| Entrance of the Gladiators Concert band [Score and Parts] - Intermediate C.L. Barnhouse
(March). By Julius Fucik (1872-1916). Arranged by Andrew Glover. Concert band. H...(+)
(March). By Julius Fucik (1872-1916). Arranged by Andrew Glover. Concert band. Heritage of the March Series. Audio recording available separately (item CL.WFR372). Grade 3.5. Score and set of parts. Composed 2011. Duration 3 minutes, 6 seconds. Published by C.L. Barnhouse
$65.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Lieder Volume 9 High voice, Piano Barenreiter
Voice-High,Piano (High voice, Piano) SKU: BA.BA09109 Composed by Franz Sc...(+)
Voice-High,Piano (High voice, Piano) SKU: BA.BA09109 Composed by Franz Schubert. Edited by Walther Durr. This edition: urtext edition. Paperback. Barenreiter Urtext. High Voice. Singing Score, anthology. Baerenreiter Verlag #BA09109_00. Published by Baerenreiter Verlag (BA.BA09109). ISBN 9790006530588. 30 x 23 cm inches. Language: German. Preface: Christoph Pregardien/Andreas Staier. Volume 9 of the new Urtext edition of Schubert’s lieder contains lieder composed during the spring and summer of 1816, some of which follow upon series started in 1815. They are available in separate books for high, medium and low voice. The volume was completed by the eminent Schubert scholar Walter Dürr who passed away at the beginning of 2018.
It was in 1816 that Schubert completed his settings of Ossian's songs and added lieder on texts by Johann Georg Jacobi, Johann Peter Uz and Matthias Claudius. Also included are the lieder from the Grob family songbook. In summer 1816 Schubert produced his first settings of poems by Christian Friedrich Daniel Schubart (“Grablied auf einen Soldaten†and “An mein Klavierâ€Â), the author of the words to one of his most famous songs “Die Forelleâ€Â/ “The Trout†(see Volume 2).
About Barenreiter Urtext What can I expect from a Barenreiter Urtext edition? MUSICOLOGICALLY SOUND - A reliable musical text based on all available sources - A description of the sources - Information on the genesis and history of the work - Valuable notes on performance practice - Includes an introduction with critical commentary explaining source discrepancies and editorial decisions ... AND PRACTICAL - Page-turns, fold-out pages, and cues where you need them - A well-presented layout and a user-friendly format - Excellent print quality - Superior paper and binding
$53.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Lieder Volume 9 Barenreiter
Voice-Low,Piano (Low voice, Piano) SKU: BA.BA09149 Composed by Franz Schu...(+)
Voice-Low,Piano (Low voice, Piano) SKU: BA.BA09149 Composed by Franz Schubert. Edited by Walther Durr. This edition: urtext edition. Paperback. Barenreiter Urtext. Low voice. Singing Score, anthology. Baerenreiter Verlag #BA09149_00. Published by Baerenreiter Verlag (BA.BA09149). ISBN 9790006530809. 30 x 23 cm inches. Language: German. Preface: Christoph Pregardien/Andreas Staier. Volume 9 of the new Urtext edition of Schubert’s lieder contains lieder composed during the spring and summer of 1816, some of which follow upon series started in 1815. They are available in separate books for high, medium and low voice. The volume was completed by the eminent Schubert scholar Walter Dürr who passed away at the beginning of 2018.
It was in 1816 that Schubert completed his settings of Ossian's songs and added lieder on texts by Johann Georg Jacobi, Johann Peter Uz and Matthias Claudius. Also included are the lieder from the Grob family songbook. In summer 1816 Schubert produced his first settings of poems by Christian Friedrich Daniel Schubart (“Grablied auf einen Soldaten†and “An mein Klavierâ€Â), the author of the words to one of his most famous songs “Die Forelleâ€Â/ “The Trout†(see Volume 2).
