With his second major-label album Beyond the inventive impassioned pianist and songwriter brings us twelve more Piano solo pieces.Josh Groban Michael Buble and William Joseph have many things in common - they are young they are not your typical music artists and they are shepherded in their careers by illustrious producer David Foster. Groban and Buble have become major stars; Joseph is on his way.

Easily learned contemporary ballad; lovely flowing accompanimentPrayerful in both music and text this ballad from Joseph Martin and David Angerman is accessible to any size ensemble. “Write Upon My Heart”expresses our desire to be an open book a blank page or canvas for God to use to create a new masterpiece. Appropriate for many occasions where genuine commitment of self is the theme.

This singular choral expression from Joseph Martin and David Angerman is a through-composed setting of a sacred poem from Donna Jasper. This artful approach provides a dramatic choral declaration that will be an affirming openingto Pentecost services. The final lyric “alleluia” section is not to be missed. A virtuoso organ part completes the package. Exceptional!

From the best-selling Holy Week cantata Harvest of Sorrows comes this haunting scene from the Garden of Gethsemane as Christ faces his sacred destiny. As Christ drinks the bitter cup the fragrance of grace is releasedand carried to the world. This highly poetic text is beautifully set by David Angerman and Joseph Martin. Brant Adams' evocative orchestration completes this incredible anthem for Holy Week.

From the best-selling Holy Week cantata Harvest of Sorrows comes this haunting scene from the Garden of Gethsemane as Christ faces his sacred destiny. As Christ drinks the bitter cup the fragrance of grace is releasedand carried to the world. This highly poetic text is beautifully set by David Angerman and Joseph Martin. Brant Adams' evocative orchestration completes this incredible anthem for Holy Week.

From the best-selling Holy Week cantata Harvest of Sorrows comes this haunting scene from the Garden of Gethsemane as Christ faces his sacred destiny. As Christ drinks the bitter cup the fragrance of grace is releasedand carried to the world. This highly poetic text is beautifully set by David Angerman and Joseph Martin. Brant Adams' evocative orchestration completes this incredible anthem for Holy Week.

Joseph Spence was a virtuoso guitarist and master arranger in a style that was uniquely personal and yet caught the imagination of musicians around the world. He has been compared to the great blues masters the African acousticpioneers and Thelonious Monk and inspired such varied disciples as Ry Cooder Taj Mahal John Renbourn and David Lindley. As well as being a joy to play Spence’s arrangements have valuable lessons for any curiousguitarist. They are master classes in how to fingerpick in waltz time and capture the rolling Caribbean rhythms of Trinidad Cuba or New Orleans. His separation of bass and treble and the parallel voicings of his melody lines teach interesting ways of harmonizing fingerstyle improvisations. And his unorthodox technique and brilliant improvisations break down old habits helping you to approach the guitar from a unique and fresh perspective.Experienced guitarist teacher and historian Elijah Wald illuminates Spence's tunes in this special DVD.A detailed tab and sheet music instructional booklet is included as a PDF file on the DVD.

This suite for clarinet and string quartet contains creative arrangements and interpretations of jazz and 20th Century art music in a highly original contemporary classical idiom. It consists of four movements one for each season: Les feuiles mortes (Joseph Kosma) The Snow is Dancing (Debussy) It Might As Well Be Spring (Richard Rogers) Variations on Summertime (George Gershwin). The movements in this suite may be performed individually or in seasonal order beginning with any movement. Borrowed Times was written for and dedicated to clarinetist David Shifrin and Chamber Music Northwest.

Of Scott Joplin James Scott and Joseph Lamb-The great ragtime pieces of the early 20th century were written mostly for Piano but many translate superbly for the Guitar and David Laibman will show you how.Here's a mystery: if the great ragtime pieces of the early 20th century were not written for Guitar and if they weren't player on the Guitar at all (until some of us started doing so half a century ago) then why do they work so will on Guitar?Well thumb vs. three fingers on the right hand (we'll leave out thepinky for now) creates that subtle antagonism between steady bass and syncopated melody - the 'twinkle in the eye' of Ragtime. There is a theory that the original borrowing actually went in the other directed from three-finger Banjo to Piano. Who knows? But I'm finding that the 'educated thumb' is only one neat thing about ragtime Guitar. Classic rags are very expressive with moods and tempers hills and valley. You can capture some of this with left-hand notes (slides hammer-ons pull-offs) with right-hand brushes rolls nail strokes with clever use of open strings and natural harmonics. This works. It is it's own story - not an imitation of a Piano or of a dixieland or jazz band. It is simply - ragtime Guitar.In these lessons I have tried for the most part to meet two goals. First to create versions of some of the most beautiful classical rags that 'lay down' well on Guitar so when you play them you are working with the instrument not fighting it. I have tried to pitch and arrange the pieces so that a lot of the action is in first position rather than high up on the neck and to keep left hand gymnastics to a minimum. Second I didn't want these arrangements to sound like 'student' arrangements too elementary to be believable. It is all about striking a balance. I am generally pleased with the result and I hope

