| Folk Stringfest
(Score/Ecd) String Quartet: 2 violins, viola,
cello [Sheet music + CD] - Easy Faber Music Limited
Arrangement: Cohen Mary. Par COHEN MARY. 'Stringfest ' est une collection de mé...(+)
Arrangement: Cohen Mary. Par COHEN MARY. 'Stringfest ' est une collection de mélodies populaires avec imagination arrangé pour les groupes de la chaîne. La musique a été aménagée avec une flexibilité supplémentaire pour répondre à une variété de situations et les capacités de chaque pièce, y compris les pièces de duo (grades 2-3) qui peuvent être utilisés de façon indépendante, ainsi que des pièces très simples pour les débutants et les accompagnements piano facultatifs. Le format de pack ' Stringfest ' est particulièrement utile pour l'enseignant et comprend une note de piano et un CD amélioré de parties de la chaîne imprimable pour chaque instrument comme fichiers PDF afin que vous pourrez imprimer exactement ce que vous avez besoin. Le CD comprend aussi accompagnement au piano choeurs des pistes pour une aide supplémentaire avec la pratique et de la performance. / Niveau : Facile / Répertoire / Quatuor à Cordes
32.60 EUR - Sold by LMI-partitions (Seller in french langage) Pre-shipment lead time: In Stock | |
| I Wonder As I Wander -
Full Score: String
Orchestra: Score Concert band [Sheet music] Schirmer
Score-John Jacob Niles' I Wonder As I Wander arranged for Concert Band.This Chr...(+)
Score-John Jacob Niles' I Wonder As I Wander arranged for Concert Band.This Christian folk hymn was inspired by a song heard by Niles at a fundraising meeting for evangelicals which heattended in Murphy North Carolina. Niles wrote of the moment he first heard the tune:'A girl had stepped out to the edge of the little platform attached to the automobile. She began to sing. Her clothes wereunbelievable dirty and ragged and she too was unwashed. Her ash-blond hair hung down in long skeins.... But best of all she was beautiful and in her untutored way she could sing. She smiled as she sang smiled rather sadly and sang only a single line of a song'.Niles requested that the girl repeat the fragment seven times paying her a quarter per performance and left with 'three lines of verse a garbled fragment ofmelodic material—and a magnificent idea'. He completed his composition on October 4 1933 and I Wonder As I Wander was first performed on December 19 1933 at the John C. Campbell Folk School in Brasstown North Carolina.This beautifully flowing arrangement by Bob Krogstad conjures up an atmosphere of wistful contemplation.
5.50 GBP - Sold by Musicroom UK | |
| I Wonder As I Wander
(full Score): Concert
Band: Score Orchestra [Sheet music] Schirmer
Score-John Jacob Niles' I Wonder As I Wander arranged for Orchestra.This Christ...(+)
Score-John Jacob Niles' I Wonder As I Wander arranged for Orchestra.This Christian folk hymn was inspired by a song heard by Niles at a fundraising meeting for evangelicals which he attendedin Murphy North Carolina. Niles wrote of the moment he first heard the tune:'A girl had stepped out to the edge of the little platform attached to the automobile. She began to sing. Her clothes wereunbelievable dirty and ragged and she too was unwashed. Her ash-blond hair hung down in long skeins.... But best of all she was beautiful and in her untutored way she could sing. She smiled as she sang smiled rather sadly and sang only a single line of a song'.Niles requested that the girl repeat the fragment seven times paying her a quarter per performance and left with 'three lines of verse a garbled fragment ofmelodic material—and a magnificent idea'. He completed his composition on October 4 1933 and I Wonder As I Wander was first performed on December 19 1933 at the John C. Campbell Folk School in Brasstown North Carolina.This melodic arrangement by Michael Brown offers an opportunity for every group of instruments to shine making it an excellent choice for school concerts or showcases.
