Quatre-vingt-quatre magistrales compositions courtes pour piano qui sont parmi les plus admirés de Grieg et souvent interprété des oeuvres musicales, y compris les danses bien connues norvégiennes, op. 35, Photos de Country Life, op. 19, et la Ballade en sol mineur, op. 24. Reproduit à partir des éditions autorisés publiés par CF Peters, Leipzig .. / Piano

CX. Felix namque 2. Thomas Tallis. (1564) CXI. [Exercise]. Anon CXII. Daphne. Giles Farnaby CXIII. Pawles Wharfe. Giles Farnaby CXIV. Quodlings Delight. Giles Farnaby CXV. Praeludium [X]. John Bull CXVI. Praeludium. Dor. [XIII*]. John Bull CXVII. Praeludium [VII]. Anon CXVIII. Ut, re, mi, fa, sol, la, a 4 voci. J. P. Sweelinck CXIX. In Nomine [IX]. John Bull CXX. Praeludium [VII]. Anon CXXI. Pavana Lachrymae. John Dowland, set by William Byrd. (See No. CLIII and CCXC) CXXII. Galiarda. James Harding, set by Byrd CXXIII. Pavana. Thomas Tomkins CXXIV. Fantasia [I]. Thomas Morley CXXV. Christe Redemptor. John Bull CXXVI. The Maydens Song. William Byrd CXXVII. Put up thy Dagger, Jemy. Giles Farnaby CXXVIII. Bony sweet Robin (see No. XV). Giles Farnaby CXXIX. Fantasia [I]. Giles Farnaby CXXX. A Grounde. Thomas Tomkins CXXXI. Barafostus' Dream (see No. XVIII). Thomas Tomkins CXXXII. The Hunting Galliard. Thomas Tomkins CXXXIII. The Quadran Paven (see No. XXXI). William Byrd CXXXIV. Galiard to the Quadran Paven (see No. XXXIII) CXXXV. The King's Hunt. John Bull CXXXVI. Pavana [I]. John Bull CXXXVII. Galiarda [I]. John Bull CXXXVIII. Dr. Bull's Juell. John Bull CXXXIX. The Spanish Paven. John Bull CXL. In Nomine. [John?] Parsons CXLI. Wooddy-Cook. Giles Farnaby CXLII. The Duke of Brunswick's Alman. John Bull CXLIII. Rosasolis. Giles Farnaby CXLIV. Psalme [140]. J. P. Sweelinck CXLV. Alman [I]. Robert Johnson CXLVI. Alman [I]. Robert Johnson CXLVII. Alman. Robert Johnson, set by Giles Farnaby CXLVIII. The New Sa-Hoo. Giles Farnaby CXLIX. Nobody's Gigge. Richard Farnaby CL. Malt's come downe. William Byrd CLI. Praeludium [IX]. Anon CLII. Alman [XIII]. Thomas Morley CLIII. Pavana [IX]. [Lachrymae.] Thomas Morley CLIV. Galiarda [IX]. Thomas Morley CLV. La Volta. William Byrd CLVI. Alman [VII]. William Byrd CLVII. Wolsey's Wilde. William Byrd CLVIII. Callino Casturame. William Byrd CLIX. La Volta. T. Morley, set by William Byrd CLX. Rowland. William Byrd CLXI. Why aske you. Anon (see No. CCLXXXVI) CLXII. The Ghost. William Byrd CLXIII. Alman [IX*]. William Byrd CLXIV. Galliard [I]. William Byrd CLXV. Pavana [IX*]. William Byrd CLXVI. Galliarda [IX*]. William Byrd CLXVII. Pavana [I**]. William Byrd CLXVIII. Galiarda [I**]. William Byrd CLXIX. Pavana [XIII*]. Thomas Morley CLXX. Galliarda [XIII*]. Thomas Morley CLXXI. [deest, owing to an error in numbe CLXXII. The Queenes Alman. William Byrd CLXXIII. A Medley. William Byrd CLXXIV. Pavana [IX]. William Byrd CLXXV. Galliarda [IX]. William Byrd CLXXVI. Miserere. 3 parts. William Byrd CLXXVII. Miserere. 