About Barenreiter Urtext What can I expect from a Barenreiter Urtext edition? MUSICOLOGICALLY SOUND - A reliable musical text based on all available sources - A description of the sources - Information on the genesis and history of the work - Valuable notes on performance practice - Includes an introduction with critical commentary explaining source discrepancies and editorial decisions ... AND PRACTICAL - Page-turns, fold-out pages, and cues where you need them - A well-presented layout and a user-friendly format - Excellent print quality - Superior paper and binding
$53.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Lieder Volume 9 Medium voice, Piano Barenreiter
Voice-Med.,Piano (Medium voice, Piano) SKU: BA.BA09129 Composed by Franz ...(+)
Voice-Med.,Piano (Medium voice, Piano) SKU: BA.BA09129 Composed by Franz Schubert. Edited by Walther Durr. This edition: urtext edition. Paperback. Barenreiter Urtext. Medium Voice. Singing Score, anthology. Baerenreiter Verlag #BA09129_00. Published by Baerenreiter Verlag (BA.BA09129). ISBN 9790006530694. 30 x 23 cm inches. Language: German. Preface: Christoph Pregardien/Andreas Staier. Volume 9 of the new Urtext edition of Schubert’s lieder contains lieder composed during the spring and summer of 1816, some of which follow upon series started in 1815. They are available in separate books for high, medium and low voice. The volume was completed by the eminent Schubert scholar Walter Dürr who passed away at the beginning of 2018.
It was in 1816 that Schubert completed his settings of Ossian's songs and added lieder on texts by Johann Georg Jacobi, Johann Peter Uz and Matthias Claudius. Also included are the lieder from the Grob family songbook. In summer 1816 Schubert produced his first settings of poems by Christian Friedrich Daniel Schubart (“Grablied auf einen Soldaten†and “An mein Klavierâ€Â), the author of the words to one of his most famous songs “Die Forelleâ€Â/ “The Trout†(see Volume 2).
About Barenreiter Urtext What can I expect from a Barenreiter Urtext edition? MUSICOLOGICALLY SOUND - A reliable musical text based on all available sources - A description of the sources - Information on the genesis and history of the work - Valuable notes on performance practice - Includes an introduction with critical commentary explaining source discrepancies and editorial decisions ... AND PRACTICAL - Page-turns, fold-out pages, and cues where you need them - A well-presented layout and a user-friendly format - Excellent print quality - Superior paper and binding
$53.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Cleopatra Concert band - Intermediate De Haske Publications
Concert Band/Harmonie - Grade 3 SKU: BT.DHP-1216342-140 The Last Queen...(+)
Concert Band/Harmonie - Grade 3 SKU: BT.DHP-1216342-140 The Last Queen of Egypt. Composed by Thierry Deleruyelle. Concert and Contest Collection CBHA. Concert Piece. Score Only. Composed 2021. 39 pages. De Haske Publications #DHP 1216342-140. Published by De Haske Publications (BT.DHP-1216342-140). English-German-French-Dutch. Queen Cleopatra ruled Egypt for over 20 years. She is one of antiquity’s best-known women, in particular because of her relationships with Julius Caesar and, above all, Mark-Anthony, but also because the cause of her death remainsa mystery. The work is split into three parts and performed without breaks. The first section begins with a bright introduction representing Mark-Anthony. Dynamic in nature and reminiscent of military music, this characterises theRoman general. But soon after, another theme emerges, softer and more melodic, symbolising Cleopatra’s femininity. The two characters then combine on a faster tempo. The middle section of the work depicts the love thatMark-Anthony and Cleopatra feel for each other. This passionate relationship lasted ten years and produced three children. This is expressed by a warm and intense theme, just like the beauty of the Egyptian queen. The third andlast section opens in a determined and military mood. Mark-Anthony and Cleopatra were often apart, the Roman general was often away on a campaign. They met up in Alexandria to celebrate their triumph. But, as the targets of thejealousy and ambition of Octavius, Julius Caesar’s son, the lovers are trapped and await the inevitable conquest of Egypt by the Romans. When Mark-Anthony heard the false news that Cleopatra had committed suicide, he ended his ownlife. The Queen of Egypt, for her part, was imprisoned shortly afterwards. The two lovers remain one of History’s most famous couples. This piece was commissioned by the Wind Orchestra of the town of Antony, near Paris, directedby Philippe Rossignol, to mark its 90th anniversary.
