| Classical Fake Book - 2nd Edition
Fake Book [Fake Book] - Easy Hal Leonard
(Over 850 Classical Themes and Melodies in the Original Keys) For C instrument. ...(+)
(Over 850 Classical Themes and Melodies in the Original Keys) For C instrument. Format: fakebook (spiral bound). With vocal melody (excerpts) and chord names. Lassical. Series: Hal Leonard Fake Books. 646 pages. 9x12 inches. Published by Hal Leonard.
(8)$49.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Intermediate Music for Two, Volume 2 [Score and Parts] - Intermediate Last Resort Music Publishing
Arranged by Daniel Kelley. For Flute (or Oboe or Violin) and Cello (or Bassoon)....(+)
Arranged by Daniel Kelley. For Flute (or Oboe or Violin) and Cello (or Bassoon). Duets. Intermediate Music for Two. Classical. Level: Intermediate. Score with 2 parts. Published by Last Resort Music Publishing.
$22.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| The Real Little Classical Fake Book - 2nd Edition Piano solo - Intermediate Hal Leonard
Composed by Various. For Piano/Keyboard. Hal Leonard Fake Books. Classical. Diff...(+)
Composed by Various. For Piano/Keyboard. Hal Leonard Fake Books. Classical. Difficulty: medium to medium-difficult. Fakebook. Melody line, chord names and lyrics (on some songs). 413 pages. Published by Hal Leonard
$27.50 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Moon & Birds. Four Songs Voice & Pf Stainer and Bell
Medium Voice & Piano SKU: ST.Y291 Composed by Rhian Samuel. Vocal music. ...(+)
Medium Voice & Piano SKU: ST.Y291 Composed by Rhian Samuel. Vocal music. Four songs for medium voice and piano to poems by Anne Stevenson and Emily Dickinson.. Vocal score. Stainer & Bell Ltd. #Y291. Published by Stainer & Bell Ltd. (ST.Y291). ISBN 9790220223372. CONTENTS 1. Blackbird (Anne Stevenson) (b - g) 2. The moon is distant (Emily Dickinson) (b - g sharp) 3. Bird in hand (Anne Stevenson) (e flat - g flat) 4. On not being able to look at the moon (Anne Stevenson) (b - g) For medium voice and piano or ensemble of flute, harp and string quartet, Moon and Birds is a substantial cycle of songs to words by Anne Stevenson and Emily Dickinson. Its sequence of four settings, 'Blackbird', 'The moon is distant' (Dickinson), 'Bird in hand' and 'On not being able to look at the moon' unfolds a symmetrical structure of contrasting yet interlocking moods in which the reflective second and fourth numbers, lunar visions of mystic tranquillity flawed by doubt and pain, temper with human frailty the bright epiphanies of the first and third songs. There is a fascinating challenge here for the performer to embrace both elation and gravitas in a single reading, Samuel's vigorous musical invention binding the developing web of feeling with its own formal strengths and subtly illustrative moments. In the version for string quartet, flute and harp, first performed by Contemporary Connections on 4 November 2011 at St James's Church Piccadilly, the flute takes a prominent role throughout. Violins, viola and cello at times elaborate on the simpler textures of the keyboard version, though the two scores remain entirely compatible. The bluesy harmonies of the concluding number, whether weighted by sonorous string quartet or profiled in edgier piano chords, bring the cycle to a sombre conclusion with a proper sense of an emotional world traversed. $11.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| The Piano Treasury of Classical Music Piano solo [Sheet music + CD] - Intermediate Music Sales
Edited by Amy Appleby. Collection and examples CD for solo piano. Over 125 great...(+)
Edited by Amy Appleby. Collection and examples CD for solo piano. Over 125 great masterpieces from the Baroque, Classical, Romantic, and Modern eras. Series: Piano Treasury Series. 399 pages. Published by Music Sales.
