'Au-delà de Bach - Une aventure musicale' se concentre sur les oeuvres dites apocryphes de Jean-Sébastien Bach. Le terme se réfère à des oeuvres ayant fait partie de la bibliothèque du compositeur. Qu'il les ait lui-meme interprétées ou exécutées est avéré- elles ont trouvé place dans le catalogue BWV alors que Bach n'en était probablement ou meme certainement pas l'auteur. La série débute avec la cantate 'Mein Odem ist schwach' (BWV 222) sans aucun doute une oeuvre de Johann Ernst Bach, le fils d'un cousin de J.-S. Bach. / Conducteur

'Au-delà de Bach - Une aventure musicale' se concentre sur les oeuvres dites apocryphes de Jean-Sébastien Bach. Le terme se réfère à des oeuvres ayant fait partie de la bibliothèque du compositeur. Qu'il les ait lui-meme interprétées ou exécutées est avéré- elles ont trouvé place dans le catalogue BWV alors que Bach n'en était probablement ou meme certainement pas l'auteur. La série débute avec la cantate 'Mein Odem ist schwach' (BWV 222) sans aucun doute une oeuvre de Johann Ernst Bach, le fils d'un cousin de J.-S. Bach. / Violon 2

'Au-delà de Bach - Une aventure musicale' se concentre sur les oeuvres dites apocryphes de Jean-Sébastien Bach. Le terme se réfère à des oeuvres ayant fait partie de la bibliothèque du compositeur. Qu'il les ait lui-meme interprétées ou exécutées est avéré- elles ont trouvé place dans le catalogue BWV alors que Bach n'en était probablement ou meme certainement pas l'auteur. La série débute avec la cantate 'Mein Odem ist schwach' (BWV 222) sans aucun doute une oeuvre de Johann Ernst Bach, le fils d'un cousin de J.-S. Bach. / Alto

Instrument : organ Nombre de Pages : 62 This School of Organ Playing presupposes a certain technical facility on the piano. The pedal exercises at the beginning are rudimentary and should be practiced in all keys, gradually accelerating the tempo. The studies are graded according to their polyphony, beginning with simple two part exercises, followed by those in three and more parts. This acquaintance with the strict principles of polyphonic music, and the introduction to effective part writing, with a knowledge of harmonic form and architectonic values, provide the essential background for the correct performance of polyphonic music, especialle the fugue. The most important musical forms have been used to illustrate the various possibilites of registration and its relationship to style (colourful, individualistic and smooth playing). The studies are so arranged that earlier technical points, etc. are constantly reviewed, through comparison of style and form, in order to fix, or refreshen, the ideas in the student's mind. It is very important that the evolution of organ music from vocal music should be made clear to the student the very beginning, both musically and intellectually. He will be shown the technical evolution of organ music during the centuries and thus prepared for an artistic execution and interpretation of old and new words, especially for the incomparable art of our great Johann Sebastian Bach. Content : Grundlagen des Pedalspiels - T.L. da Vittoria: Bicinium: Bonum erat - A. Zoilo: Bicinium: Quare fremuerunt - Melius illi - W. Dietrich: Übung in e-Moll - G.P. Telemann: Largo - J.K.F. Fischer: Übung d-Moll - G.P. Telemann: Kanon - J. Pachelbel: Magnificat peregrini toni Meine Seele erhebt den Herrn - T.L. da Vittoria: Accedentes principes - J.K.F. Fischer: Übung in g-Moll - W. Dietrich: Pedalübung - S. Scheidt: Vater unser im Himmelreich VI. Versus Choralis in Basi - H.L. Haßler: Crucifixus - J.K.F. Fischer: Praeludium D-Dur - J. Pachelbel: Übung in a-Moll - W. Dietrich: Übung in As-Dur - R. Schwarz-Schilling: Kanon a 2 - Kanon a 3 - G. Aichinger: Stabat mater - J. Pachelbel: Durch Adams Fall ist ganz verderbt - J.K.F. Fischer: Praeludium fis-Moll - H.L. Haßler: Benedictus - J. Pachelbel: Was mein Gott will, das gescheh' allzeit - T.L.da Vittoria: Exclamans Jesus - S.Scheidt: Warum betrübst du dich, mein Herz IX. Versus. Choralis in Basso - D. Zipoli: Pastorale - J. Pachelbel: Vom Himmel hoch - J.S. Bach: Pedal-Exercitium - J.K.F. Fischer: Fuga g-Moll - J. Pachelbel: Komm, Gott Schöpfer, heiliger Geist - J.K.F. Fischer: Praeludium und Fuga cis-Moll - W. Dietrich: Pedalsolo - Übungen für mehrstimmiges Spiel in einer Hand: J.K.F. Fischer: Praeludium und Fuga e-Moll - H.L. Haßler: Da Jesus an dem Kreuze stund - M. Praetorius: Es ist ein Ros entsprungen - S. Scheidt: Vom Himmel hoch - M. Praetorius: Nun bitten wir den heiligen Geist - B. Resinarius: Nun bitten wir den heiligen Geist - S. Scheidt: Psalmus: Da Jesus an dem Kreuze stund - J.K.F. Fischer: Praeludium und Fuga h-Moll - J.S. Bach: Vom Himmel hoch - O Welt ich muß dich lassen - Herzlich tut mich verlangen - D. Buxtehude: Ach Herr, ich armen Sünder - J.S. Bach: Trio c-Moll - W. Dietrich: Pedalsolo/Trillerübung - J.S. Bach: Allein Gott in der Höh' sei Ehr' - J.K.F. Fischer: Praeludium und Fuga e-Moll - J.L. Krebs: Trio für 2 Manuale und Pedal

