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New Busker's Fakebook 1001 All-Time Hit Songs
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Easy
Music Sales
The second volume of a thousand and one all-time hit songs ranging from essentia...
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The second volume of a thousand and one all-time hit songs ranging from essential standards to the latest pop hits - a must for all singers and musicians. / Chant Et Guitare
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1001 All-Time Hit Songs
Melody line, (Lyrics) and Chords
[Sheet music]
Amsco Wise Publications
Third edition of the world's biggest songbook. This is a vast bumper collection,...
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Third edition of the world's biggest songbook. This is a vast bumper collection, perfect for buskers, of 1001 all-time hit songs.Whatever your taste, there's guaranteed to be tonnes of songs you'll want to play, this book will last you years!Inside the spiral bound cover you will find a generous selection of hit songs, golden standards, jazz and blues numbers, classical pieces, hymns, gospel songs, stage, film and musical music! Arranged here in Melody line arrangements for Piano, Organ, Electronic Keyboards, Guitar and all C instruments, complete with lyrics and chord symbols. / Ligne Mélodique, Paroles Et Accords (Avec Grilles D'Accords)
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Elizabethan Love Songs Vol.2
Low voice, Piano
Boosey and Hawkes
/ Voix Basse Et Piano
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36 More Solos for Young Singers: Vocal Solo: Vocal Album
Children choir
[Sheet music + Audio access]
Hal Leonard
Building on 36 Solos for Young Singers (available as HL00740143) this collectio...
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Building on 36 Solos for Young Singers (available as HL00740143) this collection contains traditional and folk songs with limited ranges for late-elementary to mid-teen singers. The book includes intermediate-level piano arrangements and the companion CD features professionally recorded accompaniments for performance or practice.Songs include: 'The Band Played On' 'Grandfather's Clock' 'The Glendy Burk' 'I'm Forever Blowing Bubbles' 'Love's Wondrous Garden' 'This Little Light of Mine' 'Wait for the Wagon' and more. Ideal contest solos for young singers!
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Vol.2 Chediak
Français
Guitar
[Sheet music]
ID Music
Le livre Vocal réelle est la réponse à l'ouvrage de faux. C'est une alternati...
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Le livre Vocal réelle est la réponse à l'ouvrage de faux. C'est une alternative à la pléthore de volumes mal conçues, illisibles, inexacts, mal edited qui abondent sur le marché aujourd'hui. Le livre Vocal réelle est extrêmement précis, soignée et vise, avant tout, pour un usage pratique. Tous les efforts réalisés pour le rendre agréable à effectuer. La sélection de musiques pour ce volume met en évidence les principaux compositeurs jazz du passé des années 60, avec une attention particulière pour les années 1960 et 1970. Un certain nombre de chansons par Rogers
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Hugh Wood: Ballade Op.57: Piano: Instrumental Work
Piano solo
Chester
Hugh Wood's Ballade Op.57 for Piano was commissioned by BBC Radio 3 and first p...
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Hugh Wood's Ballade Op.57 for Piano was commissioned by BBC Radio 3 and first performed by Joanna MacGregor on 7th June 2012 at the Guildhall Bath as part of the Bath International Music Festival.'The music of Chopinis a revelation which came disgracefully late in my life. To admire is one thing; to try to emulate is quite another: and all that I have borrowed here is a title. Perhaps memories of Joanna MacGregor performing the FourthBallade very beautifully long ago played a part in the naming. But to define what a Ballade should or should not be is quite beyond me: after all Chopin and Brahms both came to quite different conclusions. I just like theold rather poetic word.A fanfarish beginning ends in a falling arpeggionic cascade which will recur in varied form at turning points throughout the piece. A major third emerges to become the accompaniment to the mainlyrical melody which becomes more and more decorated until it ends with a second cascade. The tune resumes more urgently against an undulating semiquaver accompaniment. A bigger climax suddenly gives way to a reminiscence of oneof the opening figures and then introduces alla recit. a new motif. But immediately the main melody continues this time getting gradually calmer quieter and sweeter until the new motif takes over in a passage of 6 and ismore fully worked out.From very high up the opening fanfares are heard in the distance and a faster tempo brings a more vigorous passage culminating in the biggest and most climactic of the cascades. This might be theend of the piece but it is not. A sequence of soft velvety chords rises up eventually to reveal the original major third. Four phrases of the opening melody are then heard over it in their plainest form.' - H.W.
