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Just Standards Real Book Bb
Français
Bb Instruments
[Sheet music]
ID Music
Appartenant à la catégorie partition de la Jazz & Blues juste normes Real Book...
(+)
Appartenant à la catégorie partition de la Jazz & Blues juste normes Real Book Bb Auteurs plongeurs est éditée par la maison d'édition ID Music. Sa référence catalogue est FBM0002BF. / Instruments En Bb / 398 pages / Partition
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Pianorama
Piano solo
Bosworth
Appearing in a practical and convenient landscape format, Pianorama is a collect...
(+)
Appearing in a practical and convenient landscape format, Pianorama is a collection of contemporary and classic hits, arranged by Hans-Günter Heumann with melody line, lyrics and chord symbols. With spiral-binding and songs on a double-page spread, this songbook is easy-to-use and a lot of fun.Featuring 100 hits including currently popular songs like Coldplay's A Sky Full Of Stars, Lady Gaga's Applaus, Daft Punk's Get Lucky and Pharrell Williams' Happy, Pianorama includes plenty to keep pop-loving pianists happy. It also includes many fantastic evergreen and classic hits such as R.E.M.'s Losing My Religion, Keane's Everybody's Changing and Buena Vista Social Club's Chan Chan, along with many more. Expertly arranged by Hans-Günter Heumann, Pianorama is full of great songs to play on the Piano in a convenient and accessible format that will stay open on your music stand while also minimising page-turns. / Piano
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Peter Warlock: The Choral Music Of Peter Warlock - Volume 3: Unison Voices:
Choral Unison
Unison/2-part, Piano
[Sheet music]
-
Intermediate
Thames Publishing
The third book in a fabulous series that presents the best of Peter Warlockâ€...
(+)
The third book in a fabulous series that presents the best of Peter Warlock’s Choral Music. Warlock has been described as the Carollist of the last century and is a treasure of British song-writing. This volume contains a fantastic collection of some of his best and most loved Carols. Eight Carols set for Unison voices and Piano accompaniment. Warlock has such a way with words phrasing and melody that these songs are sure to delight singers players and audiences.
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Stomping 'Em Along Slow
Guitare Flatpicking et Fingerpicking
-
Intermediate
Mel Bay
The Guitar Playing of Lonnie Johnson, Bo Carter, Rev. Gary Davis, Buddy Moss, Jo...
(+)
The Guitar Playing of Lonnie Johnson, Bo Carter, Rev. Gary Davis, Buddy Moss, Josh White and Tommy McC. This collection presents six legendary blues guitarists from the 1920s to early 1940s. Each has his own unique approach, style and techniques for playing. Some like Rev. Gary Davis favored regular tuning while Josh White was equally at home playing in Open D tuning as well as standard tuning. Lonnie Johnson is unique in his playing techniques as well as use of a D G D G B E tuning. Buddy Moss's recordings influenced generations of Piedmont guitarists, especially Blind Boy Fuller. Bo Carter had one of the most unusual tonal approaches for playing blues, ragtime and novelty songs. And lastly there is Tommy McClennan. His recordings sound 'rough and tumble' but once you explore the intricacies of his playing you will discover a powerful blues guitarist. REV. GARY DAVIS: Cincinnati Flow - Piece without Words - Children of Zion - Twelve Gates to The City BO CARTER: Let's Get Drunk Again - Nobody's Business - Honey - What You Want Your Daddy to Do BUDDY MOSS: Oh Lordy Mama - Sleepless Night - Someday Baby (I'll Have Mine)JOSH WHITE Crying Blues - Bad Depression Blues - High Brown Cheater - My Soul Is Gonna Live With God - Pure Religion Hallilu LONNIE JOHNSON: Away Down In the Alley Blues - Stomping 'Em Along Slow - Blue Ghost Blues There Is No Justice - Helena Blues - Sittin' On A Log - Corn Bread Blues TOMMY McCLENNAN: Blues as I Can Be - I'm Goin', Don't You Know - Love With a Feeling - New Highway No.51 - Drop Down Mama HOW TO USE THIS BOOK: 1) Listen over and over to the original recordings available via the download link for this collection. 2) Get a program that can control digital audio files. Use this with the transcriptions and the recordings. 3) Be patient!! Practice, practice and practice some more!! / Niveau : Intermédiaire / Date parution : 2019-05-27/ Recueil / Guitare Flatpicking et Fingerpicking
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Sing Out! 5 Pop Songs For Today's Choirs - Book 5: SAT: Vocal Score
Choral 3-part
SAT
[Sheet music + Audio access]
Novello & Co Ltd.
Book 5 of the Sing Out! series features wonderful new choral arrangements of f...
