Toddlers and young children love to sing and dance classic nursery rhymes and songs. This activity strengthens bonds with family, encourages brain development and musicality, and most importantly, it's fun! This beautiful keepsake collection of over 100 classic nursery rhymes, playground songs, activity tunes, and memory rhymes ensures that all those bases are covered for parents, teachers, and their kids. Carefully arranged for piano to play and sing with toddlers and young children, each song also includes guitar and ukulele chords for easy strum-and-sing performance. The book features a 'Genre Index' that breaks the titles down into song types and categories---especially useful for educators. Finally, an 'About the Songs' section rounds out the collection with a brief history of all the tunes, and, to demonstrate what the songs should sound like, professional MP3 recordings of every song can be downloaded from alfred.com with purchase. / Piano/Vocal/Guitare (PVG)

Sheryl Crow emerged as one of the most talented and respected artists of the Nineties and as each of her first three albums were released her musical credibility strengthened. With hits such as All I Wanna Do Every Day is a Winding Road If It Makes You Happy and My Favorite Mistake (all included in this book) Crow established herself as a permanent fixture in the pop charts throughout the decade. This Book brings you the best eleven songs of her work during the nineties tabbed for guitar and including all top lines and lyrics. Undeniably an indispensable chapter in contemporary pop music.

Alfred's Basic Adult All-in-One Course is designed for use with an instructor for the beginning student looking for a truly complete piano course. It is a greatly expanded version of Alfred's Basic Adult Piano Course that will include lesson, theory, technic and additional repertoire in a convenient, all-in-one format. This comprehensive course adds such features as isometric hand exercises, finger strengthening drills, and written assignments that reinforce each lesson's concepts. There is a smooth, logical progression between each lesson, a thorough explanation of chord theory and playing styles, and outstanding extra songs, including folk, classical, and contemporary selections. At the completion of this course, the student will have learned to play some of the most popular music ever written and will have gained a good understanding of basic musical concepts and styles. The CD has accompaniments to support the student's playing of the exercises and songs found in the Level 1 book. Titles: Alouette * Alpine Melody * Amazing Grace * Au Claire de la Lune * Aunt Rhody * Auld Lang Syne * Aura Lee * The Bandleader * Beautiful Brown Eyes * Blow the Man Down! * Blues for Wynton Marsalis * Brother John * Caf Vienna * The Can-Can * Chasing the Blues Away * Chiapanecas * Cockles and Mussels * The Cuckoo * Day is Done * Dueling Harmonics * The Entertainer * A Friend Like You * Go Down, Moses * Good King Wenceslas * Good Morning to You! * Good People * Got Those Blues * Greensleeves * Happy Birthday to You! * Harmonica Rock * Harp Song * Here's a Happy Song! * He's Got the Whole World in His Hands * I'm Gonna Lay My Burden Down * Jericho * Jingle Bells * Joy to the World! * Kum-ba-yah! * Largo (Dvorak) * Lavender's Blue * Lightly Row * Little Brown Jug * Liza Jane * London Bridge * Lone Star Waltz * Love Somebody * Lullaby * The Marine's Hymn * Mary Ann * Merrily We Roll Along * Mexican Hat Dance * Michael, Row the Boat Ashore * Money Can't Buy Everything * My Fifth * Ode to Joy * On Top of Old Smoky * O Sole Mio * Raisins and Almonds * Rock Along * Rockets * Rockin' Intervals * Rock It Away! * Scarborough Fair * Shoo, Fly, Shoo! * Skip to My Lou! * Standing in the Need of Prayer * The Stranger * Tisket, a Tasket * Waltzing Chords * Waltz Time * What Can I Share * When the Saints Go Marching In * Why Am I Blue?

Libro Del Alumno-The Cuadernos De Audición is a collection of exercises designed to aid ear training. Both the teacher's and student's books feature the exercises and answers on the same pages for ease of use with six courses each addressing ear training in musical terms. This is the Student's Book and comes with an MP3 CD.   The book retains traditional methods of teaching but also focuses on strengthening musical memory enhancing rhythmic and melodic perception and developing good listening skills through analysis. The accompanying CD features recordings of the exercises to make learning even easier.   Other titles by Ibáñez-Cursá include “Cuadernos de Lenguaje” “Nuevos Cuadernos de Teoría” “Canta con los Clásicos” and “Cuadernos de Vacaciones”.

The autograph of the Missa brevis K.192 (186f) known as the Little Credo Mass (because of the Credo calls interspersed in the text of the third movement) is dated Salzburg 24 June 1774. This Mass intended for Sundays and minor feasts was in any case written for Salzburg Cathedral in the archives of which is preserved an authentic set of parts containing markings by Mozart and his father. When the master journeyed to Paris in 1777 he took the autograph of this work along with him leaving it with the canons of Heilig Geist Kloster in Augsburg to have parts copied out.According to Abert (who wrote a classic biography of Mozart) this work is considered 'by manyto be the high point of Mozart's 'youthful Masses'' and 'as far as the motivic unity of the individual movements and the strengthening of the contrapuntal element is concerned goes far beyond everything composed hitherto'.Urtext of the New Mozart EditionFull score performance material (BA4770) and vocal score (BA4770-90) available for sale.