(1)$34.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Uhtceare University Of York Music Press
Flute, Percussion, Violin and Cello SKU: BT.MUSM570366231 Composed by Pat...(+)
Flute, Percussion, Violin and Cello SKU: BT.MUSM570366231 Composed by Patrick John Jones. Set of Parts. 15 pages. University of York Music Press #MUSM570366231. Published by University of York Music Press (BT.MUSM570366231). English. Uhtceare for Flute, Percussion, Violin and Cello. Composed 2014, published 2016. Score included in UYMP's Firewheel Anthology (ISMN M-57036-615-6), recorded by Dark Inventions. Duration: 8'30. Uhtceare is an Old English word meaning ‘anxiety before dawn’ surely a familiar experience to many, not just the Anglo-Saxons. I particularly associate it with the half-awake, early-morning asthma attacks that I had as a child. The piece starts in a nocturnal, dreamlike state with chords that pulse gently, like the rise and fall of breaths. These swelling patterns become increasingly fraught, while soloists sporadically emerge with a sense of urgency, and culminate in a loud, chaoticpassage where the percussionist moves from tuned Percussion to Drums. Following this, the Flute plays agile, looping figures that are soon mimicked by the Violin and then the Vibraphone. These figures are frenetic but harmonically static, so that when all three instruments are playing them simultaneously, there is a whirlwind of activity that paradoxically seems to remain stationary. I thought this was a fitting musical analogue for the fruitless but insistent circling of anxious early-morning thoughts. A dramatic Cello solo interrupts these imitative cycles and leads the ensemble in a cacophonous final crescendo. Commissioned by Dark Inventions and first performed by them on 8th May 2014 at The Engine House, Manchester. $21.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| Uhtceare [Score] University Of York Music Press
Flute, Percussion, Violin and Cello SKU: BT.MUSM570366224 Composed by Pat...(+)
Flute, Percussion, Violin and Cello SKU: BT.MUSM570366224 Composed by Patrick John Jones. Score Only. 11 pages. University of York Music Press #MUSM570366224. Published by University of York Music Press (BT.MUSM570366224). English. Uhtceare for Flute, Percussion, Violin and Cello. Composed 2014, published 2016. Score included in UYMP's Firewheel Anthology (ISMN M-57036-615-6), recorded by Dark Inventions. Duration: 8'30. Uhtceare is an Old English word meaning ‘anxiety before dawn’ surely a familiar experience to many, not just the Anglo-Saxons. I particularly associate it with the half-awake, early-morning asthma attacks that I had as a child. The piece starts in a nocturnal, dreamlike state with chords that pulse gently, like the rise and fall of breaths. These swelling patterns become increasingly fraught, while soloists sporadically emerge with a sense of urgency, and culminate in a loud, chaoticpassage where the percussionist moves from tuned Percussion to Drums. Following this, the Flute plays agile, looping figures that are soon mimicked by the Violin and then the Vibraphone. These figures are frenetic but harmonically static, so that when all three instruments are playing them simultaneously, there is a whirlwind of activity that paradoxically seems to remain stationary. I thought this was a fitting musical analogue for the fruitless but insistent circling of anxious early-morning thoughts. A dramatic Cello solo interrupts these imitative cycles and leads the ensemble in a cacophonous final crescendo. Commissioned by Dark Inventions and first performed by them on 8th May 2014 at The Engine House, Manchester. $12.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| The Cruel Mother [Score] University Of York Music Press
Voice, Flute, Clarinet, Violin and Cello SKU: BT.MUSM570366286 Arranged b...(+)