(+)
Book 5 of the Sing Out! series features wonderful new choral arrangements of five top pop tunes all arranged by renowned Vocal Coach and Choral Director extraordinaire Mark De-Lisser. Each song has been beautifully arranged for SAT chorus the unison harmonies totally reinvigorating these favourite pop songs. From the classic rock anthem of the 1980s in Toto's Africa to the modern pop heartbreaker All Of Me by John Legend these are great songs with even greater arrangements. The unabashed positivity of Nico & Vinz's Am I Wrong makes a fantastic counterpart to the optimism in the faceof pain represented by the arrangement of the traditional gospel song Take My Hand Precious Lord a tune used to wonderfully affecting effect in the recent film 'Selma'. Finally this fresh pop choral setlist is rounded off nicely with Ed Sheeran's Thinking Out Loud a beautiful love song in which the power and emotion of the words will enhance the performance. Arranged for SAT (Soprano/Alto/Tenor) Choir these songs are designed to be sung to backing tracks but Piano accompaniments and Guitar chord boxes are included for rehearsal purposes or if you wish to perform with a live band. Aside from De-Lisser's incredible arrangements this pack includes an innovative and user-friendly download card with performance backing tracks full demonstrations and individual rehearsal tracks of each Vocal part recorded by members of ACM Gospel Choir. Helpful hints for performing each piece are also included in this book giving you everything you need to learn these well-loved songs. Mark De-Lisser is a celebrated Vocal Coach and Choral Director who has been featured on BBC1's 'Last Choir Standing'. His extensive introduction and notes within this songbook bring a personal touch as De-Lisser really is passionate about getting people singing improvising and most of all enjoying themselves. The new
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One Magic Christmas (Feature Medley): SATB: Vocal Score
Choral SATB
[Vocal Score]
Hal Leonard
One Magic Christmas there'll be a world united in peace and love that lasts all...
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One Magic Christmas there'll be a world united in peace and love that lasts all year long! This warm and entertaining feature medley celebrates Christmases past present and future. All the great Christmas favorites are here with even a surprise or two! Enjoy the warm nostalgia of An Old-Fashioned Christmas the light-hearted humor of A Rock 'n' Roll Christmas and the holiday wishes of Home at Christmas. Available: SATB Singer's Edition SAB Score SAB Singer's Edition 2-Part Score 2-Part Singer's Edition ShowTrax CD. Performance Time: Approx. 30:00.
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Scene Coreografiche (CALLIGARIS SERGIO)
1 Piano, 4 hands
[Score]
-
Intermediate/advanced
Ricordi
Per Pianoforte A Quattro Mani (O Due Pianoforti). Par CALLIGARIS SERGIO. Sergio ...
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Per Pianoforte A Quattro Mani (O Due Pianoforti). Par CALLIGARIS SERGIO. Sergio Calligaris was born in Rosario (1941), Argentina. He is one of the last musicians to incarnate the traditional 19th century figure of pianist, teacher and composer, inaugurated at the beginning of the 19th century by Muzio Clementi and carriedon after that by a sequence of famous names that the history of music has handed down to us. As a pianist, he began to give public performances at the age of 13, making his debut in his home town Rosario. Following this success, he embarked upon an extremely busy career as a soloist, giving numerous recitals in Buenos Aires and other citiesin Argentina. He continued to take advanced lessons with eminent exponents of the most prestigious international piano schools. In 1974 he became an Italian citizen and settled in Rome, teaching piano as principal instrument at the S. Pietro a Majella StateConservatory in Naples, the Luisa DAnnunzio Conservatory in Pescara and the Alfredo Casella Conservatory in Aquila. As a composer, he began - at just 9 years of age - to study in the rigorous school of Paul Hindemith, under the guidance of Father Luis Machado, from whom he inherited a love of counterpoint and a strong taste for harmony. He took a diploma incomposition, counterpoint and fugue at the age of 16 at the Amigos del Arte Society in Rosario, going on in 1964 to do an advanced course in 12-tone counterpoint at the Cleveland Institute of Music. The catalogue of his compositions, which has nowreached Op. 55, encompasses a huge range of instrumental/vocal chamber music and symphonic works: a vast and articulated catalogue, in which Sergio Calligaris’s composition expresses its inspiration through the dramatic development of a dialecticalcontrast between the two natures of the composer’s personality - the elegiac and the dithyrambic - which confront and interact with each other giving rise to artistic outcomes of a deeply moving nature. / Niveau : Intermédiaire à Avancé / Répertoire / Piano 4 Mains
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M Gould: Hosanna Amen (from Quotations): SATB: Vocal Score
Choral SATB
SATB, Piano
[Vocal Score]
Schirmer
Morton Gould's Hosanna Amen from 'Quotations' for Double Chorus of Mixed Voices ...
