Für Violine und Orchester Op. 64-Mendelssohn’s Violin Concerto op. 64 is a key work of the 19th century adhering to the classical style of Beethoven while pointing the way to the romantic ethos of Brahms. It has long been known that Mendelssohn performed the work with three soloists in succession: Ferdinand David who worked closely with the composer during its composition and played it at the premi?re; the ‘child prodigy’ Joseph Joachim; and Hubert L?onard a young Belgian virtuoso about whom little is known.As proof sheets for the Violin Concerto in E minor were long considered lost it could be described as somewhat of a sensation when proofs for the soloviolin part resurfaced together with a letter from Mendelssohn to L?onard.The letter informs us that the composer invited L?onard to his home in Frankfurt in order to make his acquaintance. It was already known that Mendelssohn had given proof sheets to David; now we know that he also gave some to L?onard.The recently discovered proofs reveal how L?onard played the concerto with Mendelssohn on that memorable evening in February 1845. Besides containing bowing marks and fingering they also show how L?onard executed shifts of position and where he employed open strings. Furthermore modifications made to dynamic markings and additional legato bowing are shown.It is safe to assume that all of this was done with Mendelssohn’s approval. That the young violinist made a positive impression on the composer is confirmed in the latter’s correspondence following their joint performance. Mendelssohn is full of praise for L?onard’s playing and offers to lend his support in finding employment in Germany.This revised edition of the Mendelssohn Violin Concerto (only the orchestral parts remain unchanged) includes a separate booklet on performance practice.The editor Clive Brown is an acknowledged expert on Romantic performance practice.- New source situation owing to recently rediscovered proofs- Revised Urtext edition- With a separate booklet on performance practice (BA9060) (Eng/Ger)- Full score in the revised early and late (popular) versions (BA9099)

In The Violin Concerto Op. 64 and Chamber Music For Strings-Mendelssohn’s Violin Concerto Op.64 is a key work of the 19th century adhering to the classical style of Beethoven while pointing the way to the romantic ethos of Brahms. It has long been known that Mendelssohn performed the work with three soloists in succession: Ferdinand David who worked closely with the composer during its composition and played it at the première; the ‘child prodigy’ Joseph Joachim; and Hubert Léonard a young Belgian virtuoso about whom little is known.As proof sheets for the Violin Concerto in E minor were long considered lost it could be described as somewhat of a sensation when proofs for the soloviolin part resurfaced together with a letter from Mendelssohn to Léonard.The letter informs us that the composer invited Léonard to his home in Frankfurt in order to make his acquaintance. It was already known that Mendelssohn had given proof sheets to David; now we know that he also gave some to Léonard.The recently discovered proofs reveal how Léonard played the concerto with Mendelssohn on that memorable evening in February 1845. Besides containing bowing marks and fingering they also show how Léonard executed shifts of position and where he employed open strings. Furthermore modifications made to dynamic markings and additional legato bowing are shown.It is safe to assume that all of this was done with Mendelssohn’s approval. That the young violinist made a positive impression on the composer is confirmed in the latter’s correspondence following their joint performance. Mendelssohn is full of praise for Léonard’s playing and offers to lend his support in finding employment in Germany.The editor Clive Brown is an acknowledged expert on Romantic performance practice.- New source situation owing to recently rediscovered proofs- Revised Urtext edition- With a separate booklet on performance practice (Eng/Ger)- Full score in the revised early and late (popular) versions (BA9099) available for sale- Parts of both early and late versions (BA9050) available for sale- Violin & Piano in the revised late (popular) version (BA9099-90)