Voice, Flute, Clarinet, Violin and Cello SKU: BT.MUSM570366286 Arranged by Christopher Leedham. Folk Music. Score Only. 10 pages. University of York Music Press #MUSM570366286. Published by University of York Music Press (BT.MUSM570366286). English. The Cruel Mother for Voice, Flute, Clarinet, Violin and Cello. Composed 2014, published 2016. Score included in UYMP's Firewheel Anthology (ISMN M-57036-615-6), recorded by Dark Inventions. Duration: 6-7 minutes. The murderous tale of infanticide that is told in The Cruel Mother ballad is widely known in a number of forms. It has been performed and recorded by folk singers such as Martin Carthy, Maddy Prior, and Bella Hardy amongst many others, and inspired Down by the Greenwood Side by Harrison Birtwistle. The particular melody used in this arrangement was collected by H.E.D. Hammond in Dorset in 1907. The matter-of-fact representation of the terrible tale thatcharacterizes the tune is augmented by the quintuple metre and cheerful instrumental refrain. Commissioned by Dark Inventions and first performed by them on 8th May 2014 at The Engine House, Manchester. $11.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| The Cruel Mother University Of York Music Press
Voice, Flute, Clarinet, Violin and Cello SKU: BT.MUSM570366293 Arranged b...(+)
Voice, Flute, Clarinet, Violin and Cello SKU: BT.MUSM570366293 Arranged by Christopher Leedham. Folk Music. Set of Parts. 18 pages. University of York Music Press #MUSM570366293. Published by University of York Music Press (BT.MUSM570366293). English. The Cruel Mother for Voice, Flute, Clarinet, Violin and Cello. Composed 2014, published 2016. Score included in UYMP's Firewheel Anthology (ISMN M-57036-615-6), recorded by Dark Inventions. Duration: 6-7 minutes. The murderous tale of infanticide that is told in The Cruel Mother ballad is widely known in a number of forms. It has been performed and recorded by folk singers such as Martin Carthy, Maddy Prior, and Bella Hardy amongst many others, and inspired Down by the Greenwood Side by Harrison Birtwistle. The particular melody used in this arrangement was collected by H.E.D. Hammond in Dorset in 1907. The matter-of-fact representation of the terrible tale thatcharacterizes the tune is augmented by the quintuple metre and cheerful instrumental refrain. Commissioned by Dark Inventions and first performed by them on 8th May 2014 at The Engine House, Manchester. $20.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| Nature [Score] Faber Music Limited
Alto Flute (Flute), Cor Anglais (Oboe), Bass clarinet in B flat, Horn in F, Perc...(+)
Alto Flute (Flute), Cor Anglais (Oboe), Bass clarinet in B flat, Horn in F, Percussion (Marimba, 5 Temple Blocks, 4 medium Tom-Toms, 1 Floor Tom, Snare Drum, Bass Drum, Tam-Tam), Harp, Violin, Viola, Cello, Double Bass SKU: AP.12-0571539327 Concerto for Piano and Ten Players. Composed by Tansy Davies. 5 or More; Masterworks; Mixed Instruments - Miscellaneous Ensemble; Solo Small Ensembles. Faber Edition. Form: Concerto. 20th Century; Masterwork. Score. Faber Music #12-0571539327. Published by Faber Music (AP.12-0571539327). ISBN 9780571539321. English. Nature, Tansy Davies' gloriously offbeat concerto for piano and ten instruments from 2012, teems with invention. This 20-minute work was inspired by shamanic rituals and the supernatural, and Davies describes the piano as 'part moth, part Maenad'. There is a feral quality to much of the tumultuous solo writing---all hyperactive trills and gutsy bass eruptions, shot through with rare and unexpected moments of calm. Brilliantly imaginative, and packed full of glistening, ever-changing ensemble textures, this remarkable reimagining of the concerto form sees Davies craft yet another thrilling and wholly distinctive soundworld. $41.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Under The Sun's Gaze Theodore Presser Co.
