|
| Big Book of Cello Songs
Cello [Sheet music]
Hal Leonard
By Various. Instrumental
Folio. Softcover. 146
pages. Published by Hal
Leonard.
(4)$17.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | | |
| 101 Christmas Songs (Cello)
Cello
Hal Leonard
For Cello. By Various. Instrumental Folio. Christmas. Softcover. 96 pages....(+)
For Cello. By Various.
Instrumental Folio.
Christmas. Softcover. 96
pages. Published by Hal
Leonard
$16.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | | |
| Berko's Journey
Theodore Presser Co.
Orchestra Bass Clarinet, Bass Trombone, Bassoon 1, Bassoon 2, Cello, Clarinet in...(+)
Orchestra Bass Clarinet, Bass Trombone, Bassoon 1, Bassoon 2, Cello, Clarinet in Bb 1, Clarinet in Bb 2, Clarinet in Bb 3, Contrabassoon, Double Bass, English Horn, Flute 1, Flute 2, Flute 3, Harp, Horn 1, Horn 3, Horn 4, Oboe 1, Oboe 2, Percussion 1 and more. SKU: PR.11642143L Composed by Stacy Garrop. Spiral. Large Score. 68 pages. Duration 20 minutes. Theodore Presser Company #116-42143L. Published by Theodore Presser Company (PR.11642143L). UPC: 680160693320. 11 x 17 inches. For most of my life, I never knew where my father’s family came from, beyond a few broad strokes: they had emigrated in the early 1900s from Eastern Europe and altered the family name along the way. This radically changed in the summer of 2021 when my mother and sister came across a folder in our family filing cabinet and made an astounding discovery of documents that revealed when, where, and how my great-grandfather came to America. The information I had been seeking was at home all along, waiting over forty years to be discovered.Berko Gorobzoff, my great-grandfather, left Ekaterinoslav in 1904. At that time, this city was in the southern Russian area of modern-day Ukraine; as his family was Jewish, he and his siblings were attempting to escape the ongoing religious persecution and pogroms instigated by Tzar Nicholas II to root out Jewish people from Russia. Berko’s older brother Jakob had already emigrated to Illinois, and Berko was traveling with Chaje, Jakob’s wife, to join him. Their timing was fortuitous, as the following year saw a series of massive, brutal pogroms in the region. After arriving in Illinois, Berko went on to Omaha, Nebraska, where he married my great-grandmother Anna about eighteen months later. They remained in Omaha for the rest of their lives.There is one more intriguing part to this historical account: I have a great-aunt in Texas who, as it turns out, is the youngest daughter of Berko and Anna. Through a series of phone calls, my great-aunt and I discussed what she could remember: her parents spoke Yiddish at home, her mother didn’t learn to read or write in English so my great-aunt was tasked with writing letters to family members, Berko ran a grocery store followed by a small hotel, and her parents enjoyed playing poker with friends. Above all else, neither of her parents ever spoke a word about their past or how they got to America. This was a common trait among Eastern European Jewish immigrants whose goal was to “blend in” within their new communities and country.To craft Berko’s Journey, I melded the facts I uncovered about Berko with my own research into methods of transportation in the early 1900s. Also, to represent his heritage, I wove two Yiddish songs and one Klezmer tune into the work. In movement 1, Leaving Ekaterinoslav, we hear Berko packing his belongings, saying his goodbyes to family and friends, and walking to the train station. Included in this movement is a snippet of the Yiddish song “The Miller’s Tears” which references how the Jews were driven out of their villages by the Russian army. In movement 2, In Transit, we follow Berko as he boards a train and then a steamship, sails across the Atlantic Ocean, arrives at Ellis Island and anxiously waits in line for immigration, jubilantly steps foot into New York City, and finally boards a train that will take him to Chicago. While he’s on the steamship, we hear a group of fellow steerage musicians play a klezmer tune (“Freylachs in d minor”). In movement 3, At Home in Omaha, we hear Berko court and marry Anna. Their courtship is represented by “Tumbalalaika,” a Yiddish puzzle folksong in which a man asks a woman a series of riddles in order to get better acquainted with each other and to test her intellect.On a final note, I crafted a musical motive to represent Berko throughout the piece. This motive is heard at the beginning of the first movement; its first pitches are B and E, which represent the first two letters of Berko’s name. I scatter this theme throughout the piece as Berko travels towards a new world and life. As the piece concludes, we hear Berko’s theme repeatedly and in close succession, representing the descendants of the Garrop line that came from Berko and Anna.