These four splendid anthems were composed for the coronation of George II in October 1727 and have since retained a position at the heart of the English choral tradition. The popular anthem Zadok the Priest has been performed at all subsequent coronations and Handel's other contributions to the royal occasion - Let thy hand be strengthened  The King shall rejoice and My heart is inditing - have the same majestic grandeur with affecting contrasts between different sections of the sacred texts. The editor Clifford Bartlett has corrected various inconsistencies in Handel's score and completedetails of sources and editorial method additional performance notes and a critical commentary are included.

The goal of this book is to first introduce basic music reading skills and then to explore many of the most common syncopation rhythms found in today’s music... Langue : en anglais Voted second on Modern Drummer's list of 25 Greatest Drum Books in 1993, Progressive Steps to Syncopation for the Modern Drummer is one of the most versatile and practical works ever written for drums. Created exclusively to address syncopation, it has earned its place as a standard tool for teaching beginning drummers syncopation and strengthening reading skills. This book includes many accented eighths, dotted eighths and sixteenths, eighth-note triplets and sixteenth notes for extended solos. In addition, teachers can develop many of their own examples from it.

Christmas is the time of the year where everyone comes together and peace family and friendship bonds are strengthened. When selecting repertoire for your Christmas concert it’s difficult to find new arrangements that are both challenging and fun to work on as well as fun for the audience. Crazy For Christmas is one of those pieces by the Belgian composer Bert Appermont. He uses canons and even fugues throughout this arrangement and foresees a spectacular ending. It is based on Il est né le divin Enfant and Away in a Manger but refers wittily to JingleBells  Deck the Halls  The Twelve Days of Christmas and Hark the Herald Angels Sing. So ‘crazy’ all the way!

A Path to Fluency in Odd Meters and Polyrhythms for All Instruments. Par ALLEN DAVE. Advanced Rhythmic Concepts for Improvisation offers the advancing student a method to expand their rhythmic vocabulary and explore some of the more challenging aspects of the modern jazz idiom. It puts rhythm and time-feel front and center, and offers techniques for strengthening your inner metronome, enhancing your time-feel, expanding your rhythmic flexibility, and especially, learning how to improvise fluently in odd meters. The book includes over 120 audio tracks, with 52 backing tracks featuring a superb rhythm section for the student to play along with. There are multiple examples of grooves in each meter, as well as multi-meter exercises, arrangements of standards, an exploration of triplet groupings, polyrhythmic exercises, and full compositions. Includes access to online audio. / Date parution : 2022-10-12/ Etude / Tout Instrument

Große Credomesse. Par MOZART WOLFGANG AMADEUS. Here, as also in his earlier 'Litte Credo Mass' KV 192, Mozart made use of a church music device which can be traced back in south-German and Austrian church music to the beginning of the 18th century: frequent repetition of the opening words of the 'Credo'. This presupposes that the setting of the words of the intonation 'Credo in unum Deum' as part of an ensemble composition, which for centuries had been intoned in plainsong by the priest, had become liturgically acceptable. It was only a small and syntactically logical step for the word 'Credo' to be repeated before the individual articles of belief, thus strengthening the declaration of faith. / Messe / Répertoire / Solistes SATB, Choeur SATB, 2 Hautbois, 2 Clarinet

Große Credomesse. Par MOZART WOLFGANG AMADEUS. Here, as also in his earlier 'Litte Credo Mass' KV 192, Mozart made use of a church music device which can be traced back in south-German and Austrian church music to the beginning of the 18th century: frequent repetition of the opening words of the 'Credo'. This presupposes that the setting of the words of the intonation 'Credo in unum Deum' as part of an ensemble composition, which for centuries had been intoned in plainsong by the priest, had become liturgically acceptable. It was only a small and syntactically logical step for the word 'Credo' to be repeated before the individual articles of belief, thus strengthening the declaration of faith. / Messe / Répertoire / Solistes SATB, Choeur SATB, 2 Hautbois, 2 Clarinet

Große Credomesse. Par MOZART WOLFGANG AMADEUS. Here, as also in his earlier 'Litte Credo Mass' KV 192, Mozart made use of a church music device which can be traced back in south-German and Austrian church music to the beginning of the 18th century: frequent repetition of the opening words of the 'Credo'. This presupposes that the setting of the words of the intonation 'Credo in unum Deum' as part of an ensemble composition, which for centuries had been intoned in plainsong by the priest, had become liturgically acceptable. It was only a small and syntactically logical step for the word 'Credo' to be repeated before the individual articles of belief, thus strengthening the declaration of faith. / Messe / Répertoire / Solistes SATB, Choeur SATB, 2 Hautbois, 2 Clarinet