5.50 GBP - Sold by Musicroom UK | |
| Robert Saxton: Vexilla
Regis: SATB: Vocal Score Choral SATB [Vocal Score] University Of York Music Press
Vexilla Regis was composed and published 2014.Dedicated to Benjamin Nicholas and...(+)
Vexilla Regis was composed and published 2014.Dedicated to Benjamin Nicholas and the choir of Merton College Oxford on the occasion of the 750th anniversary of the foundation of the college.A setting of Venantius Fortunatus (530-609 CE).Vexilla Regis prodeunt;fulget Crucis mysterium quo carne carnis conditorsuspensus est patibulo.The banners of the king advance;the mystery of the cross shines forth through which the creator of the flesh was in his fleshhung upon a cross.(Translation: Dr Scott Scullion Fellow and Tutor in Classics Worcester College Oxford.)
3.50 GBP - Sold by Musicroom UK | |
| Kronos Quartett: Kronos
Collection Vol. 2: String
Quartet: Score and Parts String Quartet: 2 violins, viola,
cello Boosey and Hawkes
Arrangements by Osvaldo Golijov-During the first forty years of Kronos we have ...(+)
Arrangements by Osvaldo Golijov-During the first forty years of Kronos we have tried to expand the range of what an experience of String Quartet music might be. Kronos has been bringing elements from a wider expanse of the world of music into our concerts and recordings. Certain composers have been 'translating' carefully chosen pieces from various cultures allowing Kronos to reflect our evolving interests passions and concerns thereby enlarging the palette of sonic possibilities. Paramount among our 'translator'-arranger-composer has been Osvaldo Golijov. These six pieces originating from Argentina Cuba Hungary Mexico and Portugal here translated and arranged by Osvaldo Golijov havegiven Kronos new words in our vocabulary and new roles to assume within our group and they have taught us new ways of approaching music.- Kronos QuartetEach volume of the Kronos Collection contains scores and performance parts for works commissioned by the non-profit Kronos Performing Arts Association for the Kronos Quartet a group celebrated for its fearless exploration and commitment to expanding the repertoire of the String Quartet.This publication has been released in conjunction with the celebration of the 40th anniversary of the Kronos Quartet.This volume contains score and parts.
50.99 GBP - Sold by Musicroom UK | |
| La Muette Jobert
Make the silence talk'La Muette knew how to make the silence talk like no one', ...(+)
Make the silence talk'La Muette knew how to make the silence talk like no one', writes Djavann in his book (La Muette, © Flammarion 2008). Those words deeply touched me for they express one of the most beautiful metaphors in music. Through the lines of discourse, beyond words, I was listening to the silence of 'La Muette'. A rare and intense listening which joins the same internal listening I use when I'm writing my score. I was listening to La Muette, I decided to write a new piece to make the silent voice of La Muette told by Chahdortt Djavann sound through music. Choosing the extracts The text put in music is composed of short extracts from Djavann's story. I focused on this woman's portrait, who conquers her freedom through silence in which she forms a strong love relationship with her niece Fatemeh on the one hand, and the Uncle on the other hand. 'She had made her silence become her art of living, her freedom' writes Djavann. The extremely dramatic tension, the flow of the singing in Persian language, and the oppression in relation to the Iranian context are trying to underline the independent beauty of that woman who resists and exists without a voice. Story A young 15 years old Iranian girl named Fatemeh is in jail. Waiting for her death sentence, she writes the story of her aunt on a small notebook, 'so that someone remembers La Muette and myself'. The young teenager was raised by her aunt who becomes mute because she decided to stop talking on a dark day of her own childhood when she was interrogated, never to tell THE truth. An aunt whose silence makes even more fascinating, haughty, with an insolent look, cigarette at her lips, bare-footed and without any scarf on her head. 'La Muette' had made her silence become her art of living, her freedom. Around her, women start to talk, even considering her mad, for only a mad person could act this way. Fatemeh loves her mute aunt unconditionally, that is how she wants to become a woman, by being like her, fascinated by her silence and her excesses. La Muette embodies a figure of Freedom and makes us remember that in some countries, the woman who won't be submissive risks capital punishment. She will be hung. Following this beautiful text by Chahdortt Djavann, 'La Muette', a powerful text, stiff, tensed, without any lyricism nor compromises, which takes place in Iran under the Mollahs' regime. Persian: Phonological material / Compositional material Djavann's story is written in French. I asked Baharé Khadjé-Nouri to translate the text into Persian, and worked with her on pronunciation, accentuation, metric and the structure of the language, and I thank her again for that. I spent a long time having some people reading me the text in Persian and through listening I immersed