4 parts. William Byrd CLXXVIII. Pakington's Pownde. Anon CLXXIX. The Irishe Dumpe. Anon CLXXX. Watkins Ale. Anon CLXXXI. A Gigg. William Byrd CLXXXII. Pipers Paven. Martin Peerson CLXXXII. Pipers Galliard. John Bull CLXXXIII. Variatio ejusdem. John Bull CLXXXIV. Praeludium. D. [XIII]. John Bull CLXXXV. Galiarda [IX*]. John Bull CLXXXVI. Galiarda [IX*]. John Bull CLXXXVII. Allemanda. Marchant CLXXXVIII. Can Shee. Anon CLXXXIX. A Gigge. Doctor Bull's my selfe. John Bull CXC. A Gigge. John Bull CXCI. Sr. Jhon Grayes Galliard. W. B. CXCII. Preludium [VII]. John Bull CXCIII. A Toy. Anon (see No. CCIV) CXCIV. Giles Farnaby's Dreame. Giles Farnaby CXCV. His Rest. Giles Farnaby CXCVI. His Humour. Giles Farnaby CXCVII. Fayne would I wedd. Richard Farnaby CXCVIII. A Maske. Giles Farnaby CXCIX. A Maske. Giles Farnaby CC. An Almain [VII]. Anon CCI. Corranto [VII]. Anon CCII. Alman [XIII]. Anon CCIII. Corranto [X]. Anon CCIV. Corranto [VII]. (See No. CXCIII.) Anon CCV. Corranto [I]. Anon CCVI. Daunce. Anon CCVII. Worster Braules. Thomas Tomkins CCVIII. Fantasia [VII]. Giles Farnaby CCIX. A Maske. Giles Farnaby CCX. Praeludium [IX]. John Bull CCXI. [Praeludium] [V]. Anon CCXII. Martin sayd to his Man. Anon CCXIII. Almand. William Tisdall CCXIV. Pavana Chromatica. William Tisdall CCXV. Ut, re, mi, fa, sol, la. John Bull CCXVI. Gipseis Round. William Byrd CCXVII. Fantasia [I*]. J. P. Sweelinck CCXVIII. Coranto [IX]. William Byrd CCXIX. Pavana. Clement Cotton. William Tisdall CCXX. Pavana [I*]. William Tisdall CCXXI. Coranto [I]. Anon CCXXII. Alman. Hooper CCXXIII. Corranto [I]. Anon CCXXIV. Corranto [I]. Anon CCXXV. Corranto [I*]. Anon CCXXVI. Corranto [VII]. Anon CCXXVII. Alman [III]. Anon CCXXVIII. Corranto. Hooper CCXXIX. Fantasia [VII]. Giles Farnaby CCXXX. Loth to depart. Giles Farnaby CCXXXI. Fantasia [I]. Giles Farnaby CCXXXII. [Fantasia] [I*]. Giles Farnaby CCXXXIII. [Transcription of Ay me, poore Heart.] Giles Farnaby CCXXXIV. [Fantasia] [I]. Giles Farnaby CCXXXV. Walter Erle's Paven. Giles Farnaby CCXXXVI. [Fantasia] [IX]. Giles Fa CCXXXVII. [Fantasia] [VII]. Giles Farnaby CCXXXVIII. Fantasia [VII]. Giles Farnaby CCXXXIX. The L. Zouches Maske. Giles Farnaby CCXL. Grounde. Giles Farnaby CCXLI. Coranto [XIII]. William Byrd CCXLII. Up T[ails] all. Giles Farnaby CCXLIII. Jhonson's Medley. Edward Johnson CCXLIV. Nowel's Galliard. Anon CCXLV. Tower Hill. Giles Farnaby CCXLVI. Praeludium [XIII]. Giles Farnaby CCXLVII. The King's Morisco. Anon CCXLVIII. A Duo. Richard Farnaby CCXLIX. Alman [VII]. Anon CCL. A Galiard Ground. William Inglot CCLI. The Leaves bee greene. William Inglot CCLII. Pavana [IX]. William Byrd CCLIII. Galiarda [X]. William Byrd CCLIV. Pavana [IX*]. William Byrd CCLV. Galiarda [IX]. William Byrd CCLVI. Pavana [XIII]. William Byrd CCLVII. Pavana Fant[asia] [VIII]. William Byrd CCLVIII. Galiarda [VII]. William Byrd CCLIX. The Earle of Oxfords Marche. William Byrd CCLX. Galiarda. Jehan Oystermayre CCLXI. Fantasia [VIII]. William Byrd CCLXII. The Duchesse of Brunwick's Toye. John Bull CCLXIII. A Toye [VIII]. Anon CCXIV. Corranto [I]. Anon CCLXV. Lady Riche. Anon CCLXVI. Corranto [VIII]. Anon CCLXVII. A