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Matthew Harris: Winter Is White: SATB: Vocal Score
Choral SATB
[Vocal Score]
Associated
These choruses are from the composer's three-act opera Tess which is based on T...
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These choruses are from the composer's three-act opera Tess which is based on Thomas Hardy's novel Tess of the d'Urbervilles. All three are from Act II which begins on a dairy farm on a May morning in late 19thcentury England.I. Winter is WhiteAngel Clare a budding gentleman farmer sings this song with his Harp for a gathering at the dairy. (the text is adapted from the Hardy poem 'The Seasons of HerYear.')II. AriseAct II iopens with dairymaids and men singing this chorus as they prepare for the day's work. (The text for the outer sections is based on a folksong quoted in the novel; the mkiddlesectiopn employs the Hardy poem 'Gallant's Song.')III. Come Let Us Chime (Wedding Song)Tess a country girl who came to the dairy to escape her dark past accapts Clare's proposal of marriage. Theyembrace the curtain falls and the wedding chorus is heard offstage. During the last few bars the curtain rises on the next scene - Tess and Clare in theur honeymoon cottage. (The text is by the composer.)
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Fred Waring: Fred Waring - Christmas Song Book: Vocal: Vocal Work
[Vocal Score]
Shawnee Press
Includes dozens of carols which can be sung by SATB SSA or TTBB groups.Contents...
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Includes dozens of carols which can be sung by SATB SSA or TTBB groups.Contents: Angels from the Realms of Glory • As Lately We Watched • Bring a Torch Jeannette Isabella • Christ Was Born on ChristmasDay • The First Noel • The Friendly Beasts • Fum Fum Fum • Glad Christmas Bells • Go Tell It on the Mountain • God Rest You Merry Gentlemen • Good Christian Men Rejoice • Good KingWenceslas • Here We Come A-Caroling • The Holly and the Ivy • I Heard the Bells on Christmas Day • I Saw Three Ships • Joy to the World • Lo How a Rose E'er Blooming • Lullay Thou Little TinyChild • March of the Kings • Masters in This Hall • O Christmas Tree • O Come Little Children • O Come O Come Emmanuel • O Little Town of Bethlehem • Patapan • Rudolph the Red-NosedReindeer • Shepherds Shake Off Your Drowsy Sleep • Sing We Now of Christmas • The Snow Lay on the Ground • There's a Song in the Air • Wassail Wassail • We Three Kings of Orient Are • WhileShepherds Watched Their Flocks.
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John Frith: Horn Trio: Chamber Ensemble: Instrumental Work
Emerson Editions limited
“I first learned of the ‘Horn Trio’ by Johannes Brahms while s...
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“I first learned of the ‘Horn Trio’ by Johannes Brahms while still a student at Dartington College of Arts and it had a profound effect on me when I heard it performed by Alan Civil Hugh Bean and David Parkhouse at a concert in Plymouth in 1967. As a novice Horn player and composer I dreamt of being able to join Lennox Berkeley and the many other composers inspired by these luscious musical sonorities andthis work of great genius by Brahms. Now in my late sixties I feel ready to tackle this project and I am delighted that the piece has now been published. The writing is I hope idiomatic and accessible giving the performer ampleopportunity for generous and expressive playing within a proudly English musical landscape. Within these four movements I have tried to create a work of beauty reflecting something of the world about us with a dash of firereserved for the final rondo.” - John Frith
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Its A Ukulele Christmas
Ukulele
Alfred Publishing
This book contains over 80 holiday songs arranged to be easily playable on ukule...