myself in that sound universe. From this linguistic material, the beginning of the piece starts with the constitution of a tank of sound objects which will constitute parts of the compositional material. To compose the phonological tank, I worked on writing the pronunciation that lies at the origin of every possible vocal composition, writing the tone as well as the 'percussive - resounding' aspects of phonemes, multiple uses of fricative consonants or sibilants. Finally I used the vocal treatment of the phoneme through modes of play in relation to sprechsang: sing -inspire, or -expire, -blow, -chanting, -whispering, -spitting, -speaking. But a purely phonetic analysis of the vocal structures composing the sung part would reduce the word to its mere phonetic entity. The phonological material then constituted a compositional material by giving to the sung word its semantic entity. Form of the piece To strip the drama off every narrative element, at least of the discursive and linear character of the story, I first re-organized parts of the text extracted from the whole book in an order fitting the form I wanted to give to the piece (except for the beginning and ending which are kept in their linear forms). I imagined Fatemeh in jail, whose memories bounced between the four walls of her cell: recurring musical material, re-injected in an obsessive way, disjointed and contrasted, continuously modified each time, bouncing from one sequence to the next in another state. The piece is divided into 5 sequences, between each of them is an instrumental interlude with a voice-off, the voice of the present in the cell that contrasts with the singing voice of the sequence, evocation of memories of La Muette (sequence 1: preamble, sequence 2: portrait of La Muette, sequence 3: La Muette and Fatemeh, sequence 4: La Muette and the Uncle, sequence 5: epilogue). Electroacoustic setupFor this piece, I wrote the electroacoustic parts myself at the same time I was writing the instrumental parts. The electroacoustic setup is here considered as a whole instrument, an instrument added to the 12 others electroacoustic instruments and to Donatienne's voice. The electroacoustic sounds are divided into three types: - Samples from the singer's voice and instruments of the TM+ ensemble transformed - The narrator's voice Baharé Khadjé-Nouri in Persian, original version or transformed - Extra-musical sounds As for the synchronization between the acoustic and the electroacoustic scores, we will use for the first time an innovative application developed by Frédéric Bevilacqua and Bruno Zamborlin, not to follow the moves as we did it in StreicherKreis (my string quartet created in November 2008), but to follow the voice and orchestra. Thus, we will be using an 'audio-following', which constituted a first. This setup of recognition and following will allow the synchronization between instrumental and electroacoustic scores in a musical and precise way. Concerning the interactivity between performers and device, it will all be in real-time. Characteristics of the musicians' sound will 'interpret' what comes out of the speakers. The musicians will define the settings of the sound transformations, in terms of space, transposition, tone or length. This new piece expresses a message through the choice of subject that goes beyond strictly music. For me, it is important that both the composer and writer can invest their work into problematics which they're confronted to because they are immediate witnesses. / Soprano Et Percussions
71.50 EUR - Sold by LMI-partitions (Seller in french langage) Pre-shipment lead time: On order | |
| Simon Dobson: Journey of
the Lone Wolf: Brass
Band: Score Brass ensemble [Sheet music] Faber Music Limited
Journey of the Lone Wolf tells the story of the hungarian composer Béla Bartók...(+)
Journey of the Lone Wolf tells the story of the hungarian composer Béla Bartók. It was commissioned by Dr. Nicholas Childs for Black Dyke Band who gave the first performance on Sunday 26 January 2014 at the Bridgewater Hall Manchester as part of the Royal Northern College of Music Festival of Brass. The composer's programme notes for each movement:1. Capturing the Peasants SongAfter the upheaval of moving to Budapest the young Béla Bartók meets Zoltán Kodály and the pair embark on summertime adventures throughout the Hungarian countryside to collect and catalogue the astonishingvariety (both harmonically and rhythmically) of gypsy and folk music heard in the Balkans. The arrival of WW1 plunges Bartók's beloved Hungary into chaos.2. Night MusicBartók was at times a cold man aloof and lonely. The odd moments of tenderness he showed are portrayed here in a series of evocative solos. His brief but intense affairs speak of a love he could only long for. Jazz is my night music and here there are hints of what Bartók may have heard in the USA later in his life.3. Flight and FightHaving been forced by the world's evils to leave his homeland of Hungary for America Bartók the anti-fascist felt isolated and angry. In this movement we hear his longing for a simpler time of gypsy folk dances as well as his maturity and depth as a composer finally exploring deeper colours and darker themes.