Gigge. Giles Farnaby CCLXVIII. A Toy [VII]. Anon CCLXIX. Galiarda [X]. Giles Farnaby CCLXX. A Toye [X]. Giles Farnaby CCLXXI. The Primerose. Martin Peerson CCLXXII. The Fall of the Leafe. Martin Peerson CCLXXIII. Farnabye's Conceit. Giles Farnaby CCLXXIV. Allemanda [VII]. Anon CCLXXV. Pavana. Canon, 2 in 1. William Byrd CCLXXVI. Pescodd Time. William Byrd (see No. LIX) CCLXXVII. Pavana. Delight. Edward Johnson, set by William Byrd CCLXXVIII. Galiarda. Edward Johnson, set by William Byrd CCLXXIX. Miserere, 3 parts. John Bull CCLXXX. Tell mee, Daphne. Giles Farnaby CCLXXXI. Mal Sims. Giles Farnaby CCLXXXII. Munday's Joy. John Munday CCLXXXIII. Rosseter's Galiard, set by Giles Farnaby CCLXXXIV. The Flatt Pavan. Giles Farnaby CCLXXXV. Pavana [VII]. Giles Farnaby CCLXXXVI. Why aske you. (See No. CLXI.) Giles Farnaby CCLXXXVII. Farmer's Paven. Giles Farnaby CCLXXXVIII. Dalling Alman. Anon CCLXXXIX. The Old Spagnoletta. Giles Farnaby CCXC. Lachrymae Pavan. John Dowland, set by Giles Farnaby (see No. CXXI and CLIII) CCXCI. Meridian Alman. Set by Giles Farnaby CCXCII. Pavana. Orlando Gibbons CCXCIII. Muscadin. Giles Farnaby (see No. XIX) CCXCIV. Lady Montegle's Paven. William Byrd CCXCV. Galiarda. William Tisdall CCXCVI. Fantasia [I]. Giles Farnaby CCXCVII. Hanskin. Richard Fa

By the British rock group Bastille this song was inspired by the Roman town of Pompeii which met its fate with the eruption of Mount Vesuvius. First released in February 2013 and with over 63 000 000 YouTube views this uniquesong has held the #1 spot for Alternative Rock for many weeks as well as settling in on the Top 10 Billboard Hits. Rich layers of vocals with elements of pop and quasi-gregorian chants combine for a unique and different sound thatchallenges the mainstream and serves to conjure up imaginative production ideas.

Par HOLLIGER HEINZ. Here's proof, if you ever needed it, that contemporary music can be humourous. Want to hear Mendelssohn's Wedding March beefed up with Wagner's Tristan? And enjoy listening out for the well-known melody of 'Tea for two' in the escapades of 'Three for two'? The entertaining collection were composed individually, and for a variety of purpose - some were congratulatory messages for well-known fellow musicians such as Elliott Carter or Thomas Demenga, but some were just composed while waiting at a bus stop! Hence, the pieces can be played either as effective encore pieces./ Répertoire / Violon et Violoncelle

Henrik Wiese once again draws on his wealth of experience as a flutist and pedagogue: with his book “The Piccolo & Alto Flute Audition“, he has compiled a total of 207 audition excerpts in a carefully edited and clearly arranged compendium. In alphabetical order, it contains standard passages from orchestral works of various genres throughout music history, both common and less frequently requested. This up-to-date collection is a reliable companion and indispensable for optimal preparation for international auditions of all kinds at the opera, with symphony or chamber orchestras.