Chamber Music SKU: PR.41641301L Concerto da Camera III. Composed b...(+)
Chamber Music SKU: PR.41641301L Concerto da Camera III. Composed by Shulamit Ran. Large Score. With Standard notation. Duration 19 minutes. Theodore Presser Company #416-41301L. Published by Theodore Presser Company (PR.41641301L). UPC: 680160619795. Under the Sun's Gaze as a title for a musical composition conjures up many possibilities. It is, in fact, an imagined line from an unwritten poem, invented with the idea of capturing something of the visual aura the sounds and energy of this work invoke in its composer' mind. An omnipotent presence in all of nature, a source of life yet also capable of its destruction, the sun affects the light and dark in our physical existence as it defines the daily and seasonal life. The music of this work, in three interlocking parts, takes turns being exuberant, caressing, scorching, receding, hazy, lazy, blazing, dissolving into darkness, blinding in its intensity. Subtitled Concerto da Camera III, this work is written for what has become known as the standard Pierrot instrumentation of flute, clarinet, violin, cello, piano plus percussion. The difference here is that the winds are doubled - the two flutists alternating with piccolo and alto flute and both clarinetists also doubling on bass clarinets. The ninth member of the ensemble, a soprano saxophone, appears well into the piece, its lyrical, plaintively expressive quality dominating the musical terrain for a while. While occasionally joining the others for some tutti outbursts, it maintains its position as something of a guest throughout. Of the various thematic ideas that populate this work, a six-note descending line played by the clarinet appearing right at the work's opening then arching back up reveals itself, as the music unfolds, to be the principal melodic building block of Under the Sun's Gaze. Its various transformations include the plaintive soprano saxophone melody appearing in the middle section. Just under 20 minutes in length, the work in its totality can be heard as being in a loose arch form, its ending receding into a distant darkening horizon which carries in it the seed of the new dawn that lies beyond. Under the Sun's Gaze was commissioned by the Serge Koussevitzky Music Foundation in the Library of Congress for the San Francisco Contemporary Players, David Milnes, conductor. $65.00 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Under The Sun's Gaze [Score] Theodore Presser Co.
Chamber Music SKU: PR.416413010 Concerto da Camera III. Composed b...(+)
Chamber Music SKU: PR.416413010 Concerto da Camera III. Composed by Shulamit Ran. Full score. With Standard notation. Duration 19 minutes. Theodore Presser Company #416-41301. Published by Theodore Presser Company (PR.416413010). UPC: 680160605682. Under the Sun's Gaze as a title for a musical composition conjures up many possibilities. It is, in fact, an imagined line from an unwritten poem, invented with the idea of capturing something of the visual aura the sounds and energy of this work invoke in its composer' mind. An omnipotent presence in all of nature, a source of life yet also capable of its destruction, the sun affects the light and dark in our physical existence as it defines the daily and seasonal life. The music of this work, in three interlocking parts, takes turns being exuberant, caressing, scorching, receding, hazy, lazy, blazing, dissolving into darkness, blinding in its intensity. Subtitled Concerto da Camera III, this work is written for what has become known as the standard Pierrot instrumentation of flute, clarinet, violin, cello, piano plus percussion. The difference here is that the winds are doubled - the two flutists alternating with piccolo and alto flute and both clarinetists also doubling on bass clarinets. The ninth member of the ensemble, a soprano saxophone, appears well into the piece, its lyrical, plaintively expressive quality dominating the musical terrain for a while. While occasionally joining the others for some tutti outbursts, it maintains its position as something of a guest throughout. Of the various thematic ideas that populate this work, a six-note descending line played by the clarinet appearing right at the work's opening