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This book contains over 80 holiday songs arranged to be easily playable on ukulele. Ranging from classic carols such as 'Silent Night? and 'O Christmas Tree,? to popular tunes like 'Have Yourself a Merry Little Christmas? and 'Santa Claus Is Comin' to Town,? right on through music from yuletide movies such as How the Grinch Stole Christmas! and National Lampoon's Christmas Vacation, this book is perfect for holiday get-togethers and sing-alongs! Titles: Angels from the Realms of Glory * Angels We Have Heard on High * As Lately We Watched * Auld Lang Syne * Away in a Manger (Murray) * Away in a Manger (Cradle Song) * The Babe * A Babe Is Born in Bethlehem * Believe (from The Polar Express) * The Bells of Christmas * Boar's Head Carol * Born Is He, This Holy Child * Bright and Joyful Is the Morn * Bring a Torch, Jeannette, Isabella * Buon Natale (Means Merry Christmas to You) * Carol of the Birds * Celebrate Me Home * A Child This Day Is Born * Christ Was Born on Christmas Day * Christmas Comes Anew * Christmas Vacation (from National Lampoon's Christmas Vacation) * The Coventry Carol * Dance of the Sugar Plum Fairy * Deck the Halls * Emmanuel * The First Noel * The Friendly Beasts * Gesu Bambino (The Infant Jesus) * The Gift * Go Tell It on the Mountain * God Rest Ye Merry, Gentlemen * Good Christian Men, Rejoice * Good King Wenceslas * A Great and Mighty Wonder * Hallelujah Chorus (from The Messiah) * Happy Xmas (War Is Over) * Hark! The Herald Angels Sing * Have Yourself a Merry Little Christmas * Here We Come A-Wassailing * The Holly and the Ivy * Holy Night, Peaceful Night * Hush, My Babe, Lie Still and Slumber * I Heard the Bells on Christmas Day * I Saw Three Ships * I Wonder as I Wander * I'll Be Home for Christmas * In the Bleak Midwinter * It Came Upon the Midnight Clear * Jesu, Joy of Man's Desiring * Jingle Bells * Jolly Old Saint Nicholas * Joy to the World * The Little Drummer Boy * March of the Toys * Mary Had a Baby * Mele Kalikimaka * Noel! Noel! * O Christmas Tree (O Tannenbaum) * O Come All Ye Faithful (Adeste Fideles) * O Come, Little Children * O Come, O Come Emmanuel * O Holy Night (Cantique de Noel) * O Little Town of Bethlehem * On Christmas Night All Christians Sing * Once in Royal David's City * Patapan * Santa Claus Is Comin' to Town * Silent Night * Simple Gifts * Sleigh Ride * Stand Beneath the Mistletoe * Star of the East * The Twelve Days of Christmas * Ukrainian Carol (Carol of the Bells) * Up on the Housetop * We Three Kings of Orient Are * We Wish You a Merry Christmas * Welcome Christmas (from How the Grinch Stole Christmas!) * What Child Is This? * When Christmas Comes to Town (from The Polar Express) * You're a Mean One, Mr. Grinch (from How the Grinch Stole Christmas!). / Ukulélé
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Kelterborn, Rudolf : 10 Duos for Female Voice and Piano
Piano, Voice
[Sheet music]
-
Intermediate
Barenreiter
The composer Rudolf Kelterborn about his work: ?I call the ten compositions for ...
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The composer Rudolf Kelterborn about his work: ?I call the ten compositions for female voice and piano ?DUOS? because the voice and instrument parts are treated musically with absolute equality and indeed often go their own independent ways.
In the vocal part there are several variants, and this makes them accessible for different types of voice.
The 10 duos do not form a complete cycle that can be heard only as an entire work. Smaller groups can be put together and presented according to text-related or musical aspects.
