(HC)

SKU: HL.49033339

Quellenkritische Untersuchungen. Composed by Paul Dessau. Edited by Kadja Groenke and Thomas Kohlhase. This edition: Hardback/Hard Cover. Book. Edition Schott. 360 pages. Schott Music #ED 9849. Published by Schott Music (HL.49033339).

ISBN 9783795705237. German.

Volume 7 of the Tchaikovsky Studies combines two important studies not published in German until now on Tchaikovsky's way of working as can be gathered from his manuscripts. In her thesis published in 1988 in Russian only, Polina Vajdmans, the archivist of the Tchaikovsky Museum in Klin, gives an overview of the handwritten sources, notes, sketches and drafts of the composer, thus providing a fascinating insight into his 'workshop'. Thomas Kohlhase, the editor of the Tchaikovsky Complete Edition and one of the foremost experts on this subject, adds to it the documentation of his editorial work on Symphony No. 6. The result is a remarkable volume which presents two ideally complementary points of view from different perspectives.

(Feast Overture / Festouverture). Composed by Peter Ilyich Tchaikovsky (1840-1893). Edited by Polina Vajdman. For orchestra. This edition: Urtext. Full score. 72 pages. Published by Breitkopf and Haertel

Woodwinds (picc.2.2.cor ang.2.2. - 4.2.2CaP.3.1. - timp.perc(4) - str)

SKU: BR.OB-5528-30

Festival Overture - Urtext. Composed by Pjotr Iljitsch Tschaikowsky. Edited by Polina Vajdman. Folder. Orchester-Bibliothek (Orchestral Library). The piece is a masterful example of program music that seemingly casually interweaves two Russian folk songs, a liturgical melody of the Russian Orthodox Church and two national anthems, the Marseillaise and the Czar's Hymn. Overture; Romantic. Set of parts. 168 pages. Duration 16'. Breitkopf and Haertel #OB 5528-30. Published by Breitkopf and Haertel (BR.OB-5528-30).

ISBN 9790004341100. 10 x 12.5 inches.

A Tchaikovsky Urtext is no longer a rarity in Breitkopfs orchestral catalogue. Polina Vajdman has edited a very popular repertoire work that the composer personally did not think very highly of. He even confessed to having written the work without the warmth of love. Nevertheless, the piece is a masterful example of program music that seemingly casually interweaves two Russian folk songs, a liturgical melody of the Russian Orthodox Church and two national anthems, the Marseillaise and the Czars Hymn. The work was written for the consecration of the Christ the Savior Cathedral in Moscow, which was erected in memory of the victory over Napoleon in 1812. The first edition of the score, which was carefully corrected three times by Tchaikovsky, is the principal source for this Urtext edition. The wording of the title The Year 1812 corresponds to the composers words, but was oddly never included in the first edition.

Woodwinds (3(picc).2.cor ang.2.2. - 4.2.2CaP.3.1. - timp.perc - hp - str)

SKU: BR.OB-5394-30

Urtext. Composed by Pjotr Iljitsch Tschaikowsky. Edited by Polina Vajdman. This edition: wind parts. Folder. Orchester-Bibliothek (Orchestral Library).

The Russian musicologist Polina Vajdman has consulted all relevant sources.

Romantic period. Set of parts. 178 pages. Duration 15'. Breitkopf and Haertel #OB 5394-30. Published by Breitkopf and Haertel (BR.OB-5394-30).

ISBN 9790004338629. 10 x 12.5 inches.

The present edition is based on all relevant sources. The preface sketches the work's genesis from the moment of its conception in Rome in late December 1879 (Yesterday, out in the streets, I heard a wonderful folksong that I will most certainly make use of.) to the first reviews, in which Tchaikovsky was accused of triviality and of having made an extremely unfortunate choice of themes. Yet this did nothing to hamper the worldwide success of the work, and Tchaikovsky's composer colleagues also culled ideas from it: a few years later, Tchaikovsky himself was the dedicatee of Nikolay Rimsky-Korsakov's Capriccio espagnol.Mit seinen Urtext-Studienpartituren setzt Breitkopf nicht nur auf eine bewahrte Tradition, sondern blickt offenbar auch guten Mutes in die Zukunft. (Michael Kube, Schweizer Musikzeitung)Mit bemerkenswerter Konsequenz wird die Neuherausgabe von Studienpartituren fortgesetzt. Fast unnotig, zu erwahnen, dass die uberdurchschnittliche Seitenaufteilung, der vorbildlich klarer Druck das Studium auch eines so bekannten Werkes zu einer genussreichen Freude machen. (Das Liebhaberorchester).

