Half-leather binding-Facsimile of the autograph manuscript in the Staatsbibliothek zu Berlin Preussischer Kulturbesitz.With a Commentary by Christoph Wolff and Martina Rebmann.Series: Documenta musicologica II/5090 pages of facsimile and 28 pages of Commentary (Eng/Ger).Half-leather binding.???The ???Well-Tempered Clavier??? is the Old Testament Beethoven's sonatas the New. We must believe in both.??? (Hans von B?low).The preludes and fugues of ???The Well-Tempered Clavier??? embrace an entire cosmos of compositional devices and musical characters the ???ne plus ultra??? of ???unity through diversity???. Here Bachnot only presented the sum total of keyboard artistry in his day but foresaw its future evolution. His treatment of the keys marked a turning point in music history.The autograph score originally a fair copy contains later revisions and alterations reflecting the composer at work.This new facsimile edition presents the manuscript in high-quality four-colour reproduction. Bach authority Christoph Wolff provides a Commentary to the work???s genesis and the characteristics of Bach???s handwriting.Martina Rebmann(Staatsbibliothek zu Berlin) describes the subsequent history of the autograph.Barenreiter Facsimilie:The seal is used exclusively for facsimile editions published by B?renreiter which meet the highest demands in both scholarly and technical terms.The distinguishing features include:??? A facsimile in high-quality colour printing??? Scholarly commentary??? Attractive cover design

f-Moll. Par BACH JOHANN CHRISTOPH / BACH JOHANN SEBASTIAN. Tonalité : f-Moll - Horn, Paul (Arr.) - Schubert, Margaret (Trad.) - BWV Anh. III 159 / Mottet / Répertoire / Choeur SATB/SATB, (Basse Continue)

f-Moll. Par BACH JOHANN CHRISTOPH / BACH JOHANN SEBASTIAN. Tonalité : f-Moll - Horn, Paul (Arr.) - Schubert, Margaret (Trad.) - BWV Anh. III 159 / Mottet / Répertoire / Choeur SATB/SATB, (Basse Continue)

f-Moll. Par BACH JOHANN CHRISTOPH / BACH JOHANN SEBASTIAN. Tonalité : f-Moll - Horn, Paul (Arr.) - Schubert, Margaret (Trad.) - BWV Anh. III 159 / Mottet / Répertoire / Choeur SATB/SATB, (Basse Continue)

f-Moll. Par BACH JOHANN CHRISTOPH / BACH JOHANN SEBASTIAN. Tonalité : f-Moll - Horn, Paul (Arr.) - Schubert, Margaret (Trad.) - BWV Anh. III 159 / Mottet / Répertoire / Choeur SATB/SATB, (Basse Continue)

f-Moll. Par BACH JOHANN CHRISTOPH / BACH JOHANN SEBASTIAN. Tonalité : f-Moll - Horn, Paul (Arr.) - Schubert, Margaret (Trad.) - BWV Anh. III 159 / Mottet / Répertoire / Choeur SATB/SATB, (Basse Continue)

f-Moll. Par BACH JOHANN CHRISTOPH / BACH JOHANN SEBASTIAN. Tonalité : f-Moll - Horn, Paul (Arr.) - Schubert, Margaret (Trad.) - BWV Anh. III 159 / Mottet / Répertoire / Choeur SATB/SATB, ou Basse Continue

Par AASS LARS / HINSON MAURICE. The stylistic transition from the late Baroque to the Classical period was almost something of a Bach affair. While Johann Sebastian Bach (1685-1750) defined and summed up the Baroque musical language, his sons Willhelm Friedemann, Carl Philipp Emanuel, Johann Christoph Friedrich and Johann Christian, infused with the spirit of innovation, struck new musical paths that opened the way to the Classical and Romantic eras. This piano book celebrates the work of these four sons of Bach with a fascinating and varied collection of pieces for the grade 2-5 player. **ABRSM selected piece (Piano 2019-2020): Allegro in A / Instrumental Music, Piano Music / Recueil / Piano

Par BACH JOHANN CHRISTOPH / BACH HEINRICH. Formerly attributed to Heinrich Bach/ Répertoire / Solo A, Violon, 4 Violes de Gambe (3 Altos et Viol

Par BACH JOHANN CHRISTOPH / BACH HEINRICH. Formerly attributed to Heinrich Bach/ Répertoire / Solo A, Violon, 4 Violes de Gambe (3 Altos et Viol

Par BACH JOHANN CHRISTOPH / BACH HEINRICH. Formerly attributed to Heinrich Bach/ Répertoire / Solo A, Violon, 4 Violes de Gambe (3 Altos et Viol

Pachelbel???s exuberant and justly famous Canon may well have been first heard at the wedding of Johann Christoph Bach. Originally for small ensemble Mary Cohen???s new arrangement of the work for solo piano or keyboard will suit players moving from easy towards intermediate repertoire.

Arrangeur: Paul Horn. Par BACH JOHANN CHRISTOPH FRIEDRICH. Johann Christoph Friedrich Bach greift in seiner Motette 'Wachet auf, ruft uns die Stimme' in einem 'Choral' überschriebenen Teil auf einen Kantionalsatz aus der Feder seines Vaters zurück. Es handelt sich um den Schlusschoral von Johann Sebastian Bachs gleichnamiger Kantate BWV 140. / Mottet / Date parution : 1977-02-01/ Répertoire / Choeur SATB, (4 Instruments et Orgue)

Arrangeur: Paul Horn. Par BACH JOHANN CHRISTOPH FRIEDRICH. Johann Christoph Friedrich Bach greift in seiner Motette 'Wachet auf, ruft uns die Stimme' in einem 'Choral' überschriebenen Teil auf einen Kantionalsatz aus der Feder seines Vaters zurück. Es handelt sich um den Schlusschoral von Johann Sebastian Bachs gleichnamiger Kantate BWV 140. / Mottet / Date parution : 1976-10-01/ Répertoire / Choeur SATB, (4 Instruments et Orgue)

Arrangeur: Paul Horn. Par BACH JOHANN CHRISTOPH FRIEDRICH. Johann Christoph Friedrich Bach greift in seiner Motette 'Wachet auf, ruft uns die Stimme' in einem 'Choral' überschriebenen Teil auf einen Kantionalsatz aus der Feder seines Vaters zurück. Es handelt sich um den Schlusschoral von Johann Sebastian Bachs gleichnamiger Kantate BWV 140. / Mottet / Date parution : 1977-02-01/ Répertoire / Choeur SATB, (4 Instruments et Orgue)