The texts are by authors who have continued to inspire me for years.? / [10 Duos Pour Voix de Femme et Piano] / Classique / Partition / Agrafé /
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Wolfgang Amadeus Mozart: Serenade in E-flat Major K. 375: Chamber Ensemble:
Bläsersextett : 2 Klarinetten, 2 Hörner und 2 Fagotte
[Set of Parts]
G. Henle
Serenade in Eb major K. 375-Late in the evening on his name day in 1781 Mozart...
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Serenade in Eb major K. 375-Late in the evening on his name day in 1781 Mozart was on his way to bed when he suddenly heard familiar sounds coming from outside: the six musicians who had given the première of his Serenade in E-flatMajor two weeks beforehand and whom he had described as ?poor fellows but who can blow together quite nicely? had now met in the courtyard and were serenading him with his own work. Although it was officially composedfor Therese Hickel in actual fact Mozart mainly wanted to impress Emperor Joseph II whose chief of the royal chamber music often went to Therese?s house ?That?s the reason why I also put a little effort into it?. Didit really help? At any rate Mozart was appointed imperial chamber composer by Joseph II a few years later.
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Adam Douglass: Beginning Rock/Pop Guitar Etudes: Guitar: Instrumental Album
Guitar
[Sheet music + Audio access]
Mel Bay
Is the beginning stage of learning the guitar proving to be a frustrating experi...
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Is the beginning stage of learning the guitar proving to be a frustrating experience? Do you lack songs which you can play from start to finish? Do the ones that you can play all the way through not sound much like their originalversions? I have been teaching these pieces to my beginner students for quite some time now and the success rate has been remarkable. Most methods start by having the student slowly move back and forth between basic chords usingonly down strokes playing chords one note at a time to make sure all the notes ring clear. This book offers something much different—playing music! The pieces are designed to target trouble areas often experienced by beginners ofthe instrument: arching the fingers enough in order to let all the notes of a chord ring clearly. Rather than just droning on through a series of chords musical patterns are created so that as you learn proper technique you’realso playing something musical. The results have been better than expected. Focusing on figures that demand proper technique and some of the most common strumming patterns found in popular music many of my students are able toexecute beginner and intermediate level songs within a few weeks of picking up the instrument rather than a few months. Additionally the dreaded F chord or root 6 major barre chord often rings clearly with all 6 notes beingheard upon the first attempt. This book will help you achieve your guitar related goals quickly more efficiently and most importantly more enjoyably. Includes access to online video.
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Flatpicking Celtic Guitar: Guitar: Instrumental Album
Guitar notes and tablatures
[Sheet music + CD]
-
Intermediate
ADG productions
A collection of 23 Celtic songs arranged for Guitar with standard notation and T...
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A collection of 23 Celtic songs arranged for Guitar with standard notation and Tab. Includes a comprehensive guide to Flatpicking Celtic style Guitar and also a CD of examples.For me playing the Guitar is all about finding pieces of music that you want to play over and over again. I don't know a formula for what makes up a great piece but I know it when I hear it. A good piece of music is not a page with notes hanging in a museum it is music you come back to ten years later and love it just as much as you did when you first heard it. Whether it???s a classic piece by O'Carolan or a traditional piece in the Celtic tradition that is what I believe you will find inthis book. Quite simply these are beautiful arrangements of Celtic Music that you will keep you coming back. So if you love playing the guitar and you are looking for music you will be playing for a lifetime this is the book for you.Allan Alexander
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Gordon Carr: Rhapsody: Bassoon: Instrumental Work
Emerson Editions limited
“I wrote Rhapsody in 2000 but it remained unperformed and so I gave a copy...
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“I wrote Rhapsody in 2000 but it remained unperformed and so I gave a copy to John Orford the Bassoonist and Professor at the Royal Academy of Music. Some years later to my surprise and delight hecontacted me to ask if it could be the set piece for The Florence Woodbridge Prize. On the morning of Monday the 27th June 2016 I went to The Academy where I heard a succession of fine performances the winner of the prizewas David Bennett.” - Gordon Carr
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Edward Gregson: Shadow of Paradise (Oboe/Percussion): Oboe: Instrumental Work
Oboe, Percussion
[Sheet music]
Novello & Co Ltd.