then arching back up reveals itself, as the music unfolds, to be the principal melodic building block of Under the Sun's Gaze. Its various transformations include the plaintive soprano saxophone melody appearing in the middle section. Just under 20 minutes in length, the work in its totality can be heard as being in a loose arch form, its ending receding into a distant darkening horizon which carries in it the seed of the new dawn that lies beyond. Under the Sun's Gaze was commissioned by the Serge Koussevitzky Music Foundation in the Library of Congress for the San Francisco Contemporary Players, David Milnes, conductor. $34.99 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Möbius Sticks University Of York Music Press
Flute, Clarinet, Percussion, Violin and Cello SKU: BT.MUSM570366217 Compo...(+)
Flute, Clarinet, Percussion, Violin and Cello SKU: BT.MUSM570366217 Composed by Christopher Leedham. Classical. Set of Parts. 12 pages. University of York Music Press #MUSM570366217. Published by University of York Music Press (BT.MUSM570366217). English. Möbius Sticks for Clarinet, Percussion and Cello. Composed 2014, published 2016. Score included in UYMP's Firewheel Anthology (ISMN M-57036-615-6), recorded by Dark Inventions. Duration: 5 minutes. Named after German mathematician August Ferdinand Möbius, a Möbius strip has only one surface and one boundary. Inspired by this phenomenon, Möbius Sticks is built around a constantly twisting but ultimately singular melodic line set in motion by the Percussion. The other instruments weave melodic strands and try to impose some sense of direction on proceedings, but all they can do is merely shed a slightly differing light on the infinitely repeating strip that runs through the centre ofthe piece. Commissioned by Dark Inventions and first performed by them on 8th May 2014 at The Engine House, Manchester. $20.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| Möbius Sticks [Score] University Of York Music Press
Flute, Clarinet, Percussion, Violin and Cello SKU: BT.MUSM570366200 Compo...(+)
Flute, Clarinet, Percussion, Violin and Cello SKU: BT.MUSM570366200 Composed by Christopher Leedham. Classical. Score Only. 11 pages. University of York Music Press #MUSM570366200. Published by University of York Music Press (BT.MUSM570366200). English. Möbius Sticks for Clarinet, Percussion and Cello. Composed 2014, published 2016. Score included in UYMP's Firewheel Anthology (ISMN M-57036-615-6), recorded by Dark Inventions. Duration: 5 minutes. Named after German mathematician August Ferdinand Möbius, a Möbius strip has only one surface and one boundary. Inspired by this phenomenon, Möbius Sticks is built around a constantly twisting but ultimately singular melodic line set in motion by the Percussion. The other instruments weave melodic strands and try to impose some sense of direction on proceedings, but all they can do is merely shed a slightly differing light on the infinitely repeating strip that runs through the centre ofthe piece. Commissioned by Dark Inventions and first performed by them on 8th May 2014 at The Engine House, Manchester. $12.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| Fancies and Inventions Pocket, Study conductor [Score] Theodore Presser Co.
(For Baritone, Voice, Flure, Bb Clarinet , Viola, Cello and Piano). By Hugo Weis...(+)
(For Baritone, Voice, Flure, Bb Clarinet , Viola, Cello and Piano). By Hugo Weisgall. For Baritone, Flute, Clarinet, Viola, Cello, Piano. First Performed on November 1, 1970 at a concert of the Baltimore Chamber Music Society. Classical. Full Score - Study. Standard notation. 61 pages
$12.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| L'Enfance du Christ Choral SATB [Score and Parts] - Intermediate Carus Verlag
Orchestra STBarB vocal soli, SATB choir, 2 Flutes, 2 English Horn, 2 Clarinets, ...(+)