Koningin Cleopatra heerste meer dan twintig jaar lang over Egypte. Ze is een van de bekendste vrouwen uit de oudheid, vanwege haar relatie met Julius Caesar en vooral die met Marcus Antonius, maar ook omdat de oorzaak van haardood altijd een mysterie is gebleven. Dit werk bestaat uit drie in elkaar overlopende delen. Het eerste deel begint met de levendige introductie van Marcus Antonius. Met het dynamische en enigszins militaire karakter van de muziekwordt de Romeinse generaal krachtig neergezet. Snel daarna doemt een zachter en melodieuzer thema op een weerspiegeling van Cleopatra’s vrouwelijkheid. De twee persoonlijkheden gaan vervolgens samen verder in een vlotter tempo.Het middelste deel beschrijft de liefde die Marcus Antonius en Cleopatra voor elkaar voelden. Hun hartstochtelijke relatie duurde tien jaar en bracht drie kinderen voort. Dit wordt uitgedrukt in een warm en intens thema waarintevens de schoonheid van de Egyptische koningin doorschemert. Het derde en laatste deel opent vastberaden en in militaire sfeer. Marcus Antonius en Cleopatra waren vaak bij elkaar vandaan: de generaal was geregeld weg om strijd tevoeren. In Alexandrië vierden ze samen hun triomf, maar de jaloezie en ambitie van Octavius, de zoon van Julius Caesar, gooide roet in het eten. De geliefden werden in de val gelokt en de onvermijdelijke verovering van Egypte doorde Romeinen volgde al snel. Toen Marcus Antonius het onjuiste bericht kreeg dat Cleopatra zelfmoord had gepleegd, maakte hij een eind aan zijn eigen leven: de koningin van Egypte werd op haar beurt kort daarna gevangengezet. Detwee geliefden behoren tot de beroemdste stellen uit de wereldgeschiedenis. Cleopatra werd in opdracht geschreven om het negentigjarig bestaan van het blaasorkest uit de gemeente Antony dicht bij Parijs te markeren. Dat orkestbracht het onder leiding van Philippe Rossignol in première.
Königin Kleopatra regierte über 20 Jahre lang Ägypten. Sie ist eine der bekanntesten Frauen der Antike, insbesondere aufgrund ihrer Beziehungen zu Julius Cäsar und vor allem zu Marcus Antonius aber auch aufgrund ihrerrätselhaften Todesursache. Das Werk besteht aus drei Abschnitten, die ohne Unterbrechung gespielt werden. Der erste Abschnitt beginnt mit einer strahlenden Einleitung, die Marcus Antonius darstellt. Die martialische und dynamischeMusik beschreibt den römischen Feldherrn. Doch bald darauf erklingt ein neues Thema, das sanfter und melodischer ist und Kleopatras Weiblichkeit symbolisiert. Die beiden Charaktere verschmelzen schließlich in einem schnellerenTempo. Der Mittelteil des Werkes beschreibt die Liebe, die Marcus Antonius und Kleopatra füreinander empfinden. Die leidenschaftliche Beziehung der beiden dauerte zehn Jahre lang und aus ihr gingen drei Kinder hervor. Dafür stehtein warmes und intensives Thema, das auch die Schönheit der ägyptischen Königin beschreibt. Der dritte und letzte Abschnitt beginnt mit einer entschlossenen und kriegerischen Stimmung. Marcus Antonius und Kleopatra waren oftmalsgetrennt, wenn sich der römische Feldherr auf Feldzügen befand. In Alexandria trafen sie sich, um ihren Sieg zu feiern. Doch sie waren Opfer der Eifersucht und der ehrgeizigen Ambitionen von Octavius, Julius Cäsars Sohn, wurden ineine Falle gelockt und mussten auf die bevorstehende Eroberung Ägyptens durch die Römer warten. Als Marcus Antonius die Nachricht vom vermeintlichen Selbstmord Kleopatras erhielt, nahm er sich selbst das Leben. Die Königin vonÄgypten wurde ihrerseits kurz darauf inhaftiert. Die beiden zählen zu den berühmtesten Liebespaaren der Geschichte. Dieses Stück wurde vom Orchestre d’Harmonie de la Ville d’Antony aus der Nähe von Paris, das von PhilippeRossignol geleitet wird, anlässlich seines 90-jährigen Jubiläums in Auftrag gegeben.