Easy-to-read, uniform and modern layout make the edition convenient to use. The critical report and chronological list of audition excerpts for quicker stylistic classification make the editor a comprehensive coach for flutists. Numerous other tips and remarks gained by Wiese from his practical experience and exchange with colleagues and students complete the book. International demand is fulfilled by the texts being in three languages (German, French, English), thus making “The Piccolo & Alto Flute Audition“ the equivalent of the already established edition “The Flute Audition“.
Bartók Béla: III. Pe loc aus Rumünische Volkstänze
Bartók Béla: III. Elegia aus Concerto for Orchestra
Bartók Béla: V. Finale aus Concerto for Orchestra
Beethoven Ludwig van: 4. Satz aus Symphonie Nr. 5
Beethoven Ludwig van: 4. Satz aus Symphonie Nr. 9
Berg Alban: 1. Akt, 4. Szene aus Wozzeck
Berg Alban: 2. Akt, 2. Szene aus Wozzeck
Berlioz Hector: 3. Teil, Szene XII. Meuet des Follets aus La damnation de Faust
Berlioz Hector: V. Songe d'une nuit du Sabbat aus Symphonie fantastique
Bizet Georges: 1. Akt, Nr. 2 Marche et choeur des gamins aus Carmen
Bizet Georges: 3. Akt, Nr. 18 Introduction aus Carmen
Borodin Alexander: Allegro vivo und Presto aus Polowetzer Tänze
Brahms Johannes: Variation V aus Variationen über ein Thema von Haydn
Brahms Johannes: Variation VIII aus Variationen über ein Thema von Haydn
Brahms Johannes: 4. Satz aus Klavierkonzert Nr. 2
Brahms Johannes: 3. Satz aus Symphonie Nr. 4
Britten Benjamin: II. Sunday Morning aus Four Sea Interludes
Britten Benjamin: IV. Storm aus Four Sea Interludes
Britten Benjamin: Variation A aus The Young Person's Guide to the Orchestra
Britten Benjamin: Fugue aus The Young Person's Guide to the Orchestra
Delibes Léo: 2. Akt, Nr. 11 Musique des automates aus Coppélia
Donizetti Gaetano: Sinfonia aus Don Pasquale
Donizetti Gaetano: Nr. 7 Scena e Quartetto aus Don Pasquale
Dukas Paul: Scherzo, Poco animando und Vif aus L'Apprenti sorcier
Dvorák Antonín: 3. Satz aus Symphonie Nr. 6
Dvorák Antonín: 1. Satz aus Symphonie Nr. 9
Händel Georg Friedrich: 1. Akt, Nr. 11 Aria Augelletti, che cantate (Almirena) aus Rinaldo
Hindemith Paul: II. Marsch und Pastorale aus Nobilissima Visione
Holst Gustav: III. Merkur aus Die Planeten
Holst Gustav: Dance of the spirits of water aus der Ballettmusik The Perfect Fool
Ippolitov-Ivanov Michail: Nr. 4 Procession of the Sardar aus Suite Nr. 1 Caucasian Sketches
Janácek Leoš: 3. Satz The Queen's Monastery, Brno aus Sinfonietta
Kodály Zoltán: Marosszéker Tänze
Kodály Zoltán: Tänze aus Galánta
Ljadow Anatoli: VII. Dancing Song aus Acht russische Volkslieder
Mahler Gustav: III. Von der Jugend aus Das Lied von der Erde
Mahler Gustav: IV. Urlicht aus Symphonie Nr. 2 Auferstehung
Mahler Gustav: V. Der große Appell aus Symphonie Nr. 2 Auferstehung
Mozart Wolfgang Amadeus: 2. Akt, Nr. 13 Aria Alles fühlt der Liebe Freuden (Monostatos) aus Die Zauberflöte
Ponchielli Amilcare: 3. Akt Danza delle Ore, Finale aus La Gioconda
Prokofieff Sergei: I. The Birth of Kijé aus der Suite Leutnant Kishe
Prokofieff Sergei: IV. Troika aus der Suite Leutnant Kishe