For most of my life, I never knew where my father’s family came from, beyond a few broad strokes: they had emigrated in the early 1900s from Eastern Europe and altered the family name along the way. This radically changed in the summer of 2021 when my mother and sister came across a folder in our family filing cabinet and made an astounding discovery of documents that revealed when, where, and how my great-grandfather came to America. The information I had been seeking was at home all along, waiting over forty years to be discovered.Berko Gorobzoff, my great-grandfather, left Ekaterinoslav in 1904. At that time, this city was in the southern Russian area of modern-day Ukraine; as his family was Jewish, he and his siblings were attempting to escape the ongoing religious persecution and pogroms instigated by Tzar Nicholas II to root out Jewish people from Russia. Berko’s older brother Jakob had already emigrated to Illinois, and Berko was traveling with Chaje, Jakob’s wife, to join him. Their timing was fortuitous, as the following year saw a series of massive, brutal pogroms in the region. After arriving in Illinois, Berko went on to Omaha, Nebraska, where he married my great-grandmother Anna about eighteen months later. They remained in Omaha for the rest of their lives.There is one more intriguing part to this historical account: I have a great-aunt in Texas who, as it turns out, is the youngest daughter of Berko and Anna. Through a series of phone calls, my great-aunt and I discussed what she could remember: her parents spoke Yiddish at home, her mother didn’t learn to read or write in English so my great-aunt was tasked with writing letters to family members, Berko ran a grocery store followed by a small hotel, and her parents enjoyed playing poker with friends. Above all else, neither of her parents ever spoke a word about their past or how they got to America. This was a common trait among Eastern European Jewish immigrants whose goal was to “blend in” within their new communities and country.To craftxa0Berko’s Journey,xa0I melded the facts I uncovered about Berko with my own research into methods of transportation in the early 1900s. Also, to represent his heritage, I wove two Yiddish songs and one Klezmer tune into the work. In movement 1,xa0Leaving Ekaterinoslav,xa0we hear Berko packing his belongings, saying his goodbyes to family and friends, and walking to the train station. Included in this movement is a snippet of the Yiddish song “The Miller’s Tears” which references how the Jews were driven out of their villages by the Russian army. In movement 2,xa0In Transit,xa0we follow Berko as he boards a train and then a steamship, sails across the Atlantic Ocean, arrives at Ellis Island and anxiously waits in line for immigration, jubilantly steps foot into New York City, and finally boards a train that will take him to Chicago. While he’s on the steamship, we hear a group of fellow steerage musicians play a klezmer tune (“Freylachs in d minor”). In movement 3,xa0At Home in Omaha,xa0we hear Berko court and marry Anna. Their courtship is represented by “Tumbalalaika,” a Yiddish puzzle folksong in which a man asks a woman a series of riddles in order to get better acquainted with each other and to test her intellect.On a final note, I crafted a musical motive to represent Berko throughout the piece. This motive is heard at the beginning of the first movement; its first pitches are B and E, which represent the first two letters of Berko’s name. I scatter this theme throughout the piece as Berko travels towards a new world and life. As the piece concludes, we hear Berko’s theme repeatedly and in close succession, representing the descendants of the Garrop line that came from Berko and Anna. $71.99 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | | |
| Berko's Journey [Score]
Theodore Presser Co.