La Reine Cléop tre règne sur l’Égypte pendant plus de 20 ans. Elle est l’une des femmes les plus connues de l’Antiquité, notamment gr ce ses relations avec Jules César et surtout avec Marc-Antoine (Antony), mais aussi par lemystère qu’entoure sa disparition. L’œuvre est écrite en trois parties enchaînées. La première commence par une brillante introduction qui représente Marc-Antoine. A la fois martiale et dynamique, cette musique caractérise legénéral romain. Mais très vite, un nouveau thème apparaît, plus mélodique et plus doux, il symbolise la féminité que représente Cléop tre. Les deux caractères vont ensuite s’assembler dans un tempo plus rapide. La partie centralede l’œuvre dépeint l’amour que Marc-Antoine et Cléop tre ressentent l’un pour l’autre. Cette relation passionnée durera 10 ans et donnera naissance 3 enfants. Il en résulte un thème chaleureux et intense, l’image de la beautéde la reine d’Égypte. Enfin, c’est sur un caractère décidé et guerrier que la troisième partie débute. Marc-Antoine et Cléop tre sont souvent séparés, le général romain est souvent en campagne. Ils se retrouvent Alexandrie pourfêter leur triomphe. Mais, victimes de la jalousie et de l’ambition terrifiante d’Octave, fils de Jules César, les amants sont piégés et attendent inexorablement que l’Égypte soit conquise par les Romains. A la fausse annonce dusuicide de Cléop tre, Marc-Antoine met fin ses jours. La Reine d’Egypte sera quant elle emprisonnée peu de temps après. Les deux amants resteront l’un des couples les plus célèbres de l’Histoire. L’œuvre a été commandée parl’Orchestre d’Harmonie de la ville d’Antony l’occasion de ses 90 ans : l’orchestre est placé sous la direction de Philippe Rossignol. $31.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Cleopatra Concert band - Intermediate De Haske Publications
Concert Band/Harmonie - Grade 3 SKU: BT.DHP-1216342-010 The Last Queen...(+)
Concert Band/Harmonie - Grade 3 SKU: BT.DHP-1216342-010 The Last Queen of Egypt. Composed by Thierry Deleruyelle. Concert and Contest Collection CBHA. Concert Piece. Set (Score & Parts). Composed 2021. De Haske Publications #DHP 1216342-010. Published by De Haske Publications (BT.DHP-1216342-010). English-German-French-Dutch. Queen Cleopatra ruled Egypt for over 20 years. She is one of antiquity’s best-known women, in particular because of her relationships with Julius Caesar and, above all, Mark-Anthony, but also because the cause of her death remainsa mystery. The work is split into three parts and performed without breaks. The first section begins with a bright introduction representing Mark-Anthony. Dynamic in nature and reminiscent of military music, this characterises theRoman general. But soon after, another theme emerges, softer and more melodic, symbolising Cleopatra’s femininity. The two characters then combine on a faster tempo. The middle section of the work depicts the love thatMark-Anthony and Cleopatra feel for each other. This passionate relationship lasted ten years and produced three children. This is expressed by a warm and intense theme, just like the beauty of the Egyptian queen. The third andlast section opens in a determined and military mood. Mark-Anthony and Cleopatra were often apart, the Roman general was often away on a campaign. They met up in Alexandria to celebrate their triumph. But, as the targets of thejealousy and ambition of Octavius, Julius Caesar’s son, the lovers are trapped and await the inevitable conquest of Egypt by the Romans. When Mark-Anthony heard the false news that Cleopatra had committed suicide, he ended his ownlife. The Queen of Egypt, for her part, was imprisoned shortly afterwards. The two lovers remain one of History’s most famous couples. This piece was commissioned by the Wind Orchestra of the town of Antony, near Paris, directedby Philippe Rossignol, to mark its 90th anniversary.
Koningin Cleopatra heerste meer dan twintig jaar lang over Egypte. Ze is een van de bekendste vrouwen uit de oudheid, vanwege haar relatie met Julius Caesar en vooral die met Marcus Antonius, maar ook omdat de oorzaak van haardood altijd een mysterie is gebleven. Dit werk bestaat uit drie in elkaar overlopende delen. Het eerste deel begint met de levendige introductie van Marcus Antonius. Met het dynamische en enigszins militaire karakter van de muziekwordt de Romeinse generaal krachtig neergezet. Snel daarna doemt een zachter en melodieuzer thema op een weerspiegeling van Cleopatra’s vrouwelijkheid. De twee persoonlijkheden gaan vervolgens samen verder in een vlotter tempo.Het middelste deel beschrijft de liefde die Marcus Antonius en Cleopatra voor elkaar voelden. Hun hartstochtelijke relatie duurde tien jaar en bracht drie kinderen voort. Dit wordt uitgedrukt in een warm en intens thema waarintevens de schoonheid van de Egyptische koningin doorschemert. Het derde en laatste deel opent vastberaden en in militaire sfeer. Marcus Antonius en Cleopatra waren vaak bij elkaar vandaan: de generaal was geregeld weg om strijd tevoeren. In Alexandrië vierden ze samen hun triomf, maar de jaloezie en ambitie van Octavius, de zoon van Julius Caesar, gooide roet in het eten. De geliefden werden in de val gelokt en de onvermijdelijke verovering van Egypte doorde Romeinen volgde al snel. Toen Marcus Antonius het onjuiste bericht kreeg dat Cleopatra zelfmoord had gepleegd, maakte hij een eind aan zijn eigen leven: de koningin van Egypte werd op haar beurt kort daarna gevangengezet. Detwee geliefden behoren tot de beroemdste stellen uit de wereldgeschiedenis. Cleopatra werd in opdracht geschreven om het negentigjarig bestaan van het blaasorkest uit de gemeente Antony dicht bij Parijs te markeren. Dat orkestbracht het onder leiding van Philippe Rossignol in première.
