By John Field. Edited by Marty Winkler. Classical piano. Published by Edwin F. Kalmus

Composed by John Field (1782-1837), edited by Franz Liszt. For piano. Format: piano solo book. With fingerings, performance notes, thematic index and introductory text. Romantic period. 80 pages. 9x12 inches. Published by Schirmer.

By Ellen Foncannon. (SATB). Sacred Choral. 8 pages. Published by John Rich Music Press.

(Banjo Play-Along Volume 6). Composed by Various. For Banjo. Banjo Play Along. Softcover with CD. Guitar tablature. 48 pages. Published by Hal Leonard

For SATB choir with piano accompaniment (SATB). Communion. Shawnee Press. Supports: 1 Corinthians 11:2, Luke 22:19, I Corinthians 10:16, John 6:53-63. Sacred. 8 pages

155 American Folk Songs to Sing, Read and Play. By Eleanor Locke. Boosey and Hawkes Kodaly. Size 6.9x10 inches. 161 pages. Published by Boosey and Hawkes.

Chamber Music Trombone, Piano

SKU: PR.114414450

Man vs. Machine. Composed by Adolphus Hailstork. Sws. Folk. Set of Score and Parts. With Standard notation. Composed 2009. 24+8 pages. Duration 12 minutes. Theodore Presser Company #114-41445. Published by Theodore Presser Company (PR.114414450).

ISBN 9781598064087. UPC: 680160597635. 9x12 inches.

Inspired by the tale of a legendary folk hero, Adolphus Hailstork’s tour-de-force for trombone and piano is a riveting portrayal of the steely strength and stamina of John Henry, a former slave who helped build the American railroads and ultimately outperformed a steam engine. This composition uses quotes from the spiritual Every Time I Feel the Spirit and the folk song The Ballad of John Henry. For advanced players. Duration: 13’__________________________________________Text on the scanned back cover:JOHN HENRY'S BIG(MAN vs. MACHINE)FOR TROMBONE AND PIANOInspired by the tale of the legendary hero, Adolphus Hailstork’s tour-de-force for trombone and piano is a riveting portrayal of the steely strength and stamina of John Henry, a former slave who helped build the American railroads and ultimately outperformed a steam engine.
PROGRAM NOTES by the ComposerJohn Henry was born a slave in the 1840’s or 1850’s. It is important to remember that no one knows for sure if John Henry existed or is a tall tale created by writers. That is one of the things that makes the legend so intriguing.According to the legend, he grew to stand 6 feet tall, 200 pounds – a giant in that day.Though the story of John Henry sounds like the quintessential tall tale, it is certainly based, at least in part, on historical circumstance. There are disputes as to where the legend originates. Some place John Henry in West Virginia, while recent research suggests Alabama. Still, all share a similar back-story.In order to construct the railroads, companies hired thousands of men to smooth out terrain and cut through obstacles that stood in the way of the proposed tracks. One such chore that figures heavily into some of the earliest John Henry ballads is the blasting of the Big Bend Tunnel, more than a mile straight through a mountain in West Virginia.Steel-drivin’ men like John Henry used large hammers and stakes to pound holes into the rock, which were were then filled with explosives that would blast a cavity deeper and deeper into the mountain. In the folk ballads, the central event took place under such conditions. Eager to reduce costs and speed up progress, some tunnel engineers were using steam drills to power their way into the rock. According to the great American tall tales, on hearing of the machine, John Henry challenged the steam drill to a contest. He won, but died of exhaustion, his life cut short by his own superhuman effort.This composition uses quotes from the spiritual Every Time I Feel the Spirit and the folk song The Ballad of John Henry.JOHN HENRY’S BIG was composed for trombonist David Jackson.

SKU: HL.49014423

Composed by John Horton. Edited by John Horton. This edition: Paperback/Soft Cover. Sheet music. Edition Schott. Classical. Student book. 64 pages. Schott Music #ED 11070-01. Published by Schott Music (HL.49014423).

ISBN 9790220129650. 7.0x10.0x0.225 inches. English.

SATB chorus and piano - Medium-difficult

SKU: JK.01359

Composed by Robert Millett. Arranged by Robert Millett. Choral SATB, Difficulty Medium Hard, Piano Choir, Jesus Christ - Savior, Jesus Christ - Shepherd. Gospel Principles Series: Repentance. Christian, Inspirational. Duration 3:43. Jackman Music Corporation #01359. Published by Jackman Music Corporation (JK.01359).

John 6:35, 40; 17:3; Mosiah 26:22.

Anthem arranged for mixed chorus (SATB) and piano, incorporating the hymn The Lord is My Shepherd, with scriptural text from John 6:35, 40; 17:3; and Mosiah 26:22. Part of Robert Millett's Gospel Principles Series.
Composer: Robert Millett
Lyricist: John 6:35, 40; 17:3; and Mosiah 26:22
Difficulty: Medium-difficult
Performance time: 3:43
Reference: John 6:35, 40; 17:3; Mosiah 26:22.

Composed by Eugene E. Englert. Lent 4 B, Trinity Sunday A, Exaltation of the Cross, Easter 5 A, Easter 5 C, Easter 6 B, Children. Simple Gifts. Sacred. Octavo. With guitar chord names. 4 pages. World Library Publications #5713. Published by World Library Publications

SATB choir, assembly, keyboard accompaniment, guitar, C instrument 1, C instrument 2 - Beginning

SKU: GI.G-8825

Composed by Jan Michael Joncas. Ordinary Time 14 A, Ordinary Time 16 B. Celebration Series. Sacred. Octavo. With guitar chord names. 12 pages. GIA Publications #8825. Published by GIA Publications (GI.G-8825).

UPC: 785147882503. English. Text Source: Matthew 11:28-30, John 6:37, 14:6. Scripture: Matthew 11:28–30, John 6:37, John 14:6.

This Joncas classic has been updated and expanded with two additional verses written specifically for the 2014 NPM National Convention's Eucharistic Liturgy. Also included in this new edition are parts for two C instruments. This replaces G-3432.