Orchestra Bass Clarinet, Bass Trombone, Bassoon 1, Bassoon 2, Cello, Clarinet in...(+)
Orchestra Bass Clarinet, Bass Trombone, Bassoon 1, Bassoon 2, Cello, Clarinet in Bb 1, Clarinet in Bb 2, Clarinet in Bb 3, Contrabassoon, Double Bass, English Horn, Flute 1, Flute 2, Flute 3, Harp, Horn 1, Horn 3, Horn 4, Oboe 1, Oboe 2, Percussion 1 and more. SKU: PR.11642143S Composed by Stacy Garrop. Sws. Score. 68 pages. Duration 20 minutes. Theodore Presser Company #116-42143S. Published by Theodore Presser Company (PR.11642143S). UPC: 680160693313. 11 x 17 inches. For most of my life, I never knew where my father’s family came from, beyond a few broad strokes: they had emigrated in the early 1900s from Eastern Europe and altered the family name along the way. This radically changed in the summer of 2021 when my mother and sister came across a folder in our family filing cabinet and made an astounding discovery of documents that revealed when, where, and how my great-grandfather came to America. The information I had been seeking was at home all along, waiting over forty years to be discovered.Berko Gorobzoff, my great-grandfather, left Ekaterinoslav in 1904. At that time, this city was in the southern Russian area of modern-day Ukraine; as his family was Jewish, he and his siblings were attempting to escape the ongoing religious persecution and pogroms instigated by Tzar Nicholas II to root out Jewish people from Russia. Berko’s older brother Jakob had already emigrated to Illinois, and Berko was traveling with Chaje, Jakob’s wife, to join him. Their timing was fortuitous, as the following year saw a series of massive, brutal pogroms in the region. After arriving in Illinois, Berko went on to Omaha, Nebraska, where he married my great-grandmother Anna about eighteen months later. They remained in Omaha for the rest of their lives.There is one more intriguing part to this historical account: I have a great-aunt in Texas who, as it turns out, is the youngest daughter of Berko and Anna. Through a series of phone calls, my great-aunt and I discussed what she could remember: her parents spoke Yiddish at home, her mother didn’t learn to read or write in English so my great-aunt was tasked with writing letters to family members, Berko ran a grocery store followed by a small hotel, and her parents enjoyed playing poker with friends. Above all else, neither of her parents ever spoke a word about their past or how they got to America. This was a common trait among Eastern European Jewish immigrants whose goal was to “blend in” within their new communities and country.To craft Berko’s Journey, I melded the facts I uncovered about Berko with my own research into methods of transportation in the early 1900s. Also, to represent his heritage, I wove two Yiddish songs and one Klezmer tune into the work. In movement 1, Leaving Ekaterinoslav, we hear Berko packing his belongings, saying his goodbyes to family and friends, and walking to the train station. Included in this movement is a snippet of the Yiddish song “The Miller’s Tears” which references how the Jews were driven out of their villages by the Russian army. In movement 2, In Transit, we follow Berko as he boards a train and then a steamship, sails across the Atlantic Ocean, arrives at Ellis Island and anxiously waits in line for immigration, jubilantly steps foot into New York City, and finally boards a train that will take him to Chicago. While he’s on the steamship, we hear a group of fellow steerage musicians play a klezmer tune (“Freylachs in d minor”). In movement 3, At Home in Omaha, we hear Berko court and marry Anna. Their courtship is represented by “Tumbalalaika,” a Yiddish puzzle folksong in which a man asks a woman a series of riddles in order to get better acquainted with each other and to test her intellect.On a final note, I crafted a musical motive to represent Berko throughout the piece. This motive is heard at the beginning of the first movement; its first pitches are B and E, which represent the first two letters of Berko’s name. I scatter this theme throughout the piece as Berko travels towards a new world and life. As the piece concludes, we hear Berko’s theme repeatedly and in close succession, representing the descendants of the Garrop line that came from Berko and Anna.