(+)
Morton Gould's Hosanna Amen from 'Quotations' for Double Chorus of Mixed Voices and Wind Orchestra. Piano reduction.This work was commissioned by L. Anthony Fisher for the New York Choral Society Robert DeComier conductor and first performed by them on January 28 1983 at Carnegie Hall.The composer after thinking over the possible approaches to a choral work found the ide of platitudes common sayings and poetic referenmces challanging and stimulating. As 'Quotations' evolved he found that these sayings evoked nostalgic momories of his own childhood in Richmond Hill New York where he was reared on such aphorisms as 'theearly bird catches the worm ' 'a stitch in time saves nine ' 'a bird in the hand is worth two in the bush.'After setting the scene in Richmond Hill the piece begins with Hallelujah Amen the common shout for joy and closing whisper of all religions. An antiphonal series of platitudes follows and then moves to more complex secular litanies the 'ballads ' or stories of young love and old age and the precariousness of life which have been told and retold through the ages. In the last movement the religious litany resumes with 'ashes to ashes dust to dust' echoing the earlier prosaic motif 'here today gone tomorrow ' or as Gould finally writes 'time's up!'
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M Gould: Bird In Hand From Quotations With Orchestra: SATB: Vocal Score
Choral SATB
SATB, Piano
[Vocal Score]
Schirmer
Morton Gould's A Bird In Hand from 'Quotations' for Double Chorus of Mixed Voice...
(+)
Morton Gould's A Bird In Hand from 'Quotations' for Double Chorus of Mixed Voices and Wind Orchestra. Piano reduction.This work was commissioned by L. Anthony Fisher for the New York Choral Society Robert DeComier conductor and first performed by them on January 28 1983 at Carnegie Hall.The composer after thinking over the possible approaches to a choral work found the ide of platitudes common sayings and poetic referenmces challanging and stimulating. As 'Quotations' evolved he found that these sayings evoked nostalgic momories of his own childhood in Richmond Hill New York where he was reared on such aphorisms as 'theearly bird catches the worm ' 'a stitch in time saves nine ' 'a bird in the hand is worth two in the bush.'After setting the scene in Richmond Hill the piece begins with Hallelujah Amen the common shout for joy and closing whisper of all religions. An antiphonal series of platitudes follows and then moves to more complex secular litanies the 'ballads ' or stories of young love and old age and the precariousness of life which have been told and retold through the ages. In the last movement the religious litany resumes with 'ashes to ashes dust to dust' echoing the earlier prosaic motif 'here today gone tomorrow ' or as Gould finally writes 'time's up!'
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M Gould: Ballads From Quotations: SATB: Vocal Score
Choral SATB
SATB, Piano
[Vocal Score]
Schirmer
Morton Gould's Ballads from 'Quotations' for Double Chorus of Mixed Voices and W...
(+)
Morton Gould's Ballads from 'Quotations' for Double Chorus of Mixed Voices and Wind Orchestra. Piano reduction.This work was commissioned by L. Anthony Fisher for the New York Choral Society Robert DeComier conductor and first performed by them on January 28 1983 at Carnegie Hall.The composer after thinking over the possible approaches to a choral work found the ide of platitudes common sayings and poetic referenmces challanging and stimulating. As 'Quotations' evolved he found that these sayings evoked nostalgic momories of his own childhood in Richmond Hill New York where he was reared on such aphorisms as 'the earlybird catches the worm ' 'a stitch in time saves nine ' 'a bird in the hand is worth two in the bush.'After setting the scene in Richmond Hill the piece begins with Hallelujah Amen the common shout for joy and closing whisper of all religions. An antiphonal series of platitudes follows and then moves to more complex secular litanies the 'ballads ' or stories of young love and old age and the precariousness of life which have been told and retold through the ages. In the last movement the religious litany resumes with 'ashes to ashes dust to dust' echoing the earlier prosaic motif 'here today gone tomorrow ' or as Gould finally writes 'time's up!'
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M Gould: Postscript From Quotations With Orchestra: SATB: Vocal Score
Choral SATB
SATB, Piano
[Vocal Score]
Schirmer
Morton Gould's Postscript from 'Quotations' for Double Chorus of Mixed Voices an...