Violin 2 (picc.2.2.cor ang.2.2. - 4.2.2CaP.3.1. - timp.perc(4) - str)

SKU: BR.OB-5528-16

Festival Overture - Urtext. Composed by Pjotr Iljitsch Tschaikowsky. Edited by Polina Vajdman. Stapled. Orchester-Bibliothek (Orchestral Library). The piece is a masterful example of program music that seemingly casually interweaves two Russian folk songs, a liturgical melody of the Russian Orthodox Church and two national anthems, the Marseillaise and the Czar's Hymn. Overture; Romantic. Part. 8 pages. Duration 16'. Breitkopf and Haertel #OB 5528-16. Published by Breitkopf and Haertel (BR.OB-5528-16).

ISBN 9790004341063. 10 x 12.5 inches.

A Tchaikovsky Urtext is no longer a rarity in Breitkopfs orchestral catalogue. Polina Vajdman has edited a very popular repertoire work that the composer personally did not think very highly of. He even confessed to having written the work without the warmth of love. Nevertheless, the piece is a masterful example of program music that seemingly casually interweaves two Russian folk songs, a liturgical melody of the Russian Orthodox Church and two national anthems, the Marseillaise and the Czars Hymn. The work was written for the consecration of the Christ the Savior Cathedral in Moscow, which was erected in memory of the victory over Napoleon in 1812. The first edition of the score, which was carefully corrected three times by Tchaikovsky, is the principal source for this Urtext edition. The wording of the title The Year 1812 corresponds to the composers words, but was oddly never included in the first edition.

Study score (picc.2.2.cor ang.2.2. - 4.2.2CaP.3.1. - timp.perc(4) - str)

SKU: BR.PB-5551-07

Festival Overture - Urtext. Composed by Pjotr Iljitsch Tschaikowsky. Edited by Polina Vajdman. Stapled. Partitur-Bibliothek (Score Library).

The piece is a masterful example of program music that seemingly casually interweaves two Russian folk songs, a liturgical melody of the Russian Orthodox Church and two national anthems, the Marseillaise and the Czar's Hymn.

Overture; Romantic. Study Score. 76 pages. Duration 16'. Breitkopf and Haertel #PB 5551-07. Published by Breitkopf and Haertel (BR.PB-5551-07).

ISBN 9790004213612. 6.5 x 9 inches.

A Tchaikovsky Urtext is no longer a rarity in Breitkopfs orchestral catalogue. Polina Vajdman has edited a very popular repertoire work that the composer personally did not think very highly of. He even confessed to having written the work without the warmth of love. Nevertheless, the piece is a masterful example of program music that seemingly casually interweaves two Russian folk songs, a liturgical melody of the Russian Orthodox Church and two national anthems, the Marseillaise and the Czars Hymn. The work was written for the consecration of the Christ the Savior Cathedral in Moscow, which was erected in memory of the victory over Napoleon in 1812. The first edition of the score, which was carefully corrected three times by Tchaikovsky, is the principal source for this Urtext edition. The wording of the title The Year 1812 corresponds to the composers words, but was oddly never included in the first edition.

Violoncello (picc.2.2.cor ang.2.2. - 4.2.2CaP.3.1. - timp.perc(4) - str)

SKU: BR.OB-5528-23

Festival Overture - Urtext. Composed by Pjotr Iljitsch Tschaikowsky. Edited by Polina Vajdman. Stapled. Orchester-Bibliothek (Orchestral Library). The piece is a masterful example of program music that seemingly casually interweaves two Russian folk songs, a liturgical melody of the Russian Orthodox Church and two national anthems, the Marseillaise and the Czar's Hymn. Overture; Romantic. Part. 8 pages. Duration 16'. Breitkopf and Haertel #OB 5528-23. Published by Breitkopf and Haertel (BR.OB-5528-23).