Puccini Giacomo: Suor Angelica
Puccini Giacomo: 3. Akt, 1. Szene aus Turandot
Ravel Maurice: II. Malagueña aus Rapsodie espagnole
Ravel Maurice: IV.Feria aus Rapsodie espagnole
Ravel Maurice: II. Petit Poucet aus My mère l'Oye
Ravel Maurice: III. Laideromette, Imperatrice des Pagodes aus My mère l'Oye
Ravel Maurice: Lever du jour aus der Suite Daphnis et Chloé
Ravel Maurice: Pantomime aus der Suite Daphnis et Chloé
Ravel Maurice: Danse générale aus der Suite Daphnis et Chloé
Ravel Maurice: Boléro
Ravel Maurice: 1. Satz aus Klavierkonzert G-Dur
Ravel Maurice: 3. Satz aus Klavierkonzert G-Dur
Rimski-Korsakow Nikolaj: 3. Satz The Young Prince and The Young Princess aus Sheherazade
Rimski-Korsakow Nikolaj: 4. Satz Festiva at Baghdad aus Sheherazade
Rossini Gioachino: Sinfonia aus der Ouverture zu La scala di seta
Rossini Gioachino: Sinfonia aus der Ouverture zu L'Italiana in Algeri
Rossini Gioachino: 1. Akt, Nr. 2 Cavatina Largo al Factotum (Figaro) aus Il barbiere di Siviglia
Rossini Gioachino: 1. Akt, Nr. 8 Finale 1, Stretta aus Il barbiere di Siviglia
Rossini Gioachino: Sinfonia aus der Ouverture zu La gazza ladra
Rossini Gioachino: Sinfonia aus der Ouverture zu Semiramide
Rossini Gioachino: Sinfonia aus der Ouverture zu Wilhelm Tell
Schönberg Arnold: Nr. 18 Der Mondfleck aus Pierrot lunaire
Schostakowitsch Dmitri: 1. Satz aus Symphonie Nr. 5
Schostakowitsch Dmitri: 2. Satz aus Symphonie Nr. 5
Schostakowitsch Dmitri: 1. Satz aus Symphonie Nr. 6
Schostakowitsch Dmitri: 2. Satz aus Symphonie Nr. 6
Schostakowitsch Dmitri: 1. Satz aus Symphonie Nr. 7
Schostakowitsch Dmitri: 2. Satz aus Symphonie Nr. 8
Schostakowitsch Dmitri: 4. Satz aus Symphonie Nr. 8
Schostakowitsch Dmitri: 1. Satz aus Symphonie Nr. 9
Schostakowitsch Dmitri: 2. Satz aus Symphonie Nr. 9
Schostakowitsch Dmitri: 3. Satz aus Symphonie Nr. 9
Schostakowitsch Dmitri: 5. Satz aus Symphonie Nr. 9
Schostakowitsch Dmitri: 1. Satz aus Symphonie Nr. 10
Schostakowitsch Dmitri: 2. Satz aus Symphonie Nr. 10
Schostakowitsch Dmitri: 3. Satz aus Symphonie Nr. 10
Schostakowitsch Dmitri: 1. Satz aus Symphonie Nr. 15
Sibelius Jean: III. Alla marcia aus der Suite Karelia
Smetana Bedrich: Vivacissimo aus Die verkaufte Braut
Sousa Filipe de: March aus The Stars and Stripes Forever
Strauß Johann (Sohn): Ouverutre aus Die Fledermaus
Strawinsky Igor: Variation de l'oiseau de feu aus der Suite L'Oiseau de Feu
Strawinsky Igor: Ronde des princesses (Khorovode) aus der Suite L'Oiseau de Feu
Tschaikowsky Peter Iljitsch: 3. Satz aus Symphonie Nr. 4
Tschaikowsky Peter Iljitsch: 4. Satz aus Symphonie Nr. 4
Tschaikowsky Peter Iljitsch: 2. Akt, Nr. 12 Divertissement, c) Le thé (Danse chinoise) aus Der Nussknacker
Tschaikowsky Peter Iljitsch: 3. Satz aus Symphonie Nr. 6
Verdi Giuseppe: 2. Akt Ballabile aus der Oper Aida
Verdi Giuseppe: 1. Akt Coro Fuoco di goia aus der Oper Otello
Verdi Giuseppe: 3. Akt Ballettmusik aus der Oper Otello
Verdi Giuseppe: 1. Akt, 2. Teil aus der Oper Falstaff
Verdi Giuseppe: 1. Akt, Nr. 2 Introduzione aus der Oper La traviata
Verdi Giuseppe: 1. Teil, 1. Szene, Nr. 4 Coro di Zingari e Canzone aus der Oper Il trovatore