(+)
Morton Gould's Postscript from 'Quotations' for Double Chorus of Mixed Voices and Wind Orchestra. Piano reduction.This work was commissioned by L. Anthony Fisher for the New York Choral Society Robert DeComier conductor and first performed by them on January 28 1983 at Carnegie Hall.The composer after thinking over the possible approaches to a choral work found the ide of platitudes common sayings and poetic referenmces challanging and stimulating. As 'Quotations' evolved he found that these sayings evoked nostalgic momories of his own childhood in Richmond Hill New York where he was reared on such aphorisms as 'the earlybird catches the worm ' 'a stitch in time saves nine ' 'a bird in the hand is worth two in the bush.'After setting the scene in Richmond Hill the piece begins with Hallelujah Amen the common shout for joy and closing whisper of all religions. An antiphonal series of platitudes follows and then moves to more complex secular litanies the 'ballads ' or stories of young love and old age and the precariousness of life which have been told and retold through the ages. In the last movement the religious litany resumes with 'ashes to ashes dust to dust' echoing the earlier prosaic motif 'here today gone tomorrow ' or as Gould finally writes 'time's up!'
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M Gould: Early Bird From Quotations With Orchestra: SATB: Vocal Score
Choral SATB
SATB, Piano
[Vocal Score]
Schirmer
Morton Gould's The Early Bird from 'Quotations' for Double Chorus of Mixed Voice...
(+)
Morton Gould's The Early Bird from 'Quotations' for Double Chorus of Mixed Voices and Wind Orchestra. Piano reduction.This work was commissioned by L. Anthony Fisher for the New York Choral Society Robert DeComier conductor and first performed by them on January 28 1983 at Carnegie Hall.The composer after thinking over the possible approaches to a choral work found the ide of platitudes common sayings and poetic referenmces challanging and stimulating. As 'Quotations' evolved he found that these sayings evoked nostalgic momories of his own childhood in Richmond Hill New York where he was reared on such aphorisms as 'theearly bird catches the worm ' 'a stitch in time saves nine ' 'a bird in the hand is worth two in the bush.'After setting the scene in Richmond Hill the piece begins with Hallelujah Amen the common shout for joy and closing whisper of all religions. An antiphonal series of platitudes follows and then moves to more complex secular litanies the 'ballads ' or stories of young love and old age and the precariousness of life which have been told and retold through the ages. In the last movement the religious litany resumes with 'ashes to ashes dust to dust' echoing the earlier prosaic motif 'here today gone tomorrow ' or as Gould finally writes 'time's up!'
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Sing Out! Christmas: SAT: Vocal Score
Choral 3-part
SAT, Piano
[Sheet music + Audio access]
Novello & Co Ltd.
Sing Out! Christmas contains dazzling new Choral versions of five festive favour...
(+)
Sing Out! Christmas contains dazzling new Choral versions of five festive favourites arranged by renowned Vocal Coach and Choral Director Mark De-Lisser.From the reflective Happy Christmas (War is Over) to the cheerful upbeat arrangement of Winter Wonderland this seasonal selection offers well-loved pieces that will delight and inspire both singers and listeners alike. The positive message of all of these songs was crucial to their inclusion and this means that each performance will bring a message of hope and optimism for this Christmas. Arranged for SAT (Soprano/Alto/Tenor) Choir with the occasional solo part thispack includes an innovative and user-friendly download card with performance backing tracks full demonstrations and individual rehearsal tracks of each Vocal line recorded by members of ACM Gospel Choir. The scores feature Piano parts and chord symbols for band accompaniment. Helpful hints for performing each piece are also included in this book giving you everything you need to learn these well-loved songs.Mark De-Lisser is a celebrated Vocal Coach and Choral Director who has been featured on BBC1's 'Last Choir Standing'. His extensive introduction and notes within this songbook bring a personal touch as De-Lisser really is passionate about getting people singing improvising and most of all enjoying themselves. The new Choral arrangements of these Christmas classics are ideal for spicing up a performance while retaining the magic of the original songs. So this Christmas make sure you Sing Out! leaving your listeners speechless.
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Peter Warlock: The Choral Music Of Peter Warlock - Volume 4: SATB: Vocal Score
Choral SATB
SATB
[Vocal Score]
-
Intermediate
Thames Publishing
The fourth book in a fabulous series that presents the best of Peter Warlockâ...
(+)
The fourth book in a fabulous series that presents the best of Peter Warlock’s Choral Music. Warlock has been described as the Carollist of the last century and is a treasure of British song-writing. This volume contains a fantastic collection of some of his best and most loved Carols. Eight Carols set for SATB mixed choir and a Piano accompaniment for rehearsal. Warlock has such a way with words phrasing and melody that these songs are sure to delight singers players and audiences.
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M Gould: Hallelujah Amen From Quotations: Double Choir: Vocal Score
Choral SATB
SATB, Piano
[Sheet music]
Schirmer
Morton Gould's Hallelujah Amen from 'Quotations' for Double Chorus of Mixed Voic...