The New Novello Book Of Short and Easy Anthems For Upper Voices is a wonderful collection and an invaluable resource for Upper Voice choirs who have the desire to sing a variety of beautiful anthems, but who have an unfortunately limited amount of rehearsal time. Selected and edited by David Hill, this collection includes anthems that are easy to learn, enjoyable to sing but also sound simply fantastic.Some works included in this collection are universally-loved, pieces like Ave Maria by Marcel Dupré, The Lord's Prayer by John Tavener and James Whitbourn's wonderful A Prayer Of Desmond Tutu. Despite the title of Short And Easy, these pieces are anything but mundane or tired, they are all exciting, versatile and enjoyable, making this collection perfect for any choir. The collection is an antidote to the fact that many choirs have to rehearse on a limited time, with limited resources. Learning from this collection is quick and efficient, but the songs don't compromise in beauty.With a range of styles, and settings for Eucharist and Evensong, this collection offers a carefully-chosen diversity for Upper Voice Choirs large and small. With James Davy's Sun Of My Soul, Philip Moore's Listen To The Song Of The Children and Elizabeth Poston's The Dormouse's Carol, the selection here is brilliant, including pieces for all occasions and events throughout the year. This makes Short And Easy Anthems indispensable for Upper Voice Choirs and directors who will instantly be able to draw from a wealth of songs that can be learnt quickly. The works here include simple unison settings, while most of them can be performed with some flexible scoring, allowing the music to be opened up to wider choirs.Featuring a vast number of anthems that can be learnt and sung quickly, The New Novello Book Of Short and Easy Anthems gives Upper Voice choirs a grand selection of songs that will prevent a reliance on the same ones. Whether your choir is large or small, the music contained within this collection is perfect for beautifully versatile melodies that can be learned very easily. / Choeur SSA Et Piano

Wow! This is a must-have anthem for every choral library. Joseph Martin provides two great texts – one for Easter and one for general worship – both of which are brimming with dazzling imagery and unbounded joy. Thelilting dance-like accompaniment moves the piece along so deftly that the song seems to end too soon. “A Resurrection Acclamation” is a thrill for both choir and congregation.

16 Famous Concert Pieces for Viola and Piano. Par . La collection 'Best of Viola Classics - 16 Famous Concert Pieces' pour alto et piano présentée par Schott contient une sélection d'œuvres qui peuvent accompagner chaque élève pendant de nombreuses années de cours d'alto. Le volume contient des compositions allant de l'époque de Georg Philipp Telemann (1681-1767) à celle de Volker David Kirchner (1942-2020), offrant ainsi un matériel de jeu allant de la période baroque au XXe siècle. La collection, qui comprend un répertoire connu et des pièces rares, est idéale pour les cours et les concours, ainsi que pour les récitals et les concerts. / Niveau : Moyen / Date parution : 2023-09-13/ Recueil / Alto et Piano

Description A First Book Of Jazz: 21 Arrangements For The Beginning Pianist Accessible to novices of all ages, these 21 easy-to-play melodies for the piano include George Gershwin's I'll Build a Stairway to Paradise, Alexander's Ragtime Band by Irving Berlin, Jerome Kern's They Songlist After You've Gone [Layton, Turner] Alexander's Ragtime Band [Berlin, Irving] Baby Won't You Please Come Home [Warfield, Charles] [Williams, Clarence] Ballin' The Jack [Smith, Chris] Bethena [Joplin, Scott] Darktown Strutters' Ball [Brooks, Shelton] Frankie And Johnny [Traditional] Hello! Ma Baby [Howard, Joseph E.] [Emerson, Ida] I'll Build A Stairway To Paradise [Gershwin, George] Indiana [Hanley, James F.] Ja-Da [Carleton, Bob] Lady Of The Evening [Berlin, Irving] Nobody But You [Gershwin, George] Oh Johnny, Oh Johnny, Oh! [Oleman, Abe] Rialto Ripples [Gershwin, George] Rose Room [Hickman, Art] [Williams, Harry] Some Of These Days [Brooks, Shelton] 'Taint Nobody's Business If I Do [Grainger, Porter] That's A Plenty [Pollack, Lew] They Didn't Believe Me [Kern, Jerome] When My Baby Smiles At Me [Munro, Bill]