22.00 GBP - Sold by Musicroom UK | |
| Simon Dobson: Journey of
the Lone Wolf: Brass
Band: Score and Parts Brass ensemble [Sheet music] Faber Music Limited
Journey of the Lone Wolf tells the story of the hungarian composer Béla Bartók...(+)
Journey of the Lone Wolf tells the story of the hungarian composer Béla Bartók. It was commissioned by Dr. Nicholas Childs for Black Dyke Band who gave the first performance on Sunday 26 January 2014 at the Bridgewater Hall Manchester as part of the Royal Northern College of Music Festival of Brass. The composer's programme notes for each movement: 1. Capturing the Peasants SongAfter the upheaval of moving to Budapest the young Béla Bartók meets Zoltán Kodály and the pair embark on summertime adventures throughout the Hungarian countryside to collect and catalogue theastonishing variety (both harmonically and rhythmically) of gypsy and folk music heard in the Balkans. The arrival of WW1 plunges Bartók's beloved Hungary into chaos.2. Night MusicBartók was at times a cold man aloof and lonely. The odd moments of tenderness he showed are portrayed here in a series of evocative solos. His brief but intense affairs speak of a love he could only long for. Jazz is my night music and here there are hints of what Bartók may have heard in the USA later in his life.3. Flight and FightHaving been forced by the world's evils to leave his homeland of Hungary for America Bartók the anti-fascist felt isolated and angry. In this movement we hear his longing for a simpler time of gypsy folk dances as well as his maturity and depth as a composer finally exploring deeper colours and darker themes.
95.00 GBP - Sold by Musicroom UK | |
| Giles Swayne: Missa
Tiburtina: SATB: Vocal
Score Choral SATB SATB [Vocal Score] Novello & Co Ltd.
Described by the composer as 'a prayer for sanity a cry in the wilderness to a ...(+)
Described by the composer as 'a prayer for sanity a cry in the wilderness to a god who may or may not be there' this unconventional Mass (with new words) is written in the context of a world where millions of people die of hunger every year where 10% of living species are under threat of extinction. The Mass is angrily critical of the intolerance injustice and corruption of our world and those who control it.Duration c. 24 mins. For SATB chorus a cappella.Vocal score.
13.99 GBP - Sold by Musicroom UK | |
| Miklós Kocsár:
Marienlieder für
Frauenchor: SSA: Vocal
Score Latin Choral 3-part SSA EMB (Editio Musica Budapest)
Hungary has a thousand-year-old tradition of reverence for the Virgin Mary. In t...(+)
Hungary has a thousand-year-old tradition of reverence for the Virgin Mary. In the course of the centuries the Church has found more and more occasions for the celebration of Mary. The greatest is the celebration of Mary?s assumption into heaven which coincides with the anniversary of the death of Saint Stephen on August 15. The texts of these choral works originate from various supplicatory prayers from the office vocal texts and hymns. The six choral works don?t form a cycle since the texts are associated with different liturgies. The choruses: Regina caeli ? antiphon for Easter Sub tuum praesidium ? antiphon Maria Mater gratiae ? short hymn Ave Regina caelorum ?antiphon for Lent Ave maris stella ? Hymn to Mary Virgo parens Christi benedicta ? responsorium can be sung singly or in any combination.