(+)
Morton Gould's Hallelujah Amen from 'Quotations' for Double Chorus of Mixed Voices and Wind Orchestra. Piano reduction.This work was commissioned by L. Anthony Fisher for the New York Choral Society Robert DeComier conductor and first performed by them on January 28 1983 at Carnegie Hall.The composer after thinking over the possible approaches to a choral work found the ide of platitudes common sayings and poetic referenmces challanging and stimulating. As 'Quotations' evolved he found that these sayings evoked nostalgic momories of his own childhood in Richmond Hill New York where he was reared on such aphorisms as 'theearly bird catches the worm ' 'a stitch in time saves nine ' 'a bird in the hand is worth two in the bush.'After setting the scene in Richmond Hill the piece begins with Hallelujah Amen the common shout for joy and closing whisper of all religions. An antiphonal series of platitudes follows and then moves to more complex secular litanies the 'ballads ' or stories of young love and old age and the precariousness of life which have been told and retold through the ages. In the last movement the religious litany resumes with 'ashes to ashes dust to dust' echoing the earlier prosaic motif 'here today gone tomorrow ' or as Gould finally writes 'time's up!'
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M Gould: Walkin On Air From Quotations: Double Choir: Vocal Score
Choral SATB
SATB, Piano
[Sheet music]
Schirmer
Morton Gould's Walkin'On Air from 'Quotations' for Double Chorus of Mixed Voices...
(+)
Morton Gould's Walkin'On Air from 'Quotations' for Double Chorus of Mixed Voices and Wind Orchestra. Piano reduction.This work was commissioned by L. Anthony Fisher for the New York Choral Society Robert DeComier conductor and first performed by them on January 28 1983 at Carnegie Hall.The composer after thinking over the possible approaches to a choral work found the ide of platitudes common sayings and poetic referenmces challanging and stimulating. As 'Quotations' evolved he found that these sayings evoked nostalgic momories of his own childhood in Richmond Hill New York where he was reared on such aphorisms as 'theearly bird catches the worm ' 'a stitch in time saves nine ' 'a bird in the hand is worth two in the bush.'After setting the scene in Richmond Hill the piece begins with Hallelujah Amen the common shout for joy and closing whisper of all religions. An antiphonal series of platitudes follows and then moves to more complex secular litanies the 'ballads ' or stories of young love and old age and the precariousness of life which have been told and retold through the ages. In the last movement the religious litany resumes with 'ashes to ashes dust to dust' echoing the earlier prosaic motif 'here today gone tomorrow ' or as Gould finally writes 'time's up!'
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M Gould: Sermon From Quotations With Orchestra: Double Choir: Vocal Score
Choral SATB
SATB, Piano
[Sheet music]
Schirmer
Morton Gould's Sermon from 'Quotations' for Double Chorus of Mixed Voices and Wi...
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Morton Gould's Sermon from 'Quotations' for Double Chorus of Mixed Voices and Wind Orchestra. Piano reduction.This work was commissioned by L. Anthony Fisher for the New York Choral Society Robert DeComier conductor and first performed by them on January 28 1983 at Carnegie Hall.The composer after thinking over the possible approaches to a choral work found the ide of platitudes common sayings and poetic referenmces challanging and stimulating. As 'Quotations' evolved he found that these sayings evoked nostalgic momories of his own childhood in Richmond Hill New York where he was reared on such aphorisms as 'the earlybird catches the worm ' 'a stitch in time saves nine ' 'a bird in the hand is worth two in the bush.'After setting the scene in Richmond Hill the piece begins with Hallelujah Amen the common shout for joy and closing whisper of all religions. An antiphonal series of platitudes follows and then moves to more complex secular litanies the 'ballads ' or stories of young love and old age and the precariousness of life which have been told and retold through the ages. In the last movement the religious litany resumes with 'ashes to ashes dust to dust' echoing the earlier prosaic motif 'here today gone tomorrow ' or as Gould finally writes 'time's up!'
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Invitation To The Madrigals Vol.3
Choral SSATB
SSATB A Cappella
Stainer and Bell
Edited by Thurston Dart 23 madrigals for SSA by Bateson, Byrd, East, Hilton, Hol...
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Edited by Thurston Dart 23 madrigals for SSA by Bateson, Byrd, East, Hilton, Holborne, Johnson, Jones, Morley, Porter, Tomkins, Ward, Weelkes, Wilbye and Youll. CONTENTS BATESON, Thomas Nightingale BYRD, William Benedictus EAST, Michael See Amaryllis shamed How merrily we live HILTON, John If it be love HOLBORNE, William Gush forth, my tears Since Bonny-boots was dead JOHNSON, Robert Full fathom five Where the bee sucks JONES, Robert Sweet Kate MORLEY, Thomas It was a lover and his lass Lady, those eyes See mine own sweet jewel This love is but a wanton fit Though Philomela lost her love PORTER,Walter When first I saw thee TOMKINS, Thomas Sure there is no god of love WARD, John Fly not so fast Go wailing accents WEELKES, Thomas Those sweet delightful lilies Though my carriage be but careless WILBYE, John Away, thou shalt not love me YOULL, Henry While joyful springtime lasteth
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The Library Of Folk Songs
Piano, Vocal and Guitar
[Sheet music]
Amsco Wise Publications
This expansive song collection will provide many years of enjoyment for anyone w...