Shadow of Paradise was written specially for Melinda Maxwell. The work was compl...
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Shadow of Paradise was written specially for Melinda Maxwell. The work was completed in 2005 the same year that she recorded the work together with Richard Benjafield (percussion) for the Dutton label.'The work is based on the poem by Samuel Taylor Coleridge Kubla Khan and I have attempted to capture some of the spirit of his highly evocative text in my music.It is structured in three main sections: the opening section (And ‘mid this tumult Kubla heard from far Ancestral voices prophesying war) is dramatic in nature with the oboe announcing two ideas - the first a high repeated note rhythmic pattern (later with multiphonics) answered by six differentlypitched drums and temple blocks and the second a short lyrical phrase mainly built on thirds.In the second section (A damsel with a dulcimer In a vision once I saw…Could I revive within me Her symphony and song) the solo oboe transforms the repeated notes and thirds of the first section into a love song underpinned by the percussionist’s vibraphone and crotales.A short reprise of the very opening leads into the final section (Beware! Beware! His flashing eyes his floating hair! Weave a circle round him thrice…) which mirrors the text with three short dances in chain form folk-like in character and increasingly climactic. A final reprise of the opening seems to suggest a violent end but the oboe’s echo of the love song answered by the percussionist’s crotales brings the work to a gentler conclusion.' Edward Gregson - December 2011Instrumentation:Solo oboeSolo percussion (6 temple blocks 2 bongos 4 tom-toms vibraphone crotales 2 tambourines)
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Ponzol Peter - Saxophone Workshop - Pocket Guide
Saxophone
Jamey Aebersold Jazz
Imagine someone who has worked as an international saxophonist, an educator, a t...
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Imagine someone who has worked as an international saxophonist, an educator, a technician, a consultant, and as a designer, and you can imagine Peter Ponzol. For the first time, Peter offers details from his famous Saxophone Workshops. Learn about: ? Maintenance ? Reeds ? Mouthpieces ? Ligatures ? Sound ? Flexibility This exciting and informational pocket book will be a much needed addition to your musical library! Convenient pocket-sized book - 3.5 x 5.5 - perfect to toss in your gig bag! 64 pages. Peter has been around saxophones for decades, doing it all from manufacturing horns to reeds to mouthpieces. As well, he is a seasoned player. What he discusses in this book is coming from one of the sources-read carefully! - David Liebman, Sax artist/ author/ clinician. Read this review from Sax On The Web: The information in this book is right up SOTW?s alley, with answers regarding reeds, necks, mouthpieces, saxes, maintenance, and the like. I would assume that the number of redundant threads started could be reduced almost in half simply with a reading of this book and those owning it could refer back to it at their leisure, as needed. And there is enough info in this book which contradicts some of our SOTW urban legends to make an episode of MythBusters. If you catch the right posts at the right time, much of the info in this book is already posted here on SOTW. But you have to see it and if hunting for it, you have to find it. OTOH it?s all conveniently gathered and organized here in this primer - plus more. There are suggestions such as replacing the neck cork once or twice a year, which I would, if posting a response, say is not necessary. But here?s the difference. Many of us on the forum are experienced musicians but few have the experience and depth that Ponzol has. We can write with credibility - Ponzol writes with authority. And this is based on decades not only as a top-echelon player, but as a successful and innovative sax, neck and mpc designer. The book is a 61 page pocket reference booklet which, in addition to topics mentioned above, include thoughts on ligatures, sound and flexibility. It is based on items of interest asked by attendees at workshops he has given over the years, hence the title. He begins by pointing out that at these workshops one of the first things he does is look at the condition of attendees' equipment with the observation that at least 90% of them need some kind of work and adjustments. What follows in the book?s 61 pages are recommendations generated by this observation. Included are interesting comments such as: aging store-bought reeds by letting them sit for several years is fairly useless since the aging process stops once the bark has been cut away from the reed; not earth-shattering but interesting and certainly myth debunking. Again something that fits right in with many of the conversations on this