Orchestra STBarB vocal soli, SATB choir, 2 Flutes, 2 English Horn, 2 Clarinets, 2 Bassoons, 2 Horns, 4 Trumpets 3 Trombones, Timpani, Harp, 2 Violins, Viola, Cello, Contrabass, Organ - Level 3 SKU: CA.7003819 Trilogie sacree. Composed by Hector Berlioz. Edited by Paul Prevost. French Sacred Music. Complete orchestral parts. Sacred vocal music, Oratorios, Christmas. Set of Orchestra Parts. Op. 25. Duration 95 minutes. Carus Verlag #CV 70.038/19. Published by Carus Verlag (CA.7003819). ISBN 9790007133726. Key: E minor. Language: German/French. The history of the composition of the oratorio is odd: the kernel of this three-part work were the movements from the middle section, the Flight to Egypt, which Berlioz composed on a whim in 1850 and which he passed off as the work of a baroque composer whose existence he himself had invented. In 1854 the triptych, which was completed with the parts entitled The dream of Herodes and The arrival at Sais, had its celebrated first performance. Starting from the Gospel of St. Matthew, with the visit of the astrologer to Herodes and the flight of the Holy Family to Egypt, Berlioz chose to relate the story of the events of Christmas from another angle. This skillful dramatisation, with impressive instrumental sections, such as the independent trio for two flutes and harp as well as the effective choruses with local color, make this sacred trilogy a grateful enrichment of the repertoire for Christmas music. Score and parts available separately - see item CA.7003800. $516.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| L'Enfance du Christ Choral SATB - Intermediate Carus Verlag
Orchestra STBarB vocal soli, SATB choir, 2 Flutes, 2 English Horn, 2 Clarinets, ...(+)
Orchestra STBarB vocal soli, SATB choir, 2 Flutes, 2 English Horn, 2 Clarinets, 2 Bassoons, 2 Horns, 4 Trumpets 3 Trombones, Timpani, Harp, 2 Violins, Viola, Cello, Contrabass, Organ - Level 3 SKU: CA.7003849 Trilogie sacree. Composed by Hector Berlioz. Edited by Paul Prevost. French Sacred Music. Organ. Sacred vocal music, Oratorios, Christmas. Single Part, Organ. Op. 25. 2 pages. Duration 95 minutes. Carus Verlag #CV 70.038/49. Published by Carus Verlag (CA.7003849). ISBN 9790007227531. Key: E minor. Language: German/French. The history of the composition of the oratorio is odd: the kernel of this three-part work were the movements from the middle section, the Flight to Egypt, which Berlioz composed on a whim in 1850 and which he passed off as the work of a baroque composer whose existence he himself had invented. In 1854 the triptych, which was completed with the parts entitled The dream of Herodes and The arrival at Sais, had its celebrated first performance. Starting from the Gospel of St. Matthew, with the visit of the astrologer to Herodes and the flight of the Holy Family to Egypt, Berlioz chose to relate the story of the events of Christmas from another angle. This skillful dramatisation, with impressive instrumental sections, such as the independent trio for two flutes and harp as well as the effective choruses with local color, make this sacred trilogy a grateful enrichment of the repertoire for Christmas music. Score and part available separately - see item CA.7003800. $3.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| The Shipwrecked Ghost [Score] University Of York Music Press
Mezzo-Soprano and Chamber Ensemble SKU: BT.MUSM570366309 Composed by Stef...(+)
Mezzo-Soprano and Chamber Ensemble SKU: BT.MUSM570366309 Composed by Stef Conner. Classical. Score Only. 16 pages. University of York Music Press #MUSM570366309. Published by University of York Music Press (BT.MUSM570366309). English. Stef Conner's The Shipwrecked Ghost for Mezzo-Soprano, Flute, Clarinet, Percussion, Violin and Cello. Composed 2014. Duration: 9 minutes. Commissioned by Dark Inventions for their Firewheel project, part of the Sound and Music ‘Composer Curator Scheme’. Premiered by Dark Inventions at The Engine House, Manchester, 8th May 2014. This piece is based on the traditional melody ‘The Lover’s Ghost’ (also known as ‘The Grey Cock’), JEFDSS 1953, as sung by Mrs Costello (Birmingham, 1951); recorded by the BBC; transcribed by Patrick Shuldham Shaw. The lyrics of ‘The Shipwreck't Ghost’ were written down, and probably written by, thepoet John Clare (1793-1864). Transcribed from Peterborough MS. A7 p.33a and set to the traditional melody ‘The Lover's Ghost’ (also known as ‘The Grey Cock’) by George Deacon, published in John Clare and the Folk Tradition by Francis Boutle © George Deacon London 2002 & 1983. Reproduced by kind permission of the author and edited and arranged by Stef Conner. More information on John Clare can be found through the John Clare Society: https://www.johnclaresociety.blogspot.co.uk. $12.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| The Shipwrecked Ghost University Of York Music Press