For most of my life, I never knew where my father’s family came from, beyond a few broad strokes: they had emigrated in the early 1900s from Eastern Europe and altered the family name along the way. This radically changed in the summer of 2021 when my mother and sister came across a folder in our family filing cabinet and made an astounding discovery of documents that revealed when, where, and how my great-grandfather came to America. The information I had been seeking was at home all along, waiting over forty years to be discovered.Berko Gorobzoff, my great-grandfather, left Ekaterinoslav in 1904. At that time, this city was in the southern Russian area of modern-day Ukraine; as his family was Jewish, he and his siblings were attempting to escape the ongoing religious persecution and pogroms instigated by Tzar Nicholas II to root out Jewish people from Russia. Berko’s older brother Jakob had already emigrated to Illinois, and Berko was traveling with Chaje, Jakob’s wife, to join him. Their timing was fortuitous, as the following year saw a series of massive, brutal pogroms in the region. After arriving in Illinois, Berko went on to Omaha, Nebraska, where he married my great-grandmother Anna about eighteen months later. They remained in Omaha for the rest of their lives.There is one more intriguing part to this historical account: I have a great-aunt in Texas who, as it turns out, is the youngest daughter of Berko and Anna. Through a series of phone calls, my great-aunt and I discussed what she could remember: her parents spoke Yiddish at home, her mother didn’t learn to read or write in English so my great-aunt was tasked with writing letters to family members, Berko ran a grocery store followed by a small hotel, and her parents enjoyed playing poker with friends. Above all else, neither of her parents ever spoke a word about their past or how they got to America. This was a common trait among Eastern European Jewish immigrants whose goal was to “blend in” within their new communities and country.To craftxa0Berko’s Journey,xa0I melded the facts I uncovered about Berko with my own research into methods of transportation in the early 1900s. Also, to represent his heritage, I wove two Yiddish songs and one Klezmer tune into the work. In movement 1,xa0Leaving Ekaterinoslav,xa0we hear Berko packing his belongings, saying his goodbyes to family and friends, and walking to the train station. Included in this movement is a snippet of the Yiddish song “The Miller’s Tears” which references how the Jews were driven out of their villages by the Russian army. In movement 2,xa0In Transit,xa0we follow Berko as he boards a train and then a steamship, sails across the Atlantic Ocean, arrives at Ellis Island and anxiously waits in line for immigration, jubilantly steps foot into New York City, and finally boards a train that will take him to Chicago. While he’s on the steamship, we hear a group of fellow steerage musicians play a klezmer tune (“Freylachs in d minor”). In movement 3,xa0At Home in Omaha,xa0we hear Berko court and marry Anna. Their courtship is represented by “Tumbalalaika,” a Yiddish puzzle folksong in which a man asks a woman a series of riddles in order to get better acquainted with each other and to test her intellect.On a final note, I crafted a musical motive to represent Berko throughout the piece. This motive is heard at the beginning of the first movement; its first pitches are B and E, which represent the first two letters of Berko’s name. I scatter this theme throughout the piece as Berko travels towards a new world and life. As the piece concludes, we hear Berko’s theme repeatedly and in close succession, representing the descendants of the Garrop line that came from Berko and Anna. $40.99 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | | |
| This present moment used to be the unimaginable future...
Breitkopf & Härtel
SKU: BR.EB-9387 Composed by Christian Mason. Edition Breitkopf. New music...(+)
SKU: BR.EB-9387 Composed by Christian Mason. Edition Breitkopf. New music (post-2000); Music post-1945. Set of parts. Composed 2019. Duration 20'. Breitkopf and Haertel #EB 9387. Published by Breitkopf and Haertel (BR.EB-9387). ISBN 9790004188576. 0 x 0 inches. Commissioned by the Kolner Philharmonie (KolnMusik) for the non bthvn projekt 2020 and the Cite de la musique / Philharmonie de Paris Dedicated to Arditti Quartet Each movement of this quartet explores a single state, its lights and its shadows. Each movement, you could say, is a moment . And these moments could last for more or less time without compromising their essential nature. The processes could be extended or compressed, repeated or reversed, but the core ideas - if they are ideas, but maybe they are simply experiences? - are what they are. Despite this, the precise sequence of movements matters a great deal. Heard together they do articulate some kind of linear narrative, maybe even a metaphorical journey (albeit a circular one where the arrival might, who knows, prove to be a new departure). One situation gives way to another and instrumental relationships within the quartet vary, but ultimately the imaginative impulse behind the piece preferences states of unity. Whether or not this unity is expressed texturally - sometimes literal unisons pervade, but not always - there