (who wrote a classic biography of Mozart) this work is considered 'by manyto be the high point of Mozart's 'youthful Masses'' and 'as far as the motivic unity of the individual movements and the strengthening of the contrapuntal element is concerned goes far beyond everything composed hitherto'.Urtext of the New Mozart EditionFull score performance material (BA4770) and vocal score (BA4770-90) available for sale.
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Georg Friedrich Händel: Four Coronation Anthems: Orchestra: Score
Orchestra
Oxford University Press
These four splendid anthems were composed for the coronation of George II in Oct...
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These four splendid anthems were composed for the coronation of George II in October 1727 and have since retained a position at the heart of the English choral tradition. The popular anthem Zadok the Priest has been performed at all subsequent coronations and Handel's other contributions to the royal occasion - Let thy hand be strengthened The King shall rejoice and My heart is inditing - have the same majestic grandeur with affecting contrasts between different sections of the sacred texts. The editor Clifford Bartlett has corrected various inconsistencies in Handel's score and completedetails of sources and editorial method additional performance notes and a critical commentary are included.
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Paul T. Smith: Jazz Studies For Piano Book/Cd Set: Piano: Study
Piano solo
[Sheet music + CD]
-
Easy
Mel Bay
These exercises for the contemporary pianist are musically enjoyable as well as ...
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These exercises for the contemporary pianist are musically enjoyable as well as technically demanding and are written in all keys rather than just in C. Most of them are figures which may be incorporated into solos that jazzplayers can play while improvising. These exercises supplement the traditional Hanon and Czerny exercises by moving into a more modern and progressive group of studies which are not found in the older exercises and focusing lesson scale patterns. They are meant to be more fun to play and to give the student a chance to invent his or her own fingerings for the exercises. Two-handed exercises allow the student to work on strengthening the left hand as wellas the right hand. The companion CD presents all of the exercises in the book as a guide to proper execution. This book was previously published as Exercises for the Contemporary Pianist.
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Reed Ted - Syncopation Modern Drummer - Batterie
Snare drums
Carl Fischer
The goal of this book is to first introduce basic music reading skills and then ...
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The goal of this book is to first introduce basic music reading skills and then to explore many of the most common syncopation rhythms found in today’s music... Langue : en anglais Voted second on Modern Drummer's list of 25 Greatest Drum Books in 1993, Progressive Steps to Syncopation for the Modern Drummer is one of the most versatile and practical works ever written for drums. Created exclusively to address syncopation, it has earned its place as a standard tool for teaching beginning drummers syncopation and strengthening reading skills. This book includes many accented eighths, dotted eighths and sixteenths, eighth-note triplets and sixteenth notes for extended solos. In addition, teachers can develop many of their own examples from it.
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Symphonie 2 "Ressurection" (MAHLER GUSTAV)
Soli, Mixted choir and accompaniment
Soli, mixted choir, orchestra
[Study Score / Miniature]
Universal Edition
Par MAHLER GUSTAV. Over the years, the need for a new edition of Mahler's Sympho...
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Par MAHLER GUSTAV. Over the years, the need for a new edition of Mahler's Symphony No. 2 became apparent for several reasons. First, many new sources for this work have become accessible since 1970, when Erwin Ratz completed the first critical edition of this symphony, the most significant being Mahler's personal reference score in which he recorded changes to be made (his last entries were made in September 1910). The second reason was the significant strengthening of the editorial standards of the critical edition in recent years. The music is now computer-generated. Previously, changes to the score could be made only by retouching the film of old engravings. Computerization also ensures a concurrence between the score and performance materials. Editorially, the new edition benefits from expanded texts that describe and assess the source materials, document and explain the editors' decisions and provide detailed information on the work's origin, the history of the published scores, performance practices, etc. Over the past five years, Renare Stark-Voit and Gilbert Kaplan, editors of the new edition of Symphony No. 2, have identified, evaluated and analyzed every significant source, and as a result of their work a substantial number of errors has been corrected./ Répertoire / Solistes, Choeur et Orchestre
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inSpire Editions: Crazy for Christmas: Concert Band: Score & Parts
Concert band
[Score and Parts]
-
Intermediate
Beriato Music
Christmas is the time of the year where everyone comes together and peace fami...
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Christmas is the time of the year where everyone comes together and peace family and friendship bonds are strengthened. When selecting repertoire for your Christmas concert it’s difficult to find new arrangements that are both challenging and fun to work on as well as fun for the audience. Crazy For Christmas is one of those pieces by the Belgian composer Bert Appermont. He uses canons and even fugues throughout this arrangement and foresees a spectacular ending. It is based on Il est né le divin Enfant and Away in a Manger but refers wittily to JingleBells Deck the Halls The Twelve Days of Christmas and Hark the Herald Angels Sing. So ‘crazy’ all the way!