Königin Kleopatra regierte über 20 Jahre lang Ägypten. Sie ist eine der bekanntesten Frauen der Antike, insbesondere aufgrund ihrer Beziehungen zu Julius Cäsar und vor allem zu Marcus Antonius aber auch aufgrund ihrerrätselhaften Todesursache. Das Werk besteht aus drei Abschnitten, die ohne Unterbrechung gespielt werden. Der erste Abschnitt beginnt mit einer strahlenden Einleitung, die Marcus Antonius darstellt. Die martialische und dynamischeMusik beschreibt den römischen Feldherrn. Doch bald darauf erklingt ein neues Thema, das sanfter und melodischer ist und Kleopatras Weiblichkeit symbolisiert. Die beiden Charaktere verschmelzen schließlich in einem schnellerenTempo. Der Mittelteil des Werkes beschreibt die Liebe, die Marcus Antonius und Kleopatra füreinander empfinden. Die leidenschaftliche Beziehung der beiden dauerte zehn Jahre lang und aus ihr gingen drei Kinder hervor. Dafür stehtein warmes und intensives Thema, das auch die Schönheit der ägyptischen Königin beschreibt. Der dritte und letzte Abschnitt beginnt mit einer entschlossenen und kriegerischen Stimmung. Marcus Antonius und Kleopatra waren oftmalsgetrennt, wenn sich der römische Feldherr auf Feldzügen befand. In Alexandria trafen sie sich, um ihren Sieg zu feiern. Doch sie waren Opfer der Eifersucht und der ehrgeizigen Ambitionen von Octavius, Julius Cäsars Sohn, wurden ineine Falle gelockt und mussten auf die bevorstehende Eroberung Ägyptens durch die Römer warten. Als Marcus Antonius die Nachricht vom vermeintlichen Selbstmord Kleopatras erhielt, nahm er sich selbst das Leben. Die Königin vonÄgypten wurde ihrerseits kurz darauf inhaftiert. Die beiden zählen zu den berühmtesten Liebespaaren der Geschichte. Dieses Stück wurde vom Orchestre d’Harmonie de la Ville d’Antony aus der Nähe von Paris, das von PhilippeRossignol geleitet wird, anlässlich seines 90-jährigen Jubiläums in Auftrag gegeben.
La Reine Cléop tre règne sur l’Égypte pendant plus de 20 ans. Elle est l’une des femmes les plus connues de l’Antiquité, notamment gr ce ses relations avec Jules César et surtout avec Marc-Antoine (Antony), mais aussi par lemystère qu’entoure sa disparition. L’œuvre est écrite en trois parties enchaînées. La première commence par une brillante introduction qui représente Marc-Antoine. A la fois martiale et dynamique, cette musique caractérise legénéral romain. Mais très vite, un nouveau thème apparaît, plus mélodique et plus doux, il symbolise la féminité que représente Cléop tre. Les deux caractères vont ensuite s’assembler dans un tempo plus rapide. La partie centralede l’œuvre dépeint l’amour que Marc-Antoine et Cléop tre ressentent l’un pour l’autre. Cette relation passionnée durera 10 ans et donnera naissance 3 enfants. Il en résulte un thème chaleureux et intense, l’image de la beautéde la reine d’Égypte. Enfin, c’est sur un caractère décidé et guerrier que la troisième partie débute. Marc-Antoine et Cléop tre sont souvent séparés, le général romain est souvent en campagne. Ils se retrouvent Alexandrie pourfêter leur triomphe. Mais, victimes de la jalousie et de l’ambition terrifiante d’Octave, fils de Jules César, les amants sont piégés et attendent inexorablement que l’Égypte soit conquise par les Romains. A la fausse annonce dusuicide de Cléop tre, Marc-Antoine met fin ses jours. La Reine d’Egypte sera quant elle emprisonnée peu de temps après. Les deux amants resteront l’un des couples les plus célèbres de l’Histoire. L’œuvre a été commandée parl’Orchestre d’Harmonie de la ville d’Antony l’occasion de ses 90 ans : l’orchestre est placé sous la direction de Philippe Rossignol. $176.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| In Search of Inspiration GIA Publications
SKU: GI.G-10451 Interviews with Notable Choral Conductors. Compose...(+)
