Par BACH JOHANN CHRISTOPH / BACH HEINRICH. Formerly attributed to Heinrich Bach/ Répertoire / Solo A, Violon, 4 Violes de Gambe (3 Altos et Viol

Par BACH JOHANN CHRISTOPH / BACH HEINRICH. Formerly attributed to Heinrich Bach/ Répertoire / Solo A, Violon, 4 Violes de Gambe (3 Altos et Viol

Par BACH JOHANN CHRISTOPH / BACH HEINRICH. Formerly attributed to Heinrich Bach/ Répertoire / Solo A, Violon, 4 Violes de Gambe (3 Altos et Viol

The three volumes of The Masterwork In Music present complete English translations of major works by Austrian music theorist Heinrich Schenker one of the twentieth century's leading figures in the field.First published in German between 1925 and 1930 these essays represent Schenker's greatest writings in analysis prior to the 1935 definitive formulation of his theory of music in Der freie Satz (Free Composition). This new publication of the long-awaited English translation which first appeared in the distinguished Cambridge University Press edition provides a valuable resource for scholars. Editorial annotations and elucidations byDr.William Drabkin and his translators offer additional insights.Volume One includes analyses of keyboard pieces by Bach Scarlatti Chopin and Beethoven along with studies of solo violin music by Bach. Volume Two contains a major essay on Mozart's Symphony No. 40 in G minor and shorter studies of works by Bach Haydn and Reger. Volume Three's contents include Schenker's celebrated analysis of Beethoven's 'Eroica' Symphony and other works.

The three volumes of The Masterwork In Music present complete English translations of major works by Austrian music theorist Heinrich Schenker one of the twentieth century's leading figures in the field.First published in German between 1925 and 1930 these essays represent Schenker's greatest writings in analysis prior to the 1935 definitive formulation of his theory of music in Der freie Satz (Free Composition). This new publication of the long-awaited English translation which first appeared in the distinguished Cambridge University Press edition provides a valuable resource for scholars. Editorial annotations and elucidations byDr.William Drabkin and his translators offer additional insights.Volume One includes analyses of keyboard pieces by Bach Scarlatti Chopin and Beethoven along with studies of solo violin music by Bach. Volume Two contains a major essay on Mozart's Symphony No. 40 in G minor and shorter studies of works by Bach Haydn and Reger. Volume Three's contents include Schenker's celebrated analysis of Beethoven's 'Eroica' Symphony and other works.

Horn, Paul (Arr.). Par GRAUN CARL HEINRICH. Among the sacred compositions of Carl Heinrich Graun, who served for many years as the Court Music Director of Frederick II in Berlin, two works have attained a prominent position: the passion cantata Der Tod Jesu from 1755, and the eleven-movement Te Deum, which was written in 1757 to celebrate a military victory. Both works belonged to the repertoires of many singing academies and oratorio societies well into the 19th century and today they have been rediscovered and are generating renewed interest among musicians. After a long absence the Te Deum, as a vocal score in a new critical edition, is once again available. Full score and complete performance material are availablefrom 'Goldbach-Verlag', Wiesbaden: www. goldbachverlag. de/ Répertoire / Solistes SMsTB, Choeur SATB, 2 Flûtes Traversières

Der Herr ist mein getreuer Hirt. Par BACH JOHANN SEBASTIAN / SCHUTZ HEINRICH. Gattungen: Kirchenlieder, Sätze - Verwendung / Anlässe: L Hautbois und Dank - Verwendung / Kirchenjahr: Ostern und nachösterliche Freudenzeit, Pianoingsten -/ Répertoire / Choeur Mixte

Cantata No.212: Mer Hahn En Neue Oberkeet (The Chamberlain is now our Squire) BWV 212.The Coffee Cantata (BA 10211) and the Peasant Cantata (BA 10212) both on librettos by Picander are among the best-known and most frequently performed of Bach?s secular cantatas.The Peasant Cantata of 1742 Bach?s last datable cantata is a musical description of folk life.It was composed as a tribute to Picander?s superior Carl Heinrich von Dieskau who had inherited the family estate in 1742.Both cantatas reveal Bach?s mastery in their unusual subject-matter formal design and musicalworkmanship. Now they appear in separate editions based on the ?New Bach Edition? with straightforward and easy-to-play Piano reductions by Andreas Köhs.- Urtext of the ?New Bach Edition?.- Straightforward and easy-to-play Piano reduction.- Vocal score (BA10212-90) performance material (BA10212) and study score (TP1212) available for sale.