is generally a sense that even seemingly diverse aspects relate to a fundamental condition of concord: a conscious limitation in the pitch structure to spectral emanations of the root notes E-flat and C. At the opening this is unambiguously audible in the perpetual alternation of these two notes in the low cello register. Later the two spectra are woven into a micro-tonal 'double-spectral-mode' (derived from the first 24 partials of the C and E-flat fundamentals), which defines the subtle melodic inflection of the second movement, and the never-quite-chromatic ascending scales of the third. For now this feels like a rich source of melodic possibility, so far only just glimpsed... And why the insistence on E-flat? Probably by way of historical anecdote. Apparently Karl Holz (a member of the Schuppanzigh Quartet) said to Beethoven: We performed your Quartet in E-flat Op. 127 in his [Weber's] honour; he found the Adagio too long; but I told him: Beethoven also has a longer feeling and a longer imagination than anyone standing or not standing today. - Since then, even Linke (another member of the quartet) can no longer stand him: we cannot forgive him for this. Listening again to Op. 127, in light of these comments, I was struck by the opening moment: the unfolding of an E-flat 7th chord over the course of a few bars. Every time I hear it I find myself wishing that Beethoven would have lingered longer there, without resolution or progression, just enjoying that sonority. And maybe - why not? - tune the 7th naturally. And what would it be to stretch that moment into an entire piece? What would Weber think of that?! In the end I was not so extreme in my self-limitation, and other concerns took over, but it was from these thoughts that the composition process began... Lastly, about the title: it comes from a book called 'The Clock of the Long Now' by Stewart Brand, published at the turn of the millennium. It's about the creation of a thousand-year clock to embody the aspiration to thinking in terms of longer time-spans than are presently habitual. If the music of Beethoven embodied a 'longer' feeling and imagination than some of his contemporaries were able to appreciate, what is our relation to time now? Longer or shorter? Maybe it depends who you ask... It's probably more extreme in both directions: attention spans might be diminishing in the digital world, but conversely there is an awareness of distant pasts and potential futures which would have been inconceivable at the time of Beethoven. In any case, the interesting thing is to ponder how societal conditions, assumptions and expectations might - whether consciously or unconsciously - influence the time of art, for listeners and creators alike. And what if time is running out? (Christian Mason)
World premiere: Paris, Cite de la musique, January 14, 2020. $53.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | | |
| Big Book of Christmas Songs for Cello
Cello
Hal Leonard
By Various Composers. Instrumental Folio. Size 9x12 inches. 146 pages. Published...(+)
By Various Composers. Instrumental Folio. Size 9x12 inches. 146 pages. Published by Hal Leonard.
(4)$17.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | | |
| Intermediate Music for Three, Christmas, Part 3 - Cello/Bassoon [Part]
Last Resort Music Publishing
(Mix and Match Trios for Strings, Woodwinds, Saxophones and Keyboard). By Variou...(+)
(Mix and Match Trios for Strings, Woodwinds, Saxophones and Keyboard). By Various. Arranged by Daniel Kelley. String Trio, Wind Trio, Mixed Trio, Clarinet Trio, Saxophone Trio, Piano Trio, Piano Quartet. For Cello or Bassoon in C. Trios. Intermediate Music for Three. Christmas. Intermediate. Partbook - Part 3. Published by Last Resort Music Publishing
$20.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | | |
| Instruments of Joy - Cello Book and CD
Cello, Piano [Sheet music + CD]
SoundForth
Composed by Richard A. Nichols. String ensemble. For cello, piano. Instrumental,...(+)
Composed by Richard A. Nichols. String ensemble. For cello, piano. Instrumental, Play along. Early Intermediate. Cello Book and CD. SoundForth #260612. Published by SoundForth
$24.95 - See more - Buy online | | | |
| Abracadabra Cello & CD
Cello [Sheet music + CD]
Cello SKU: BT.9781408114629 Composed by Maja Passchier. Abracadabra. Exam...(+)
Cello SKU: BT.9781408114629 Composed by Maja Passchier. Abracadabra. Exam Material. Book with CD. 64 pages. Collins Music Publishing #9781408114629. Published by Collins Music Publishing (BT.9781408114629). ISBN 9781408114629. English. Now in a third edition, Abracadabra Cello has a fresh, contemporary new look and is the perfect book for pupil and teachers.
This title offers an identical selection of repertoire to the other booksin the Abracadabra Strings series, so they can be used in any combination for group or whole class lessons and mixed ensemble performances. Used alone, they remain ideal for individual tuition.
With tunes you know andwant to play, carefully graded in 20 learning steps, this new edition of the popular tutor also includes duets, trios and teacher's parts. Clear fingering and bowing diagrams and concise theory explanations help to teachthefundamentals of the instrument, and each new technical aspect is reinforced by several pieces using that particular technique.
