Full Score-Also suitable for three violins (or other suitable like-instruments)This unique 18th-century collection of pieces for flute by James Hook has been completely revised and edited for intermediate to advanced levelinstrumentalists. Each is a three-movement work in typical fast-slow-fast Baroque format. Suitable for contest concert or church performance these pieces appear on several state contest lists.

First Part-Also suitable for three violins (or other suitable like-instruments)This unique 18th-century collection of pieces for flute by James Hook has been completely revised and edited for intermediate to advanced levelinstrumentalists. Each is a three-movement work in typical fast-slow-fast Baroque format. Suitable for contest concert or church performance these pieces appear on several state contest lists.

James Hook's Sonata No 6 for Descant Recorder and Piano. Edited by Stephen Goodyear.

Second Part-Also suitable for three violins (or other suitable like-instruments)This unique 18th-century collection of pieces for flute by James Hook has been completely revised and edited for intermediate to advanced levelinstrumentalists. Each is a three-movement work in typical fast-slow-fast Baroque format. Suitable for contest concert or church performance these pieces appear on several state contest lists.

THE JAMES HOOK COLLECTION: 9 Pieces for alto recorder and piano/harpsichord, ed. Bernard Thomas. A varied selection from one of the most popular composers of this generation. Very useful material for the relatively inexperienced student: interesting piano parts too!

1 Traditional: 'Red River Valley'2 Neapolitan Song: 'Santa Lucia'3 Traditional: When The Saints...4 F. Schubert (1797-1828): 'Who is Sylvia?'5 L. Mozart (1719-1787): Bourrée6 J. Hook (1746-1827): Sonata No 1 (1st movement)7 G. F. Händel (1685-1759): Passacaglia

Par HOOK JAMES. This early classical sonata in the two-movement form which was typical for that time, offers the flutist as well as the string player a rewarding challenge. Since the technical difficulties are limited, these pieces are especially suited for students./ Répertoire / Flûte Traversière et Piano

Compilation de 80 chansons de blues arrangées pour piano, chant, guitare (grilles d'accords). Un indispensable pour tous les fans de blues ! Ce recueil rassemble leses meilleurs morceaux de blues de tous les temps dont Baby Please Don't Go, Caldonia, I'm a Man, Kansas City, Milk Cow Blues, Reconsider Baby, Wang Dang Doodle, You Shook Me. / Variétés Internationales / Partition /

As well as the more familiar composers James Hook and Thomas Arne (who wrote Rule Britannia) this collection of 12 English melodies includes tunes by the less well known William Reeve William Shieldand Thomas Arne's son Michael. Charles Dibdin's 'Tom Bowling' which Sir Henry Wood worked into his 'Fantasia on British Sea Songs' - a corner stone of the Last Night of the Proms is also here.The Grade 2 selection is 'Sweet Patty' by William Reeve.

A selection of folk ballads from England Ireland Scotland and Wales.A ballad is the blending of words the beauty of melody tone rhythm and expression. They reflect the history of a people their legends religion love and work. British ballads are renouned for their verse melodic construction and for the enormous range of expression.1 The Lass of Richmond Hill is a poem by Leonard McNally a barrister about a lass who became his wife in 1787. The music is by James Hook (1746 1827).2 Sally in our Alley. The words are by Henry Carey who also wrote the original music but this was replaced by the tune we now know an English traditionalmelody in 1790.3 Caller Herrin'. The poem is by Lady Nairne (1766 1845). Nathaniel Gow the famous Scottish violinist wrote the music in 1798 as a harpsichord piece combining the traditional Edinburgh fish wives cry Caller Herrin' with the bells of St Andrew's Church Edinburgh.4 Men of Harlech. The music is traditionally Welsh and the ballad probably originated from North Wales where the native princes had ruled the longest.5 David of the White Rock (Dafydd y Garres Wen). Sir Walter Scott (1771-1832) wrote the words to this ballad The Dying Bard. David Owen the Welsh bard of the ballad composed the tune on his death-bed on awakening from a trance in which be believed himself to have heard the tune in heaven.6 Oft in the Stilly Night. The words describe an old man's memories of the smiles the tears of boyhood years. The eyes that shone now dimmed and gone and how oft in the stilly night he remembers other days. The ballad is by the Irish poet Thomas Moore (1779 1852) who set the words to a traditional air.7- The Meeting of the Waters. Written by Thomas Moore music Irish traditional.The Meeting of the Waters is the confluence of the rivers Avonmore and Avonberg in a beautiful valley near Avoca County Wicklow.8 Oh! Charlie is my Darlin'. The