Was mir behagt ist nur die muntre Jagd BWV 208Congratulatory Cantata for the Birthday of Duke Christian of Saxony-Weissenfels and of Duke Ernst August of Saxony-WeimarThe hunting cantata the earliest secular cantata of Bach's which has come down to us was performed for the birthday of Duke Christian of Saxony-Weissenfels (23February) - according to most recent research very probably in the year 1713. It was later performed again for the birthday of Duke Ernst August of Saxony-Weimar (the co-regent of Duke Wilhelm Ernst).Bach's score employs taut musical forms; noteworthy - and entirely characteristic ofBach's early style - is the dominant role of the continuo in recitatives and arias. The setting is in chamnber music style.- Urtext of the New Bach Edition- Full score & performance material (BA10208) and vocal score (BA10208-90) available for sale

Was mir behagt ist nur die muntre Jagd BWV 208Congratulatory Cantata for the Birthday of Duke Christian of Saxony-Weissenfels and of Duke Ernst August of Saxony-WeimarThe hunting cantata the earliest secular cantata of Bach's which has come down to us was performed for the birthday of Duke Christian of Saxony-Weissenfels (23February) - according to most recent research very probably in the year 1713. It was later performed again for the birthday of Duke Ernst August of Saxony-Weimar (the co-regent of Duke Wilhelm Ernst).Bach's score employs taut musical forms; noteworthy - and entirely characteristic ofBach's early style - is the dominant role of the continuo in recitatives and arias. The setting is in chamnber music style.- Urtext of the New Bach Edition- Full score & performance material (BA10208) and vocal score (BA10208-90) available for sale

Was mir behagt ist nur die muntre Jagd BWV 208Congratulatory Cantata for the Birthday of Duke Christian of Saxony-Weissenfels and of Duke Ernst August of Saxony-WeimarThe hunting cantata the earliest secular cantata of Bach's which has come down to us was performed for the birthday of Duke Christian of Saxony-Weissenfels (23February) - according to most recent research very probably in the year 1713. It was later performed again for the birthday of Duke Ernst August of Saxony-Weimar (the co-regent of Duke Wilhelm Ernst).Bach's score employs taut musical forms; noteworthy - and entirely characteristic ofBach's early style - is the dominant role of the continuo in recitatives and arias. The setting is in chamnber music style.- Urtext of the New Bach Edition- Full score & performance material (BA10208) and vocal score (BA10208-90) available for sale