Abracadabra Cello now also includes two CDs of performance and backing tracks, featuringselected orchestral backings. $14.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | | |
| Songs of the Season - Trombone/Baritone B.C./Cello/Bassoon (Parts 1 & 4)
|trombone|cello|bassoon| [Sheet music]
Heritage Music Press
By Peter Blair. For trombone, baritone (BC), cello and bassoon. Christmas, Secul...(+)
By Peter Blair. For trombone, baritone (BC), cello and bassoon. Christmas, Secular Christmas. Instrumental ensemble (brass). Published by Heritage Music Press. (50/1148H)
$3.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | | |
| The Best of First Year Pops for String Orchestra, Volume 1
Cello, Orchestra [Sheet music]
Alfred Publishing
Arranged by Bob Cerulli. For Cello. String Orchestra Collection. Book. 16 pages....(+)
Arranged by Bob Cerulli. For Cello. String Orchestra Collection. Book. 16 pages. Published by Alfred Publishing.
$6.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | | |
| Traditional Christmas Duets for Cello
Cello [Sheet music + CD]
Santorella Publications
Arranged by Denise Gendron. For cello. Christmas. Book and accompaniment CD. 31 ...(+)
Arranged by Denise Gendron. For cello. Christmas. Book and accompaniment CD. 31 pages. Published by Santorella Publications
$14.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | | |
| Christmas Duets (Cello / String Bass)
Cello, String Bass (duet)
Hal Leonard
Cello/Bass. Performed by Various. (Cello). Chart. Size 9x12 inches. 32 pages. P...(+)
Cello/Bass. Performed by Various. (Cello). Chart. Size 9x12 inches. 32 pages. Published by Hal Leonard.
(1)$8.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | | |
| Christmas Solos for Beginning Cello - Level 1
Cello - Easy
Mel Bay
Written by Craig Duncan. Cello solo book for cello solo (or duet) and piano acco...(+)
Written by Craig Duncan. Cello solo book for cello solo (or duet) and piano accompaniment. With solo part, standard notation, harmony part, piano accompaniment and bowings. Series: Building Excellence Series. 38 pages. Published by Mel Bay Publications, Inc.
(7)$17.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | | |
| My Very Best Christmas, Cello Edition
Cello [Sheet music + Audio access] - Easy
Mel Bay
Arranged by Karen Khanagov. Duet/Ensemble, Solos, Christmas. My Very Best Chr...(+)
Arranged by Karen Khanagov.
Duet/Ensemble, Solos,
Christmas. My Very Best
Christmas. Book, Parts and
Digital Audio. 88 pages.
Published by Mel Bay
Publications, Inc
$19.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | | |
| Christmas Collages - Cello
Kendor Music Inc.
Mixed Instrument Collection Cello - 2-3 SKU: KN.19273 Composed by Various...(+)
Mixed Instrument Collection Cello - 2-3 SKU: KN.19273 Composed by Various. Arranged by Carl Strommen. Holiday. Mixed Instrument Collection. Kendor Music Inc #19273. Published by Kendor Music Inc (KN.19273). UPC: 822795192735. This innovative collection of 10 Christmas favorites for any combination of three instruments includes a 4th and more advanced obbligato part that can be featured with the basic trio scoring to create a more exciting, sophisticated sound. This is the perfect opportunity for a group of varied ability levels. Published in score form for any combination of like or mixed instruments using the appropriate key-compatible books.
COLLECTION CONTENTS
Joy To The World; The First Noel; Good King Wenceslas and O Come, All Ye Faithful; Bring A Torch, Jeanette, Isabella and We Three Kings; It Came Upon A Midnight Clear and Away In A Manger; Up On The Housetop; Jolly Old St. Nicholas; Angels We Have Heard On High and O Little Town Of Bethlehem; Jingle Bells; Hark! The Herald Angels Sing and Deck The Halls. $11.95 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | | |
| Season of Carols (Cello / Piano/Keyboard)
Cello, Piano - Easy
Hal Leonard
Easy Solo Cello and Piano. Arranged by Bruce Healey. (Cello). Instrumental Folio...(+)
Easy Solo Cello and Piano. Arranged by Bruce Healey. (Cello). Instrumental Folio. 44 pages. Published by Hal Leonard.