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Young Strings in Action Vol. 1 (JOHNSON SHEILA)
Violin
[Sheet music]
A String Method for Class or Individual Instruction.. Par JOHNSON SHEILA. Young ...
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A String Method for Class or Individual Instruction.. Par JOHNSON SHEILA. Young Strings in Action is a two-volume course in the fundamentals of string playing. Its two volumes, covering the first two years of instruction, constitute a complete manual of new ideas and proven techniques, enabling teachers to present in clear and concise terms the basic musical and technical skills necessary to play a violin, viola, cello, or bass. The well-tested approach to string playing offers all students a unique opportunity to progress quickly, while at the same time strengthening and refining the basic fundamentals. Volume 1 emphasises total body movement and left arm mobility, helping students to acquire freedom of movement, correct positioning and playing facility. The all-important position and balance of the left hand is aided by early emphasis on the central fingers and their relation to the adjacent string. / Date parution : 2023-03-29/ Etude / Violon
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Advanced Rhythmic Concepts for Improvisation (ALLEN DAVE)
Musical course - Solfege
[Sheet music + Audio access]
Mel Bay
A Path to Fluency in Odd Meters and Polyrhythms for All Instruments. Par ALLEN D...
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A Path to Fluency in Odd Meters and Polyrhythms for All Instruments. Par ALLEN DAVE. Advanced Rhythmic Concepts for Improvisation offers the advancing student a method to expand their rhythmic vocabulary and explore some of the more challenging aspects of the modern jazz idiom. It puts rhythm and time-feel front and center, and offers techniques for strengthening your inner metronome, enhancing your time-feel, expanding your rhythmic flexibility, and especially, learning how to improvise fluently in odd meters. The book includes over 120 audio tracks, with 52 backing tracks featuring a superb rhythm section for the student to play along with. There are multiple examples of grooves in each meter, as well as multi-meter exercises, arrangements of standards, an exploration of triplet groupings, polyrhythmic exercises, and full compositions. Includes access to online audio. / Date parution : 2022-10-12/ Etude / Tout Instrument
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Symphony #2
Choral SATB
SATB, Piano
Universal Edition
Over the years, the need for a new edition of Mahler's Symphony #2 became appare...
(+)
Over the years, the need for a new edition of Mahler's Symphony #2 became apparent for several reasons. First, many new sources for this work have become accessible since 1970, when Erwin Ratz completed the first critical edition of this symphony, the most significant being Mahler's personal reference score in which he recorded changes to be made (his last entries were made in September 1910). The second reason was the significant strengthening of the editorial standards of the critical edition in recent years. The music is now computer-generated. Previously, changes to the score could be made only by retouching the film of old engravings. Computerizationalso ensures a concurrence between the score and performance materials. Editorially, the new edition benefits from expanded texts that describe and assess the source materials, document and explain the editors' decisions and provide detailed information on the work's origin, the history of the published scores, performance practices, etc. Over the past five years, Renare Stark-Voit and Gilbert Kaplan, editors of the new edition of Symphony #2, have identified, evaluated and analyzed every significant source, and as a result of their work a substantial number of errors have been corrected. (Reinhold Kubik, taken from the preliminary note) Oh believe, my heart, oh believe:Nothing is lost with thee!Thine is what thou hast desired,What thou hast loved, what thou hast fought for!(Gustav Mahler in the Finale of Symphony #2) / Choeur Mixte (SATB) Et Piano
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Missa In C (MOZART WOLFGANG AMADEUS)
Soli, Mixted choir and accompaniment
Soli, mixted choir, orchestra
Carus Verlag
Große Credomesse. Par MOZART WOLFGANG AMADEUS. Here, as also in his earlier 'Li...
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Große Credomesse. Par MOZART WOLFGANG AMADEUS. Here, as also in his earlier 'Litte Credo Mass' KV 192, Mozart made use of a church music device which can be traced back in south-German and Austrian church music to the beginning of the 18th century: frequent repetition of the opening words of the 'Credo'. This presupposes that the setting of the words of the intonation 'Credo in unum Deum' as part of an ensemble composition, which for centuries had been intoned in plainsong by the priest, had become liturgically acceptable. It was only a small and syntactically logical step for the word 'Credo' to be repeated before the individual articles of belief, thus strengthening the declaration of faith. / Messe / Répertoire / Solistes SATB, Choeur SATB, 2 Hautbois, 2 Clarinet
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Missa In C (MOZART WOLFGANG AMADEUS)
Soli, Mixted choir and accompaniment
Soli, mixted choir, orchestra
[Sheet music]
Carus Verlag
Große Credomesse. Par MOZART WOLFGANG AMADEUS. Here, as also in his earlier 'Li...