forum. Interesting thoughts follow regarding the future of natural cane reeds, or how to select and get the most from your reeds - things I wouldn?t think of like sanding the heel of your reed. SOTWers might also get a kick out of, and relate to, the title of his section on mouthpieces, ?Now the Fun Begins?. There are also interesting side comments we don?t often hear like: in the 70s so many young players like Ponzol were trying to get Trane?s recorded sound by working on metal Links because that?s what they saw in photos and yet, Trane often recorded with hard rubber mpcs because, in Trane's opinion, it didn?t have as much spit in the sound for him. It?s interesting how some things come around back to you. There are two exercises I recommend to my students and have recommended on the forum regarding volume and embouchure control and flexibility. I?ve never heard anyone else recommend these exercises and yet here they are in Peter?s book. Then it hit me. The only other one I know who uses them is a former teacher of mine and I remembered that years ago he said he had had some lessons with Ponzol. So ?the circle is unbroken? LOL. I would highly recommend it for beginners and intermediates, as well as for more advanced players to recommend to their students. It has made me re-think even some of my most basic assumptions regarding equipment and maintenance, which has made the read well worth it. I wish every SOTW newbie would start out their Forum time with this booklet at their disposal.
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Selections From A Tender Light
Choral SATB
Novello & Co Ltd.
A Tender Light is a collection of new choral music by the Welsh composer Paul Me...
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A Tender Light is a collection of new choral music by the Welsh composer Paul Mealor, including the Ubi caritas , made famous by its inclusion in the Royal Wedding Ceremony of His Royal Highness Prince William and Catherine Middleton (now TRH The Duke and Duchess of Cambridge) at Westminster Abbey in April 2011. 2.5 billion people (the largest audience in broadcasting history) heard his Motet on that day and since then it has topped the Classical singles charts in the USA, UK, Australia, France and New Zealand and has already entered the standard repertoire for many choirs. For singers wanting to explore further the music of Mealor, this book also contains the luminous She Walks in Beauty , the contemplative O vos omnes and the madrigal sequence Now Sleeps the Crimson Petal. Locus iste and Ave Maria are modern yet timeless settings of well-known texts. This is a must-have collection for any mixed voice choir wanting to explore the latest and best in choral repertoire. 'Serene and Beautful' Gramophone Magazine 'Mealor is the most important composer to have emerged in Welsh choral music since William Mathias' The New York Times Paul Mealor - A Tender Light by DeccaRecords / SATB
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Wolfgang Amadeus Mozart: Serenade In B-Flat Major K.361 - Gran Partita:
Orchestra
Barenreiter
Serenade für 13 Instrumente-An announcement in the Wiener-Zeitung read: ?Concer...
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Serenade für 13 Instrumente-An announcement in the Wiener-Zeitung read: ?Concert. Today [23 March 1784] Herr [Anton] Stadler Sr. presently in the service of His Majesty the Emperor will hold a concert for his own benefit at the Royal Imperial National Court Theatre in which among other select pieces he will present a grand work for wind-band of a quite special character composed by Herr Mozart.? That this was almost certainly four movements from the present Serenade in B-flat major K.361 is suggested by an account of the occasion published some months later which states ?Today I heard a composition by Herr Mozart in 4 movements for wind ensemble . . . comprising 13 instruments: 4 horns 2oboes 2 bassoons 2 clarinetts 2 basset horns and a contrabass viol. . . .?Much music of the serenade-divertimento-cassation-Nachtmusik type was written in a light style and intended for social occasions rather than formal concerts. In such a context K.361 is striking for its seriousness of artistic content its length (seven movements lasting nearly an hour) and its extended instrumentation (most wind-band music of the period calls for five to eight or nine players not thirteen). If the work was not conceived in the first instance as a concert work its potential as such must have been recognized early on by Mozart or Stadler.- Urtext of the New Mozart Edition- Parts (BA5331-22) and study score format 22.5 x 16.5cm (TP312) available for sale
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100 Christmas Carols And Hymns (BAY WILLIAM)
Trompette et Guitare
-
Intermediate
Mel Bay
for Trumpet and Guitar. Par BAY WILLIAM. Through the centuries, the Christmas se...
