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Johann Christoph Friedrich Bach
INSTRUMENTS
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ACCORDION
AUTOHARP
BAGPIPE
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BASS
BASSOON
BOOKS
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BUGLE
CHORAL - VOCAL - CHOIR
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OCARINA
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ORGAN
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PIANO
RECORDER
SAXOPHONE
SYNTHESIZER KEYBOARD
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TUBA
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VIOLIN - FIDDLE
VIOLONCELLO - CELLO
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Piano solo (43)
Flute and Piano (14)
Flûte Traversière, 2 Clarine… (12)
Flûte Traversière, Violon, A… (12)
Solistes, Choeur SATB, 2 Flût… (9)
Divers (8)
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Choeur SATB, (4 Instruments et… (6)
Soli, Mixted choir and accompa… (6)
1 Piano, 4 hands (6)
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Flûte Traversière Violon et … (4)
Flûte Traversière, Violon et… (4)
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Johann Sebastian Bach: Sonate G (J.Chr.): Cello: Score and Parts
Cello, Piano
Barenreiter
Johann Christoph Friedrich Bach was the eldest surviving son of Johann Sebastian...
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Johann Christoph Friedrich Bach was the eldest surviving son of Johann Sebastian Bach and his second wife Anna Magdalena Wulcken; he was born in Leipzig in 1732. His father gave him his first music instruction. After his initial studies in law he devoted himself entirely to music. In 1750 he entered the services of Count Wilhelm zu Buckeburg where he first of all was engaged as the Count's chamber musician (Hochgraflicher Schaumburg-Lippischer Cammer-Musicus) later as orchestral director a post which he held until his death in 1795. The 'Buckeburg Bach' is described as an amiable and devout person who was highly respected and esteemed for his 'rectitude greatness of soul readiness to oblige and kindness' (Schlichtegroll Nekrolog). He was an exceedingly industrious and gifted composer in whom one couldnot fail to recognise that the spirit of his great father had also been communicated to him' (Dulon). Johann Christoph Friedrich Bach's Sonata A Violoncello Solo Col Basso appears in print for the first time with this edition. The autograph which served as source was held at the time in the University Library at Tubingen depot of the former Prussian State Library under the call-mark Mus. ms. autogr. Bach P 382 which has subsequently been moved to the Staatsbibliothek zu Berlin Preussischer Kulturbesitz. For practical use the accompaniment has been realised from the unfigured Bass. - Piano reduction and separte parts for Cello and Basso continuo.
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Johann Sebastian Bach Johann Christoph Friedrich Bach: Concerto in F Minor
Piano solo
[Sheet music + Audio access]
Music Minus One
Concerto in E-flat Major-Johann Sebastian Bach's spirited F-minor concerto is wo...
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Concerto in E-flat Major-Johann Sebastian Bach's spirited F-minor concerto is wonderfully compact of a manageable length for the student player and displays all the wonderful qualities associated with the granddaddy of the keyboard. Great fun to learn and play! Its companion on this disc is a concerto long attributed to Johann Christian Bach but now proven to belong to one of Bach's lesser-known sons Johann Christoph Friedrich Bach who was a skillful composer as this marvelous gem will testify. It is perfect for the beginning student a wonderful preparation for the Mozart concerti. Includes a second compact disc with a special slow-tempo version of the accompaniments to help you get up tospeed. Includes a newly engraved authoritative printed music score with orchestral reduction printed on high-quality ivory paper; and a compact disc containing a complete version with soloist in digitally remastered stereo; then a second digitally remastered stereo version of the orchestral accompaniment minus the soloist; and a second compact disc containing the complete version of the concerto followed by a -20% slow-tempo version of the accompaniments for practice purposes. Performed by David Syme piano. Accompaniment: Stuttgart Festival Orchestra. Conductor: Emil Kahn.
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Johann Christoph Friedrich Bach: Musical Leisure Hours: Piano: Instrumental
Piano solo
-
Intermediate
ABRSM Publishing
Easier Piano Pieces 45-Johann Christoph Friedrich Bach was a son of Johann Sebas...