Mendelssohn Bartholdy, Felix Konzert für Violine und Orchester e-Moll op. 64 Zweite Fassung 1845 Edition no.BA 9099-90 ISMN 9790006564347 Editor Todd, R. Larry / Brown, Clive Mendelssohn?s Violin Concerto op. 64, is a key work of the 19th century, adhering to the classical style of Beethoven while pointing the way to the romantic ethos of Brahms. It has long been known that Mendelssohn performed the work with three soloists in succession: Ferdinand David, who worked closely with the composer during its composition and played it at the première; the ?child prodigy? Joseph Joachim; and Hubert Léonard, a young Belgian virtuoso about whom little is known. As proof sheets for the Violin Concerto in E minor were long considered lost, it could be described as somewhat of a sensation when proofs for the solo violin part resurfaced together with a letter from Mendelssohn to Léonard. The letter informs us that the composer invited Léonard to his home in Frankfurt in order to make his acquaintance. It was already known that Mendelssohn had given proof sheets to David; now we know that he also gave some to Léonard. The recently discovered proofs reveal how Léonard played the concerto with Mendelssohn on that memorable evening in February 1845. Besides containing bowing marks and fingering, they also show how Léonard executed shifts of position and where he employed open strings. Furthermore modifications made to dynamic markings and additional legato bowing are shown. It is safe to assume that all of this was done with Mendelssohn?s approval. That the young violinist made a positive impression on the composer is confirmed in the latter?s correspondence following their joint performance. Mendelssohn is full of praise for Léonard?s playing and offers to lend his support in finding employment in Germany. This revised edition of the Mendelssohn Violin Concerto (only the orchestral parts remain unchanged) includes a separate booklet on performance practice. The editor, Clive Brown, is an acknowledged expert on Romantic performance practice. - New source situation owing to recently rediscovered proofs - Revised Urtext edition - With a separate booklet on performance practice (Eng/Ger)

Piano reduction-Of all of Henry Vieuxtemps' Violin concertos his fifth in a minor is the best known and most popular by far. The Violin Concerto No. 5 In A Minor Op. 37 was composed between 1860-61 as anobligatory examination piece for the students of Vieuxtemps' friend Hubert Léonard at the Brussels Conservatory. The work soon made its way into the concert hall and owes its popularity not only to the brilliant Violinpart but also to the distinguished form of the three movements that combine without interruption. This Henle Urtext edition has been edited by the The violinist and musicologist Ray Iwazumi who also undertook thebowings for the solo part. The preface was penned by the Belgian expert on Vieuxtemps Marie Cornaz.

La référence R19346 de l'éditeur Billaudot dont l'auteur célèbre est Leonard Hubert, qui a pour titre SCENES HUMORISTIQUES OPUS 61 Nø4 L'ANE ET L'ANIER, a été écrite et composée pour Violon et plus particulièrement pour Violon Et Piano. Cette partition musicale appartient à la catégorie Classique. / Violon Et Piano / Partition

La référence R19347 de l'éditeur Billaudot dont l'auteur célèbre est Leonard Hubert, qui a pour titre SCENES HUMORISTIQUES OPUS 61 Nø5 SERENADE DU LAPIN BELLIQUEUX, a été écrite et composée pour Violon et plus particulièrement pour Violon Et Piano. Cette partition musicale appartient à la catégorie Classique. / Violon Et Piano / Partition

La référence R8488 de l'éditeur Billaudot dont l'auteur célèbre est Leonard Hubert, qui a pour titre 24 ETUDES CLASSIQUES OPUS 21, a été écrite et composée pour Diverses Formations. Cette partition musicale appartient à la catégorie Pédagogie. / Etudes / Partition

La référence R19345 de l'éditeur Billaudot dont l'auteur célèbre est Leonard Hubert, qui a pour titre SCENES HUMORISTIQUES OPUS 61 Nø3 CHATTE ET SOURIS, a été écrite et composée pour Violon et plus particulièrement pour Violon Et Piano. Cette partition musicale appartient à la catégorie Classique. / Violon Et Piano / Partition

Cette édition nouvellement augmentée comprend un total de 25 chiffons, dont les trois sélections inédites de l'édition originale. Comprend également une préface de Bolcom lui-même.
épithalame
Le jour de chance d'Eubie
Champs De Fleurs Chiffon
Le gardénia
Chiffon heureux
Chevalier Hubert
Rag Tango
Chiffon de porc-épic de Californie
Ombres de rêve
Epitaphe pour Louis Chauvin
Estela : Rag Latino
Coup de grâce : un chiffon
L'esquive de Brooklyn
L'éternel féminin
Fantôme gracieux
Incinérateur
Dernier chiffon
Chiffon de dame perdue
Vieil Adam
L'esprit frappeur
Raggin' Rudi
Chiffon de biscuits de mer
Le baiser du serpent
Promenade du chat tigré
À travers les portes d'Eden
/ Partitions classique / Piano - instruments à clavier / Piano / HAL LEONARD