Kyrie-Gloria-Messe-Johann Christoph Altnickol's Missa in D for SATB.The Missa in d composed around 1750 is one of the few surviving compositions of Altnickol. He was the student and later son-in-law of Johann Sebastian Bach. The wealth of forms and at the same time the clarity of this composition show the influence of his teacher but above all it shows the expression of an individual style of church music. With its contrapuntal mastery and musical depth this Kyrie-Gloria Mass presented here in a first edition represents a high point in this widely disseminated genre.

2. Choir Viola-Version of 1736 (final version)Bach’s St. Matthew Passion passed through several stages in its progress towards its final form stages that today cannot be completely reconstructed. It may be taken as certain that the work was performed on Good Friday 1729 in St. Thomas’s Church Leipzig in a version of which the copy made by Bach’s son-in-law Johann Christoph Altnickol gives us an approximate idea. There is no earlier extant autograph score than that of the later version which may probably be dated 1736 and on which the present edition is based.- Study score format 22.5 x 16.5cm- Urtext of the New Bach Edition-Full score performance material (BA5038) vocal score (BA5038-90) and study score (TP196) available for sale

Version of 1736 (final version) Bach?s St. Matthew Passion passed through several stages in its progress towards its final form stages that today cannot be completely reconstructed. It may be taken as certain that the work was performed on Good Friday 1729 in St. Thomas?s Church Leipzig in a version of which the copy made by Bach?s son-in-law Johann Christoph Altnickol gives us an approximate idea. There is no earlier extant autograph score than that of the later version which may probably be dated 1736 and on which the present edition is based. - Study score format 22.5 x 16.5cm - Urtext ofthe New Bach Edition - Full score performance material (BA5038) vocal score (BA5038-90) and study score (TP196) available for sale

2. Choir Basso continuo Violoncello Double bass 2. Bassoon-Version of 1736 (final version)Bach’s St. Matthew Passion passed through several stages in its progress towards its final form stages that today cannot be completely reconstructed. It may be taken as certain that the work was performed on Good Friday 1729 in St. Thomas’s Church Leipzig in a version of which the copy made by Bach’s son-in-law Johann Christoph Altnickol gives us an approximate idea. There is no earlier extant autograph score than that of the later version which may probably be dated 1736 and on which the present edition is based.- Study score format 22.5 x 16.5cm- Urtext of the New Bach Edition-Full score performance material (BA5038) vocal score (BA5038-90) and study score (TP196) available for sale

Version of 1736 (final version)Bach’s St. Matthew Passion passed through several stages in its progress towards its final form stages that today cannot be completely reconstructed. It may be taken as certain that the work was performed on Good Friday 1729 in St. Thomas’s Church Leipzig in a version of which the copy made by Bach’s son-in-law Johann Christoph Altnickol gives us an approximate idea. There is no earlier extant autograph score than that of the later version which may probably be dated 1736 and on which the present edition is based.- Study score format 22.5 x 16.5cm- Urtext of the New Bach Edition-Full score performance material (BA5038) vocal score (BA5038-90) and study score (TP196) available for sale

2. Choir 2. Violin-Version of 1736 (final version)Bach’s St. Matthew Passion passed through several stages in its progress towards its final form stages that today cannot be completely reconstructed. It may be taken as certain that the work was performed on Good Friday 1729 in St. Thomas’s Church Leipzig in a version of which the copy made by Bach’s son-in-law Johann Christoph Altnickol gives us an approximate idea. There is no earlier extant autograph score than that of the later version which may probably be dated 1736 and on which the present edition is based.- Study score format 22.5 x 16.5cm- Urtext of the New Bach Edition-Full score performance material (BA5038) vocal score (BA5038-90) and study score (TP196) available for sale

1. Choir Basso continuo Violoncello Double bass 1. Bassoon-Version of 1736 (final version)Bach’s St. Matthew Passion passed through several stages in its progress towards its final form stages that today cannot be completely reconstructed. It may be taken as certain that the work was performed on Good Friday 1729 in St. Thomas’s Church Leipzig in a version of which the copy made by Bach’s son-in-law Johann Christoph Altnickol gives us an approximate idea. There is no earlier extant autograph score than that of the later version which may probably be dated 1736 and on which the present edition is based.- Study score format 22.5 x 16.5cm- Urtext of the New Bach Edition-Full score performance material (BA5038) vocal score (BA5038-90) and study score (TP196) available for sale

Kyrie-Gloria-Messe. Par ALTNICKOL JOHANN-CHRISTOPH. The Missa in d, composed around 1750, is one of the few surviving compositions of Altnickol. He was the student and later son-in-law of Johann Sebastian Bach. The wealth of forms and at the same time, the clarity of this composition show the influence of his teacher, but above all it shows the expression of an individual style of church music. With its contrapuntal mastery and musical depth this Kyrie-Gloria Mass, presented here in a first edition, represents a high point in this widely disseminated genre. / Messe / Répertoire / Solistes SATB, Choeur SATB, 2 Violons, Alto et Bas

Par ALTNICKOL JOHANN-CHRISTOPH / GESIUS BARTHOLOMAUS. Langue : Allemand/Anglais/ Répertoire / Choeur SATB

Par BACH JOHANN SEBASTIAN. The Notebook for Johann Christian Bach completes the collection of surviving instructional works from within the Bach family, following the highly praised Notebooks for Anna Magdalena and Wilhelm Friedemann Bach. Together, Bach?s Notebooks provide a fascinating glimpse into the domestic music academy of the Bach family home. They contain original compositions, exercises, and model examples by other composers, all collected with a view to providing a rounded musical education to family members. Presented as a luxury linen-bound edition with gold-embossed cover lettering, illustrations and critical commentary, this volume includes pieces not featured in previous collections. This first Urtext edition Notebook for Bach?s son Johann Christian has been reconstructed by renowned Bach scholar Christoph Wolff from copies from the estate of C.P.E. Bach. It includes pieces for keyboard by J.S. Bach, Johann Christian?s initial attempts at composition (minuets and polonaises), and pieces by the older brothers Carl Philipp Emanuel and Johann Christoph Friedrich and son-in-law Johann Christoph Altnickol. The collection is completed by two sets of short preludes and fughettas from Bach?s early Leipzig teaching practice, which may have come from other lost notebooks for his family, possibly the one for C.P.E. Bach.    / Date parution : 2023-10-31/ Recueil / Piano