SKU: SU.90920050
A wonderful discovery in the work of cataloging the Julius Hemphill Archive was four works for solo woodwind. Reflective, Hummer, and Trills are challenging pieces that set up a dynamic field for improvisation. The Clarinet Etude is a virtuosic workout for the instrument, played without pause.Flute, Clarinet, Soprano Saxophone Published by: Subito Music Publishing Includes: Reflective for flute solo Hummer for flute solo Trills for soprano saxophone solo Clarinet Etude I and II.
SKU: BR.BHM-7814
Here you can order the perfomance material.
ISBN 9790004650400. 4 x 6.5 inches.
The recordings for Les Consolations were made in November 2015 with the Radio-Sinfonieorchester Stuttgart and the SWR Vocal Ensemble Stuttgart conducted by Peter Rundel, who was already familiar with Lachenmann's playing techniques from previous collaborations. Out of the material of about 10 hours' rehearsal time, we have cut three films (subtitled in English) of partial rehearsals (strings / winds / percussion, harp, piano), in which Helmut Lachenmann, together with the conductor, explains the piece's playing techniques and peculiarities. Unfortunately, we were not able to attend the partial rehearsals with the SWR Vocal Ensemble, so this was not filmed. (Wiebke Popel)In 2015/16 I travelled across Europe with cameraman Michael Zimmer to document a total of nine orchestral rehearsals of and with [meaning rehearsals of music by HL, conducted by HL? OR?] Helmut Lachenmann in the course of Lachenmann Perspectives, a project of the Musik der Jahrhunderte. This DVD series is the filmic result of these journeys.
SKU: CF.SPS9
ISBN 9780825840166. UPC: 798408040161. 9 X 12 inches.
Rhythmically challenging and brilliantly scored, Suddenly is Daron Hagen's own transcription of a concert opener originally written for the Wisconsin Chamber Orchestra. The syncopated rhythms and bold writing for winds and brass give the piece tremendous energy, which is balanced by Hagen's prodigious gift for memorable melody. Tuneful and exciting, Suddenly is sure to be a hit with good high school and college bands. Duration: 6'.
SKU: HL.359045
ISBN 9781705120873. UPC: 840126945027. 11.0x17.0x0.457 inches.
The original work was commissioned by the New York Philharmonic for clarinetist Stanley Drucker. The version for band was commissioned by Dr. J. Blake Arrington. The band version was premiered by J. Blake Arrington, clarinet, with Troy University Wind Ensemble under Mark Walker on March 20, 2015. Both the orchestra and band versions are available for rent. Movements: I. Allegro, II. Cantabile, III. Scherzo - Finale.
SKU: BA.BA05534
ISBN 9790006472444. 33.1 x 26.1 cm inches.
About Barenreiter Urtext
What can I expect from a Barenreiter Urtext edition?
MUSICOLOGICALLY SOUND - A reliable musical text based on all available sources - A description of the sources - Information on the genesis and history of the work - Valuable notes on performance practice - Includes an introduction with critical commentary explaining source discrepancies and editorial decisions ... AND PRACTICAL - Page-turns, fold-out pages, and cues where you need them - A well-presented layout and a user-friendly format - Excellent print quality - Superior paper and binding
SKU: CF.FPS14
ISBN 9780825839825. UPC: 798408039820. 9 X 12 inches.
An aggressive, outgoing fantasy on the famous Westminster Chimes, Fantasy of Bells utilizes the ability of winds and brass to make bell-like sounds as well as employing the actual bell-sounds of various metalophones. Quartal harmony and colorful scoring give this piece an up-to-date sound and make it ideal as a concert opener for contest and festival time. Duration: 2'.
SKU: BT.DHP-1115232-010
9x12 inches. English-German-French-Dutch.
Crescent Moon is a festive overture composed by Jan Van der Roost and was commissioned by a Japanese wind band. The piece begins solemnly in the middle register but gradually becomes brighter and more brilliant as the moon rises in the sky andbegins to give more light. After this somewhat stately introduction, a virtuoso allegro emerges, displaying technical prowess in all registers, before the piece culminates with a joyful mood of optimism. An ideal concert opener, Crescent Moonwill fill your ears with joy and happiness!Het jaar 2011... Voor Japan een jaar van tragedie en verdriet. Maar net zoals de maan iedere nacht weer opkomt en licht in de duisternis brengt, zal ook Japan weer herrijzen en ooit het licht weer zien. Muziek kan daarbij een rolspelen en brengt ons vreugde en geluk. Met Crescent Moon benadrukt Jan Van der Roost de kracht ervan. Muziek is van een universele schoonheid en nodigt uit - ongeacht ras, cultuur of geloof - te genieten. Prachtig!Crescent Moon ist eine festliche Ouvertüre, die Jan Van der Roost im Auftrag eines japanischen Blasorchesters schrieb. Das Stück beginnt langsam im mittleren Register, wird aber allmählich heller und strahlender - so wie der aufgehende Mondden Nachthimmel erhellt. Nach dieser eher majestätischen Einleitung tritt ein virtuoses Allegro hervor, das technische Finessen in allen Registern zum Vorschein bringt. Schlie�lich gipfelt das Stück in einer Atmosphäre der Freude und des Optimismus.Crescent Moon débute de maniére solennelle dans le registre moyen et se déploie progressivement en une orchestration plus brillante. Aprés cette introduction quelque peu grandiose, un allegro virtuose émerge, occasionnant desprouesses techniques dans tous les registres. Un climat d'optimisme joyeux domine ce mouvement - une ambiance trés appropriée pour une occasion aux couleurs hautement festives. Que cette oeuvre contribue stimulerl'optimisme et la confiance en un avenir meilleur.Crescent Moon é un'ouverture festiva composta da Jan Van der Roost su incarico di una banda giapponese. Il brano inizia in modo solenne nel registro medio per poi divenire gradualmente più intenso, quasi a simboleggiare la lunache, alzandosi in cielo, riesce a irradiare una forte luce sulla terra. Dopo un'introduzione maestosa, appare un virtuoso allegro che richiede doti tecniche in tutti i registri. Il finale porta a una conclusione di carattere gioioso eottimista.