Verdi Giuseppe: 3. Akt, Nr. 13 Scena, Terzetto e Tempesta aus der Oper Rigoletto
Wagner Richard: 3. Szene aus der Oper Das Rheingold
Wagner Richard: 3. Akt, 2. Szene Feuerzauber aus der Oper Die Walküre
Holst Gustav: V. Saturn, the Bringer of Old Age aus Die Planeten
Holst Gustav: VII. Neptun, the Mystic aus Die Planeten
Ravel Maurice: 1. Teil Danse religieuse aus Daphnis et Chloé
Ravel Maurice: 1. Teil Danse générale aus Daphnis et Chloé
Ravel Maurice: 2. Teil Danse guerrière aus Daphnis et Chloé
Ravel Maurice: 3. Teil Lever du jour aus Daphnis et Chloé
Ravel Maurice: 3. Teil Pantomime aus Daphnis et Chloé
Ravel Maurice: 3. Teil Danse générale aus Daphnis et Chloé
Strawinsky Igor: 1. Teil L'Adoration de la terre aus Le sacre du printemps
Strawinsky Igor: 1. Teil Danses des adolescentes aus Le sacre du printemps
Strawinsky Igor: 1. Teil Rondes printanières aus Le sacre du printemps
Strawinsky Igor: 2. Teil Le sacrifice, Introduction aus Le sacre du printemps
Strawinsky Igor: 2. Teil Le sacrifice, Cercle mystérieux des adolescentes aus Le sacre du printemps
Strawinsky Igor: 2. Teil Le sacrifice, Action rituelle des ancêtres aus Le sacre du printemps / Partitions classique / Bois / Flûte traversière / UNIVERSAL EDITION

The English king Henry VIII (1491-1547) is mainly remembered for disposing of his wives on a regular basis and breaking with the Catholic Church when the Pope Clement VII refused to grant him a divorce so he could marry Anne Boleyn.As a young man he was a gifted athlete dancer and composer writing many songs poems and consort pieces (though not Greensleeves as is often believed). Pastime with Good Company is undoubtedly the best-known of these written in the first years of the 16th century while he was still a handsome prince newly married to Catherine of Aragon and the envy of Europe. The lyrics tell of the joys of hunting dancing and singing and would have been sungas part of the court entertainment.This arrangement features a quartet of soloists and two solo drummers.

Instrumentation : 2 violins Version : performance score Contenu : Marche - Menuet - Musette - Menuet - Gavotte I und II - Marche - Prélude - Prélude - Petite Fugue à 2 voix - Praeambulum II (Invention IV) - Praeambulum VI (Invention XIII) - Praeambulum IX (Invention XII) Date de parution : 25/10/1985 Nombre de pages : 24 Format : Parisien landscape

Selections from the original motion picture soundtrack 'Episode II Attack Of The Clones' arranged for Flute. The arrangements in this series are fully compatible with each other and can be played together or as solos. Each book includes a fully orchestrated accompaniment CD. Each song on the CD includes a complete demonstration track followed by a play-along accompaniment track. Also includes colour pictures from the film. Suitable for grade 3-4 standard.

Par WILLIAMS JOHN. Star Wars Episode II : L'attaque des Clones. Arrangement pour Clarinette. Un CD accompagne le recueil de partitions, il contient une démonstration complété de chaque théme puis une version 'play-along' permettant au Clarinettiste de jouer accompagné. / Rép International / Recueil / Clarinette