ISBN 9790004341087. 10 x 12.5 inches.

A Tchaikovsky Urtext is no longer a rarity in Breitkopfs orchestral catalogue. Polina Vajdman has edited a very popular repertoire work that the composer personally did not think very highly of. He even confessed to having written the work without the warmth of love. Nevertheless, the piece is a masterful example of program music that seemingly casually interweaves two Russian folk songs, a liturgical melody of the Russian Orthodox Church and two national anthems, the Marseillaise and the Czars Hymn. The work was written for the consecration of the Christ the Savior Cathedral in Moscow, which was erected in memory of the victory over Napoleon in 1812. The first edition of the score, which was carefully corrected three times by Tchaikovsky, is the principal source for this Urtext edition. The wording of the title The Year 1812 corresponds to the composers words, but was oddly never included in the first edition.

Violoncello (3(picc).2.cor ang.2.2. - 4.2.2CaP.3.1. - timp.perc - hp - str)

SKU: BR.OB-5394-23

Urtext. Composed by Pjotr Iljitsch Tschaikowsky. Edited by Polina Vajdman. This edition: cello part. Stapled. Orchester-Bibliothek (Orchestral Library).

The Russian musicologist Polina Vajdman has consulted all relevant sources.

Romantic period. Part. 8 pages. Duration 15'. Breitkopf and Haertel #OB 5394-23. Published by Breitkopf and Haertel (BR.OB-5394-23).

ISBN 9790004338605. 10 x 12.5 inches.

The present edition is based on all relevant sources. The preface sketches the work's genesis from the moment of its conception in Rome in late December 1879 (Yesterday, out in the streets, I heard a wonderful folksong that I will most certainly make use of.) to the first reviews, in which Tchaikovsky was accused of triviality and of having made an extremely unfortunate choice of themes. Yet this did nothing to hamper the worldwide success of the work, and Tchaikovsky's composer colleagues also culled ideas from it: a few years later, Tchaikovsky himself was the dedicatee of Nikolay Rimsky-Korsakov's Capriccio espagnol.Mit seinen Urtext-Studienpartituren setzt Breitkopf nicht nur auf eine bewahrte Tradition, sondern blickt offenbar auch guten Mutes in die Zukunft. (Michael Kube, Schweizer Musikzeitung)Mit bemerkenswerter Konsequenz wird die Neuherausgabe von Studienpartituren fortgesetzt. Fast unnotig, zu erwahnen, dass die uberdurchschnittliche Seitenaufteilung, der vorbildlich klarer Druck das Studium auch eines so bekannten Werkes zu einer genussreichen Freude machen. (Das Liebhaberorchester).

Composed by Peter Iljitsch Tschaikowsky. Edited by Polina Vajdman. For orchestra. Partitur-Bibliothek (Score Library). Study score. 124 pages. Published by Breitkopf and Haertel

Fingersatz und spielpraktische Einrichtung von Lev Vinocour. Composed by Peter Ilyich Tchaikovsky (1840-1893). Edited by Ljudmila Korabel'nikova and Polina E. Vajdman. Arranged by Lev Vinocour. This edition: Saddle stitching. Sheet music. Piano. Classical. Composed 1878. Op. 40. 78 pages. Schott Music #ED20095. Published by Schott Music

(Book)

SKU: HL.49046464

Book 1 Hardcover. Edited by Thomas Kohlhase. Classical, German Edition. Hardcover. 752 pages. Schott Music #ED22750-10. Published by Schott Music (HL.49046464).

UPC: 840126930801.