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Easier Piano Pieces 45-Johann Christoph Friedrich Bach was a son of Johann Sebastian and served at the court of Buckeburg. In 1787-8 he published a four-volume collection of his keyboard and other music under the title Musical Leisure Hours from which the 69 short pieces in this album have been selected.Miniatures intended for light entertainment these are mostly pieces in the popular dance forms of the day while a few look back to the style of his father.
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At The Piano With The Sons of Bach (AASS LARS / HINSON MAURICE)
Piano solo
[Sheet music]
Alfred Publishing
Par AASS LARS / HINSON MAURICE. The stylistic transition from the late Baroque t...
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Par AASS LARS / HINSON MAURICE. The stylistic transition from the late Baroque to the Classical period was almost something of a Bach affair. While Johann Sebastian Bach (1685-1750) defined and summed up the Baroque musical language, his sons Willhelm Friedemann, Carl Philipp Emanuel, Johann Christoph Friedrich and Johann Christian, infused with the spirit of innovation, struck new musical paths that opened the way to the Classical and Romantic eras. This piano book celebrates the work of these four sons of Bach with a fascinating and varied collection of pieces for the grade 2-5 player. **ABRSM selected piece (Piano 2019-2020): Allegro in A / Instrumental Music, Piano Music / Recueil / Piano
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Johann Christoph Friedrich Bach
Carte Postale
[Sheet music]
Carus Verlag
Mathieu, Georg (Illustr.) - Bach, Johann Christoph Friedrich (Trad.) -/ Réperto...
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Mathieu, Georg (Illustr.) - Bach, Johann Christoph Friedrich (Trad.) -/ Répertoire / Carte Postale
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Wachet Auf, Ruft Uns Die Stimme (BACH JOHANN CHRISTOPH FRIEDRICH)
Choeur SATB, (4 Instruments et Orgue)
[Sheet music]
Carus Verlag
Arrangeur: Paul Horn. Par BACH JOHANN CHRISTOPH FRIEDRICH. Johann Christoph Frie...
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Arrangeur: Paul Horn. Par BACH JOHANN CHRISTOPH FRIEDRICH. Johann Christoph Friedrich Bach greift in seiner Motette 'Wachet auf, ruft uns die Stimme' in einem 'Choral' überschriebenen Teil auf einen Kantionalsatz aus der Feder seines Vaters zurück. Es handelt sich um den Schlusschoral von Johann Sebastian Bachs gleichnamiger Kantate BWV 140. / Mottet / Date parution : 1977-02-01/ Répertoire / Choeur SATB, (4 Instruments et Orgue)
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Wachet Auf, Ruft Uns Die Stimme (BACH JOHANN CHRISTOPH FRIEDRICH)
Choeur SATB, (4 Instruments et Orgue)
[Sheet music]
Carus Verlag
Arrangeur: Paul Horn. Par BACH JOHANN CHRISTOPH FRIEDRICH. Johann Christoph Frie...
(+)
Arrangeur: Paul Horn. Par BACH JOHANN CHRISTOPH FRIEDRICH. Johann Christoph Friedrich Bach greift in seiner Motette 'Wachet auf, ruft uns die Stimme' in einem 'Choral' überschriebenen Teil auf einen Kantionalsatz aus der Feder seines Vaters zurück. Es handelt sich um den Schlusschoral von Johann Sebastian Bachs gleichnamiger Kantate BWV 140. / Mottet / Date parution : 1977-02-01/ Répertoire / Choeur SATB, (4 Instruments et Orgue)
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Wachet Auf, Ruft Uns Die Stimme (BACH JOHANN CHRISTOPH FRIEDRICH)
Choeur SATB, (4 Instruments et Orgue)
[Sheet music]
Carus Verlag
Arrangeur: Paul Horn. Par BACH JOHANN CHRISTOPH FRIEDRICH. Johann Christoph Frie...
(+)
Arrangeur: Paul Horn. Par BACH JOHANN CHRISTOPH FRIEDRICH. Johann Christoph Friedrich Bach greift in seiner Motette 'Wachet auf, ruft uns die Stimme' in einem 'Choral' überschriebenen Teil auf einen Kantionalsatz aus der Feder seines Vaters zurück. Es handelt sich um den Schlusschoral von Johann Sebastian Bachs gleichnamiger Kantate BWV 140. / Mottet / Date parution : 1976-07-01/ Répertoire / Choeur SATB, (4 Instruments et Orgue)
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Wachet Auf, Ruft Uns Die Stimme (BACH JOHANN CHRISTOPH FRIEDRICH)
Choeur SATB, (4 Instruments et Orgue)
[Sheet music]
Carus Verlag
Arrangeur: Paul Horn. Par BACH JOHANN CHRISTOPH FRIEDRICH. Johann Christoph Frie...
