(Sextet). By J.J. Johnson. For Jazz Ensemble. Second Floor Music-Jazz. Published by Second Floor Music

By Transcribed by John Leisenring and Hunt Butler. Published by Jamey Aebersold Jazz. (JJS) 13 classic solos of this master's personal favorites and some of his very best playing. Transcribed note-for-note with all chord symbols. Complete discography and a forward by David Baker. A real collector's item. Solos in bass clef over the changes to Now's The Time, Walkin', Billie's Bounce, Tune Up, Laura, Yesterdays, When The Saints Go Marching In, and more!

Jazz Ensemble standard jazz ensemble - Grade 5

SKU: KN.52112

Composed by Lennie Niehaus. Kendor Archive Editions. Swing. Score and set of parts. Duration 3 minutes, 50 seconds. Kendor Music Inc #52112. Published by Kendor Music Inc (KN.52112).

Fashioned after the playing of J.J. Johnson and Kai Winding, this moderate swing original casts the trombone section in a variety of starring roles -- solis, trading 'fours' with the rest of the band, and a short ad lib solo. Some sax soli work and a short trumpet solo give the 'bones a chance to rest their chops before the chart goes out strong. Duration 3:50.

Choral

SKU: HL.350799

Full Score. Composed by J. Rosamond Johnson. LKM Music. Spiritual. Softcover. Edward B. Marks Music #MP079003. Published by Edward B. Marks Music (HL.350799).

ISBN 9781705106778. UPC: 840126935950.

The poem “Lift Every Voice and Sing” was written by acclaimed African American poet James Weldon Johnson in 1900 and set to music byhis brother John Rosamond Johnson in 1905. The Edward B. Marks Music Company first published the song in 1921, which remains strongly associated with social justice and patriotism, particularly in African American communities. While at one time it could be found pasted to the back of some hymnals used in African American Churches, today the song is formally printed under headings such as national song or social justice in many modern hymnals. Other versions include a concert setting published in 1978 for SATB chorus and piano by Roland Carter, a setting by Hale Smith for SATB chorus and orchestra also dating from the 70s, and a modern R&B recorded version released in 1990 featuring Dione Warwick, Stevie Wonder and Take 6.

Composed by James Weldon Johnson and J. Rosamond Johnson. Arranged by Paul Murtha. Series One Marching Band. African-American, Spiritual. Softcover. Published by Hal Leonard

Choral (SAB Choir)

SKU: HL.456058

Composed by J. Rosamond Johnson and James Weldon Johnson. Arranged by Rollo Dilworth. Festival Choral. African-American, Concert, Festival, General Worship, Gospel, Inspirational, Sacred, Spiritual. Octavo. Duration 240 seconds. Published by Hal Leonard (HL.456058).

UPC: 196288066682. 6.75x10.5x0.036 inches.

Now available for SATB and SAB. Often referred to as the “Black National Anthem,” young people need to know this song and its importance in American history. Singers of all ages need to sing this song and know this inspirational anthem of faith and hope.

SATB choir, piano reduction, C instrument, B-flat instrument - Early intermediate

SKU: GI.G-10469

Composed by J. Rosamund Johnson. African American Church Music Series. Tune Name: Anthem. Sacred. Octavo. 8 pages. GIA Publications #10469. Published by GIA Publications (GI.G-10469).

English. Text by James Weldon Johnson.

Choir Sacred (SAB choir/3-Part choir Mixed)

SKU: AP.45681

Composed by J. Rosamond Johnson. Arranged by Greg Gilpin. Performance Music Ensemble; Single Titles. Alfred Choral Designs. Gospel; Peace/Brotherhood; Spiritual. Choral Octavo. 12 pages. Alfred Music #00-45681. Published by Alfred Music (AP.45681).

UPC: 038081514208. English. Words by James Weldon Johnson.

This contemporary spiritual boasts a rich history as a song of liberation and has been dubbed the Black American National Anthem. Greg's tour-de-force arrangement opens with a powerful unison before developing into thick gospel harmonies. Perform with the SoundTrax CD or the SoundPax parts for guitar, bass, and drumset. Both words and music will resonate long after the final glorious chord!

SKU: GI.G-8462

Composed by James Abbington. Edited by James Abbington. African American Church Music Series. Sacred. Book. 824 pages. GIA Publications #8462. Published by GIA Publications (GI.G-8462).

ISBN 9781622771004. English.

The volume you are holding is a vivid testimony …to the value of examining this variety and dynamism from multiple, overlapping points of view …to the value of both realist and idealist voices …to the value of articulating wisdom. From the foreword by John D. Witvliet, Calvin Institute of Christian Worship Since the publication of the first volume of Readings in African American Church Music and Worship, public and academic interest in the music and worship in black churches has significantly increased. This second volume makes available the most recent scholarship on twenty-first-century developments and trends, through a representative number of articles, essays, and chapters written by brilliant musicians, authors, and theologians of our time. The list of contributors includes some of the finest emerging scholars, whose voices we will be hearing for years to come, as well as offerings from seasoned authors, whose research and writings are well regarded by peers and the worshiping community at large. The significant contributions—from names new and familiar—greatly broaden the field of study. The 43 chapters of this volume are divided into 7 categories: Worship and Liturgical Practices Perspectives on Praise and Worship Liturgical Theologies Hip Hop and/in the Church Proclamation of the Word Perspectives on Women and Gender Hymnody: Sound and Sense Insightful, thought-provoking, challenging, hopeful—this volume will be a source of knowledge, a stimulus for discussion, and a call to (re)consider the many and varied viewpoints of the African American church. Featuring the writings of: James Abbington, LaTrese Adkins, Sandra L. Barnes, Tuere A. Bowles, Ruthlyn Bradshaw, Michael Joseph Brown, Melvin L. Butler, James H. Cone, David Douglas Daniels III, Robert Darden, Leo H. Davis Jr., Valerie Bridgeman Davis, Michael Fox, Kenyatta R. Gilbert, Daniel White Hodge, Birgitta J. Johnson, Alisha Jones, Tammy L. Kernodle, S T Kimbrough, Jr., Cheryl A. Kirk-Duggan, Cleophus J. LaRue, Monica T. Leach, Tamura Lomax, Pamela P. Martin, Marvin A. McMickle, Monica R. Miller, Stephanie Y. Mitchem, Thomasina Neely-Chandler, Deborah S. Pollard, Luke A. Powery, Samuel D. Proctor, Teresa L. Reed, Braxton D. Shelley, Martha Simmons, Josef Sorett, Rodney A. Teal, Frank Thomas, Kathleen S. Turner, Kenneth C. Ulmer, Gayle Wald, James Melvin Washington, Ralph C. Watkins, Lisa M. Weaver, Melinda E. Weekes, Christina Zanfagna James Abbington is Associate Professor of Church Music and Worship, Candler School of Theology, Emory University, Atlanta, Georgia. He also serves as Executive Editor of the African American Church Music Series, published by GIA Publications, Inc.

By Andy Razaf and J.C. Johnson, music by Thomas Fats Waller. Arranged by Alan Billingsley. Choir Secular. This edition: SoundTrax CD. Choral Octavo. Pop Choral. Broadway. Accompaniment and performance CD

By Thomas "Fats" Waller, J.C. Johnson, Andy Razaf. Arranged by Mark A. Brymer. (2 part). Choral. 12 pages. Published by Hal Leonard.