This complete edition, which is the first outside Russia, of the almost fourteen-year correspondence between P. I. Tchaikovsky and the music-loving patron (and wealthy widow of a Baltic railway entrepreneur) N. F. von Meck represents for German-speaking readers and music historians an indispensable primary source on the life and work of the greatest Russian composer as well as on his environment, while, at the same time, reflecting the political, cultural and social situation of the Russian Empire from the perspective of two privileged, educated and regime-loving subjects. The life of the large families Tchaikovsky-Davydov and von Meck, the unpleasant consequences of the composer's unhappy marriage, faith and religion, literature, philosophy, the reception of earlier and contemporary Russian and European music, fine arts, foreigntravel, political, economic and social conditions - even farming (in Brailov and Kamenka/Verbovka, the Ukrainian estates of the von Meck and Davydov families) and many more are the topics of this correspondence between two related and yet so different personalities who, as agreed, never met in personal conversation and yet talked to each other in lively, often confessional speech. The texts of the letters in the present edition (whose planning dates back to the 1950s), with the added contrasting excerpts from letters of Tchaikovsky to other persons, such as his trusted brothers Anatoly and Modest, have been revised according to the new Russian Complete Edition by Polina Vajdman (Celjabinsk 2007 ff.). Various introductions, accompanying texts and overviews as well ascomprehensive indices (one of them systematically by subjects), together with numerous explanations and notes at the bottom of the pages, make it easier for the reader to find his/her way through the more than 1,200 documents (281 of which are in Volume I). Volume II of the edition, which is also available for subscription, is scheduled for publication in autumn 2021 and Volume III one year later.

By Peter Iljitsch Tschaikowsky. Edited by Polina Vajdman. Piano (Harpsichord), 2-hands. Pages: XIII and 64. Urtext edition-paper bound. Published by G. Henle.

(Piano Solo). By Peter Ilyich Tchaikovsky (1840-1893). Edited by Ljudmila Korabel'nikova and Polina Vajdman. Piano. Book only. 8 pages. Schott Music #ED01729. Published by Schott Music

Concert Band/Harmonie/Fanfare Band/Brass Band - Grade 4

SKU: BT.DHP-0830001-216

Composed by Jan de Haan. Christmas Collection. Hymns & Chorals. Score Only. Composed 1983. De Haske Publications #DHP 0830001-216. Published by De Haske Publications (BT.DHP-0830001-216).

Christmas Fantasy is a fantastic medley by Jan de Haan which features some of the best-known songs from the Christmas season. Includes: Es ist ein Ros’ entsprungen; O Little Town of Bethlehem; Once in Royal David’s City; Hark! The Herald Angel’s Sing; God Rest Ye Merry Gentlemen and Good King Wenceslas. English and Dutch choral parts are also availble for this work.

Deze fantasie over kerstliederen werd voor het eerst uitgevoerd in 1983 door het Hope College Choir, Holland Community Choral, orkest en orgel tijdens een concert en televisie opname in het Amerikaanse Holland-Michigan. Tegelijkertijdmaakte Jan de Haan een transcriptie voor ha/fa/bra waardoor het werk zowel instrumentaal als met koor (SATB) en/of orgel ad libitum uitvoerbaar is.Jan de Haan maakte in Christmas Fantasy gebruik van de liederen: Esist ein Ros’ entsprungen, O Little Town of Bethlehem, Once in Royal David’s City, The Herald Angels Sing, God Rest Ye Merry Getlemen en Good King Wenceslas. Koorpartijen zijn verkrijgbaar in het Nederlands en Engels.

Die feierliche und stimmungsvolle Christmas Fantasy hat im Laufe der Jahre nichts von ihrer Attraktivität verloren. Das Medley aus einigen der bekanntesten Weihnachtslieder der Weit, z.B. Es ist ein Ros’ entsprungen; O Little Town of Bethlehem; Once in Royal David’s City; Hark! The Herald Angel’s Sing; God Rest Ye Merry Gentlemen und Good King Wenceslas, von Jan de Haan gewohnt meisterhaft gesetzt, kann mit oder ohne Orgelbegleitung aufgeführt werden. Zusätzlich enthalten sind Chorstimmen auf Englisch und Holländisch.

Christmas Fantasy est un medley regroupant les airs suivants Es ist ein Ros’ entsprungen; O Little Town of Bethlehem; Once in Royal David’s City; Hark! The Herald Angel’s Sing; God Rest Ye Merry Gentlemen; Good King Wenceslas. Jan de Haan a réalisé ce féérique arrangement pour orchestre d’harmonie et choeur ad lib. (texte en anglais et néerlandais).