(+)
Arrangeur: Paul Horn. Par BACH JOHANN CHRISTOPH FRIEDRICH. Johann Christoph Friedrich Bach greift in seiner Motette 'Wachet auf, ruft uns die Stimme' in einem 'Choral' überschriebenen Teil auf einen Kantionalsatz aus der Feder seines Vaters zurück. Es handelt sich um den Schlusschoral von Johann Sebastian Bachs gleichnamiger Kantate BWV 140. / Mottet / Date parution : 1976-10-01/ Répertoire / Choeur SATB, (4 Instruments et Orgue)
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Wachet Auf, Ruft Uns Die Stimme (BACH JOHANN CHRISTOPH FRIEDRICH)
Choeur SATB, (4 Instruments et Orgue)
[Sheet music]
Carus Verlag
Arrangeur: Paul Horn. Par BACH JOHANN CHRISTOPH FRIEDRICH. Johann Christoph Frie...
(+)
Arrangeur: Paul Horn. Par BACH JOHANN CHRISTOPH FRIEDRICH. Johann Christoph Friedrich Bach greift in seiner Motette 'Wachet auf, ruft uns die Stimme' in einem 'Choral' überschriebenen Teil auf einen Kantionalsatz aus der Feder seines Vaters zurück. Es handelt sich um den Schlusschoral von Johann Sebastian Bachs gleichnamiger Kantate BWV 140. / Mottet / Date parution : 1977-02-01/ Répertoire / Choeur SATB, (4 Instruments et Orgue)
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Wachet Auf, Ruft Uns Die Stimme (BACH JOHANN CHRISTOPH FRIEDRICH)
Choeur SATB, (4 Instruments et Orgue)
[Sheet music]
Carus Verlag
Arrangeur: Paul Horn. Par BACH JOHANN CHRISTOPH FRIEDRICH. Johann Christoph Frie...
(+)
Arrangeur: Paul Horn. Par BACH JOHANN CHRISTOPH FRIEDRICH. Johann Christoph Friedrich Bach greift in seiner Motette 'Wachet auf, ruft uns die Stimme' in einem 'Choral' überschriebenen Teil auf einen Kantionalsatz aus der Feder seines Vaters zurück. Es handelt sich um den Schlusschoral von Johann Sebastian Bachs gleichnamiger Kantate BWV 140. / Mottet / Date parution : 1977-02-01/ Répertoire / Choeur SATB, (4 Instruments et Orgue)
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Miserere In C (BACH JOHANN CHRISTOPH FRIEDRICH)
Soli, Mixted choir and accompaniment
satb (soli), SATB (choir), Orchestra
[Sheet music]
Carus Verlag
Wiemer, Wolfgang (Arr.) - Br Jcfb E 1. Par BACH JOHANN CHRISTOPH FRIEDRICH. Nich...
(+)
Wiemer, Wolfgang (Arr.) - Br Jcfb E 1. Par BACH JOHANN CHRISTOPH FRIEDRICH. Nicht nur die Musiker des 16. und 17. Jahrhunderts haben - schon aus liturgischen Gründen - immer wieder Vertonungen des Bußpsalms 50 [51] vorgelegt. Auch noch in späterer, säkularisierterer Zeit pflegten gelegentlich Komponisten diese Tradition, so der 'Bückeburger' Johann Christoph Friedrich Bach mit seiner 12-sätzigen Komposition von etwa 1770, die erst 1975 entdeckt wurde. Fast nur in B-Tonarten angesiedelt, besteht Bachs 'Miserere' aus einem ausgewogenen Wechsel von Chor- und Soloabschnitten. Gemeinsames Stilmerkmal aller Teile sind vor allem die reich verwendeten 'empfindsamen' Vorhaltsbildungen und kleinen Ziernoten. Als Beispiel des vorklassischen Zeitalters eignetsich die Komposition gut für epochenübergreifende Programme mit Fasten- und Bußkompositionen. / Date parution : 1991-09-01/ Répertoire / Solistes SATB, Choeur SATB, 2 Violons, Alto et Bas
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Miserere In C (BACH JOHANN CHRISTOPH FRIEDRICH)
Soli, Mixted choir and accompaniment
satb (soli), SATB (choir), Orchestra
[Sheet music]
Carus Verlag
Wiemer, Wolfgang (Arr.) - Br Jcfb E 1. Par BACH JOHANN CHRISTOPH FRIEDRICH. Nich...