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for Trumpet and Guitar. Par BAY WILLIAM. Through the centuries, the Christmas season has inspired composers, poets, lyricists and hymn writers to apply their craft in devotion to this event.This book presents 100 arrangements of favorite Christmas carols and advent hymns for violin solo with guitar accompaniment. Suggested chordal accompaniment is included for each solo so that any chordal instrument can accompany the violin. The author has also indicated whether the guitarist should use fingerstyle or strum accompaniment. The music in this book spans centuries and represents a wonderful assortment of solos which may be used as preludes or offertories throughout the various seasons in the church year. / Niveau : Intermédiaire / Musique religieuse / Recueil / Trompette et Guitare
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100 Christmas Carols And Hymns (BAY WILLIAM)
Flute and Guitar
-
Intermediate
Mel Bay
Par BAY WILLIAM. Through the centuries, the Christmas season has inspired compos...
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Par BAY WILLIAM. Through the centuries, the Christmas season has inspired composers, poets, lyricists and hymn writers to apply their craft in devotion to this event.This book presents 100 arrangements of favorite Christmas carols and advent hymns for violin solo with guitar accompaniment. Suggested chordal accompaniment is included for each solo so that any chordal instrument can accompany the violin. The author has also indicated whether the guitarist should use fingerstyle or strum accompaniment. The music in this book spans centuries and represents a wonderful assortment of solos which may be used as preludes or offertories throughout the various seasons in the church year. / Niveau : Intermédiaire / Musique religieuse / Recueil / Flûte Traversière et Guitare
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100 Christmas Carols And Hymns
Violin, Guitar (duet)
-
Intermediate
Mel Bay
Through the centuries, the Christmas season has inspired composers, poets, lyric...
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Through the centuries, the Christmas season has inspired composers, poets, lyricists and hymn writers to apply their craft in devotion to this event.This book presents 100 arrangements of favorite Christmas carols and advent hymns for violin solo with guitar accompaniment. Suggested chordal accompaniment is included for each solo so that any chordal instrument can accompany the violin. The author has also indicated whether the guitarist should use fingerstyle or strum accompaniment. The music in this book spans centuries and represents a wonderful assortment of solos which may be used as preludes or offertories throughout the various seasons in the church year. / Niveau : Intermédiaire / Musique religieuse / Date parution : 2018-05-04/ Recueil / Violon et Guitare
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100 Christmas Carols And Hymns
Cello, Guitar (duet)
-
Intermediate
Mel Bay
Through the centuries, the Christmas season has inspired composers, poets, lyric...
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Through the centuries, the Christmas season has inspired composers, poets, lyricists and hymn writers to apply their craft in devotion to this event. This book presents 100 arrangements of favorite Christmas carols and advent hymns for cello solo with guitar accompaniment. Suggested chordal accompaniment is included for each solo so that any chordal instrument can accompany the cello. Where appropriate, capo chords are shown.The author has also indicated whether the guitarist should use fingerstyle or strum accompaniment. The music in this book spans centuries and represents a wonderful assortment of solos which may be used as preludes or offertories throughout the various seasons in the church year. / Niveau : Intermédiaire / Musique religieuse / Date parution : 2018-05-04/ Recueil / Violoncelle et Guitare
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The Girona Suite - Eight Evocations
Piano solo
-
Intermediate/advanced
Pianissimo Publishing
June Armstrong's songbook The Girona Suite - Eight Evocations For Piano features...