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This expansive song collection will provide many years of enjoyment for anyone who loves folk music. Nowhere else will you find such a rich array of work songs, traditional ballads, love songs, fun songs, sea shanties, blues, cowboy songs, battle hymns, carols, spirituals and anthems. Just mention a beloved folk melody and, chances are, you will find it in this volume.
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Suite Op. 28 (CALLIGARIS SERGIO)
Cello
-
Intermediate
Ricordi
Per Violoncello Solo. Par CALLIGARIS SERGIO. Sergio Calligaris was born in Rosar...
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Per Violoncello Solo. Par CALLIGARIS SERGIO. Sergio Calligaris was born in Rosario (1941), Argentina. He is one of the last musicians to incarnate the traditional 19th century figure of pianist, teacher and composer, inaugurated at the beginning of the 19th century by Muzio Clementi and carriedon after that by a sequence of famous names that the history of music has handed down to us. As a pianist, he began to give public performances at the age of 13, making his debut in his home town Rosario. Following this success, he embarked upon an extremely busy career as a soloist, giving numerous recitals in Buenos Aires and other citiesin Argentina. He continued to take advanced lessons with eminent exponents of the most prestigious international piano schools. In 1974 he became an Italian citizen and settled in Rome, teaching piano as principal instrument at the S. Pietro a Majella StateConservatory in Naples, the Luisa DAnnunzio Conservatory in Pescara and the Alfredo Casella Conservatory in Aquila. As a composer, he began - at just 9 years of age - to study in the rigorous school of Paul Hindemith, under the guidance of Father Luis Machado, from whom he inherited a love of counterpoint and a strong taste for harmony. He took a diploma incomposition, counterpoint and fugue at the age of 16 at the Amigos del Arte Society in Rosario, going on in 1964 to do an advanced course in 12-tone counterpoint at the Cleveland Institute of Music. The catalogue of his compositions, which has nowreached Op. 55, encompasses a huge range of instrumental/vocal chamber music and symphonic works: a vast and articulated catalogue, in which Sergio Calligaris’s composition expresses its inspiration through the dramatic development of a dialecticalcontrast between the two natures of the composer’s personality - the elegiac and the dithyrambic - which confront and interact with each other giving rise to artistic outcomes of a deeply moving nature. / Niveau : Intermédiaire / Date parution : 1905-06-13/ Répertoire / Violoncelle
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6 Chord Songbook : Hits Collection
Lyrics and Chords
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Intermediate
Amsco Wise Publications
A selection of fantastic hits and classic tunes for you to play, all requiring o...
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A selection of fantastic hits and classic tunes for you to play, all requiring only six simple chords! No longer do you have to fight your way through pages of tutorials and music theory, just to play the music of your favourite artist. This large and varied collection has something for every occasion and for all tastes, from 60s greats to more contemporary bands such as The Thrills and The Flaming Lips. Ideal for beginners and buskers, or any guitarist/singer who wants to quickly expand their repetoire. / Paroles Et Accords (Avec Grilles D'Accords)
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The Big Black Easy Piano Songbook
Easy Piano
-
Easy
Hal Leonard
This comprehensive collection contains the most well-known, best-loved pieces of...