SKU: GI.G-10451 Interviews with Notable Choral Conductors. Composed by Gregory Gentry. Edited by Anna Gentry. Music Education. 362 pages. GIA Publications #10451. Published by GIA Publications (GI.G-10451). ISBN 9781622775934. Featuring: George Lynn • George Eugene Umberson • Donald Neuen • Paris Rutherford • Peter Bagley • Charlene Archibeque • Eph Ehly • Joseph Flummerfelt • Joan Conlon • Ann Howard Jones • Simon Carrington • Earl Rivers • Henry Leck • Hilary Apfelstadt • André Thomas • Maria Guinand Choral conductors shoulder a great responsibility as custodians of their craft. And there is perhaps no better source of inspiration and guidance for today’s conductors than the experiences and insights of choral giants who have blazed the trail we now tread. In Search of Inspiration is a collection of in-depth interviews with fifteen highly respected choral conductors from around the world. Each answers a series of fundamental questions about how they shaped their achievements: How do they balance their time making music and fulfilling teaching schedules and concert schedules? How do they motivate students, manage outside professional commitments in the educational setting, and satisfy administrators? Each conductor generously shares their wisdom and expertise, discussing memorable educational moments on the podium and in the classroom, recounting stirring experiences in the concert hall, and sharing stories about their work with historic figures in music. They also offer insights on programming repertoire and explain how they have successfully navigated a career in music. These interviews document the through lines within the choral artâ€â€elements of performance and mentorship stemming from such luminaries as Julius Herford and Robert Shaw that connect so many of the great conductors. A fascinating and relevant read for any choral educator, In Search of Inspiration explores the choral art through extraordinary 20th- and 21st-century voices whose artistry and influence will be felt for generations to come. Gregory Gentry is director of choral studies and the Lynn Whitten Choral Music Faculty Fellow at the University of Colorado Boulder. He is editor of the Gregory Gentry Choral Series (Fred Bock Publishers), past president of Arizona ACDA, and former chorus master with the Phoenix Symphony and Colorado Music Festival. Gentry states that he felt it was time to revitalize and update the book In Quest of Answers: Interviews with American Choral Conductors (Howard Swan and Carole Glenn). Contributors: Emilie Bertram, Corie Brown, Galen Darrough, Stephen Futrell, Anna Wheeler Gentry, Gregory Gentry, Sharon A. Hansen, Aaron Harp, Vernon Huff, David Kates, Dee Romines, Kira Zeeman Rugen, Paul Thompson, Betsy Cook Weber, Adam Zrust. $29.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Zimmerschied D Oper Operette Musical/erlebnis Schott
(SCHUELBD) SKU: HL.49032933 Composed by Jerrentrup. Edited by Guenther No...(+)
(SCHUELBD) SKU: HL.49032933 Composed by Jerrentrup. Edited by Guenther Noll. This edition: Saddle stitching. Book. Edition Schott. Student book. 64 pages. Schott Music #ED 9155. Published by Schott Music (HL.49032933). ISBN 9783795726805. German. Diese Reihe erlaubt es, aus der Themenvielfalt der Lehrplane - je nach Interessenslage der Klasse - bestimmte Segmente intensiver und facherubergreifend zu behandeln. Um den zentralen Bezugspunkt Musik herum erscheinen Streiflichter auf allgemein bildende Facher wie Geschichte, Literatur, Kunsterziehung, u.v.a. Das Schulermaterial ist z.T. bereits ab der 5./6. Klasse einsetzbar. Mit Schulerheft, Lehrerkommentar und Horbeispiel-CD fugt dieses vielseitige Thema dem Spektrum der Unterrichtsmaterialien Erlebniswelt Musik eine weitere Farbe hinzu. Es ist spannend zu entdecken, wie sich das Genre Oper im Laufe der Jahrhunderte gewandelt hat: seit seiner Entstehung in der italienischen Spatrenaissance uber Barock, Klassik und Romantik bis in die Gegenwart. Relativ kurz hingegen war die Blutezeit der Operette. Mitte des 20. Jahrhunderts endet ihr Werdegang abrupt, doch immer noch erscheint sie auf den Spielplanen unserer Theater. Das Interesse vor allem des jungen Publikums gilt aber nun zunehmend der neuen Gattung Musical. $5.99 - See more - Buy online | | |