SKU: BT.DHP-1115232-140
Crescent Moon is a festive overture composed by Jan Van der Roost and was commissioned by a Japanese wind band. The piece begins solemnly in the middle register but gradually becomes brighter and more brilliant as the moon rises in the sky and begins to give more light. After this somewhat stately introduction, a virtuoso allegro emerges, displaying technical prowess in all registers, before the piece culminates with a joyful mood of optimism. An ideal concert opener, Crescent Moon will fill your ears with joy and happiness!Het jaar 2011... Voor Japan een jaar van tragedie en verdriet. Maar net zoals de maan iedere nacht weer opkomt en licht in de duisternis brengt, zal ook Japan weer herrijzen en ooit het licht weer zien. Muziek kan daarbij een rolspelen en brengt ons vreugde en geluk. Met Crescent Moon benadrukt Jan Van der Roost de kracht ervan. Muziek is van een universele schoonheid en nodigt uit - ongeacht ras, cultuur of geloof - te genieten. Prachtig!Crescent Moon ist eine festliche Ouvertüre, die Jan Van der Roost im Auftrag eines japanischen Blasorchesters schrieb. Das Stück beginnt langsam im mittleren Register, wird aber allmählich heller und strahlender - so wie der aufgehende Mond den Nachthimmel erhellt. Nach dieser eher majestätischen Einleitung tritt ein virtuoses Allegro hervor, das technische Finessen in allen Registern zum Vorschein bringt. Schließlich gipfelt das Stück in einer Atmosphäre der Freude und des Optimismus‘.Crescent Moon débute de manière solennelle dans le registre moyen et se déploie progressivement en une orchestration plus brillante. Après cette introduction quelque peu grandiose, un allegro virtuose émerge, occasionnant des prouesses techniques dans tous les registres. Un climat d’optimisme joyeux domine ce mouvement - une ambiance très appropriée pour une occasion aux couleurs hautement festives. Que cette oeuvre contribue stimuler l’optimisme et la confiance en un avenir meilleur.Crescent Moon è un’ouverture festiva composta da Jan Van der Roost su incarico di una banda giapponese. Il brano inizia in modo solenne nel registro medio per poi divenire gradualmente più intenso, quasi a simboleggiare la luna che, alzandosi in cielo, riesce a irradiare una forte luce sulla terra. Dopo un’introduzione maestosa, appare un virtuoso allegro che richiede doti tecniche in tutti i registri. Il finale porta a una conclusione di carattere gioioso e ottimista.
SKU: SU.50018160
Commissioned by the Rocky River Chamber Music Society. I. Adagio. II. Lento - with soprano based on poem Wind Song by Carl Sondburg. III. Recitative - Fugato. IV. Presto.Copyright 1976. Published by: Seesaw Music.
SKU: AY.CQ3230PM
ISBN 9790543574793.
This clarinet quartet has been done in three completely different movements. That is to say, they are three different ideas. Hence its name Trideas. I think that it suits medium-level students. Jose M. Encinoso.
SKU: BT.DHP-1125325-070
9x12 inches.
The melody, that since the 19th century has been so popular in the German-speaking world, goes back to an old Italian maritime song. Thanks to Johan Nijs’ arrangement, you can now play this beautiful song in all sorts of four-part brass ensembles with optional percussion.Available parts:Part 1 Fl Ob Kl B/Es S-Sax Trp Part 2 Fl Cor Ang Kl B Alt-Kl A-Sax Trp Hrn Part 3 Alt-Kl T-Sax Fg Hrn Pos Euph Part 4 B-Kl B-Sax Fg Pos B-Pos Euph Tuba KbDie Melodie des seit dem 19. Jahrhundert im gesamten deutschen Sprachraum so beliebten Weihnachtsliedes geht auf ein altes italienisches Marienlied zurück. Dank Johan Nijs' Bearbeitung können Sie dieses schöne Lied nun in allerlei vierstimmigen Bläserbesetzungen mit optionalen Schlaginstrumenten intonieren.Besetzungsmöglichkeiten:Part 1 Fl Ob Kl B/Es S-Sax Trp Part 2 Fl Cor Ang Kl B Alt-Kl A-Sax Trp Hrn Part 3 Alt-Kl T-Sax Fg Hrn Pos Euph Part 4 B-Kl B-Sax Fg Pos B-Pos Euph Tuba KbQuesta melodia natalizia risalente al XIX secolo è molto popolare in tutti i paesi di lingua tedesca. Essa prende origine da un'antica canzone italiana di Maria. L'arrangiamento per strumentazione variabile a quattro voci, con percussioni opzionali, è firmato Johan Nijs.Available parts: Part 1 Fl Ob Kl B/Es S-Sax Trp Part 2 Fl Cor Ang Kl B Alt-Kl A-Sax Trp Hrn Part 3 Alt-Kl T-Sax Fg Hrn Pos Euph Part 4 B-Kl B-Sax Fg Pos B-Pos Euph Tuba Kb.
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