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This comprehensive collection contains the most well-known, best-loved pieces of music that every pianist should have in their repertoire. You'll find classical favourites, famous film themes, laid-back jazz, chart hits, wedding music, Christmas classics and handy must-haves like 'Auld Lang Syne' and 'Happy Birthday To You', all organised into themed sections for easy navigation. With everything from Mozart to Mariah Carey, Einaudi to Elton John and John Williams to Ed Sheeran, this is the ultimate dip-in resources for pianists! (Everything I Do) I Do It For You A Night In Tunisia A Thousand Miles A Thousand Years Adagio For Strings All I Want For Christmas Is You All Of Me All You Need Is Love At Last Auld Lang Syne Autumn Leaves Ave Maria Blackadder Theme Bridal March Bridge Over Troubled Water Can You Feel The Love Tonight Candle In The Wind Canon in D Can't Help Falling In Love Chasing Cars Clair de lune Clocks Congratulations Dancing Queen Ding Dong! Merrily On High Eine Kleine Nachtmusik (1st Movement: Allegro) Fairytale Of New York Flower Duet Fly me to the moon For He's A Jolly Good Fellow Für Elise Georgia On My Mind Get Lucky Gymnopédie No. 1 Happy Birthday To You Have Yourself A Merry Little Christmas He's A Pirate Jingle Bell Rock Jingle Bells Jurassic Park Theme Love Theme (From The Godfather) Mad World Make You Feel My Love Maple Leaf Rag Moon River Moonlight Sonata My Heart Will Go On Nuvole Bianche O Come Ye Faithful Once In Royal David's City Over The Rainbow (From The Wizard Of Oz) Panis Angelicus Piano Man Pie Jesu Pomp And Circumstance, March No. 1 (Land Of Hope And Glory) Rhapsody In Blue Rocket Man Santa Claus Is Coming To Town Satin Doll Silent Night Singin' In The Rain Skyfall Someone Like You Spring Symphony No. 5 (Theme From First Movement) Take The 'A' Train The Arrival Of The Queen Of Sheba The Entertainer The Girl From Ipanema The Heart Asks Pleasure First The Pink Panther Theme The Way You Look Tonight Thinking Out Loud Walking In The Air Wedding March White Christmas Winter Wonderland You've Got A Friend In Me
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Roxanna Panufnik: Songs of Darkness Dreams of Light: SATB Semichorus Chorus
Choral SATB
Peters
When the BBC commissioned this work for the Last Night of the Proms 2018 I was ...
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When the BBC commissioned this work for the Last Night of the Proms 2018 I was given quite a detailed brief. First the work should be for the BBC Singers and BBC Symphony Chorus (with the BBC Symphony Orchestra) and the two choirs should be quite independent of each other. Secondly the words should acknowledge the centenary of the end of World War I but look optimistically to the future. For the centenary I chose In the Underworld by World War I poet Isaac Rosenberg written in 1914. Originally about unrequited love it can read if you do not know its context as a prophetic look at the next four years with the sense that the women left at home cannot begin tocomprehend the horrors their men face in the trenches. The BBC Singers represent Rosenberg and their music is based on a beautiful Ashkenazi-Jewish prayer mode â?? also known as the â??Ukrainian Gypsyâ?? mode. While I was reading The Prophet by Kahlil Gibran (written in 1923) I came across these lines which seem to answer and assuage the fears expressed in Rosenbergâ??s poem. The BBC Symphony Chorus take on the role of Gibran singing in a beautiful melismatic Maronite Syriac chant into which faith Gibran was born in Lebanon. Later in his life he became very interested in Islam particularly Sufism; therefore the whole piece is in the form of a Sufi Zikr with Sufi devotional rhythms in the percussion starting quiet and low but slowly becoming higher faster and louder. The two choirs start separately but merge into a â??conversation â?? sometimes overlapping and ending on a positive note: Rosenbergâ??s Creature of light and happiness over Gibranâ??s We shall build a tower in the sky. Quite by accident all three Abrahamic faiths are represented in this piece â?? but as Kahlil Gibran famously said: â??You are my brother and I love you. I love you when you prostrate yourself in your mosque and kneel in your church and pray in your synagogue. You and I are sons of one faith â?? the Spirit.'
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Really Easy Piano : The Big One Direction Songbook (ONE DIRECTION)
Easy Piano
[Sheet music]
-
Easy
Amsco Wise Publications
Par ONE DIRECTION. This edition of the Really Easy Piano series is a bumper coll...
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Par ONE DIRECTION. This edition of the Really Easy Piano series is a bumper collection of 37 of the best One Direction songs from their massive career to date. All arranged for Easy Piano with simplified fingerings, each song also comes with some interesting background information and performance hints and tips for perfect Piano playing. Featuring all of the band's best tunes, The Big One Direction Songbook includes songs like Best Song Ever, Fireproof, Live While We're Young, Midnight Memories and Story Of My Life. Spanning their entire career to date, these songs represent the development of possibly the world's biggest pop band. Their earlier upbeat tunes are included here, as well as their more intimate, personal and reflective songs from their more recent albums. This is the perfect One Direction sheet music songbook for any beginning pianist who loves the sounds of Harry, Zayn, Louis, Liam and Niall. Every one of these 37 songs is accurately and lovingly transcribed for Easy Piano, with simplified arrangements that retain the heart and power of each song. Simple guides to fingering are included, helping you to get those fingers into place, while there are also chord symbols and full lyrics, letting you play along exactly to how the song sounds. Not only this, but some fascinating background information on the songs is included, as well as really useful performance tips to help you hit those right notes first time. Taking songs from their first four albums, this songbook is a huge collection of the best and most popular One Direction songs on the airwaves right now. Since bursting onto the scene after an untimely exit from the X Factor, the five lads from humble backgrounds have become one of the biggest and most popular bands ever, breaking all kinds of records. Their success is here to stay, and this edition of Really Easy Piano allows pianists of all abilities to learn and play a massive 37 of their biggest hits so far. If you're a serious One Directioner or you just have a leaning towards simply great pop music, this Big One Direction Songbook is definitely for you. With 37 songs arranged for Easy Piano, you'll be playing all of their ridiculously catchy tunes in absolutely no time at all. / Niveau : Facile / Recueil / Piano
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Tema E Variazioni Op. 5B (CALLIGARIS SERGIO)
Piano Trio: piano, violin, cello
[Score and Parts]
-
Intermediate
Ricordi
Per Violino, Violoncello E Pianoforte. Par CALLIGARIS SERGIO. Sergio Calligaris ...