Features 16 of Bach's transcriptions for solo keyboard instruments (piano and harpsichord) of concertos for violin and other non-keyboard instruments by Vivaldi, Telemann, and others. Reprinted from the definitive Bach-Gesellschaft edition prepared by Ernst Naumann. Content : Concerto No. 1 in D major, BWV 972 (based on a violin concerto by Antonio Vivaldi, op. 3, no. 9) [ALLEGRO]. LARGHETTO. ALLEGRO. Concerto No. 2 in G major, BWV 973 (based on a violin concerto by Antonio Vivaldi, op. 7, book 2, no. 2) [ALLEGRO]. LARGO. ALLEGRO. Concerto No. 3 in D minor, BWV 974 (based on an oboe concerto by Allessandro Marcello) [ALLEGRO]. ADAGIO. PRESTO. Concerto No. 4 in G minor, BWV 975 (based on a violin concerto by Antonio Vivaldi, op. 4, no. 6) [ALLEGRO]. LARGO. GIGA: PRESTO. Concerto No. 5 in C major, BWV 976 (based on a violin concerto by Antonio Vivaldi, op. 3, no. 12) [ALLEGRO]. LARGO. ALLEGRO. Concerto No. 6 in C major, BWV 977 (source unknown) [ALLEGRO]. ADAGIO. GIGA. Concerto No. 7 in F major, BWV 978 (based on a violin concerto by Antonio Vivaldi, op. 3, no. 3) ALLEGRO. LARGO. ALLEGRO. Concerto No. 8 in B minor, BWV 979 (source unknown) [ADAGIO]-ALLEGRO. ADAGIO. ALLEGRO. Concerto No. 9 in G major, BWV 980 (based on a violin concerto by Antonio Vivaldi, op. 4, no. 1) [ALLEGRO]. LARGO. ALLEGRO. Concerto No. 10 in C minor, BWV 981 (based on a concerto by Benedetto Marcello, op. 1, no. 2) [ADAGIO. VIVACE. [LARGO]. PRESTISSIMO. Concerto No. 11 in B-flat major, BWV 982 (based on a violin concerto by Duke Johann Ernst of Saxe-Weimar, op. 1, no. 1) [ALLEGRO]. ADAGIO. ALLEGRO. Concerto No. 12 in G minor, BWV 983 (source unknown) [ALLEGRO]. ADAGIO. ALLEGRO. Concerto No. 13 in C major, BWV 984 (based on a concerto by Duke Johann Ernst of Saxe-Weimar) [ALLEGRO]. ADAGIO E AFFETTUOSO. ALLEGRO ASSAI. Concerto No. 14 in G minor, BWV 985 (based on a violin concerto by Georg Philipp Telemann) [ALLEGRO]. ADAGIO. ALLEGRO. Concerto No. 15 in G major, BWV 986 (source unknown) [ALLEGRO]. ADAGIO. ALLEGRO. Concerto No. 16 in D minor, BWV 987 (based on a violin concerto by Duke Johann Erns of Saxe-Weimar, op. 1, no. 4) [GRAVE]-PRESTO. ALLEGRO.

Enthält CD mit Welt-Ersteinspielung von John Eliot Gardiner-Scored for Soprano solo 2 Violins Viola Basso Continuo.In May 2005 the Leipzig-based musicologist Michael Maul made a sensational discovery in Weimar. While sifting through the Herzogin Anna Amalia library he unearthed the manuscript of a sacred aria by Johann Sebastian Bach which was previously completely unknown.It is the first time since 1935 that a new Bach Vocal work has been discovered. The aria consisting of twelve verses is written for solo Soprano Strings and Basso Continuo and opens with the words ?Alles Mit Gott Und Nichts Ohn? ihn?. It was composed in 1713 to celebrate the 53rd birthday of DukeWilhelm Ernst of Saxe-Weimar who employed Bach as court organist from 1708 until 1717.This Vocal work is Bach?s sole contribution to the genre of strophic aria. Each verse is accompanied by basso continuo and followed by a lively string ritornello making this work a pièce d?occasion of exquisite quality.Full score & parts (BA5246) and facsimile (BVK1870) available for sale.

Tonalité : C-Moll -. Par BACH JOHANN ERNST. Gattungen: Magnificat - Verwendung / Kirchenjahr: Wei cor achten - Langue : Allemand/Anglais/ Répertoire / Solistes SATB, Choeur SATBB, 2 Violons, Alto et Ba

Tonalité : C-Moll -. Par BACH JOHANN ERNST. Gattungen: Magnificat - Verwendung / Kirchenjahr: Wei cor achten - Langue : Allemand/Anglais/ Répertoire / Solistes SATB, Choeur SATBB, 2 Violons, Alto et Ba

Par BACH JOHANN ERNST. Gattungen: Kantaten - Reihen bei Carus: Stuttgarter Ausgaben (Urtext) - Langue : Allemand/Anglais/ Répertoire / Solo S, Choeur SATB, 2 Cors, 2 Violons, Alto et Ba

Par BACH JOHANN ERNST. Gattungen: Kantaten - Reihen bei Carus: Stuttgarter Ausgaben (Urtext) - Langue : Allemand/Anglais/ Répertoire / Solo S, Choeur SATB, 2 Cors, 2 Violons, Alto et Ba

Tonalité : C-Moll -. Par BACH JOHANN ERNST. Gattungen: Magnificat - Verwendung / Kirchenjahr: Wei cor achten - Langue : Allemand/Anglais/ Répertoire / Solistes SATB, Choeur SATBB, 2 Violons, Alto et Ba