(+)
Wiemer, Wolfgang (Arr.) - Br Jcfb E 1. Par BACH JOHANN CHRISTOPH FRIEDRICH. Nicht nur die Musiker des 16. und 17. Jahrhunderts haben - schon aus liturgischen Gründen - immer wieder Vertonungen des Bußpsalms 50 [51] vorgelegt. Auch noch in späterer, säkularisierterer Zeit pflegten gelegentlich Komponisten diese Tradition, so der 'Bückeburger' Johann Christoph Friedrich Bach mit seiner 12-sätzigen Komposition von etwa 1770, die erst 1975 entdeckt wurde. Fast nur in B-Tonarten angesiedelt, besteht Bachs 'Miserere' aus einem ausgewogenen Wechsel von Chor- und Soloabschnitten. Gemeinsames Stilmerkmal aller Teile sind vor allem die reich verwendeten 'empfindsamen' Vorhaltsbildungen und kleinen Ziernoten. Als Beispiel des vorklassischen Zeitalters eignetsich die Komposition gut für epochenübergreifende Programme mit Fasten- und Bußkompositionen. / Date parution : 1991-09-01/ Répertoire / Solistes SATB, Choeur SATB, 2 Violons, Alto et Bas
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Miserere In C (BACH JOHANN CHRISTOPH FRIEDRICH)
Soli, Mixted choir and accompaniment
satb (soli), SATB (choir), Orchestra
[Sheet music]
Carus Verlag
Wiemer, Wolfgang (Arr.) - Br Jcfb E 1. Par BACH JOHANN CHRISTOPH FRIEDRICH. Nich...
(+)
Wiemer, Wolfgang (Arr.) - Br Jcfb E 1. Par BACH JOHANN CHRISTOPH FRIEDRICH. Nicht nur die Musiker des 16. und 17. Jahrhunderts haben - schon aus liturgischen Gründen - immer wieder Vertonungen des Bußpsalms 50 [51] vorgelegt. Auch noch in späterer, säkularisierterer Zeit pflegten gelegentlich Komponisten diese Tradition, so der 'Bückeburger' Johann Christoph Friedrich Bach mit seiner 12-sätzigen Komposition von etwa 1770, die erst 1975 entdeckt wurde. Fast nur in B-Tonarten angesiedelt, besteht Bachs 'Miserere' aus einem ausgewogenen Wechsel von Chor- und Soloabschnitten. Gemeinsames Stilmerkmal aller Teile sind vor allem die reich verwendeten 'empfindsamen' Vorhaltsbildungen und kleinen Ziernoten. Als Beispiel des vorklassischen Zeitalters eignetsich die Komposition gut für epochenübergreifende Programme mit Fasten- und Bußkompositionen. / Date parution : 1991-09-01/ Répertoire / Solistes SATB, Choeur SATB, 2 Violons, Alto et Bas
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Miserere In C (BACH JOHANN CHRISTOPH FRIEDRICH)
Soli, Mixted choir and accompaniment
satb (soli), SATB (choir), Orchestra
[Sheet music]
Carus Verlag
Wiemer, Wolfgang (Arr.) - Br Jcfb E 1. Par BACH JOHANN CHRISTOPH FRIEDRICH. Nich...