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Per Violino, Violoncello E Pianoforte. Par CALLIGARIS SERGIO. Sergio Calligaris was born in Rosario (1941), Argentina. He is one of the last musicians to incarnate the traditional 19th century figure of pianist, teacher and composer, inaugurated at the beginning of the 19th century by Muzio Clementi and carriedon after that by a sequence of famous names that the history of music has handed down to us. As a pianist, he began to give public performances at the age of 13, making his debut in his home town Rosario. Following this success, he embarked upon an extremely busy career as a soloist, giving numerous recitals in Buenos Aires and other citiesin Argentina. He continued to take advanced lessons with eminent exponents of the most prestigious international piano schools. In 1974 he became an Italian citizen and settled in Rome, teaching piano as principal instrument at the S. Pietro a Majella StateConservatory in Naples, the Luisa DAnnunzio Conservatory in Pescara and the Alfredo Casella Conservatory in Aquila. As a composer, he began - at just 9 years of age - to study in the rigorous school of Paul Hindemith, under the guidance of Father Luis Machado, from whom he inherited a love of counterpoint and a strong taste for harmony. He took a diploma incomposition, counterpoint and fugue at the age of 16 at the Amigos del Arte Society in Rosario, going on in 1964 to do an advanced course in 12-tone counterpoint at the Cleveland Institute of Music. The catalogue of his compositions, which has nowreached Op. 55, encompasses a huge range of instrumental/vocal chamber music and symphonic works: a vast and articulated catalogue, in which Sergio Calligaris’s composition expresses its inspiration through the dramatic development of a dialecticalcontrast between the two natures of the composer’s personality - the elegiac and the dithyrambic - which confront and interact with each other giving rise to artistic outcomes of a deeply moving nature. / Niveau : Intermédiaire / Répertoire / Violon, Violoncelle et Piano
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Vivaldiana Op. 23 (CALLIGARIS SERGIO)
2 Pianos, 4 hands
[Score]
-
Intermediate
Ricordi
Divertimento su temi di Antonio Vivaldi per due pianoforti. Par CALLIGARIS SERGI...
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Divertimento su temi di Antonio Vivaldi per due pianoforti. Par CALLIGARIS SERGIO. Sergio Calligaris was born in Rosario (1941), Argentina. He is one of the last musicians to incarnate the traditional 19th century figure of pianist, teacher and composer, inaugurated at the beginning of the 19th century by Muzio Clementi and carriedon after that by a sequence of famous names that the history of music has handed down to us. As a pianist, he began to give public performances at the age of 13, making his debut in his home town Rosario. Following this success, he embarked upon an extremely busy career as a soloist, giving numerous recitals in Buenos Aires and other citiesin Argentina. He continued to take advanced lessons with eminent exponents of the most prestigious international piano schools. In 1974 he became an Italian citizen and settled in Rome, teaching piano as principal instrument at the S. Pietro a Majella StateConservatory in Naples, the Luisa DAnnunzio Conservatory in Pescara and the Alfredo Casella Conservatory in Aquila. As a composer, he began - at just 9 years of age - to study in the rigorous school of Paul Hindemith, under the guidance of Father Luis Machado, from whom he inherited a love of counterpoint and a strong taste for harmony. He took a diploma incomposition, counterpoint and fugue at the age of 16 at the Amigos del Arte Society in Rosario, going on in 1964 to do an advanced course in 12-tone counterpoint at the Cleveland Institute of Music. The catalogue of his compositions, which has nowreached Op. 55, encompasses a huge range of instrumental/vocal chamber music and symphonic works: a vast and articulated catalogue, in which Sergio Calligaris’s composition expresses its inspiration through the dramatic development of a dialecticalcontrast between the two natures of the composer’s personality - the elegiac and the dithyrambic - which confront and interact with each other giving rise to artistic outcomes of a deeply moving nature. / Niveau : Intermédiaire / Répertoire / 2 Pianos
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