$16.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | | |
| 100 Christmas Carols and Hymns for Cello and Guitar
Cello, Guitar (duet)
Mel Bay
With Suggested Chordal Accompaniment. Composed by Craig Duncan. Squareback ...(+)
With Suggested Chordal
Accompaniment. Composed by
Craig Duncan. Squareback
saddle stitch, Solos,
Holiday: Christmas,
Duet/Ensemble, Duets and
Ensemble. 100 HYMNS. Style.
Book. 124 pages. Mel Bay
Publications, Inc #30703.
Published by Mel Bay
Publications, Inc
$19.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | | |
| Suzuki Cello School, Volume 3
Cello [Sheet music + CD]
Alfred Publishing
(Cello Part). Composed by Dr. Shinichi Suzuki. For Cello. This edition: Revised....(+)
(Cello Part). Composed by Dr. Shinichi Suzuki. For Cello. This edition: Revised. Book; CD; Method/Instruction; String - Cello (Suzuki); Suzuki. Suzuki Cello School. 28 pages. Published by Alfred Music
$24.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | | |
| Christmas Collection
Cello
Associated
Cello Part. By Various. Arranged by Marshall Ocker. (Cello). Orchestra. Size 9x...(+)
Cello Part. By Various. Arranged by Marshall Ocker. (Cello). Orchestra. Size 9x12 inches. 32 pages. Published by Associated.
$6.95 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | | |
| Sacred Christmas Solos for Instruments - Cello
Cello - Intermediate
Jackman Music Corporation
Cello - intermediate SKU: JK.01612 Arranged by Brent Jorgensen and LaReit...(+)
Cello - intermediate SKU: JK.01612 Arranged by Brent Jorgensen and LaReita Leavitt Berky. Difficulty Medium, Instrumental Cello, Seasonal Music Christmas, Christmas, Jesus Christ - Birth. Christian, Inspirational. Jackman Music Corporation #01612. Published by Jackman Music Corporation (JK.01612). Alma 5:50, Psalm 97:1, Psalm 98:4-9. Christmas Solos for intermediate cello. Piano accompaniment book available separately (item #01606).
Contents:
Joy to the World
English Carol Medley
O Little Town of Bethlehem
Away in a Manger
German Carol Medley
What Child Is This
It Came Upon a Midnight Clear
I Wonder as I Wander/O Come O Come Emmanuel
The First Noel
O Holy Night
French Carol Medley
Arranger: Brent Jorgensen
Edited By: LaReita Leavitt Berky
Difficulty: intermediate
Performance time: varies
Reference: Alma 5:50, Psalm 97:1, Psalm 98:4-9. $7.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | | |
| Short Cello Pieces
Cello, Piano
Bosworth
Short Cello Pieces by Hywel Davies. Music Sales America. Film and TV. 64 pages. ...(+)
Short Cello Pieces by Hywel Davies. Music Sales America. Film and TV. 64 pages. Bosworth and Co. #BOE005186. Published by Bosworth and Co.
$19.95 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | | |
| A Cello Christmas
Cello - Beginner
Mel Bay
Saddle-stitched, World Music. Holiday. Book/insert. 100 pages. Mel Bay Publica...(+)
Saddle-stitched, World Music.
Holiday. Book/insert. 100
pages. Mel Bay Publications,
Inc #30852. Published by Mel
Bay Publications, Inc
$19.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | | |
| Suzuki Cello School, Volume 8
Cello [Sheet music + Audio access]
Alfred Publishing
Cello Part. Composed by Dr. Shinichi Suzuki. This edition: Revised. Book;...(+)
Cello Part. Composed by Dr. Shinichi Suzuki. This edition: Revised. Book; CD; Method/Instruction; String - Cello (Suzuki); Suzuki. Suzuki Cello School. 20 pages. Published by Alfred Music (AP.40754).
$24.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | | |
| Suzuki Cello School, Volume 7
Cello [Sheet music + CD]
Alfred Publishing
Cello Part. Composed by Dr. Shinichi Suzuki. This edition: Revised. Book;...(+)
Cello Part. Composed by Dr. Shinichi Suzuki. This edition: Revised. Book; CD; Method/Instruction; String - Cello (Suzuki); Suzuki. Suzuki Cello School. 12 pages. Published by Alfred Music (AP.40751).
$24.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
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