Band Cymbals, Percussion 2, Triangle

SKU: CF.JB132

Composed by John Philip Sousa. Edited by Larry Clark Justin P. Tokke. SWS. Collection - Part. With Standard notation. 24 pages. Carl Fischer Music #JB132. Published by Carl Fischer Music (CF.JB132).

ISBN 9780825897313. UPC: 798408097318. 9 x 12 inches.

The seminal John Philip Sousa March Collection now exists in standard book format, featuring the first publication of a full conductor's score of all marches. This collection includes 16 of Sousa's greatest marches, including: Washington Post, Semper Fidelis, The Thunderer, and many others, originally published by Carl Fischer Music between 1886 and 1894. In order to maintain the integrity of the original works, there are no added or changed articulations, changed instrumentations, or rescored parts. The only changes made from the original are intended to clarify errors and remove inconsistencies in dynamics, hairpin placements, and articulations due to the original method of copying parts one at a time. These markings were unified during the re-engraving process to ensure the highest quality honoring the original intentions of the composer.

About The New Bennett Band Book Series

The Bennett Band Books published in four volumes starting in 1923 were used to teach the march form and style to millions of young band musicians in the middle of the twentieth century. Twelve of the legendary Henry Fillmore's tuneful band gems (written using the pseudonym Harold Bennett) have been collected together by Larry Clark to form the first volume of The New Bennett Band Books. This volume concentrates on 2/4 time and the keys of Bb major, Eb major, and Ab major. In addition, a helpful march warm-up section, composed by Larry Clark, is included to help you teach the march form and style to young students. There is also the added benefit of a full recording of each march performed by a professional band on the CD that is included in the full score. This is a valuable collection for any level band to use for marches at contest/festival performance or for sight-reading purposes.

14 Divisions. Composed by Anonymous. Edited by Kathryn Bennetts and Peter Bowman. Arranged by Yeo Yat-Soon. This edition: Saddle stitching. Sheet music. Schott Student Edition. Classical. Softcover. 20 pages. Schott Music #SE1041. Published by Schott Music

Chorales and Exercises to Emphasize the Art of Legato Playing for the Middle-Level Band: Flute. By American Folk; Antonin Dvorak; Charles F. Gounod; English Folk; Frederic Chopin; Gustav T. Von Holst; Irish Folk Song; Johann Sebastian Bach; John B. Dykes; Joseph Brackett; Ludwig Van Beethoven; Sean O'loughlin; Southern Harmony. Text: Larry Clark; Sean O'Loughlin. For Flute. Student Book. 16 pages. Published by Carl Fischer.

Alto Saxophone and Piano - advanced

SKU: HL.14026659

Composed by Richard Rodney Bennett. Music Sales America. Classical. Book [Softcover]. Music Sales #NOV361063. Published by Music Sales (HL.14026659).

8.25x11.75x0.188 inches.

Commissioned by Leslie Bishop for John Harle and London Music (1988) and dedicated to John Harle. Duration 16 minutes. Alto Saxophone and Piano reduction.

This work was written in 1971. The text is derived from the Latin Requiem Mass, treated as a kind of sacred poem rather than a liturgical text, and the order of sections is much altered. The work derives principally from the opening piano harmonies and the soprano's initial melodic lines - the latter, which have an affinity (not least in rhythmic accentuation) with certain aspects of plainchant, combine with the piano chords and embellishments to produce a serial reservoir of material is used fairly strictly, even in seemingly freer sections. The form is arch-like, the opening material returning, substantially altered, at the end, with as the work's centre a scherzo-like Sanctus introduced and punctuated by chords derived in lay-out from bell sounds. The work was written in memory of Alan Rawsthorne and Sir John Barbirolli, and was first performed at the Wigmore Hall in 1979 by Jane Manning and Richard Rodney Bennett

Medium Voice and Piano

SKU: HL.14021082

Composed by Richard Rodney Bennett. Music Sales America. Folk British Isles. Book [Softcover]. 38 pages. Music Sales #NOV120875. Published by Music Sales (HL.14021082).