(+)
Wiemer, Wolfgang (Arr.) - Br Jcfb E 1. Par BACH JOHANN CHRISTOPH FRIEDRICH. Nicht nur die Musiker des 16. und 17. Jahrhunderts haben - schon aus liturgischen Gründen - immer wieder Vertonungen des Bußpsalms 50 [51] vorgelegt. Auch noch in späterer, säkularisierterer Zeit pflegten gelegentlich Komponisten diese Tradition, so der 'Bückeburger' Johann Christoph Friedrich Bach mit seiner 12-sätzigen Komposition von etwa 1770, die erst 1975 entdeckt wurde. Fast nur in B-Tonarten angesiedelt, besteht Bachs 'Miserere' aus einem ausgewogenen Wechsel von Chor- und Soloabschnitten. Gemeinsames Stilmerkmal aller Teile sind vor allem die reich verwendeten 'empfindsamen' Vorhaltsbildungen und kleinen Ziernoten. Als Beispiel des vorklassischen Zeitalters eignetsich die Komposition gut für epochenübergreifende Programme mit Fasten- und Bußkompositionen. / Date parution : 1991-09-01/ Répertoire / Solistes SATB, Choeur SATB, 2 Violons, Alto et Bas
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Miserere In C (BACH JOHANN CHRISTOPH FRIEDRICH)
Soli, Mixted choir and accompaniment
satb (soli), SATB (choir), Orchestra
[Sheet music]
Carus Verlag
Wiemer, Wolfgang (Arr.) - Br Jcfb E 1. Par BACH JOHANN CHRISTOPH FRIEDRICH. Nich...
(+)
Wiemer, Wolfgang (Arr.) - Br Jcfb E 1. Par BACH JOHANN CHRISTOPH FRIEDRICH. Nicht nur die Musiker des 16. und 17. Jahrhunderts haben - schon aus liturgischen Gründen - immer wieder Vertonungen des Bußpsalms 50 [51] vorgelegt. Auch noch in späterer, säkularisierterer Zeit pflegten gelegentlich Komponisten diese Tradition, so der 'Bückeburger' Johann Christoph Friedrich Bach mit seiner 12-sätzigen Komposition von etwa 1770, die erst 1975 entdeckt wurde. Fast nur in B-Tonarten angesiedelt, besteht Bachs 'Miserere' aus einem ausgewogenen Wechsel von Chor- und Soloabschnitten. Gemeinsames Stilmerkmal aller Teile sind vor allem die reich verwendeten 'empfindsamen' Vorhaltsbildungen und kleinen Ziernoten. Als Beispiel des vorklassischen Zeitalters eignetsich die Komposition gut für epochenübergreifende Programme mit Fasten- und Bußkompositionen. / Date parution : 1991-09-01/ Répertoire / Solistes SATB, Choeur SATB, 2 Violons, Alto et Bas
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Miserere In C (BACH JOHANN CHRISTOPH FRIEDRICH)
Soli, Mixted choir and accompaniment
satb (soli), SATB (choir), Orchestra
[Sheet music]
Carus Verlag
Wiemer, Wolfgang (Arr.) - Br Jcfb E 1. Par BACH JOHANN CHRISTOPH FRIEDRICH. Nich...
(+)
Wiemer, Wolfgang (Arr.) - Br Jcfb E 1. Par BACH JOHANN CHRISTOPH FRIEDRICH. Nicht nur die Musiker des 16. und 17. Jahrhunderts haben - schon aus liturgischen Gründen - immer wieder Vertonungen des Bußpsalms 50 [51] vorgelegt. Auch noch in späterer, säkularisierterer Zeit pflegten gelegentlich Komponisten diese Tradition, so der 'Bückeburger' Johann Christoph Friedrich Bach mit seiner 12-sätzigen Komposition von etwa 1770, die erst 1975 entdeckt wurde. Fast nur in B-Tonarten angesiedelt, besteht Bachs 'Miserere' aus einem ausgewogenen Wechsel von Chor- und Soloabschnitten. Gemeinsames Stilmerkmal aller Teile sind vor allem die reich verwendeten 'empfindsamen' Vorhaltsbildungen und kleinen Ziernoten. Als Beispiel des vorklassischen Zeitalters eignetsich die Komposition gut für epochenübergreifende Programme mit Fasten- und Bußkompositionen. / Date parution : 1989-01-01/ Répertoire / Solistes SATB, Choeur SATB, 2 Violons, Alto et Bas
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Notebook for Johann Christian Bach
Piano solo
[Sheet music]
Peters
Par BACH JOHANN SEBASTIAN. The Notebook for Johann Christian Bach completes the ...