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June Armstrong's songbook The Girona Suite - Eight Evocations For Piano features eight original and challenging compositions for grades five to seven standard, all inspired by the shipwreck of the Spanish galleas, the Girona.The pieces included in this songbook were all composed specifically for this collection by revered pianist and teacher June Armstrong. Her many years of experience in teaching have allowed her to craft compositions both subtle and powerful that stretch the ability of students while giving them an engaging story on which to base their expression and feeling when playing. Armstrong is an advocate of focusing learning on atmosphere and tonal awareness, which, when combined with the necessary techniques and theory, makes this songbook a learning tool that is theoretically sound and musically enticing.From the first page, the composer has shown her commitment to creating pieces specifically for students learning the Piano, as she writes of how many people, including former students, have inspired her. She then writes in detail about the historical context of the theme of the work, before giving more practical advice on the music itself and how to go about playing it. The friendly and warm approach that Armstrong brings to presenting her suite makes it more than a simple songbook, it becomes a personal journey, where the composer herself guides you through the characters and settings that the music has been composed to evoke. As well as presenting challenging and entertaining pieces, Armstrong's work serves as a fantastic introduction into how major and minor keys can be manipulated to different ends, and how motifs can be used together with a theme. Armstrong writes:?The final piece, Sarabande for the Lost Souls returns to the desolation of Eb minor, closing with a final statement of the No Tengo theme.?The songs in The Girona Suite are designed to cultivate a student's ability to play in keys containing more than three flats or sharps, as well as a number of different time signatures and with varying degrees of expression. This songbook would be ideal for a student of any age who is unafraid to experiment with evoking feeling and emotion in their playing, while also learning and practicing numerous techniques in an appealing and informative context. If you would like to listen to any of the songs that are listed below, these can be heard free of charge on the composer's website. / Piano
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Glenn Zottola: Too Marvelous for Words Vol. 1: Tenor Saxophone: Instrumental
Tenor Saxophone
[Sheet music + Audio access]
Music Minus One
Standards for Tenor Sax-Glenn Zottola is best known as a brilliant swinging tru...
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Standards for Tenor Sax-Glenn Zottola is best known as a brilliant swinging trumpeter who occasionally doubles on alto sax. On this special project he is heard as a talented tenor saxophonist who draws on the sounds and styles of Lester Young and Coleman Hawkins finding his own voice somewhere in between. Glenn sounds quite at home playing with the vintage rhythm sections yet gives the music his own special twist. We've transposed Glenn's every note enabling the at-home player to study and emulate these improvised solos. The sheet music also contains the original melody line of these classic standards plus chords and an alto sax part so that both Bb and Eb saxes can play these great standardswith equal enjoyment with an all-star rhythm section. Includes: Body and Soul · Embraceable You · Oh Lady Be Good · You Go to My Head · and more.
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Hans Werner Henze: Sinfonia N. 6: Orchestra: Score
Orchestra
[Score]
Schott
New Version 1994-Symphony No. 6 was created in the late 1960s and was first per...
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New Version 1994-Symphony No. 6 was created in the late 1960s and was first performed in Havana on 26. November 1969 by the Cuban National Orchestra under my direction. This symphony reflects not only the excited atmosphere of awakening during those years but also my efforts to include in the composition the large number of new human and artistic stimuli that I experienced at that time. So the banjo starts to play a Vietnamese song of freedom (Stars in the Night) later the first bars of Mikis Theodorakis hymn of freedom is heard.The second movement is based on the poem Fe de erratas (errata sheet) by Miguel Barnet. In the original version the three parts of the symphony merge withoutinterruption. In the revised version I separated them to make it easier for the audience to register the caesuras which are also internal caesuras as regards content. Apart from strengthening the string sound the most significant alternation in comparison to the first version is that I fully composed all of the aleatoric passages and pitches which originally were to be freely improvised as was the fashion at that time. Thus I wanted to free them the realm of chance and indeterminacy and to bring them back into my artistic control.- Hans Werner Henze
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