Includes original version of the Sinfonia BWV 1046a. Authoritative Urtext edition of Johann Sebastian Bach's Brandenburg Concerto No.1 in F major BWV 1046. The six Brandenburg Concertos BWV 1046-1051 prized jewels of the world's musical heritage were written in 1721 during Bach?s appointment in Cöthen. Of the six works Bach originally wrote earlier versions of numbers 1 and 5 which differ not only with regard to articulation but also at times different tones different rhythms instrumentation and of course form. These Urtext publications [BA 5201-BA 5206] taken from the New Bach Edition now giveperformers the possibility to play these earlier versions perhaps even alongside the version known today. In the earlier version of Concerto No.1 (BWV 1046a) which according to the editor of the edition Heinrich Besseler seems to have been Bach?s favourite among the six there is no Violino Piccolo part to be found and the Violin concerto-like 3rd movement as well as the Polonaise movement are also absent. In nearly every bar the articulation in one instrument or another differs from the later version; for example the 16th-note slurs in bars 1 and 2 of the Horns are missing in the later score the Oboe slurs and trills in m.12 are also not to be found. The later version has the Cello separated from the Continuo which means that the 16ths in m.7 are not to be played by the Violone grosso.

- Johann Michael Bach Nun komm, der Heiden Heiland Meine Seele erhebt den Herren Herr Christ, der einig Gottes Sohn Nun freut euch, lieben Christen gmein (I) Nun freut euch, lieben Christen gmein (II) Gott hat das Evangelium (I) Gott hat das Evangelium (II) Gelobet seist du, Jesu Christ Jesus Christus, unser Heiland, der den Tod überwand O Herre Gott, Vater in Ewigkeit Kommt her zu mir, spricht Gottes Sohn Der du bist drei in Einigkeit Allein Gott in der Höh sei Ehr Mag ich Unglück nicht widerstahn Dies sind die heilgen zehn Gebot Auf meinen lieben Gott Nun laßt uns Gott dem Herren Der Herr ist mein getreuer Hirt Warum betrübst du dich, mein Herz Von Gott will ich nicht lassen Es spricht der Unweisen Mund wohl Wo Gott der Herr nicht bei uns hält Wenn mein Stündlein vorhanden ist In dich hab ich gehoffet, Herr Wenn wir in höchsten Nöten sein Ich ruf zu dir, Herr Jesu Christ (I) Ich ruf zu dir, Herr Jesu Christ (II) Komm, Gottes Schöpfer, heiliger Geist - Johann Christoph Bach Allein Gott in der Höh sei Ehr An Wasserflüssen Babylon Wer Gott vertraut, hat wohl gebaut Ach Herr, mich armen Sünder - Johann Michael Bach In dulci jubilo - Johann Heinrich Buttstedt Ach Gott, vom Himmel sieh darein - Daniel Erich Christum wir sollen loben schon - Johann Pachelbel Christ lag in Todesbanden außerdem erhältlich: 1 zugehörige Ausgabe(n) (Noten) Carus 92.372/00 Was mein Gott will, das gscheh allzeit Gott Vater, der du deine Sonn - Friedrich Wilhelm Zachow Heut triumphieret Gottes Sohn

Par BACH HEINRICH. Gattungen: Geistliche Konzerte, Psalmen, deutsch - Verwendung / Anlässe: L Hautbois und Dank - Langue : Allemand/Anglais / Musique religieuse / Répertoire / Solistes SSATB, Choeur SSATB, 2 Violons, 2 Altos e

Par BACH HEINRICH. Langue : o Spr/ Répertoire / 2 Violons, 2 Altos, Violon ou Violoncelle et Basse

Par BACH HEINRICH. Langue : o Spr/ Répertoire / 2 Violons, 2 Altos, Violon ou Violoncelle et Basse