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Par BACH JOHANN SEBASTIAN. The Notebook for Johann Christian Bach completes the collection of surviving instructional works from within the Bach family, following the highly praised Notebooks for Anna Magdalena and Wilhelm Friedemann Bach. Together, Bach?s Notebooks provide a fascinating glimpse into the domestic music academy of the Bach family home. They contain original compositions, exercises, and model examples by other composers, all collected with a view to providing a rounded musical education to family members. Presented as a luxury linen-bound edition with gold-embossed cover lettering, illustrations and critical commentary, this volume includes pieces not featured in previous collections. This first Urtext edition Notebook for Bach?s son Johann Christian has been reconstructed by renowned Bach scholar Christoph Wolff from copies from the estate of C.P.E. Bach. It includes pieces for keyboard by J.S. Bach, Johann Christian?s initial attempts at composition (minuets and polonaises), and pieces by the older brothers Carl Philipp Emanuel and Johann Christoph Friedrich and son-in-law Johann Christoph Altnickol. The collection is completed by two sets of short preludes and fughettas from Bach?s early Leipzig teaching practice, which may have come from other lost notebooks for his family, possibly the one for C.P.E. Bach. / Date parution : 2023-10-31/ Recueil / Piano
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Ich Lieg Und Schlafe (BACH JOHANN CHRISTOPH FRIEDRICH)
Choeur SATB, (Orgue)
[Sheet music]
Carus Verlag
Arrangeur: Johann Horn. Par BACH JOHANN CHRISTOPH FRIEDRICH. The autograph conta...
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Arrangeur: Johann Horn. Par BACH JOHANN CHRISTOPH FRIEDRICH. The autograph contains no reference to accompaniment by instruments, and a purely vocal performance of the work would doubtless be completely appropriate. On the other hand, nothing speaks against instrumental support of the voices, as it is known from the performance practice of Johann Sebastian Bach. / Mottet / Date parution : 1976-02-01/ Répertoire / Choeur SATB, (Orgue)
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Die Pilgrime Auf Golgatha (BACH JOHANN CHRISTOPH FRIEDRICH)
Solistes, Choeur SATB, 2 Flûtes Traversières, 2 Ha
[Sheet music]
Carus Verlag
Passions-Oratorium. Par BACH JOHANN CHRISTOPH FRIEDRICH. “An unknown work from...
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Passions-Oratorium. Par BACH JOHANN CHRISTOPH FRIEDRICH. “An unknown work from the so-called Bückeburger Bach, which at first was ascribed unjustly to Carl Philipp Emanuel Bach. The story of the Suffering of the Lord is examined from a different perspective. Pilgrims have undertaken a journey to the Holy Land and when they arrive they are informed by a hermit of the suffering and death of Christ. An additional figure, an angel, lends this representation of the Passion a heightened form for communicating the importance of the suffering of Christ. ” / Oratorio / Date parution : 1999-01-01/ Répertoire / Solistes, Choeur SATB, 2 Flûtes Traversières, 2 Ha
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Die Pilgrime Auf Golgatha (BACH JOHANN CHRISTOPH FRIEDRICH)
Solistes, Choeur SATB, 2 Flûtes Traversières, 2 Ha
[Sheet music]
Carus Verlag
Passions-Oratorium. Par BACH JOHANN CHRISTOPH FRIEDRICH. “An unknown work from...
(+)
Passions-Oratorium. Par BACH JOHANN CHRISTOPH FRIEDRICH. “An unknown work from the so-called Bückeburger Bach, which at first was ascribed unjustly to Carl Philipp Emanuel Bach. The story of the Suffering of the Lord is examined from a different perspective. Pilgrims have undertaken a journey to the Holy Land and when they arrive they are informed by a hermit of the suffering and death of Christ. An additional figure, an angel, lends this representation of the Passion a heightened form for communicating the importance of the suffering of Christ. ” / Oratorio / Date parution : 1999-01-01/ Répertoire / Solistes, Choeur SATB, 2 Flûtes Traversières, 2 Ha
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Die Pilgrime Auf Golgatha (BACH JOHANN CHRISTOPH FRIEDRICH)
Solistes, Choeur SATB, 2 Flûtes Traversières, 2 Ha
[Sheet music]
Carus Verlag
Passions-Oratorium. Par BACH JOHANN CHRISTOPH FRIEDRICH. “An unknown work from...