Mezzo-Soprano and Chamber Ensemble SKU: BT.MUSM570366316 Composed by Stef...(+)
Mezzo-Soprano and Chamber Ensemble SKU: BT.MUSM570366316 Composed by Stef Conner. Classical. Set of Parts. 39 pages. University of York Music Press #MUSM570366316. Published by University of York Music Press (BT.MUSM570366316). English. Stef Conner 's The Shipwrecked Ghost for Mezzo-Soprano, Flute, Clarinet, Percussion, Violin and Cello. Composed 2014. Duration: 9 minutes. Commissioned by Dark Inventions for their Firewheel project, part of the Sound and Music ‘Composer Curator Scheme’. Premiered by Dark Inventions at The Engine House, Manchester, 8th May 2014. This piece is based on the traditional melody ‘The Lover’s Ghost’ (also known as ‘The Grey Cock’), JEFDSS 1953, as sung by Mrs Costello (Birmingham, 1951); recorded by the BBC; transcribed by Patrick Shuldham Shaw. The lyrics of ‘The Shipwreck't Ghost’ were written down, and probably written by, thepoet John Clare (1793-1864). Transcribed from Peterborough MS. A7 p.33a and set to the traditional melody ‘The Lover's Ghost’ (also known as ‘The Grey Cock’) by George Deacon, published in John Clare and the Folk Tradition by Francis Boutle © George Deacon London 2002 & 1983. Reproduced by kind permission of the author and edited and arranged by Stef Conner. More information on John Clare can be found through the John Clare Society: https://www.johnclaresociety.blogspot.co.uk. $21.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| The King of Glory - Orchestral Score and Parts Orchestra Lorenz Publishing Company
Orchestra SKU: LO.30-2425L Composed by Joseph M. Martin. Arranged by Bran...(+)
Orchestra SKU: LO.30-2425L Composed by Joseph M. Martin. Arranged by Brant Adams. Choral. Sacred Anthem, Palm/Palm-Passion Sunday. Orchestral score and parts. Lorenz Publishing Company #30/2425L. Published by Lorenz Publishing Company (LO.30-2425L). UPC: 000308121858. Fill your sanctuary with Palm Sunday majesty and excitement with this anthem from Joe Martin. The first of three verses is a lively call-and-response setting of the scripture: “Who is this King of glory?†The contrasting middle verse is an inventive pairing of the traditional hymn tune LEONI with the text “All Glory, Laud and Honor.†The final verse returns the lively theme of the first in counterpoint with drum-like hosannas. An energetic accompaniment that ties all three verses together, whether provided by piano alone or orchestra, makes this anthem the perfect choice for Palm Sunday. (From the cantata Who Is This King? SATB – 55/1096L; SAB – 55/1097L.) Instrumentation: 2 Flutes, Oboe, 2 Clarinets, Bassoon, 2 F Horns, 3 Trumpets, 2 Trombones, Tuba, Timpani, 2 Percussion, Violin 1 & 2, Viola, Cello, Bass. $49.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| After Life (Piano/Vocal Score) Piano, Voice Schirmer
Composed by Tom Cipullo. One Act/Chamber. 21st Century. Score. Published by ...(+)
Composed by Tom Cipullo. One
Act/Chamber. 21st Century.
Score. Published by E.C.
Schirmer Publishing
$28.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Bosun's Cheer Chester
Finnish composer Kaija Saariaho's Bosun's Cheer, composed in 2014. Included here...(+)
Finnish composer Kaija Saariaho's Bosun's Cheer, composed in 2014. Included here are the score and parts for the Modern Instrument Version, arranged for a speaker, Flute, Cello and Double Bass. Born in Helsinki and having studied composition there and in Freiburg and Paris, Kaija Saariaho has achieved a great level of critical and audience acclaim now mid-career. Her previous work was notable for including electronics alongside more traditional instruments before going on to compose much larger works, including the epic opera 'L'Amour de Loin' in 2000, a recording of which won the 2011 Grammy award for best opera recording. This piece, Bosun's Cheer, is an exhilarating work, including some inventive instrumental techniques as well as a hauntingly poetic voice
$34.00 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
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