| Cello Repertoire Level 6 Cello - Intermediate The Frederick Harris Music Company
Cello - Intermediate SKU: FH.VC6 Cello Series, 2013 Edition. Compo...(+)
Cello - Intermediate SKU: FH.VC6 Cello Series, 2013 Edition. Composed by The Royal Conservatory. Cello Series, 2013 Edition. Book/CD. The Frederick Harris Music Company #VC6. Published by The Frederick Harris Music Company (FH.VC6). ISBN 978-1-55440-542-8. This inaugural edition of the Cello Series offers a sound and progressive collection of Repertoire, Recordings, Etudes, Technique, and Orchestral Excerpts for the aspiring cellist. With an expansive representation of musical styles from all eras, this series addresses the need for a single collection of quality educational materials to foster musical development and instill appreciation of the richness and diversity of music written for cello. Supporting a balanced course of study, this series organizes repertoire into nine volumes from the Preparatory Level through Level 8. Each level offers music from a range of styles and compositional eras, including standard literature, new arrangements of familiar tunes, and music written for cellists, by cellists. These selections provide the flexibility to choose pedagogically appropriate material suited to each individual, and to motivate students to fully develop their musicianship and technique. Concertos: Concerto No. 4 in G Major, op. 65 - Goltermann, Georg arr. Leo Schulz - First Movement: Allegro Concertino No. 1 in C Major, op. 7 - Klengel, Julius - First Movement: Allegro Concerto No. 1 in A Minor, RV 422 - Vivaldi, Antonio arr. Eberhard Wenzel - Second Movement: Largo cantabile Sonatas and Suites: Sonata in D Minor, op. 8, no. 9 - De Fesch, Willem arr. Jason Noble - First Movement: Siciliano - Second Movement: Allemande Sonata in G Minor, RV 42 - Vivaldi, Antonio - First Movement: Preludio - Second Movement: Allemanda Sinfonia in F Major - Pergolesi, Giovanni Battista arr. Joseph Schmid - Third Movement: Adagio - Fourth Movement: Presto Concert Repertoire: Lied ohne Worte, op. 109 - Mendelssohn, Felix Cantillation - Ethridge, Jean Supplication - Bloch, Ernest Romanze - Reger, Max La Provencale - Marais, Marin arr. May Mukle Gavotte, op. 67, no. 2 - Popper, David Serenade espagnole, op. 20, no. 2 - Glazunov, Aleksandr arr. M.P. Belaieff Andaluza (Playera) - Granados, Enrique arr. Manuel Calvo Apparition - Rathburn, Eldon Siciliana - Piazzolla, Astor Unaccompanied Repertoire: Suite No. 5 in C Minor, BWV 1011 - Bach, Johann Sebastian - Seventh Movement: Gigue Suite No. 2 in D Minor, BWV 1008 - Bach, Johann Sebastian - Third Movement: Courante Suite No. 1 in G Major, BWV 1007 - Bach, Johann Sebastian - First Movement: Prelude I Dropped My Ice Cream Cone - Laut, Edward Ballad - Laut, Edward. $45.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Entrance of the Gladiators Concert band [Score] - Intermediate C.L. Barnhouse
(March). By Julius Fucik (1872-1916). Arranged by Andrew Glover. Concert band. H...(+)
(March). By Julius Fucik (1872-1916). Arranged by Andrew Glover. Concert band. Heritage of the March Series. Audio recording available separately (item CL.WFR372). Grade 3.5. Extra full score. Composed 2011. Duration 3 minutes, 6 seconds. Published by C.L. Barnhouse
$9.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Entry of the Gladiators Concert band [Score and Parts] Carl Fischer
(Thunder and Blazes) - Full Score and Parts. By Julius Fucik. Arranged by Andrew...(+)
(Thunder and Blazes) - Full Score and Parts. By Julius Fucik. Arranged by Andrew Balent. Concert band/stage band. Carl Fischer Performance Series - Medium Easy Band. Score and parts. 24 pages. Duration 3:00. Published by Carl Fischer.