6.99 GBP - Sold by Musicroom UK | |
| Pamela Stewart John
Purifoy: If You Love Me
(Feed My Sheep): SATB:
Vocal Score Choral SATB [Vocal Score] Shawnee Press
This moving anthem is a reminder of our responsibilities to feed those who are h...(+)
This moving anthem is a reminder of our responsibilities to feed those who are hungry calling the Church to respond with charity and love. A rich lyrical theme is adorned with solid harmonies and supported by a flowing piano accompaniment bringing a bittersweet quality to the whole. The chorus arches with the passionate invocation to Prepare the table come set a place. An ideal choice for services where offerings and prayers are being directed to social ministries.
11.25 GBP - Sold by Musicroom UK | |
| Ursula Mamlok: Cantata:
SATB: Vocal Score Choral SATB [Vocal Score] Bote and Bock
Die Cantata für gemischten Chor und Klavier (oder Orgel) ist ein Frühwerk Ursu...(+)
Die Cantata für gemischten Chor und Klavier (oder Orgel) ist ein Frühwerk Ursula Mamloks wenn man die Komposition einer Mittdreißigerin denn so nennen kann. 1958 zur Entstehungszeit des Stücks hatte die Komponistin gerade ihr Studium an der Manhattan School of Music beendet. In den Folgejahren mit Studien bei Stefan Wolpe und Ralph Shapey näherte sie sich der Reihentechnik an und entwickelte den typischen Stil der in den späteren Jahrzehnte typisch für sie sein sollte. Die Cantata ist also das musikalische Zeugnis einer Übergangsperiode und nimmt auch weil Chorkompositionen in Mamloks Schaffen selten sind eine Sonderstellung ein. Allerdings eine äußerst reizvolle.Der etwa 7-minütigen einsätzigen Komposition liegt der 1. Psalm in englischer Sprache zugrunde. Ritornellartig kehrt das Wort ?Blessed? wieder mit Quartakkorden charakteristisch harmonisiert. Der Chorsatz ist äußerst vielfältig und bis zu achtstimmig aufgefächert. Immer wieder treten Soli aus allen Stimmgruppen hervor. Homophone kontrastieren mit durchbrochenen und imitatorischen Abschnitten begleitete mit a cappella gesungenen. Interessant ist auch die Instrumentalstimme die nicht nur den Gesang begleitet sondern individuell und in wechselhafter Gestaltung hervortritt.
22.50 GBP - Sold by Musicroom UK | |
| Pepper Choplin: Hungerin'
in My Soul: SATB: Vocal
Score Choral SATB [Vocal Score] Shawnee Press
Primal in its strength this singular anthem is a powerful cry for God to pour H...(+)
Primal in its strength this singular anthem is a powerful cry for God to pour His Spirit into our longing hearts. Pepper Choplin is known for his unique choral treatments and incorporating folk elements into his vocal textures.Here he calls upon soulful gospel Zydeco and rock idioms to craft an unforgettable and worshipful music experience. Awesome!
13.75 GBP - Sold by Musicroom UK | |
| Ultimate Song Pages:
Piano Vol.1 (PVG) Piano, Vocal and Guitar [Sheet music] Alfred Publishing
Over 200 of your favorite pop/rock songs, all in one book! The Ultimate Song Pag...(+)
Over 200 of your favorite pop/rock songs, all in one book! The Ultimate Song Pages: Piano Volume 1 provides the lyrics along with piano and chord arrangements for some of the greatest pop and rock hits ever written. Artists featured: 50 Cent * ABBA * Aerosmith * Avril Lavigne * the Beatles * the Bee Gees * Bruce Hornsby * Bruce Springsteen * Celine Dion * Cher * Chicago * Coldplay * Cream * Diana Ross * Dixie Chicks * Elvis Presley * Eric Clapton * Grateful Dead * Green Day * Hall
43.50 EUR - Sold by LMI-partitions (Seller in french langage) Pre-shipment lead time: On order | |
| The Resurrection and
Ascension of Jesus (BACH
CARL PHILIPP EMMANUEL) Soli, Mixted choir and accompaniment Carus Verlag
BR-CPEB D 3 (Wq 240) - Oratorio. Par BACH CARL PHILIPP EMMANUEL. Of the three or...(+)