(+)
Passions-Oratorium. Par BACH JOHANN CHRISTOPH FRIEDRICH. “An unknown work from the so-called Bückeburger Bach, which at first was ascribed unjustly to Carl Philipp Emanuel Bach. The story of the Suffering of the Lord is examined from a different perspective. Pilgrims have undertaken a journey to the Holy Land and when they arrive they are informed by a hermit of the suffering and death of Christ. An additional figure, an angel, lends this representation of the Passion a heightened form for communicating the importance of the suffering of Christ. ” / Oratorio / Date parution : 1997-09-01/ Répertoire / Solistes, Choeur SATB, 2 Flûtes Traversières, 2 Ha
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Die Pilgrime Auf Golgatha (BACH JOHANN CHRISTOPH FRIEDRICH)
Solistes, Choeur SATB, 2 Flûtes Traversières, 2 Ha
[Sheet music]
Carus Verlag
Passions-Oratorium. Par BACH JOHANN CHRISTOPH FRIEDRICH. “An unknown work from...
(+)
Passions-Oratorium. Par BACH JOHANN CHRISTOPH FRIEDRICH. “An unknown work from the so-called Bückeburger Bach, which at first was ascribed unjustly to Carl Philipp Emanuel Bach. The story of the Suffering of the Lord is examined from a different perspective. Pilgrims have undertaken a journey to the Holy Land and when they arrive they are informed by a hermit of the suffering and death of Christ. An additional figure, an angel, lends this representation of the Passion a heightened form for communicating the importance of the suffering of Christ. ” / Oratorio / Date parution : 1999-03-01/ Répertoire / Solistes, Choeur SATB, 2 Flûtes Traversières, 2 Ha
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Die Pilgrime Auf Golgatha (BACH JOHANN CHRISTOPH FRIEDRICH)
Solistes, Choeur SATB, 2 Flûtes Traversières, 2 Ha
[Sheet music]
Carus Verlag
Passions-Oratorium. Par BACH JOHANN CHRISTOPH FRIEDRICH. “An unknown work from...
(+)
Passions-Oratorium. Par BACH JOHANN CHRISTOPH FRIEDRICH. “An unknown work from the so-called Bückeburger Bach, which at first was ascribed unjustly to Carl Philipp Emanuel Bach. The story of the Suffering of the Lord is examined from a different perspective. Pilgrims have undertaken a journey to the Holy Land and when they arrive they are informed by a hermit of the suffering and death of Christ. An additional figure, an angel, lends this representation of the Passion a heightened form for communicating the importance of the suffering of Christ. ” / Oratorio / Date parution : 1998-09-01/ Répertoire / Solistes, Choeur SATB, 2 Flûtes Traversières, 2 Ha
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Die Pilgrime Auf Golgatha (BACH JOHANN CHRISTOPH FRIEDRICH)
Solistes, Choeur SATB, 2 Flûtes Traversières, 2 Ha
[Sheet music]
Carus Verlag
Passions-Oratorium. Par BACH JOHANN CHRISTOPH FRIEDRICH. “An unknown work from...
(+)
Passions-Oratorium. Par BACH JOHANN CHRISTOPH FRIEDRICH. “An unknown work from the so-called Bückeburger Bach, which at first was ascribed unjustly to Carl Philipp Emanuel Bach. The story of the Suffering of the Lord is examined from a different perspective. Pilgrims have undertaken a journey to the Holy Land and when they arrive they are informed by a hermit of the suffering and death of Christ. An additional figure, an angel, lends this representation of the Passion a heightened form for communicating the importance of the suffering of Christ. ” / Oratorio / Date parution : 1998-10-01/ Répertoire / Solistes, Choeur SATB, 2 Flûtes Traversières, 2 Ha
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Die Pilgrime Auf Golgatha (BACH JOHANN CHRISTOPH FRIEDRICH)
Solistes, Choeur SATB, 2 Flûtes Traversières, 2 Ha
Carus Verlag
Passions-Oratorium. Par BACH JOHANN CHRISTOPH FRIEDRICH. “An unknown work from...
