SKU: YM.GPW01096085

ISBN 9784636960853.

Method for all who want to play Venova.
Gua He Ren He Xiang Yan Zou Xin Feng Guan De Ren .

Basic Knowledge - How to blow - 21 songs arranged for solo and duet; 1. Happy Birthday to You; 2. Furusato; 3. Summertime; 4. Ode to Joy(An die Freude); 5. Scarborough Fair; 6. Edelweiss; 7. Je te veux; 8. Someday My Prince Will Come; 9. little Brown Jug; 10. Silent Nigt; 11. Mickey Mouse March; 12. Hamabe no Uta(At the Shore); 13. Moonlight Serenade; 14. Londonderry Air; 15. My Neighbor Totoro; 16. Princess Mononoke; 17. Spring from The Four Seasons; 18. Heigh-Ho; 19. O Christmas Tree(O Tannebaum) for Duo; 20. Joy to the World for Duo; 21. Eine kleine Nachtmusik(Trio)
Ji Chu Zhi Shi - Zen Yang Chui - 21Shou Wei Du Zou &Er Zhong Zou Bian Pei De Ge Qu ; 1. Sheng Ri Kuai Le Ge ; 2. Gu Xiang ; 3. Xia Ri Shi Guang ; 4. Huan Le Song ; 5. Si Qia Bu Luo Ji Shi ; 6. Xue Rong Hua ; 7. Wo Xu Yao Ni ; 8. Zong You Yi Tian Wang Zi Hui Chu Xian ; 9. He Se Xiao Hu ; 10. Ping An Ye ; 11. Mi Lao Shu Jin Xing Qu ; 12.Hai Bin Zhi Ge ; 13. Yue Guang Xiao Ye Qu ; 14. Lun Dun De Li Xiao Diao ; 15. Lin Jia De Long Mao ; 16. You Ling Gong Zhu ; 17. Chun Tian Xuan Zi Si Ji ; 18. Hai Yo ; 19. E ,Sheng Dan Shu Er Zhong Zou ; 20. Ju Shi Huan Teng Er Zhong Zou ; 21. Di 13Hao Xiao Ye Qu San Zhong Zou.

SKU: CF.YPS200

ISBN 9781491152201. UPC: 680160909704. Key: D minor.

Step right up, ladies and gentleman, boys and girls, step right up! See the exotic, the strange, and the magical at the Cirque de L’étrange, or “Circus of the Strange.” This piece evokes a bygone era when circuses and carnivals provided people from all walks of life a chance to see human and animal oddities. Cirque de L'étrange is an original concert march written in standard march form, but its sound is anything but standard. This piece is playable by younger groups and is a great way to expose students to the march form and style without sounding like your typical march.
Step right up ladies and gentleman, boys and girls, step right up! See the exotic, the strange, and the magical at the Cirque de L’étrange. Welcome to the Cirque de L’étrange, known in English as the “Circus of the Strange.” This piece evokes a time of a bygone era, a time when circuses and carnivals provided people from all walks of life a chance to see human and animal oddities that were sources of both delight and horror. While many of these sideshow attractions were deemed fraudulent, it did not deter the crowds from flocking to be shocked and awed. I have always held a special place in my heart for the showmanship of carnivals, because my grandfather dearly loved them. For much of his life, he worked at fairs and carnivals selling cotton candy and candy apples. A large portion of my days when growing up were spent running around fairgrounds and helping my grandfather with his stand. He imparted in me a love for the cunning, magic, and sheer joy that only carnivals and circuses can bring. In Cirque de L’étrange, I sought to capture the the mirthful, yet uncanny mood of the carnivals that I grew up exploring, thus transporting you to a different time.Cirque de L'étrange is an original concert march written in standard march form, but its sound is anything but standard. This piece is playable by younger groups, as it is a great way to expose students to the march form and style while not sounding like your typical march.Opening in D minor, the piece combines the playful feel of a march and a macabre tango. The second time through the First Strain (mm. 5-23), the upper woodwinds and bells add a second counter melody based in D harmonic minor, which heightens the peculiar nature of the piece. The Second Strain (mm. 24-43) by contrast, is a little more upbeat, thus evoking the magical ebullience of a circus, which is further highlighted by the xylophone part. The Second Strain ends in the key of F major and sets up the transition to the Trio in the key of G minor. The Trio (m. 44) begins with the G harmonic minor melody in the clarinets and a counter melody in the bassoon and tenor saxophone. The rest of the woodwinds and bells join in at m. 60 while the percussion adds a Gypsy-like feel with tambourine and triangle. At m. 76 the full band joins in the macabre parade with the trombones and baritones harmonizing the counter melody. The conclusion of the march has the upper woodwinds, adding a second counter melody complete with trills to bring the march to an exciting and dramatic finish.As the World’s Greatest Showman, P.T. Barnum, a man my grandfather greatly admired, once said “The noblest art is that of making others happy.” It is my hope that through this piece you will experience the thrill, delight, and fright that only carnivals can bring as you visit the Circus of the Strange!