BR-CPEB D 3 (Wq 240) - Oratorio. Par BACH CARL PHILIPP EMMANUEL. Of the three oratorios which Carl Philipp Emanuel Bach composed when he was music director in Hamburg, Die Auferstehung und Himmelfahrt Jesu is particularly intended to create splendor and effect with its use of magnificent-sounding trumpets and timpani. Bach liked this work very much and had it published in 1787, the year before his death. The following year the oratorio was performed by Mozart in Vienna.The text of the oratorio by Carl Wilhelm Ramler (1725?1798; better known as the poet of the frequently-set ?Der Tod Jesu?) covers the Easter story of the disciples at Emmaus and the doubting Thomas, up to the image of Jesus ascending to heaven.The score is published as Vol. IV,2 of the C.P.E. Bach Complete Edition, edited by the Packard Humanities Institute. Carus publishes the vocal score and choral score for this work. The full score and parts can also be obtained from Carus. / Date parution : 2023-03-11/ Répertoire / Soli [STB], SATB
16.30 EUR - Sold by LMI-partitions (Seller in french langage) Pre-shipment lead time: On order | |
| The Resurrection and
Ascension of Jesus (BACH
CARL PHILIPP EMMANUEL) Soli, Mixted choir and accompaniment Carus Verlag
BR-CPEB D 3 (Wq 240) - Oratorio. Par BACH CARL PHILIPP EMMANUEL. Of the three or...(+)
BR-CPEB D 3 (Wq 240) - Oratorio. Par BACH CARL PHILIPP EMMANUEL. Of the three oratorios which Carl Philipp Emanuel Bach composed when he was music director in Hamburg, Die Auferstehung und Himmelfahrt Jesu is particularly intended to create splendor and effect with its use of magnificent-sounding trumpets and timpani. Bach liked this work very much and had it published in 1787, the year before his death. The following year the oratorio was performed by Mozart in Vienna.The text of the oratorio by Carl Wilhelm Ramler (1725?1798; better known as the poet of the frequently-set ?Der Tod Jesu?) covers the Easter story of the disciples at Emmaus and the doubting Thomas, up to the image of Jesus ascending to heaven.The score is published as Vol. IV,2 of the C.P.E. Bach Complete Edition, edited by the Packard Humanities Institute. Carus publishes the vocal score and choral score for this work. The full score and parts can also be obtained from Carus. / Date parution : 2023-03-11/ Répertoire / Soli [STB], SATB et Piano
36.70 EUR - Sold by LMI-partitions (Seller in french langage) Pre-shipment lead time: On order | |
| The Resurrection and
Ascension of Jesus (BACH
CARL PHILIPP EMMANUEL) Soli, Mixted choir and accompaniment [Set of Parts] Carus Verlag
BR-CPEB D 3 (Wq 240) - Oratorio. Par BACH CARL PHILIPP EMMANUEL. Of the three or...(+)
BR-CPEB D 3 (Wq 240) - Oratorio. Par BACH CARL PHILIPP EMMANUEL. Of the three oratorios which Carl Philipp Emanuel Bach composed when he was music director in Hamburg, Die Auferstehung und Himmelfahrt Jesu is particularly intended to create splendor and effect with its use of magnificent-sounding trumpets and timpani. Bach liked this work very much and had it published in 1787, the year before his death. The following year the oratorio was performed by Mozart in Vienna.The text of the oratorio by Carl Wilhelm Ramler (1725?1798; better known as the poet of the frequently-set ?Der Tod Jesu?) covers the Easter story of the disciples at Emmaus and the doubting Thomas, up to the image of Jesus ascending to heaven.The score is published as Vol. IV,2 of the C.P.E. Bach Complete Edition, edited by the Packard Humanities Institute. Carus publishes the vocal score and choral score for this work. The full score and parts can also be obtained from Carus. / Date parution : 2023-03-11/ Répertoire / Soli [STB], SATB et Orchestre
470.60 EUR - Sold by LMI-partitions (Seller in french langage) Pre-shipment lead time: On order | |
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