(+)
Große Credomesse. Par MOZART WOLFGANG AMADEUS. Here, as also in his earlier 'Litte Credo Mass' KV 192, Mozart made use of a church music device which can be traced back in south-German and Austrian church music to the beginning of the 18th century: frequent repetition of the opening words of the 'Credo'. This presupposes that the setting of the words of the intonation 'Credo in unum Deum' as part of an ensemble composition, which for centuries had been intoned in plainsong by the priest, had become liturgically acceptable. It was only a small and syntactically logical step for the word 'Credo' to be repeated before the individual articles of belief, thus strengthening the declaration of faith. / Messe / Répertoire / Solistes SATB, Choeur SATB, 2 Hautbois, 2 Clarinet
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Missa In C (MOZART WOLFGANG AMADEUS)
Soli, Mixted choir and accompaniment
Soli, mixted choir, orchestra
[Sheet music]
Carus Verlag
Große Credomesse. Par MOZART WOLFGANG AMADEUS. Here, as also in his earlier 'Li...
(+)
Große Credomesse. Par MOZART WOLFGANG AMADEUS. Here, as also in his earlier 'Litte Credo Mass' KV 192, Mozart made use of a church music device which can be traced back in south-German and Austrian church music to the beginning of the 18th century: frequent repetition of the opening words of the 'Credo'. This presupposes that the setting of the words of the intonation 'Credo in unum Deum' as part of an ensemble composition, which for centuries had been intoned in plainsong by the priest, had become liturgically acceptable. It was only a small and syntactically logical step for the word 'Credo' to be repeated before the individual articles of belief, thus strengthening the declaration of faith. / Messe / Répertoire / Solistes SATB, Choeur SATB, 2 Hautbois, 2 Clarinet
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Missa In C (MOZART WOLFGANG AMADEUS)
Soli, Mixted choir and accompaniment
Soli, mixted choir, orchestra
[Sheet music]
Carus Verlag
Große Credomesse. Par MOZART WOLFGANG AMADEUS. Here, as also in his earlier 'Li...
(+)
Große Credomesse. Par MOZART WOLFGANG AMADEUS. Here, as also in his earlier 'Litte Credo Mass' KV 192, Mozart made use of a church music device which can be traced back in south-German and Austrian church music to the beginning of the 18th century: frequent repetition of the opening words of the 'Credo'. This presupposes that the setting of the words of the intonation 'Credo in unum Deum' as part of an ensemble composition, which for centuries had been intoned in plainsong by the priest, had become liturgically acceptable. It was only a small and syntactically logical step for the word 'Credo' to be repeated before the individual articles of belief, thus strengthening the declaration of faith. / Messe / Répertoire / Solistes SATB, Choeur SATB, 2 Hautbois, 2 Clarinet
22.50 EUR - Sold by LMI-partitions
(Seller in french langage)
Pre-shipment lead time:
In Stock
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Missa In C (MOZART WOLFGANG AMADEUS)
Soli, Mixted choir and accompaniment
Soli, mixted choir, orchestra
[Sheet music]
Carus Verlag
Große Credomesse. Par MOZART WOLFGANG AMADEUS. Here, as also in his earlier 'Li...
(+)
Große Credomesse. Par MOZART WOLFGANG AMADEUS. Here, as also in his earlier 'Litte Credo Mass' KV 192, Mozart made use of a church music device which can be traced back in south-German and Austrian church music to the beginning of the 18th century: frequent repetition of the opening words of the 'Credo'. This presupposes that the setting of the words of the intonation 'Credo in unum Deum' as part of an ensemble composition, which for centuries had been intoned in plainsong by the priest, had become liturgically acceptable. It was only a small and syntactically logical step for the word 'Credo' to be repeated before the individual articles of belief, thus strengthening the declaration of faith. / Messe / Répertoire / Solistes SATB, Choeur SATB, 2 Hautbois, 2 Clarinet
18.00 EUR - Sold by LMI-partitions
(Seller in french langage)
Pre-shipment lead time:
On order
Similar items
Details
Details
Missa In C (MOZART WOLFGANG AMADEUS)
Soli, Mixted choir and accompaniment
Soli, mixted choir, orchestra
[Sheet music]
Carus Verlag
Große Credomesse. Par MOZART WOLFGANG AMADEUS. Here, as also in his earlier 'Li...
(+)
Große Credomesse. Par MOZART WOLFGANG AMADEUS. Here, as also in his earlier 'Litte Credo Mass' KV 192, Mozart made use of a church music device which can be traced back in south-German and Austrian church music to the beginning of the 18th century: frequent repetition of the opening words of the 'Credo'. This presupposes that the setting of the words of the intonation 'Credo in unum Deum' as part of an ensemble composition, which for centuries had been intoned in plainsong by the priest, had become liturgically acceptable. It was only a small and syntactically logical step for the word 'Credo' to be repeated before the individual articles of belief, thus strengthening the declaration of faith. / Messe / Répertoire / Solistes SATB, Choeur SATB, 2 Hautbois, 2 Clarinet
9.60 EUR - Sold by LMI-partitions
(Seller in french langage)
Pre-shipment lead time:
On order
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