(+)
Passions-Oratorium. Par BACH JOHANN CHRISTOPH FRIEDRICH. “An unknown work from the so-called Bückeburger Bach, which at first was ascribed unjustly to Carl Philipp Emanuel Bach. The story of the Suffering of the Lord is examined from a different perspective. Pilgrims have undertaken a journey to the Holy Land and when they arrive they are informed by a hermit of the suffering and death of Christ. An additional figure, an angel, lends this representation of the Passion a heightened form for communicating the importance of the suffering of Christ. ” / Oratorio / Date parution : 1998-10-01/ Répertoire / Solistes, Choeur SATB, 2 Flûtes Traversières, 2 Ha
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Die Pilgrime Auf Golgatha (BACH JOHANN CHRISTOPH FRIEDRICH)
Solistes, Choeur SATB, 2 Flûtes Traversières, 2 Ha
[Sheet music]
Carus Verlag
Passions-Oratorium. Par BACH JOHANN CHRISTOPH FRIEDRICH. “An unknown work from...
(+)
Passions-Oratorium. Par BACH JOHANN CHRISTOPH FRIEDRICH. “An unknown work from the so-called Bückeburger Bach, which at first was ascribed unjustly to Carl Philipp Emanuel Bach. The story of the Suffering of the Lord is examined from a different perspective. Pilgrims have undertaken a journey to the Holy Land and when they arrive they are informed by a hermit of the suffering and death of Christ. An additional figure, an angel, lends this representation of the Passion a heightened form for communicating the importance of the suffering of Christ. ” / Oratorio / Date parution : 1999-01-01/ Répertoire / Solistes, Choeur SATB, 2 Flûtes Traversières, 2 Ha
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Die Pilgrime Auf Golgatha (BACH JOHANN CHRISTOPH FRIEDRICH)
Solistes, Choeur SATB, 2 Flûtes Traversières, 2 Ha
[Sheet music]
Carus Verlag
Passions-Oratorium. Par BACH JOHANN CHRISTOPH FRIEDRICH. “An unknown work from...
(+)
Passions-Oratorium. Par BACH JOHANN CHRISTOPH FRIEDRICH. “An unknown work from the so-called Bückeburger Bach, which at first was ascribed unjustly to Carl Philipp Emanuel Bach. The story of the Suffering of the Lord is examined from a different perspective. Pilgrims have undertaken a journey to the Holy Land and when they arrive they are informed by a hermit of the suffering and death of Christ. An additional figure, an angel, lends this representation of the Passion a heightened form for communicating the importance of the suffering of Christ. ” / Oratorio / Date parution : 1999-01-01/ Répertoire / Solistes, Choeur SATB, 2 Flûtes Traversières, 2 Ha
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Sonate In A-Dur Für Violoncello Und Basso Continuo - Aus 'Musikalisches Vielerley' (BACH JOHANN CHRISTOPH FRIEDRICH)
Cello, String Bass (duet)
[Sheet music]
Amadeus Verlag
Par BACH JOHANN CHRISTOPH FRIEDRICH. Reflété dans le fameux 'musical Vielerley...
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Par BACH JOHANN CHRISTOPH FRIEDRICH. Reflété dans le fameux 'musical Vielerley' de 1770-trouver Sonate pour violoncelle est parmi les rares encore largement la respiration de l'esprit baroque de la composition par âge de Bach Bückeburger avec des normes plus élevées./ Répertoire / Violoncelle et Contrebasse
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Violoncell-Solo (Sonate Pour Violoncelle Et Basse Continue) - 1770
Violoncello, Basso continuo
Anne Fuzeau Productions
Bach (Johann Christoph Friedrich) : Violoncell-solo (sonate pour violoncelle et ...
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Bach (Johann Christoph Friedrich) : Violoncell-solo (sonate pour violoncelle et basse continue). Sonate extraite de ' Musikalisches Vielerley ' publié par C.P.E. Bach en 1770 (pages 118 à 125). / Violoncelle Et Basse Continue / 12 pages / niveau : 1 / Fac-Similés - Format: 21 X 29.7
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