$85.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| The Old Grumbly Bear - Intermediate/advanced C.L. Barnhouse
Composed by Julius Fucik (1872-1916). Arranged by Andrew Glover. For baritone sa...(+)
Composed by Julius Fucik (1872-1916). Arranged by Andrew Glover. For baritone saxophone solo with piano accompaniment. Solo. Grade 4. Composed 2010. Duration 4 minutes, 52 seconds. Published by C.L. Barnhouse
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| The Old Grumbly Bear - Intermediate/advanced C.L. Barnhouse
By Julius Fucik (1872-1916). Arranged by Andrew Glover. For tuba solo with piano...(+)
By Julius Fucik (1872-1916). Arranged by Andrew Glover. For tuba solo with piano accompaniment. Solo. Grade 4. Composed 2010. Duration 4 minutes, 52 seconds. Published by C.L. Barnhouse
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| The Old Grumbly Bear C.L. Barnhouse
Composed by Julius Fucik (1872-1916). Arranged by Andrew Glover. Solo. Composed ...(+)
Composed by Julius Fucik (1872-1916). Arranged by Andrew Glover. Solo. Composed 2010. Duration 4 minutes, 52 seconds. Published by C.L. Barnhouse (CL.084-4028-38).
$10.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Entry of the Gladiators (Thunder and Blazes) [Score] Carl Fischer
By Julius Fucik. Arranged by Andrew Balent. Full Score. Published by Carl Fische...(+)
By Julius Fucik. Arranged by Andrew Balent. Full Score. Published by Carl Fischer.
(2)$14.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Entrance of the Gladiators Concert band - Intermediate Opus III Wind Orchestra Publications
Grade 3 SKU: CL.012-4001-75 March. Composed by Julius Fucik. Arran...(+)
Grade 3 SKU: CL.012-4001-75 March. Composed by Julius Fucik. Arranged by Glover. Concert Band. Heritage of the March Series. Audio recording available separately (items CL.WFR372 & CL.WFR197). Oversized, spiral-bound score. Composed 2011. Duration 3 minutes, 6 seconds. Opus III Wind Orchestra Publications #012-4001-75. Published by Opus III Wind Orchestra Publications (CL.012-4001-75). This march masterpiece, famous for generations to children of all ages is at last available in this concert edition arranged by Andrew Glover. This delightful, entertaining, and familiar march will be a hit at any concert performance. An excellent choice also for contest and festival performances. About Heritage of the March Full-sized concert band editions of the greatest marches of all time. Each has been faithfully re-scored to accommodate modern instrumentation and incorporate performance practices of classic march style $25.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| The Old Grumbly Bear Bassoon, Piano (duet) - Intermediate/advanced C.L. Barnhouse
By Julius Fucik (1872-1916). Arranged by Andrew Glover. For bassoon solo with pi...(+)
By Julius Fucik (1872-1916). Arranged by Andrew Glover. For bassoon solo with piano accompaniment. Solo. Grade 4. Composed 2010. Duration 4 minutes, 52 seconds. Published by C.L. Barnhouse
$10.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| The Old Grumbly Bear Bass Clarinet, Piano - Intermediate/advanced C.L. Barnhouse
By Julius Fucik (1872-1916). Arranged by Andrew Glover. For bass clarinet solo w...(+)
By Julius Fucik (1872-1916). Arranged by Andrew Glover. For bass clarinet solo with piano accompaniment. Solo. Grade 4. Composed 2010. Duration 4 minutes, 52 seconds. Published by C.L. Barnhouse
$10.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| The Old Grumbly Bear Concert band [Score] - Intermediate C.L. Barnhouse
By Julius Fucik (1872-1916). Arranged by Andrew Glover. Concert Band. Grade 3. E...(+)
By Julius Fucik (1872-1916). Arranged by Andrew Glover. Concert Band. Grade 3. Extra full score. Composed 2004
$7.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| The Old Grumbly Bear Concert band [Score and Parts] - Intermediate C.L. Barnhouse
By Julius Fucik. Arranged by Andrew Glover. Solo. Concert Band. Spotlight. Level...(+)
By Julius Fucik. Arranged by Andrew Glover. Solo. Concert Band. Spotlight. Level: Grade 3. Score and set of parts. Composed 2004. Duration 0:04:52. Published by C.L. Barnhouse.
$72.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
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