ISBN 9780711988217. 8.25x11.75x0.144 inches.

A collection of songs arranged for medium voice and piano. First performance was given 5 May 1994. Duration c.17 minutes.

(Trumpet Feature). Composed by John Bennett (1735-1784). Arranged by David Marlatt. For Brass Quintet. Brass Ensemble - Quintet; Masterworks; Part(s); Score. Eighth Note Publications. Trumpet feature. Baroque. Duration 00:05:20. Published by Eighth Note Publications

By John Bennett. Arranged by David Marlatt. For Double Brass Quintet. Brass Ensemble - Quintet. Baroque. Level: Medium-Difficult. Duration 00:05:20. Published by Eighth Note Publications.

SKU: BT.RMS100112

Composed by John Bennett. Book Only. Reba Productions #RMS100112. Published by Reba Productions (BT.RMS100112).

Dutch.

By John Bennett (1735-1784). Arranged by David Marlatt. For Trumpet and Keyboard. Brass - B-Flat Cornet (Trumpet) Solo; Masterworks; Solo. Baroque. Part(s). Duration 00:05:20

Band baritone Saxophone

SKU: CF.JB41

Baritone Saxophone in Eb. Composed by Andrew Balent, Arthur Willard Pryor, Carl Teike, Ed Bagley, Frederick Bigelow, Geraro Codina, Harold Bennett, Henry Fillmore, John Philip Sousa, Kenneth Alford, and W. Purdy. Concert Band Method. Carl Fischer Band Books Series. Classical. Concert Band Method. With Standard notation. Carl Fischer Music #JB41. Published by Carl Fischer Music (CF.JB41).

ISBN 9780825852442. UPC: 798408052447. 9 X 12 inches.

A collection from master arranger Andrew Balent, this compilation of classic marches contains some all-time favorites. These exciting, playable versions can be used as a wonderful teaching tool for the young band.

About The New Bennett Band Book Series

The Bennett Band Books published in four volumes starting in 1923 were used to teach the march form and style to millions of young band musicians in the middle of the twentieth century. Twelve of the legendary Henry Fillmore's tuneful band gems (written using the pseudonym Harold Bennett) have been collected together by Larry Clark to form the first volume of The New Bennett Band Books. This volume concentrates on 2/4 time and the keys of Bb major, Eb major, and Ab major. In addition, a helpful march warm-up section, composed by Larry Clark, is included to help you teach the march form and style to young students. There is also the added benefit of a full recording of each march performed by a professional band on the CD that is included in the full score. This is a valuable collection for any level band to use for marches at contest/festival performance or for sight-reading purposes.

For SATB Choir, Piano. Christmas, 20th Century, Choral. Sheet Music. 220 pages. Published by Novello and Co Ltd.

Choral TTBB choir

SKU: CF.CM9571

Eternal Life. Composed by Joseph P. Webster. Edited by John Ratledge. Arranged by Aaron Humble. Sanford F. Bennett (1836-1898). Jbc. Performance Score. With Standard notation. 12 pages. Duration 3 minutes, 47 seconds. Carl Fischer Music #CM9571. Published by Carl Fischer Music (CF.CM9571).

ISBN 9781491153659. UPC: 680160911158. 6.75 x 10.5 inches. Key: Gb major. English. Sanford F. Bennett (1836-1898).

Aaron Humble's arrangement of this beloved old favorite from American hymnody is appropriate for both school and church. With soaring obligato lines and shimmering harmony, when sung with a warm and gentle tone,?The Sweet By and By?is certain to paint a picture of a better time for us all to look forward. Also available for SATB Voices (CM9572).
I have great memories of my family gathering around the piano to sing hymns. As my sister and I learned more about music through lessons, band and choir, we started adding harmony and really making music. The old American hymnody really holds a special place in my heart. Webster set Bennett's text in a time when American theology had taken a turn away from earlier ideas where God was a god of vengeance and anger. With this in mind, this arrangement should be sung with a warm and gentle tone allowing the dissonances to shimmer, the sweetness of the harmonies to bloom, and the obbligato lines to soar.